I don’t know who came up with the idea to mash Makima, Zelda, and Tsunade into the same world, but whoever it was probably spilled beer on their keyboard halfway through writing the script - and that’s what makes *D20 Magic Dice* feel alive. It’s messy, horny, strangely sentimental at times, like watching late-night anime reruns after a breakup. You’re talking to this dice thing (yeah, an actual dice), and before you even realize it, it’s making your thoughts real. Not just the good ones. I rolled a 3 once and ended up in some half-lit tavern where Widowmaker was arm wrestling Rumi for no reason while Zelda flirted with the bartender. I think I lost track of the main plot two minutes in, but it didn’t matter. The game doesn’t care either, it just keeps throwing beautiful chaos in your lap, all soft skin and heavy breathing mixed with dumb jokes about mana points.

What I liked most is how it doesn’t pretend to be clever. The dialogue’s sometimes broken, and the pacing jumps like old VHS tape - one second you’re teasing Ada Wong, next second Tsunade’s lecturing you about responsibility while sitting on your lap. There’s some strange comfort in that inconsistency. I did wish there were more sound options though; moans hit too loud compared to everything else, made me lower volume quick before neighbors got curious. And yet, when Makima whispers in that weirdly calm tone, you kinda forgive every bug. Maybe nostalgia blinds me - I grew up on janky flash hentai crossovers, and this feels like one resurrected from 2009. The dice mechanic almost feels secondary to the conversations, which twist between sincere and absurd so fast it makes you laugh mid-erection.

Sometimes I forget which universe I’m even in - Naruto? Overwatch? Who cares. The worlds blur, the clothes vanish, and someone says something about destiny while you’re trying not to roll another damn six. Three words? Chaotic, filthy, affectionate. Dare to play it alone, or invite company?

Sereneth looks like the kind of fairy you’d see on a fantasy book cover, all glowing wings and soft curves, but the game really loves tearing that first impression to pieces. She walks into this story like some devoted, almost naive lover, hanging on Caelen’s arm, swearing she’ll stay pure for him, and ten minutes later the script is already poking at every weak spot in that promise. The whole thing runs like one long, painful tease. You know where it’s heading, she kinda feels it too, but they both keep pretending this is just some noble quest to save a princess. It’s not. It’s a long, horny slow crash where “rescue mission” slowly turns into “how many twisted ways can we ruin this relationship and still pretend it’s romance”.

The Forest of Myrlaen is basically one big corruption machine. Every stop is an excuse for something filthy to chip away at her loyalty: a “healing ritual” that needs way too much skin, a magic vine that grabs the wrong places and doesn’t let go, a monster girl who touches her way too casually while explaining how “shared pleasure builds trust”, that kind of energy. Sereneth starts off swatting hands away, tail twitching when someone talks about her body, clinging to Caelen’s side. Then the game starts pushing situations where he turns his back for a moment and some other “guide” or “ally” is already sliding fingers between her thighs, testing just how sensitive fairy skin really is. One of the better scenes has Olgrun pretending to “check for curses” while his grubby hands knead her ass like dough, and the camera just lingers there while she tries to keep her voice steady so Caelen doesn’t notice. The animation zooms in on her lip biting and that tiny little tremble in her legs. It’s filthy and kind of mean in a way NTR fans will recognize immediately.

What really hits is how the erotic pacing keeps grinding away at both of them. Caelen gets moments of fake hero confidence, kissing her, telling her he will protect her, while the player already saw her just get stuffed full by something with a cock thicker than his arm in the last branch. There’s a scene with an arrogant elven noble who makes her “prove” fairy loyalty on her knees, tongue working on his big cock while Caelen sits outside the tent, listening to “magic chanting” that is just wet choking sounds. The game plays hard with contrast: romance framed like a dating sim on one side, and on the other side you have blacked style scenes where her tight little body is pinned, legs spread, wings twitching as she takes a big black cock or gets used by some leering monster in all the wrong ways, filled and creampied until dripping. Sometimes she tries to talk her way out and ends up getting spanked over someone’s lap, or having her feet worshiped and then used in a messy footjob that leaves her blushing and breathing hard. The whole “fairy born of ancient magic” thing slowly twists into “perfect toy for anyone with the power to push her”, and the transformation is more mental than physical, though the game clearly enjoys making her ass and tits look fuller, slick with cum, marked, pregnant risk constantly hanging in the background. At first she’s horrified when something leaks out of her after a rough anal session behind some roots, later she just wipes it off and smiles weakly, telling herself it was only for the mission. It’s that painful little lie that makes the next blowjob sting more than any tentacle ever could.

