It’s weird how this game starts like it wants to be romantic, and then ten minutes later it’s already elbow-deep in pure dirty chaos. One minute Violet’s giving you that look like she’s pretending to be shy, the next she’s dragging you somewhere private and asking if you’ll “watch her with someone else.” I swear it caught me off guard even though the tags should’ve warned me. There’s a sense the dev probably reads too much late-night fanfic because somehow Rangiku shows up, then Tsunade, and none of it makes any sense story-wise but it *works*, in that guilty way where your brain says “nah” but your hand’s already on the mouse. The animation’s smoother than expected - especially that ridiculous scene with Fubuki teasing you through a half-open door, talking about her “training schedule” like that explains anything.

Anyway, what actually surprised me was how human some of the writing feels when it stops trying to sound like porn dialogue. Like there’s this one quiet bit after the whole netorase mess where Eric just sits, pissed off and turned on at the same time. It’s clumsy, messy, hot - exactly how that sort of fantasy should feel. But then it immediately ruins the mood by throwing in a crossover cameo from Makima, who literally does not care about continuity and just starts talking about control mid-blowjob. Still, that kind of randomness is what makes it addictive; you never know if the next click is gonna bring soft moaning or someone getting their ego destroyed. Kinda like browsing old adult forums again - half cringe, half fascination.

Oh, and whoever coded the exhibitionism scenes deserves a medal. The one with Violet teasing you in public while pretending to check her phone, yeah - that’s burned into my brain. There’s something slightly broken about the transitions, though I almost prefer it that way; it makes it feel less scripted, more like stumbling into something you shouldn’t see. I keep telling myself I’m done with it, then remember there’s still that hidden route with Tatsumaki and bam - back again, no shame left to lose.

I don’t know if this one wants to be heartfelt or horny first, because it keeps confusing me in the best way. You start as some quiet kid tossed under this giant village shadow - yeah, the Hokage’s mansion, not exactly cozy décor - but when the nights stretch too long, that’s when things really spark. It’s got that weird warmth like you’ve accidentally wandered into someone else’s memories: a slice of calm life and then suddenly you’re watching Hinata bend forward across a training bench, slow enough that your heartbeat starts syncing with the animation loop. Her voice acting isn’t afraid of silence either; she lets you hear her breathe, which somehow hits harder than any line she murmurs. I keep getting distracted by her hands though - they move with these strangely delicate motions, rough callouses meeting soft skin, totally believable she'd knock a guy senseless and still touch him like that after.

Most of the moments slide between tender and ridiculous. Shizune tries to mother you one second (that tea scene!) and ten lines later she’s doing something that would get her banned from a medical tent forever. The art swings slightly inconsistent but the imperfections almost help - it feels drawn by someone who’s sweating through the same fantasies you’re supposed to. I caught myself rewinding Naomi’s smirk just because it felt too alive, as if the coder accidentally recorded a real girl’s micro‑expression. The whole story pretends it’s about recovery and peace after the war, but honestly it’s more about how the human body looks when it finally stops pretending to be polite. A couple bugs killed the mood once (Hinata’s eyes froze wide open mid‑moan, nightmare fuel), yet even that glitch felt weirdly intimate - like breaking the illusion without ruining desire.

The only thing missing is smell - everyone feels tangible except the scent part, though maybe that’s for DLC. Or maybe it’s better this way, because sometimes when you linger on Shiho’s lines about experiments, you realize you’re not supposed to need every sense simulated. I kept thinking “this shouldn’t work,” then going back again, grinning at my own hypocrisy. Anyway, whatever they patch next, I kinda hope they don’t fix the awkward pauses - they sound too real to lose.

Man, this casting studio thing is way more addictive than I expected. You basically play this dude who's setting up his own adult film studio, and all these anime waifus show up wanting to be pornstars. Sounds ridiculous? Yeah, totally is. But somehow it works because the whole setup is so absurd it becomes fun.

The management part caught me off guard - you're not just clicking through sex scenes, you actually have to run this weird business. Pick your assistant first (I went with Valeria because... reasons), then these famous anime girls start showing up for "auditions." We got Mitsuri from Demon Slayer looking all innocent until she's not, Yor from Spy x Family being surprisingly kinky, and Hinata who's way more confident than in Naruto. The conversations before anything happens are actually pretty decent - not Shakespeare but better than most games where dialogue exists just to get to the fucking. Power from Chainsaw Man is absolutely unhinged in the best way possible, and Nami... well, she knows exactly what she wants and how to get it.

What's weird is how the whole casting couch scenario doesn't feel as sleazy as it should? Maybe because these are fictional characters who are actively choosing this career path, but the game treats it more like a business simulation with lots of sex. You can do anal, vaginal, watch them strip and tease, the usual stuff. Some girls are into BDSM, others prefer vanilla encounters. The ahegao faces are pretty well done too. Graphics are decent 3D, nothing groundbreaking but gets the job done. They're adding new waifus monthly which is cool I guess, though I'm still figuring out all the current ones. Erza's scenes are intense as hell btw - that woman does not mess around.

The relentless stretch of infinite time weighed deeply on God's soul. Omnipotence and perfect dominion had faded into a tedious, unchanging buzz. What he desired was the ache of falling short, the rapture of difficult victory, the untamed, exquisite pain of dying. And so, he set into motion a radical scheme.

Initially, he molded a form of sheer possibility, christening it Zeno. Within Zeno, he locked the sum of his godly might, the wild, infinite strength that marked his grand life.

In contrast, God assumed a frail, imperfect mortal body. He confined his essence to a loop of reincarnation, a dim ember of the primal blaze, erased of past knowledge and power upon each demise.

He would come to know desire, ecstasy, loss, and anxiety. He would fail, evolve, and fully embrace life.

So started the ultimate ordeal; God was simply one spirit wandering the endless expanse of reality, prepared to confront the disorderly, magnificent, and utterly mortal tale of birth and demise.