You start as this quiet guardian angel, not some shining armor guy, more like a nosy mod in a cursed Discord server, watching a girl in a city that feels cut off from the rest of the world. At first it’s almost calm: narrow streets, fog stuck between the buildings, people pretending they’re normal while catgirls and foxgirls just wander around like it’s nothing. You don’t walk in the city yourself, you nudge it. Tiny choices, small pushes, changing who she meets and what kind of shit she gets dragged into. One run she’s shy, hiding under hoodies and closing curtains, another run she’s half naked in a bar window, acting like she forgot what shame is. The game never stands up and says “here is the corruption route now,” it just lets scenes creep in. A dirty job offer here, a “favor” there, some pervy landlord watching her undress through a crack in the wall while you decide whether to stop it or see what happens next. It feels wrong and interesting at the same time, which I guess is the point.

The city itself slowly turns into this living kink playground if you let it. That quiet back alley becomes the place where she ends up on her knees between two strangers, trying to keep eye contact with you, like she still hopes some angel is actually watching. One decision earlier you told her to take that “easy money,” now she is in a cheap motel room with a group of guys, mascara smeared, trying to act like she’s fine with being used as a cum dump. If you push her harder, the outfits get bolder, tops vanish, skirts get shorter, and suddenly every corner has someone wanting a taste. Interracial scenes in cramped stairwells, public blowjob next to a parked car while a foxgirl girl records it on her phone, lesbian stuff in a steamy bathhouse where she lets another girl pin her to the wall and ride her face until she almost passes out. Sometimes she’s on top, humiliating some poor bastard, spitting in his mouth, choking him a little. Next day she’s the one getting slapped, called a whore, forced to say thank you while a crowd watches and laughs. The game swings between male dom, femdom, and just pure chaos, and the whole time you’re stuck in this weird zen state, clicking options like “encourage” or “ignore” while people choke each other out in graphic, messy detail.

What really hits is when the violence ramps up and the sex doesn’t stop. There is this scene where some thugs drag her behind a warehouse, and it’s not soft at all. She gets pinned to cold concrete, legs forced open, you see the panic, then that fucked up moment where panic turns into something else. Blood, spit, rough thrusts, her voice cracking between begging and moaning, and you’re still there in your little guardian menu, deciding whether to call in a miracle or just let it scar her more. Next playthrough maybe you steer her towards a brothel instead, and now prostitution is almost “cleaner” by comparison: a line of clients, one after another, her learning how to deepthroat while a madam talks about prices. She leans into exhibitionism too, standing under a flickering streetlight in nothing but a thin top, nipples visible, pretending she’s cold while secretly getting turned on by all the staring eyes. Sometimes you do nothing and just watch her through cameras, like a voyeur god, as she lazily rides a guy on a sofa and stares at the invisible you, almost like she knows she’s never alone. The sandbox thing means you just kind of wander between events, trigger something wild, then waste time talking to some random catgirl who wants her tail pulled. It’s messy, uneven, too slow in parts, and yet that fits. Like sex where you both lose rhythm, laugh a bit, then go harder and rougher than before. The girl changes, the city changes, and somewhere in there, you realize you stopped trying to “protect” her and started being curious how far down she can slide.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.

SULLEN PSYCHO (AKA: Project Psycho) features a dark fantasy setting the protagonist has no idea how he's ended up in, but instead of going out, he keeps diving in. What the hell, Allan? He's charming, care-free, and goes with the flow, long as he can! You control him throughout his weird adventures. He never (or rarely) questions the absurdity of his situation. Why should anyone else?
Sullen PSYCHO is not necessarily about a psycho, but a random fellow, Allan, who is where he's not supposed to be. But now that he IS here, he must navigate through the dark, mysterious, captivating castle he's found himself in. Therein he'll meet many entities, be it people or weirder creatures, friend or foe, alive or DEAD!
He'll meet Succubi and Talking Skeletons, Iron-clad Knights and Old Frauds and Tricksters who not unlike him, are hoping for a good time:
A Good Adventure.