Whore Effect feels like someone modded Mass Effect after a long night, got horny, and never bothered to clean it up. In a good way and also not in a good way. You play as a very unprofessional Commander Shepard, a female captain who’s supposed to save the galaxy from Reapers but mostly keeps getting distracted by tits, alien pussy and stupid little errands that end with somebody getting creampied. The game doesn’t even pretend she’s noble. She flirts like a drunk, fucks like she’s speedrunning porn scenes, and still somehow pulls off the “good captain” thing just enough that you don’t feel like she should be court-martialed immediately. It’s a sandbox kind of structure, so you’re bouncing around to different locations, poking stuff, talking to people who all secretly or openly want to fuck you, clicking weird little minigames that look like they were programmed in a hangover. I liked that it never slows down to explain itself. You either get it or you mash buttons until Shepard moans and something fills her. Works both ways.

The erotic focus is very clear: vaginal sex, a lot of it, not shy at all, with explicit angles that feel like the dev really loved certain positions and just kept reusing them. Creampie is everywhere. Humans, asari, monster girls with too many teeth, it all ends with Shepard leaking something. The parody vibe is strong, but a bit stupid in a charming way, like someone remembered Mass Effect from years ago and is re-telling it from memory while half watching porn on another monitor. Liara T’Soni shows up, or something close enough to her that your brain fills the gap, and the scenes with her are honestly the best part. There’s this one bit where you’re supposed to do something serious for the mission, but the “puzzle” is basically teasing her until she caves and begs you to fuck her, and then the actual objective just pops up done afterward. That kind of fake challenge happens a lot: a puzzle, a stupid little pattern matching game, then suddenly you’re riding some alien on a console in the background like it’s nothing. It’s stupid. I still replayed that Liara scene three times.

Sound is where it got me, though, which is probably not what the dev expected. The music is this weird mash of euro-club loops, slightly off-key sci-fi ambience and cheap porn groove. None of it matches tempo properly and I kind of love it. There’s a track in one of the early ship sections that sounds like someone tried to copy the Mass Effect synth pads, then said “fuck it” and threw a lazy trap beat under it. Totally wrong for a dramatic commander speech, but when Shepard is naked and spread on some alien lab table, that beat suddenly makes sense. Her moans are uneven too, like they were recorded in different sessions with different mics, so sometimes she sounds like a porn star, sometimes like a streamer quietly failing to be discreet in a thin-walled apartment. It’s messy, but the mess sells the fantasy more than a perfect mix would. My only real audio complaint: there’s this tiny click every time one specific loop restarts in a sex scene in the medbay. Once you notice it you can’t unhear it and it drove me insane. I kept expecting an update that fixes it. It never came.

Anyway, don’t come here for deep sci-fi, even if it pretends to be Mass Effect with monsters and fantasy bits glued on. The “adventure” is just an excuse to walk into a room, say something horny and completely unprofessional, then end up with Shepard’s legs in the air. Some of the sex scenes play out almost like bad fanfic you’d find on an old forum, but the game leans into that cheap feeling so hard it circles around to being fun. Shepard acts like the galaxy’s horniest commander, you get a bunch of alien and monster girl scenes, some light puzzles that exist mostly to slow down your fap just enough, and a soundtrack that sounds like it’s coming from an old pirated MP3 collection. It’s trashy, it knows it’s trashy, and it kind of winks at you every time another creampie drips out on the floor of the Normandy.

Luke's got this whole university thing figured out - or at least he thinks he does. This isn't your typical college romance where some awkward freshman stumbles through dating mishaps. Nah, Luke's been through this rodeo before, literally. Time loops, resets, whatever you want to call it - he's lived his first year over and over until he's basically gaming the system. Now he's ready for what he calls "Phase Two," which sounds way more strategic than it probably should be for a guy just trying to get laid.

The whole premise is pretty wild when you think about it. Luke's essentially become a relationship speedrunner, knowing exactly which buttons to push with each girl. There's this maid cafe setup that becomes central to everything - because of course there is. The game throws you into managing relationships with different girls who each have their own specific kinks and fetishes. One minute you're dealing with some vanilla romance situation, next thing you know you're deep in BDSM territory or watching some serious NTR unfold. The variety is honestly overwhelming sometimes. You've got your classic anime parody characters mixed in too - I spotted what looked like Nico Robin and Boa Hancock variants, which feels both nostalgic and weird at the same time.

What gets me is how the game handles the whole "perfect base" concept Luke keeps talking about. It's like he's treating relationships like some kind of RPG stat management, which... honestly isn't that far from reality if we're being real here. The turn-based combat elements feel randomly thrown in, but somehow work with the overall simulator vibe. There's phone interactions, dating mechanics, and this whole corruption progression system that gets pretty intense. The multiple endings thing means you're constantly second-guessing your choices, wondering if you're optimizing for the right fetish path or missing out on some kinky scenario. Luke might have his advantage, but navigating all these relationship dynamics still feels like controlled chaos.