Nobody tells you the first thing you see here is just Violet’s tongue disappearing between Helen’s cheeks, like the game already decided what you’re into before you even blink. There’s no warmup, no buildup, no “oh hey, this is your mom, are you sure?” dialog. It’s just straight up daughter nose-deep in her own mother’s ass, like that’s the most normal family dinner ever. And it loops. Over and over. Every time I told myself “ok one more look and I’m done”, my dumb horny brain hit replay again like I was scrolling TikTok, but for fucked up Pixar porn. The faces are the part that really got me though: Violet looks way too into it. That slow, focused movement, like she’s doing homework, not licking her mom’s asshole. You can almost hear her thinking “I’m gonna make you moan, mom” while Helen’s body just relaxes into it, giving up control completely. It’s wrong on every level and somehow that just makes it hotter. And worse. And still hotter. I hated how much I loved it, then loved that I hated it.

What surprised me is how intimate it feels for something so simple. There’s no huge camera spin or crazy quick cuts, just that tight framing on Helen’s ass and Violet’s face sliding in and out of view. You start noticing little things. The way Helen’s hips twitch the tiniest bit when Violet pushes her tongue deeper. The soft curve of her brunnete hair falling forward when she leans in. That smug “I know exactly what I’m doing” vibe from Violet, like she’s been thinking about this for a long time and finally snapped. I spent way too long just staring at the rhythm of the motion, ignoring everything else on my screen, Discord notifications going nuts while I’m here rewinding animated rimming like a psycho. At one point I caught myself trying to time my breathing with the loop, like it was some cursed meditation app. It’s honestly kinda lazy as a “game”, there’s not much to click or unlock and part of me kept wishing there was at least one variation, maybe Helen reaching back, or Violet pausing to kiss the cheeks before diving back in. But then the brainrot kicks in and you realize maybe the pure loop is the whole point: just endless, taboo, mother-daughter ass worship, no excuses, no plot, no escape button for your conscience. You’ll tell yourself it’s too much. You’ll keep watching anyway.

Nobody really plays a porn parody like this for “deep lore”, but this one actually tries to tell how the whole little superhero squad even forms before you start fucking your way through them. It starts slow, with you as this awkward, horny student who is way too into science and way too distracted by tight tops and leggings. One scene you’re pretending to care about some nerdy lab project, next thing you’re staring at Honey Lemon’s titties bouncing while she leans over a beaker and “accidentally” presses up against you. The game sort of treats being a genius as foreplay, which honestly fits.

Stuff escalates in a really stupid, funny way. Your “gifted” brain gets noticed, then suddenly you’re in the orbit of these super girls, each one a walking fetish pulled straight out of Big Hero 6 and The Incredibles. Violet shows up all shy and nervous, hugging her books, but the CGs have her in that clingy top that you know Pixar was secretly horny about. She keeps doing that thing where she wants to be invisible but also keeps bending over at angles that would break a normal spine. Then you have Helen Parr just walking into the story and the game basically screams “THICC” without saying it. There’s a moment where she’s pretending to be serious and mature, talking about responsibility, while your eyes are just locked on her ass stretching the fabric. The scene lets you scroll through a couple of angles and yeah, I looped that part. More than once. Gogo Tomago’s whole deal feels different. She’s got this tough biker energy, always annoyed, talking like you’re wasting her time, but then the CG hits you with her in this body-hugging suit where the thighs are pure art. The writing actually has her teasing you in a really dry way, like “You sure you’re a hero and not just a pervert?” and you’re just there clicking “continue” praying the next image has less clothes. It all pretends to be about building a team, testing tech, forming strategies, blah blah, then in the middle of a “training session” Honey is basically grinding on you under the excuse of checking how the “equipment” reacts under stress. Very scientific. The humor is kind of dumb in a charming way. There’s a scene in a classroom where the teacher is explaining some superhero theory and the camera just keeps drifting to Violet’s legs under the desk, like the game itself is horny and can’t keep focus. Some lines feel like bad fanfic, then suddenly you hit one that’s legit funny, like when someone complains about “tight costumes” and Helen just gives this very knowing smile in the CG. The mix of parody and straight up filth actually works. My favorite tiny detail: when Honey texts you on your in-game phone, her messages are this mix of math symbols and thirsty emojis, like she’s trying to hide sexting inside equations. Completely unnecessary and that’s why it slaps. If you want the most out of it, don’t skip the setup scenes. Let the nerd talk play, check every dialogue option before moving on, and take your time with the CG gallery when it opens up. Build up that hunger, then click through each heroine’s route slowly, like you’re actually earning every shot of Helen’s ass and every flustered, blushing Violet close-up. That’s when the game really hits.

It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

It’s weird how this game starts like it wants to be romantic, and then ten minutes later it’s already elbow-deep in pure dirty chaos. One minute Violet’s giving you that look like she’s pretending to be shy, the next she’s dragging you somewhere private and asking if you’ll “watch her with someone else.” I swear it caught me off guard even though the tags should’ve warned me. There’s a sense the dev probably reads too much late-night fanfic because somehow Rangiku shows up, then Tsunade, and none of it makes any sense story-wise but it *works*, in that guilty way where your brain says “nah” but your hand’s already on the mouse. The animation’s smoother than expected - especially that ridiculous scene with Fubuki teasing you through a half-open door, talking about her “training schedule” like that explains anything.

Anyway, what actually surprised me was how human some of the writing feels when it stops trying to sound like porn dialogue. Like there’s this one quiet bit after the whole netorase mess where Eric just sits, pissed off and turned on at the same time. It’s clumsy, messy, hot - exactly how that sort of fantasy should feel. But then it immediately ruins the mood by throwing in a crossover cameo from Makima, who literally does not care about continuity and just starts talking about control mid-blowjob. Still, that kind of randomness is what makes it addictive; you never know if the next click is gonna bring soft moaning or someone getting their ego destroyed. Kinda like browsing old adult forums again - half cringe, half fascination.

Oh, and whoever coded the exhibitionism scenes deserves a medal. The one with Violet teasing you in public while pretending to check her phone, yeah - that’s burned into my brain. There’s something slightly broken about the transitions, though I almost prefer it that way; it makes it feel less scripted, more like stumbling into something you shouldn’t see. I keep telling myself I’m done with it, then remember there’s still that hidden route with Tatsumaki and bam - back again, no shame left to lose.