War, horny elves, and a city that feels like it never sleeps because something awful is always crawling in the shadows. That’s the mood here. You’re this guy Nathan, last scraps of a famous monster hunting family, trying to keep your head straight while the world goes straight to hell. The elven empress is basically doing a fantasy genocide speedrun, bodies on the streets, burned-out homes, and in the middle of all this horror you’ve got monster girls with ridiculous tits pressing against you in dark alleys and half-ruined temples. It sounds silly when I write it, but in the game it actually hits kind of hard. One scene you’re walking through Veskar with ACA patrols, rain on the pavement, corpses under sheets. Next scene, a demon milf with eyes like molten gold has you pinned to a wall, whispering in your ear how “strong your bloodline is” while grinding that huge ass on you. It shouldn’t work. It absolutely works.

I like how the game doesn’t treat the porn like a separate side dish. Sex just crashes into the story, same as the violence does. You might be questioning a cultist, everything tense and quiet, and suddenly the candles flare, something supernatural slips into the room, and now you’re in this half-possessed threesome with a horned mystery girl and a very annoyed, very stacked elf officer. There’s one early encounter where a big-titted wolf-girl you’re supposed to capture instead drags you into a half-collapsed warehouse, claws at your clothes, and you get this rough, desperate fuck with broken glass and moonlight all around. While she rides you, she keeps switching between snarling monster and soft, needy girl, and your choices there actually change how she acts later. I love that. I also hate it, because I missed one option, reloaded, then missed a different one, closed the tab, opened Reddit, then came back again like a clown. The game has that effect. It makes you chase scenes you didn’t even know you wanted.

Visually, the girls lean heavy into that thick fantasy look: wide hips, heavy curves, hair all over the place. The monster traits are not subtle. Horns, tails, glowing marks, weird eyes that look at you like they already undressed your soul. There’s this mysterious priestess type with a “pure” white dress that clings to her massive chest in a way no priest outfit ever would, and when she finally drops the holy act and climbs on top of you during a ritual, the whole room goes red with floating runes. It’s messy, a bit janky sometimes, and some poses look like they were figured out at 3 in the morning after too much coffee, but honestly that gives it charm. The horror parts even made me pause once, which almost never happens in porn games. One nightmare sequence where you chase your missing sister through a ruined Veskar street, shadows laughing, then you wake up hard as a rock with a monster girl sitting on your lap, asking if you “dreamed of her again.” I still don’t know if that line is hot or fucked up. Possibly both. Which fits this whole thing a bit too well.

Monet feels like somebody took a regular city, squeezed out all the warmth, and replaced it with glass, chrome and secrets. IRYS throws you in there like you just woke up from a dream you half remember, wearing a cheap suit and an ID badge that says you belong to Deimos. You start as this regular office guy, doing spreadsheets, watching useless meetings on Zoom while pretending to listen, getting coffee that tastes like it was filtered through somebody’s sadness. On the surface it’s that boring corporate life. Then you start noticing small weird things. People know things about you that you never told them. A coworker remembers a night you “spent together” that you’re pretty damn sure never happened. Your boss praises you for a project you have no memory of, and in the same breath hints that you owe him more than just good performance. That’s when the game starts to crawl under your skin a little.

The horny part doesn’t show up like a hentai pop-up. It slips into the routine. You’re in a late-night office review, just you and this colleague with big soft tits almost falling out of her blouse, blue light from the monitor on her skin, both of you talking about quarterly targets like robots. Then there’s a line of dialogue that feels too intimate. She leans in too close. Her hand stays too long on your shoulder. One click and you push her away and keep pretending to be a good boy. Another click and you grab her wrist, pull her into your lap, and suddenly your boring Excel sheet is sharing space with her moans and the sound of your cock sliding into her on the boss’s fancy ergonomic chair. IRYS is like that a lot. It gives you these “professional” masks and waits for you to peel them off. Sex scenes are very physical, animated just enough that when you’re fucking her against the office window or bending her over a lab table, you feel every thrust. Sometimes you are gentle, slow, like she is something you want to protect from this fucked up city. Other times the corruption hits and you use her, hand on her throat, filling her raw and hard while she begs you not to stop, even when the guilt dialogue kicks in afterward and makes you question if those feelings are yours or some Deimos script injected into your brain.

