Bayonetta always had this “I could crush you with a heel and you’d say thank you” vibe in the original games, and here that energy is just stripped of pretense and pointed straight into your crotch. The whole thing feels like someone took the idea of a serious witch story, got bored halfway, and said “fuck it, let’s just make her ride this poor bastard until he forgets his name.” You start with the usual set up, some flimsy excuse of a narrative about demons, contracts, sexy power, all that. You can read it if you’re in a mood, or just hammer the next button like a horny squirrel trying to open a nut. There’s this fun moment where she’s mid-dialogue, talking like she owns the whole damn universe, and you cut her off by skipping the text and jumping straight into her grinding her hips down, and it almost feels wrong, like interrupting a priest. A very stacked, very evil priest who calls you a pervert while bouncing on your cock.

What I liked most is how the customization is stupidly simple but still hits hard. You tweak her hair, maybe loosen the outfit a bit more, change tiny things in her look and suddenly she feels like a different flavor of the same dangerous milf. Sometimes I spent longer in those menus than in the actual “action” parts, just nudging sliders, going “nah, more cleavage, no, even more, yeah, that’s it,” like I was sculpting a sin. There’s this one scene where her glasses are slightly different and for some reason it made the rough sex moment feel way more personal, like this was my private version of Bayonetta that Nintendo would absolutely sue over. The sex itself is straight to the point, almost rude about it. She talks like she knows exactly how pathetic you are, rides you, slaps, squeezes, grabs, and the game is shameless about throwing you into the cumming part without long foreplay if you want. Sometimes it’s actually too fast. You click through the “porn bastards” style story, tweak her look a bit, and boom, she’s already on top and you’re finishing before your brain even catches up. It’s like ordering a huge meal and the waiter just slams dessert on your table first.

There’s rough moments that feel really good in a way that’s not nice at all. She chokes you with her thighs, calls you something filthy, arches her back, and you get that rush that only comes when a character looks like she could ruin your life and you’re begging her to. I kind of wish there were more positions, or at least one scene where she actually slows down and teases instead of just pounding like a cursed metronome, but that’s not what this thing is aiming for. It’s more like a quick, nasty fan fantasy where Bayonetta stops pretending to be a stylish superhero and just becomes the terrible idea you jerk off to after too much Reddit and horny Twitter art. The parody side is fun too, you recognize the attitude, the poses, the way she moves her hands like she’s still summoning demons, except now the “demon” is basically your dick and she’s casting the same spell over and over until you give in. If you want to squeeze every drop out of it, don’t rush the first run. Play with her look, read at least some of the dirty story, then, when you feel that edge starting to creep in, kill the self-control, skip everything, and slam your way straight to the ending scene. Treat it like a one night stand where you already know her name but pretend you don’t.

Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.

April O'Neil finds moments away from her Teenage Mutant Ninja Turtle allies and her hectic job to explore her darkest desires. Her fiery red hair and voluptuous curves make her an irresistible target for twisted fantasies.

In this explicit parody, you get to customize April’s look, peeling away layers until nothing is left but pure, unfiltered desire. The real thrill starts when she’s drugged and pushed past the edge of reality, losing herself completely in the haze.

Every touch, every moan is driven by your choices, turning this parody into a playground of filthy indulgence. From teasing undress to hardcore scenes, this game delivers explicit content with a mix of humor and raw eroticism.

For fans of the Teenage Mutant Ninja Turtles who want a risqué twist on a beloved character, this game is a perfect blend of parody and porn. The customization options let you tailor her look and mood, making each playthrough unique and intensely personal.

April’s story is your playground - whether you want to take control or watch her slip into submission, the power is in your hands. This game isn’t just about watching - it’s about becoming part of April’s twisted escape, where pleasure and danger collide.

If you’re ready to see April O'Neil stripped of her inhibitions and thrown headfirst into a delirious haze of lust and submission, this game waits for you.

Don’t just imagine it - take control, customize, and push April deeper into the shadows of ecstasy and debasement.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.