Black Balance Collapse feels like someone took a messy relationship group chat and just left you alone with it while everything goes to shit in slow motion. You’re basically living inside Lucas’s phone, watching his world shrink to a green WhatsApp bubble and those fake-perfect Instagram squares while his girl Frida starts getting way too comfortable in a neighborhood she clearly wasn’t ready for. No long intro, you’re just there, scrolling messages, reacting, overthinking every emoji she sends, and comparing yourself to a bunch of huge dudes you barely even see at first, but you feel them in every line of text. They’re taller, darker, more confident, more broke-but-chill than you, and the game keeps poking that insecurity until it hurts a bit.

What got me is how horny and pathetic it feels at the same time. You see Frida posting thirst-trappy photos, a bit more skin each time, a new comment from one of the guys, maybe a DM that pops up just off-screen, and your brain instantly goes “she’s getting dick right now” even when nothing explicit happened yet. Then, later, it does happen. Or maybe it doesn’t, depending on how you play, but the tension is already there. There’s a scene where you’re reading their conversation and she “forgets” to tell you she went to hang out with them again, late, and the chat bubble just hangs there while the music is doing that chill lo-fi beat, like something from those 24/7 YouTube study streams, only here you’re not studying, you’re waiting to find out if your girl is getting stretched on some nasty old couch. The soundtrack is too calm for the shit that’s going on, and I actually like that. It makes the corruption feel slow, like rust, not like porn logic.

Sex scenes aren’t just “click and fap”. You get the voyeur feeling hard. Sometimes Lucas gets a pic, sometimes just a line like “they were joking about me” and your imagination fills in way worse stuff than the CG actually shows. There’s dirty talk over the phone, her describing what they did, or him listening to some audio she “accidentally” sends. Interracial angle is not subtle at all. They’re black, they’re big, they know it, and Lucas is just this average dude counting bills and wondering if he’ll ever make her moan like that again. You get anal, oral, all the usual, but what sticks is when she starts enjoying the attention way too much and you still click the option to trust her, like an idiot. Or you lean into it, push the corruption stat, and watch her go from shy girlfriend to exhibitionist who doesn’t really bother to hide her cheating anymore, even posing for Instagram like it’s normal to have those bruised thighs and tired smile after “a long night with friends”. NTR being avoidable is funny, because the game keeps tempting you to fuck up your own peace of mind, and half the time you’re horny enough to let it happen. And yeah, sometimes I wished the phone UI had one more little sound effect on message popups, some tiny detail like that, but whatever, I’m still thinking of that one scene where she’s on video call, lights low, hand between her legs, telling you she misses you while you both know exactly whose cum is still dripping out of her.

Shawn’s story feels like watching that nerdy guy from the phone shop finally snap and decide “ok, I want pussy and romance, not just anime and cable management.” You start as this awkward clerk who spends more time staring at big asses and big tits than actually selling shit, and slowly you figure out how to turn all that hopelessness into actual dates, groping, and a messy harem situation if you want. It’s a point and click thing, mostly, but wrapped like a mobile game where you’re always checking stats, schedules, moods, messages, and thinking “ok, who do I text for a blowjob tonight and who do I take to the park so she doesn’t hate me.” It feels a bit like Tinder combined with doing chores. Sexy chores with footjobs and titfucks at the end if you play it right.

The three main women all poke at you in different ways. Palla is this lazy moocher roommate who walks around the apartment half dressed, constantly teasing, like she knows exactly how hard your dick is when she bends over the couch. First time I got to grope her “by accident,” in the kitchen, I actually had to put the phone down for a second. She complains, pretends to be offended, but you see the romance flags going up and suddenly you’re on the bed with her giving you oral, and you’re like, yeah ok, that escalated fast. Audrey is the one who roasts you non-stop, the kind of girl that calls you a nerd in public, then lets you finger her in the cinema if you picked the right dialogue two days before. I had one scene where I messed up a choice and she just walked away, no sex, nothing, and I had to grind work again like a clown just to afford a stupid gift to fix things. Amy is even worse. Co-worker who treats you like trash, and when you finally flip the script, you can go sweet romance or full scumbag. My first run I tried to be nice, gave her presents, asked her out to cute dating spots. Second run I just went horny goblin and rushed for a bathroom blowjob at the store. Both paths feel wrong and fun in different ways.

