Beast Boy's always been the comic relief of the Titans, right? Well, this visual novel takes that green shapeshifter and throws him into situations where his animal instincts aren't exactly PG-rated anymore. The whole "embracing his animal side" thing gets pretty literal when you're making choices about how far he'll push his powers with the ladies around him. And by ladies, I mean basically every female character from DC you can think of - Harley Quinn's there doing her crazy thing, Supergirl's got that innocent act going until she doesn't, and don't even get me started on what happens when Poison Ivy shows up. The corruption mechanics work through Beast Boy's transformations, where different animal forms unlock different... let's call them "interaction options" with each character.

What caught me off guard was how the game handles the power dynamics. Sometimes Beast Boy's the one calling the shots, using his abilities to get what he wants, but then you'll hit a scene where someone like Catwoman flips the script entirely and suddenly he's the one getting dominated. The lactation scenes with Power Girl were completely unexpected - like, who thought of that combination? But somehow it works in this weird universe they've created. The AI-generated artwork is hit or miss though, sometimes the proportions get absolutely ridiculous even by comic book standards, and Beast Boy's face occasionally looks like he's having an existential crisis mid-transformation.

The multiple endings thing is where it gets interesting because your choices about which animal forms to use actually matter for the story branches. Go full predator mode and you get the darker corruption routes, stick to gentler animals and you unlock the more romantic paths. Though honestly, the line between "romantic" and "completely fucked up" gets pretty blurry when tentacles are involved. The Raven storyline especially goes places that made me question my own kinks, but in a good way? Maybe? Look, if you're into transformation stuff and DC parodies, just prepare for some wild rides.

It starts with a weird kind of quiet, like you’re waiting for someone to say something they shouldn’t. The first scene pulls you in because it doesn’t even try to be shocking - it just *is*. Anna’s voice has this tone that sits between teasing and sincere, like she’s half‑ashamed of wanting to talk about what she wants. And then you realize, the game isn’t really about her leaving for Italy; it’s about how much you can stand watching her become someone else. There’s a moment where she sends you a photo - nothing too wild - and yet it feels heavier than the later scenes where everyone’s naked. I think that’s the trick: it makes you feel complicit before you even click the next line.

The humor sneaks in when you least expect it. There’s a bit where one of the side characters, can’t even remember his name now, tries to give “advice” about open relationships using a sandwich metaphor that’s absolutely terrible but somehow right. The writing jumps from filthy to tender so fast you almost get whiplash. Sometimes it feels mean on purpose, especially when Shego shows up - yeah, they went full parody there - and suddenly the tone flips again, all green eyes and cruel smirks, leather snapping against skin like punctuation. The game keeps forgetting it’s supposed to be sexy and then accidentally becomes it. One minute you’re laughing, next minute someone’s wrists are tied and you’ve forgotten why you were amused.

I’ll admit, I got weirdly obsessed with the sound design. The moans don’t loop cleanly; they stutter, slightly off‑tempo, and that imperfection makes it more real. There’s a scene with a mirror - voyeur stuff, sure - but what caught me is how the reflection lags a frame behind. Maybe intentional, maybe not. Doesn’t matter. It messes with your head. The pacing’s uneven, some transitions abrupt, but that chaos fits the story. If I could change one thing, I wouldn’t. Or maybe I would, but only to make it worse. Hard to tell anymore.

You start out as this scrawny little dragon hatchling, naked, pissed off, and already fantasizing about ruining an entire kingdom, and honestly that part feels more honest than half the “hero” games I test. There is no fake noble bullshit here. You crawl out, you learn how to roar, and then you slowly figure out how to turn terrified villagers into fucktoys, cultists, or snacks. Sometimes all three. Half the fun is just poking at the events to see which girl snaps, which one kneels, which one secretly wanted to be railed by a monster the whole time. And yeah, it leans into that point of view hard. The writing really likes putting you in the dragon head, watching the way she shakes when you pin her down, listening to her gasping voice crack while she begs you to stop and you very clearly do not. Then she says she’s a virgin and you get that special extra line when you break her on your cock and it’s fucked up and hot and also the text box bugs out sometimes and skips a line, which drove me mad because I had to replay the same defloration scene three times just to catch one sentence. Not that I’m complaining. I am absolutely complaining.

Some scenes go full corruption route. You grab a priestess, you mind break her with repeated creampies, and a few acts later she’s breastfeeding a dragon whelp while preaching some warped religion about serving your “holy shaft”. The game doesn’t flinch at lactation, bukkake, or turning someone who hated you into this smiling, dripping slave that moans your name like a prayer. Then next scene it casually drops a futa knight with a huge cock and treats it like this is just normal Tuesday. One run I had this whole harem of twins, a fluffy-eared monster girl, a noble girl who pretends she’s all about virtue but melts the second you shove it in her ass, plus a captive hero who turned out to be a trap, tied up and used as a toy by your own minions while you watch. That voyeur angle is done nicely, by the way, except when the voice playback randomly cuts out mid moan and I’m sitting there like “hello, I wanted to hear the ahegao breathy whine, not stare at a frozen mouth.” There is actual management too, not just click sex scene and done. You juggle fear and loyalty, throw slaves into breeding pits, assign who guards your lair and who warms your bed, and if you screw it up you get raided and lose your favorite big tits milk cow because you left her on public display. The mobile version somehow survives all this without crashing, which is impressive, but the UI on small screen is a total mess; I misclicked and sent a lesbian pair I was carefully corrupting straight into a gangbang event and skipped their slow-burn route. That was like 3 in-game weeks of edging my own curiosity gone in one tap. Still, when you finally storm the capital with a squad of collared ex-heroes, a monster girl warband, a couple of trans and gay followers who worship your cock like it’s sacred, everyone dripping, everyone screaming, and you’re just slamming into some princess from behind while your cum from earlier is still leaking out of her mouth from the titfuck scene, it hits that primal “yeah, I own this world now” spot in a way most porn games only promise.

It starts quiet, like one of those evenings when you swear you’re just checking something small before bed. I thought it was gonna be a quick “help Melory with homework” kind of clicker thing, but nah - this thing gets under your skin fast. The tension builds and then tilts sideways; suddenly you’re the guy making dumb choices while a soft-spoken girl grins like she knows exactly what you’ll do next. It doesn’t feel scripted half the time, more like an awkward memory you’re re-living. The way her voice dips right before teasing a boundary - that’s what caught me. You don’t even realize how deep the game wants to push until every tiny decision spirals into something filthier, or sweeter, depending on your mood.

The strangest part? I actually cared about the damn story for a second. There’s this older woman - Melory’s mom maybe, can’t remember - and she pulls off that fake calm thing way too well. One minute you’re blushing through a foot scene, next she’s lecturing you like some goddess who read your search history. And yeah, it’s heavy on the domination bits, anal teases, stuff that’d make your phone pause mid-loadscreen, but somehow none of it feels cheap. Even the sleep scenes - they make you uncomfortable in that weird way where you still click *next* without thinking. The ASMR moments are hit or miss, honestly; sometimes sexy as hell, other times they just sound like the mic brushing against a pillow, but whatever, it fits the messy, intimate rhythm of the game.

I hate that bottle mini-game though. It’s supposed to be random, but I swear it always lands on the person I didn’t want stripped that round. Maybe that’s the point? It messes with you, keeps that frustration humming right between curiosity and guilt. By the time things twist into those cross-path routes - with trans, maid, interracial, even golden shower endings - you kinda stop worrying about which kink is next and just ride the chaos. The mix of control and shame here works almost too well. Makes you breathe slower. Or hold it. Hard to tell which.