Man, this One Punch Man parody hits different than I expected. You're playing as some wannabe hero trying to climb the rankings while dealing with Tatsumaki and other monster girls who are way more interested in fucking than fighting. The whole thing starts innocent enough - you're doing typical RPG stuff, training stats, picking dialogue options - but then suddenly you're getting handjobs from green-haired psychics and the game's asking if you want to use toys during combat encounters.

The turn-based system is weird because sometimes you're actually fighting monsters and sometimes you're just trying not to cum too fast during sex scenes. Like there's this one part where I'm battling some creature and the next screen I'm balls deep in her getting a creampie scene. The transitions don't make much sense but honestly who cares when Tatsumaki's giving you that look. Though I gotta say the humor lands pretty well - they nail that OPM vibe where everything's simultaneously serious and completely ridiculous. The protagonist's this skinny virgin type who keeps getting into situations way over his head, which tracks for the source material.

What threw me off was how the transformation stuff works - characters change during scenes but it's not always clear why or when it'll happen. One minute you're talking to a normal-looking girl, next she's got tentacles or whatever and you're doing anal. The masturbation mechanics feel tacked on too, like they needed to hit certain tags but didn't know how to integrate them naturally. Still, when it works it really works - the oral scenes with monster girls are genuinely hot and the whole "hero ranking" thing gives you actual goals beyond just seeing titties. Plus the parody elements mean you're not taking any of it too seriously, which helps when the plot gets completely bonkers.

Orange Smash! feels like somebody took a lazy walk into a creepy forest, tripped over their own dick, and decided to stay there because the girl who found them was way too hot to leave. It is one of those short, horny visual novels that knows exactly what it wants to do and does not pretend to be deep, but somehow it still has little emotional stabs that catch you off guard. You meet Yuma in this empty, almost dead-looking forest, everything quiet, no people, just you, trees, and this girl with ridiculous chest physics and a smile that looks like trouble. She talks like she already knows you, touches you like you are already her toy, and the game never really explains her properly. Not in a lore way, anyway. Which is kind of nice. You just accept that this monster-looking girl with huge tits shows up, teases the fuck out of you, and that is your life now. I played it on my phone while half-lying on the couch, one hand awkwardly holding the screen, the other hand very much busy, and honestly the mobile aspect matters more than it should. It is the kind of thing you open between checking Telegram and Reddit and then suddenly you are stuck watching her slowly slide her tongue along the MC in this long oral scene that lasts just enough to make you forget you were even “playing” anything.

What I really liked is how Yuma is written like a horny gremlin instead of some perfect anime waifu. She jokes, she mocks you a bit, she knows you are staring at her boobs and she uses it. There is this moment early on where she pretends she is giving you a “reward” for surviving the forest, sits way too close, leans in so her breasts press into the MC’s chest, and just keeps talking casually about nothing important, like she is stretching out the moment on purpose. It is obvious she wants to fuck, it is obvious you want to fuck, but she keeps you right at the edge of it, brushing your thigh, whispering in your ear, her tail kind of wrapping around your leg like she is claiming you. It is slow, but in a good way. Then the actual sex scenes go the other direction, like “ok, you waited, now take everything at once.” The first time she goes down on you, she looks up with this smug face that actually made me stop tapping for a second. There is something really satisfying about how she enjoys it too, not just doing service. She drools, she laughs a bit when you twitch, she talks with her mouth still messy. Later, when she climbs on top and just sinks down, there is this quiet line she drops, something like “you are not going anywhere now,” and it hits both as horny and a little scary. In a good, “I live in your phone and own your dick now” kind of way. The creampie stuff is straight up shameless, warm and sticky and drawn with way more love than some of the backgrounds. I wish the forest had more variation, to be honest, but I kind of forgot about that once she started bouncing on top of the MC, her breasts moving like they had their own personality. It is messy, it is focused almost only on you and her, and that single track mindset actually makes it relaxing. You open game, you meet weird lewd girl, you get teased, you cum inside her, you stare at the last CG a bit too long, you close game, you think “yeah, I might open that again later” and then you go back to scrolling like nothing happened.

I didn’t expect the opening scene to slap that hard. You’re just standing there, half-broken hull around you, half-naked angel girl trying to look dignified while her collar blinks red every few seconds like some sick metronome. The captain walks in, voice like a bad radio signal, and you already know he’s going to be trouble. He touches her shoulder and - bam - your gut twists, not from shock, but from that weird cocktail of jealousy and arousal that this game keeps feeding you. It’s dirty, but not in the lazy way. The camera lingers too long, like it’s daring you to blink first. I didn’t. The whole thing plays out like someone’s fever dream of power and guilt and skin. Makes you feel complicit, which I kinda like. Some games treat voyeurism like a kink checkbox; this one makes it feel like a confession.

Then there’s that sequence in the maintenance bay - god, the lighting there. Blue flicker off the coolant pipes, the hum of half-dead machinery, and she’s there again, pretending not to notice you. The teasing is mean, but not cartoonishly so. She leans over, the slave tag glinting on her neck, and you can almost smell the metal. I won’t say the animation’s perfect - it isn’t - but it stumbles in a way that feels almost human. The moans don’t line up sometimes, and that somehow makes it better. You start thinking about the morality system that never really punishes you enough, about how the captain’s wives don’t even care you’re stealing glances, and then suddenly there’s a flashback about the fall of the Geniorcracy and I kind of stop caring about lore entirely. Maybe it matters, maybe not. What kept me there was that slow burn humiliation mixed with tenderness, like someone whispering “you’re disgusting” but softly.

Anyway, the soundtrack’s too clean, too polished - like it doesn’t belong in that filth. And I swear one of the sound cues is stolen from some old dating sim on Nutaku. Doesn’t matter. By the time the angel finally looks you in the eye, you’ve already forgotten what you were supposed to be doing.

It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.