The sandbox structure is where shit gets interesting and also a bit annoying. You wander around different locations, click stuff, run into random events, try to keep everyone happy without blowing your cover. One day you’re having tender vaginal sex with one girl on a date after building up affection, the next day you accidentally line up a booty call with another and suddenly your whole “faithful guy” image is dead. I liked how you can be a sweet romantic nerd who sends flirty texts and brings flowers, or a manipulative seducer stacking a harem where everyone is sharing your dick, or at least pretending not to care. Sometimes it feels like you’re juggling too much. Money, clothes, phones, schedules, affection, lust, jealousy. I got lost once just trying to remember who liked which gift on which day, cursed at the screen, then kept going anyway because I wanted to see that one scene where she sits on your face after a long teasing build-up. That’s the thing here. You end up doing little boring actions for the chance of a hot event where you get a footjob on the couch, or she wraps her massive tits around your shaft and you forget all the min-maxing for a minute. It’s messy, horny, sometimes romantic, sometimes just straight up scummy, and it feels exactly like a nerd’s brain trying to manage porn fantasies and actual relationships at the same time.

Dahlia’s Ordeal feels like watching an edgy late‑night fantasy cartoon that someone hacked and replaced half the scenes with porn and the other half with people getting hurt for real. The whole thing rides on this one girl, Dahlia, who looks like she should be the sweet fantasy princess type, but the game just keeps kicking her down the stairs, figuratively and sometimes almost literally. It starts kind of slow, like a normal mystery with creepy family tension, you walk around, click through dialogue, try to figure out who’s lying, and then suddenly the story grabs you by the throat with graphic violence and ugly family shit. One moment people are arguing in a quiet room with candlelight, next moment there’s blood on the floor and you’re wondering when exactly things went off the rails. The corruption angle is not subtle at all: she gets pushed, pressured, blackmailed, humiliated, then you get these choices where you can lean into it and make her act filthier, or try to keep her some kind of “good girl” while everything around her rots. Both roads are fucked, just in different flavors.

From the animation side, the cutscenes are rough in a way that kind of fits the story. You can feel the team is going for 2D comic vibes: sharp lines, expressive faces, a lot of close‑ups on eyes, lips, hands. During the oral scenes, the camera loves staying on her face, drool stringing down, mascara a bit wrecked, that kind of cheap but effective porn shot. There is one scene where Dahlia is on her knees in a dark corridor, forced to give a handjob while her uncle keeps talking about “family duty” and the camera doesn’t show penetration at all, just his hand in her hair and her fingers squeezing around his shaft in rhythm. The animation is slightly jittery, frames not always smooth, but that roughness weirdly makes it feel more uncomfortable, like you’re watching something you’re not supposed to see. And then you get a spanking cutscene where the sound design suddenly goes hard: the smack noises are sharp, skin gets red panel by panel, and the camera keeps cutting between her biting her lip and his hand raised again. They clearly had fun drawing bruises. Maybe too much fun.

