Millie's got that thicc demon energy that hits different when you're supposedly dead but somehow hornier than ever. This Helluva Boss parody throws you into Hell's most dysfunctional assassination company where the mystery of your own demise takes backseat to getting spanked by cartoon demon girls with impossibly round asses. The whole "solve your death" plotline? Yeah, that gets real fuzzy when Mildred's bent over showing off assets that defy both physics and good taste.

What starts as detective work quickly devolves into pure horniness wrapped in familiar red-skinned characters doing things Vivienne Medrano definitely didn't approve for cable. The paranormal elements feel more like convenient excuses to get freaky with monster girls who somehow make being dead seem like the best career move you never made. Male protagonist stumbles through Hell like he's got permanent brain fog, which honestly tracks when every demon chick is packing heat in all the right places. The cheating mechanics add this weird guilt layer that shouldn't work but absolutely does - nothing says "I'm investigating my mysterious death" quite like raw-dogging your way through the entire I.M.P. roster.

The spanking scenes hit with that cartoon physics energy where asses jiggle like they're made of premium jello, and honestly? The 2D art style works better for this kind of degenerate content than any realistic approach could. Helluva Game knows exactly what it is - shameless fan service disguised as mystery solving, where the real mystery becomes how many demon girls you can corrupt before remembering you're supposed to be dead. The parody elements nail that irreverent Helluva Boss humor while cranking the sexual tension to levels that would make Blitzo blush. Sure, the plot about your death exists somewhere in there, but good luck caring when Millie's teaching you new definitions of "workplace harassment."

Small town, boring campus, horny brain. That is the whole mood of this thing. You play this kinda lazy city kid who only pretends to care about uni, then your dad throws you into this dead little town where nothing moves faster than the old ladies on benches. At least, that is what it looks like first evening. Then you meet Rally. Skinny, cute, soft face, that kind of boy where your brain goes “he?” and “she?” at same time and refuses to pick. He offers you a cheap room, like some normal roommate deal, but the vibe is not normal at all. First night, you can hear him through the thin wall, slow fap noises and tiny breathing, and you get that instant “oh, this is one of those games” feeling. The game doesn’t rush it though, which I kind of liked and kind of hated. You spend a bit too long just walking to lectures you barely see, talking to people who have way bigger tits than any campus adviser I ever saw on my real-life Zoom classes, and half the time your guy is thinking with his dick instead of his GPA. Classic.

Rally is the star here. Early on you catch him half‑dressed in the corridor, oversized shirt barely covering that bubble butt, cute little panties peeking when he bends to pick up laundry. You get a dialog choice: pretend you saw nothing or stare like a dog. Of course I stared. He blushes, legs crossing a bit, camera lingering way too long, and I was like “yeah, this dev grew up on old eroge too.” Later, there is this scene where you wake up in the middle of the night and he’s sitting on your bed, saying he’s cold. The model leans in close, this soft boy body but with that obvious bulge pushing the fabric, and suddenly the whole teasing act flips. He starts grinding on your leg, hands shaking, and your MC can either play the gentleman or grab his hips. There is some nice masturbation stuff too. One afternoon, everyone’s at class, you are stuck “studying” in your room. You open your phone, scroll porn like on xVideos, and the game lets you pick what you watch. I picked a thick MILF with big tits, riding some lucky bastard, and your guy just strokes along while the sound leaks through your earbuds. Then Rally knocks on the door, you panic, try to click away, but the sound bugged for me and kept playing under the dialog. Whole scene suddenly feels way more filthy because they talk about rent and shopping while moaning still going in the back. Maybe a bug, maybe genius. The town itself hides some surprises too, like that older woman at the store with the huge ass and “I shouldn’t fuck my tenant” kind of aura, and when the game finally lets you get her alone in a backroom, the 3D models go full on, with her riding you, tits bouncing in your face, and you almost forget you were supposed to be here for lectures at all. It’s messy, slow in weird spots, horny in good ones, and yeah, I closed the browser, went to make tea, and kept thinking about Rally’s smug little smirk when he catches you staring at his panties.

It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.