Can’t lie, I clicked expecting another copy-paste anime mashup with the usual stiff models and dead-eyed moans, but this one hits different. There’s a sadness under all that skin, like someone coded their fantasies too carefully, you know? I found myself staring at Raven’s face - Batman’s Raven - and thinking, “she shouldn’t be looking at me like that,” while still dragging her into position anyway. Unreal how fast guilt turns into hunger when the animation breathes just right. And maybe it’s because of the Illusion engine doing its sneaky physics thing, or maybe because the transitions are almost clumsy, like real people fumbling with clothes and patience. It’s messy, which makes it hot.

The scenes jump from universes without pretending to make sense. One second I’m in some broken-down Capsule Corp lab, Bulma smirking like she *planned* to get caught; next, Yoruichi’s toes press against my chest, laughing, telling me to look up. I did. Of course I did. The voyeur mode feels wrong in the best possible way - it doesn’t even give you fake morality options, just lets you watch. But then again, maybe that’s lazy design. Or genius. Hard to tell when your brain’s half-melted. The weird part? The sound mix changes depending on position, so D.Va sounds distant if she turns away. I swear no one ever gets audio that intimate, not even those overpriced VR patches on Steam.

Anyway, I could say it’s perfect, but I won’t. Some things twitch too mechanically - the faces sometimes freeze mid-expression, like they remember they’re code. Yet that’s also the charm. You see the seams, and you keep touching them. Like rubbing a wound for pleasure. Half the cast shouldn’t exist in the same space - Orihime beside Tifa beside Samus - but here they crowd my screen like they’ve been waiting forever. Maybe that’s why it works: it’s absurd, obscene, familiar, and somehow lonelier than expected. I closed the browser and immediately reopened it. Couldn’t help it.

This sequel really went all-out with the pregnancy mechanics, and honestly? It's kind of overwhelming in the best possible way. You've got Android 18 getting absolutely railed while Chun Li's watching from the corner, and somehow the game manages to make all these crossover scenarios feel natural instead of just thrown together for horny reasons. Well, mostly natural.

The impregnation content hits different when you're dealing with characters like Saber and Ishtar - there's something weirdly intimate about seeing these powerful figures vulnerable and needy. Momo Yaoyorozu's scenes are particularly intense, especially when she's using her quirk during sex, creating toys and restraints mid-fuck. The developers clearly understood that fans wanted more than just basic vanilla content, because the female domination routes with characters like Midnight and Wu Zetian get genuinely kinky. Pharah's armor stays on during most of her scenes which is both frustrating and incredibly hot somehow.

What really surprised me was how much effort went into the romance progression - you're not just collecting waifus like Pokemon cards, you're actually building relationships that feel meaningful before the hardcore fucking starts. Lusamine's storyline genuinely made me emotional before she was riding my cock and begging for a baby. The pregnancy belly physics are surprisingly well-done too, watching characters like Nami and Caulifla grow bigger as the story progresses adds this layer of consequence that most porn games completely ignore. Some of the orc content from the WoW characters feels a bit out of place compared to the anime aesthetic, but Jaina's scenes make up for any tonal inconsistency. The sound design during the creampie scenes is *chef's kiss* - you can actually hear the wet sounds of cum filling these girls up. Twisted Wonderland fans might feel a bit left out since Malleus only gets like two scenes, but the Dragon Ball content more than compensates with how absolutely feral Vados gets when she's in heat.

You ever had one of those dreams where all your favorite anime girls somehow end up in the same damn room and nobody’s pretending to be shy? That’s the vibe here. It’s like someone cracked open every universe - Dragon Ball, My Hero, Fate, Pokémon, even some old-school Darkstalkers stuff - and said, “Yeah, let’s see what happens if we make this horny.” You start off like the usual male protagonist who’s probably too average for his own good, but then the story flips, and suddenly you’re face to face (or more like face between thighs) with women who look like they could crush you or bless you, sometimes both. Artoria looks divine, like she’s judging your soul while riding you. Cammy doesn’t ask, she just pins you. Lusamine’s smile is all wrong in the right way. It’s messy, it’s chaotic, and it knows exactly what it is - fantasy without apology.

There’s something about the way scenes shift that feels like tarot cards flipping. One moment, The Lovers - soft light, skin, slow rhythm, the sound of breath. Next card, The Tower - power play, domination, a queen’s boot on your chest. It’s all written in that language between pleasure and humiliation. I liked how it didn’t care for “moral arcs.” Nemuri Kayama whispering filth while she toys with you like she’s grading your stamina. Android 18 smirking, asking if you really thought you could keep up. You can’t. But you still try, and that’s kind of the point. Even the “romance” parts hit weirdly tender, like you accidentally caught feelings for a goddess who’s only half real.

I noticed some things that annoyed me - like the transitions, they just happen. No warning, no rhythm. But then again, maybe that’s what keeps it hot. It’s a fever dream stitched from too many fantasies, half memory, half instinct. The kind of game you tell yourself you’ll play for five minutes, then you’re sweating, reading every line like a prayer you don’t want answered. Nothing about it feels clean. That’s the charm. It’s lust pretending to be destiny. Or maybe the other way around.