You wake up in the future, dick still attached, and somehow that already makes you rare like legendary loot in a shitty gacha. Men are gone, wiped out by some plague, and the world got tired of waiting for them to respawn, so the girls built androids to fill the… gaps. Not just for heavy lifting and fixing pipes either. Your new “life” is basically being a rented toy with a human brain: if a woman flashes her account balance and a weird request, you smile, say “yes, ma’am,” and figure out later why your knees hurt. The game treats this like a normal job, which is kind of the funniest part. One scene you’re lying on a couch while some rich office lady sits on your face like you’re just another piece of furniture, talking on her phone about work targets while using your tongue, the next scene you’re awkwardly trying to pretend you don’t see a horny student girl masturbating in the dorm shower while “testing your sensors.” The tone jumps between sweet, horny, humiliating and just stupid in the good way, like an adult comedy that forgot it was supposed to be subtle.

What I really liked is how it leans into you being property without turning you into a silent mannequin. You can tease back, flirt, or just be confused like a guy who opened the wrong tab at work. There’s a great early moment where your handler drags you to your first client, this shy-looking woman who clearly ordered you “for research.” She acts all serious and academic, then ten minutes later she’s climbing on top of you, hands shaking, asking you to “just stay still and… record the stats” while she rubs herself on you, grinding and panting, apologizing every three seconds and still not stopping. The game loves that contrast: girls acting like they’re in control, but their voice cracking the second your hand “accidentally” slides under the skirt. One milf makes you stand naked on the balcony while she lazily jerks you off from behind, talking in your ear about “exhibition testing,” and you can see other windows lit up, shadows moving. It really sells that voyeur vibe, like half the city is peeking and pretending they’re not.

I wish the notifications bubble in the corner wasn’t that ugly green, it just sits there like a WhatsApp message from someone you hate. Never gets fixed. Anyway, there’s this fun tension in a lot of routes: they talk like you’re just software, but the second you push your luck, like sliding your fingers deeper or holding their hips just a little tighter during oral, they react like you’re very real. Sometimes they punish you for it too. One dommy mechanic girl literally throws you on a workbench, sits on your face, and tells you she’s “recalibrating your tongue module” while grinding till you can barely breathe, then makes you finish her off with your hand under the oily overalls. Another scene goes the other way: a lonely office lady hires you just to cuddle, maybe a bit of groping, but you end up with her gently riding you while half-asleep, soft sleep sex, her muttering her ex’s name and you can decide if you wake her or just hold her tighter and keep going. The game calls itself funny, but it’s also weirdly romantic sometimes, like with the shy lesbian android who starts off just “studying male models” and ends up using you to figure out what she actually wants from girls. There’s groping on crowded trains, forced stripping in small apartments, you jerking off because your client “forgot to finish the test,” harassment in alleys where you’re treated like a vending machine for orgasms. It’s messy, horny, occasionally sweet, and never really lets you forget you’re both a sex worker and a glitchy relic of a dead gender, which sounds heavy but somehow just makes the teasing scenes hit harder.

You wander through this dead, sunburned Egypt where the sand is full of bones and broken tech, and somehow your biggest problem keeps becoming “who am I fucking tonight and how hard.” The game throws you in as this desert scavenger who is supposed to be hunting relics and old-world junk, but every time you push deeper into the ruins you just keep stumbling into more messed up, horny situations. One second you are negotiating with some half-feral tribal girl who wants water, the next second she is on her knees between your legs in a crumbling temple, sand dust falling from the ceiling while she gags on your cock and tries to keep eye contact like it’s some kind of ritual. The story pretends to care about fate, old gods, this artifact that can twist the future and all that, but the real tension is always “do you ruin this person, or do you pretend to be her savior while still using her body.” It feels wrong and hot at the same time, like you are playing with a broken toy that still smiles at you.

What actually keeps it interesting is how many different flavors of messed up it has. You have girls who melt the second you humiliate them in front of others, being dragged by a collar through a ruined street while people stare. You have this strict, icy woman who acts like she owns you, spitting orders and making you lick her feet, only for you to later chain her up in some underground chamber and fuck her until she cries and drools milk all over herself. One girl is shy and flat, another stacked and leaking, and the game really doesn’t care if you want to turn the whole ruined pyramid complex into your personal harem, breeding them, sharing them with your allies, or letting them “serve” as slaves in some filthy market. Sometimes the sex is slow and almost tender, bodies pressed together on dusty sheets in a half-collapsed apartment, sometimes it jumps into full-on horror, with blood, screaming, and you still hard while something awful drips down her thighs. You get pissing scenes in dirty showers, public use in alleys, group scenes in torch-lit chambers where everybody is sweaty and no one really knows who is fucking who anymore. There are moments where you feel like a monster, forcing a girl to strip in front of her own family, or making a daughter watch what you do to her mother, and the game just lets that hang there, no hand holding, no “good boy” message, just your choices and the way these broken people cling to you anyway. Then five minutes later you are clicking through some dialog that feels like it came from a hentai shitpost and laughing because it is so blunt and stupid. It is rough, filthy, sometimes too much, sometimes not enough, but it sticks in your head like the taste of sweat and sand on someone’s skin.