What really got me was how the romance and the sci-fi mess bleed into each other. There is this one scene where you wake up in your small apartment, naked, next to a coworker you definitely did not take home. Her hair is messy, thighs still glistening, your cum leaking out of her, and she looks at you like you have been lovers for months. You check your phone and there are whole chat logs, selfies, dirty pics, little heart emojis, like a full relationship that someone speedran while you were asleep. It feels like the universe glitched and rewrote your fate. As somebody who actually believes in destiny, that hit weird. You start asking: did I really fall for her before and just forgot, or was this romance manufactured in some secret Deimos experiment so they can pull my strings better? Later, when you take her in the back of the office, pressed against a server rack humming with data, her legs wrapped around your waist while you fuck her deep and she whispers that you were “always meant for each other”, you can’t even tell if that’s sweet or just another line of code. The game loves putting you in those moments. You climax inside her during some illegal lab test, alarms faint in the background, and instead of simple post-nut clarity you get this strange dream flash of another timeline where you never joined Deimos and she never existed. IRYS keeps poking: is your dick leading you, or is the company guiding your dick so it can own your heart and your guilt at the same time. I kinda hate that it works so well. I also kinda love it. I’m confused. It fits the city.

Hello my dear friend. This is a kinetic story, i know i know... don't freak out, you want to play a game with possibility to choose but this is pre story. Pre story to give a fine little taste for the future, to hit a note that may lead to a melody or a symphony of your hand squish-squash:) Mainly this is pre story of a young(18 years old) girl Anita, who is experiencing new discoveries of her sexuality,body and feelings, but also you can experience the perspective of view and feelings of her father, that i think can give a richer taste. So i hope you will enjoy this story (about 30-45 mins long).
Have a great day/evening/night my friend​!

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.

The so secret side of Shibuya Incident! Only open for viewing of Higher-ups! The Confidential Shibuya Files!​

Where do the events take place? In a vibrant tropical island escape filled with secrets and temptation. Who drives the narrative forward? John and Mia, a college couple navigating their second summer together. What conflicts arise on this island? Familiar faces from the past bring rivalry and jealousy into play. What explicit encounters feature in the game? Animated sequences where passion and temptation collide. Who does the player control? A confident male protagonist who must navigate emotional and physical entanglements. Is cheating a significant theme in the narrative? Yes, infidelity is at the heart of the drama, with red flags raised throughout. What makes this game appealing to lewd game fans? Players experience raw, unfiltered passion wrapped in a compelling narrative. Want to uncover what happens when love meets temptation? Jump into this provocative journey on the island.

In this provocative puzzle, matching items changing in the boxcorner related to sex and closing. Each round pushes you to spot and link pieces that tease and titillate, bringing a sensual twist to a classic matching mechanic.

Meet Tina, the blonde bombshell with big tits, who strips down as you progress through each stage. The 3D graphics make every curve and movement feel alive, drawing you deeper into the sultry atmosphere.

Strategically pair the shifting items in the boxleft and boxcorner to unlock new stages, each successful connection causes Tina to unveil more skin and heightens the erotic tension. The combination of classic puzzle elements with explicit adult content ensures you’ll never look at matching games the same way again.

Don’t just play a game - orchestrate a lustful sequence where every move reveals more of Tina’s body. The challenge lies in recognizing patterns in the constantly changing boxcorners and boxlefts, making it as mentally stimulating as it is visually arousing.

If you’re craving a game that mixes seductive visuals with addictive puzzles, this title delivers with its blend of 3D striptease action and clever matching. Ready to unlock Tina’s secrets and watch her strip down piece by piece?