Sexual harassment scenes are everywhere and honestly a bit exhausting. Guards grabbing her, hands on her thigh during “normal” conversations, people calling her names, using her as bargaining chip, all that trainer‑style slow breaking of a girl who started with some pride. And the story kind of teases “retribution” but keeps you hanging, so for a long time it’s just her being used: forced oral, shoved against walls, humiliation in front of people that should protect her. There’s one oral scene where the guy finishes on her face, then wipes it with his thumb and makes her lick it, and instead of going full porn glam the art keeps her looking small, a bit dead in the eyes. I liked that they didn’t glamorize the bloodier moments either; when graphic violence happens, it’s messy, quick, and not “cool”. Sometimes the expressions go wonky, like she looks cross‑eyed during a serious line, or hands are weird, and UI text boxes clip into the art in a way that made me stare more at the font than her tits. Also whoever chose that notification sound should be in jail, it pings at the worst moments and I kept thinking Discord was open. The cheating angle is there too, half‑whispered: people fucking behind backs, Dahlia being pushed into acts that betray what little family loyalty she still has, but the game never stops to moralize. It just lets the ugliness sit on the screen. I kept waiting for a soft, wholesome scene, like a break, a bath, a hug. It never really comes.

Nolan’s life goes to shit in one afternoon. Fired, broke, ego crushed, he runs away to this tiny town that looks like it was ripped out of some cozy postcard, the kind of place where the loudest thing at night is a cricket and someone’s shitty truck. He just wants to drift, jerk off in peace, maybe pull himself together eventually. Instead, he walks straight into a war. A mega-corp shows up with glossy smiles and legal papers, ready to kick everyone out and drill the ground until there’s nothing left but holes and regret. And the most ridiculous part? The one thing standing between the town and total ruin is who he decides to fuck. Not metaphorically. Literally, who he puts his dick in changes the fate of everything.

Every route feels like its own little universe. One evening you’re on a rickety porch swing with the girl who pretends she doesn’t care, her shirt two sizes too small for those massive tits that bounce even when she breathes. She lights a cigarette, complains about the corporate scum, then suddenly she’s on her knees between your legs, mouthing off about “stress relief” while her lips wrap around your cock. The blowjob scene there is slow and messy, with more focus on her expression than any fancy camera bullshit. She gags, wipes spit off her chin with the back of her hand, grins like a brat, then asks you what you’re willing to sacrifice. You click a choice while your dick is still inside her throat. That’s the tone. Plot and porn stitched together so hard they start to feel the same. Another night, different path, you’re in a cramped office drowning in paperwork with the “responsible” woman. She’s got the biggest boobs in the whole game, all tightly packed into a blouse that begs for mercy. She makes you help her crunch numbers for some sneaky legal counterattack, and it’s actually kind of tense, kind of smart. Then, as a “reward,” she closes the door, climbs on your lap, pulls your cock out and presses it against herself while your hand is buried under her bra, fingers squeezing those huge, warm tits. She starts grinding, whispering in your ear about court filings and land ownership while you’re trying not to cum in your pants too early. When she finally slides you in and rides you until you creampie her on her desk, the game quietly shifts a flag in the background that changes the entire endgame strategy. It looks like a porn scene, but the script underneath is doing work.

What really sells it is how low-key rude the game is about your choices. You don’t just pick “good guy” or “asshole” from a menu. You decide whose bed you end up in, how honest you are with them, whether you pull out or fill them up, whether you help with their weird late-night problem or just jerk off alone thinking about their huge tits and fall asleep. There are several moments where the game lets you be a selfish dick in very horny ways. Like the shower scene where she’s already stroking you with soapy hands, water running over those big breasts, and you can either help her wash or just grab her head and fuck her throat until she’s choking on your cum, then pretend you didn’t notice she wanted more intimacy. That tiny click will echo much later when the town is on the edge and she suddenly trusts you less, or more, depending how you handled her. There’s a masturbation scene where Nolan imagines different futures with each woman, jerking himself off while the game quietly branches according to whose face he’s picturing when he finishes. Handjob scenes sometimes feel more loaded than full-on sex, because you’re talking about eviction notices while a soft hand is squeezing the base of your cock, thumb rubbing the tip as pre drips out, and you’re choosing dialogue options that might save or damn your neighbors. It’s horny, yes, but weirdly heavy too. Then again, nothing is really fair when your orgasm is basically a vote.