You know that quiet point in a long relationship where everything’s kinda fine but also kinda dead inside? That’s where this game lives. You play as Mila, this pretty normal girl who’s been with the same guy since school, and instead of breaking up or doing therapy like a sane person, her brain just starts wandering into all the filthy corners she pretended she never had. The whole thing is written like someone slowly losing their sexual filter. One scene she’s just bored on the couch, scrolling on her phone, half-watching some series on Netflix, and a couple hours later she’s in front of a mirror, panties around her ankles, trying not to moan too loud because she’s imagining her boyfriend watching her get wrecked by someone else. It escalates like that a lot. Not in a big dramatic way, more like “oh shit, this went further than I planned” over and over.

The paths are where the game really messes with your head. Loyal route is still horny as hell, it’s not some PG “good girl” option. You still get anal, toys, a lot of teasing, some proper choking and spanking, dirty talking in your ear, that kind of stuff. It just stays inside the couple and focuses on them waking up again, with Mila taking turns being bratty and then just melting when he finally grows a spine and pins her to the bed. There’s this POV blowjob scene where she keeps eye contact way too long, drool on her chin, and the voice acting has this little breathy laugh that kinda hits harder than the actual cum shot. The NTR and sharing stuff is where it gets nasty though. You get that gross hot feeling in your chest when she walks into a bar in that short dress, pretending she’s “just flirting a bit”, and suddenly there’s a dude’s hand on her ass and you can choose to pull back or… not. Watching her bend over in front of another guy, trying to look confident while she’s clearly embarrassed and turned on, is very much the vibe here. Humiliation, ahegao faces, getting called out for being a slut while she moans louder, all of that. There’s a scene with a footjob on a hotel bed while her boyfriend is on a video call, and if fucked up guilt mixed with arousal is your thing, that one stays in your head after you close the tab.

The art sits in that 2D CG plus AI-touched zone where sometimes her face looks unbelievably hot and sometimes you stare at a detail like a weird toe and can’t unsee it. Animations help a lot though, especially during anal scenes where you actually feel the rhythm and you see her clench and twitch instead of just reading about it. Sounds are hit and miss; some moans are legit good, like the kind that make you pause your Spotify because you want to hear them clear, others feel copy-pasted, but when the VA nails that mix of shame and pleasure, it’s killer. I played super pacifist in a way: always picking the less aggressive options, trying to avoid the full-on “ruin her life” choices, and the story still dragged me into some nasty corruption bits. There’s this one moment where she’s masturbating on the balcony at night, half naked, clearly visible if anyone looks up, and afterward she just goes back inside like nothing happened, fixing her hair while you know she’s soaked. That tiny detail of her wiping her fingers on the curtain annoyed me for some reason and I kept thinking about it, but I also kinda loved that they put it in. The game is basically like that curtain. A little dirty, kind of wrong, but you still keep looking.

Eva’s story doesn’t even pretend to be clean. It starts with her pretending - pretending she’s got everything under control, pretending she’s not curious, pretending those late-night messages don’t make her pulse jump. There’s something almost cruel about how the game lets you linger on her hesitation, how it slows time right before she crosses a line she swore she wouldn’t. You can feel her trying to reason with herself - then giving up. I didn’t expect the texting mechanic to be that addictive. You think you’re just choosing dialogue, but no, it’s you pushing her, pulling her, maybe ruining her. The city feels like it’s watching her too, waiting for her to slip up. It’s messy, and kind of hot in that uncomfortable way that makes you want to close the tab - but you don’t. You just keep pushing.

What caught me off guard was how the game doesn’t really reward you for doing the “right” thing. You think she’s safe with one person, and then the next scene just wrecks that illusion. The art style does this thing where it looks soft, almost innocent, and then the next frame just slaps you with something filthy - like contrast is part of the kink. I got annoyed at one point because the UI glitched during a stripping sequence and killed the mood, but then again maybe that’s just me being picky. The sound design though - too real sometimes. There’s one scene in a bathroom that made me mute the laptop because I thought someone would hear. It’s not even that graphic visually, it’s the breathing. The tiny pauses. It’s insane how much tension they packed into that.

Anyway, it’s not a “fun” game in the usual sense. It’s more like being caught reading someone’s private messages and liking it too much. I kept telling myself I’d stop after one more choice, but Eva’s slow slide into her own reflection, the way she starts liking the attention she said she hated - it’s gross, it’s hot, it’s kind of art. I don’t even know if I liked it, which probably means I did.