Work on this game started way back in March 2018, and it’s far from finished, constantly changing and expanding.

Control the game using simple text inputs.
Press Esc at any moment to jump back to the main menu.

The game saves your progress on its own seamlessly.

Looking for an offline experience? Download the newest build available here, straight from the most recent update we’ve crafted.

Discover new screenshots and follow the project’s latest developments.

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Check out the Patreon page at https://www.patreon.com/pinktea to see how you can support.

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Because the game’s a living work-in-progress, playing and supporting actively influences its development.

Don’t be thrown off by the unfinished feel - this game is raw but full of promise.

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It starts with a weird kind of quiet, like you’re waiting for someone to say something they shouldn’t. The first scene pulls you in because it doesn’t even try to be shocking - it just *is*. Anna’s voice has this tone that sits between teasing and sincere, like she’s half‑ashamed of wanting to talk about what she wants. And then you realize, the game isn’t really about her leaving for Italy; it’s about how much you can stand watching her become someone else. There’s a moment where she sends you a photo - nothing too wild - and yet it feels heavier than the later scenes where everyone’s naked. I think that’s the trick: it makes you feel complicit before you even click the next line.

The humor sneaks in when you least expect it. There’s a bit where one of the side characters, can’t even remember his name now, tries to give “advice” about open relationships using a sandwich metaphor that’s absolutely terrible but somehow right. The writing jumps from filthy to tender so fast you almost get whiplash. Sometimes it feels mean on purpose, especially when Shego shows up - yeah, they went full parody there - and suddenly the tone flips again, all green eyes and cruel smirks, leather snapping against skin like punctuation. The game keeps forgetting it’s supposed to be sexy and then accidentally becomes it. One minute you’re laughing, next minute someone’s wrists are tied and you’ve forgotten why you were amused.

I’ll admit, I got weirdly obsessed with the sound design. The moans don’t loop cleanly; they stutter, slightly off‑tempo, and that imperfection makes it more real. There’s a scene with a mirror - voyeur stuff, sure - but what caught me is how the reflection lags a frame behind. Maybe intentional, maybe not. Doesn’t matter. It messes with your head. The pacing’s uneven, some transitions abrupt, but that chaos fits the story. If I could change one thing, I wouldn’t. Or maybe I would, but only to make it worse. Hard to tell anymore.

You arrive in Canbe Valley with a broken house, a dead family, and a town that looks like some cozy farming sim from the outside but smells like rotten sex and money the more you walk around. It pretends to be clean, polite place where everyone smiles too wide, yet every corner has someone whispering about “special services” or asking if you’re “open to arrangements.” Your old farm is barely standing, the fields are empty, and your only real asset is that people in this valley need someone discreet who won’t ask too many questions. Somehow that ends up meaning you. One moment you’re fixing the fence and selling a bit of milk, next moment you’re negotiating with a bored noble’s pet monster girl who wants to sneak out at night for “training” sessions that definitely are not about combat.

The game plays like a messy sandbox where the main quest keeps nudging you toward the city’s filth, but you can just fuck off and check random places, talk to random girls, pick random jobs. One day you run into a shy catgirl who’s technically someone’s property and technically not allowed to talk to you. She still meets you behind the barn, kneels in the hay, starts giving you this hesitant, sloppy blowjob where she keeps looking up like she’s afraid someone will see. She apologizes every time she gags. It’s lewd, a bit wrong, and the game does not stop to lecture you. Another time, a sharp-tongued priestess type in town drags you to a back room, orders you to sit, then starts stroking you off with that fake holy smile, telling you this is “necessary purification.” Her handjob starts controlled and calm, then she speeds up when you push her buttons in dialogue, goes from cold superiority to quietly panting against your ear. The scene just keeps going, changing camera angles, changing pace, until you blow on her robes and she pretends to be outraged while obviously loving it.

What I liked a lot is how sex is wired into everything without the game screaming “hey, porn scene here!” all the time. You help with some shady slave paperwork, later the same girl shows up on your farm, half scared, half curious, and if you play it right she slowly shifts from “I have to obey” to “I want to play.” The corruption of the town feels baked into the economy: brothel owners want better girls, rich bastards want exclusive monster pets, and your farm becomes weird hub where human girls and monster girls cross paths. Sometimes you just want to explore, check a new district, then suddenly you’re in a brothel side room, getting your dick sucked by a spider-girl who has way too many hands for your own good. And yeah, the place is not pretty-clean heroic fantasy. There is slavery. There is prostitution that sits right on the line between exploitative and seductive, and the game just lets you wade in it and make your own compromises. It’s horny, grimy, a bit clumsy, and kind of perfect for anyone who likes their adventure with a lot of messy, uncensored sex wrapped around a fake “nice village” that is absolutely fucked under the surface.

It starts quiet, like one of those evenings when you swear you’re just checking something small before bed. I thought it was gonna be a quick “help Melory with homework” kind of clicker thing, but nah - this thing gets under your skin fast. The tension builds and then tilts sideways; suddenly you’re the guy making dumb choices while a soft-spoken girl grins like she knows exactly what you’ll do next. It doesn’t feel scripted half the time, more like an awkward memory you’re re-living. The way her voice dips right before teasing a boundary - that’s what caught me. You don’t even realize how deep the game wants to push until every tiny decision spirals into something filthier, or sweeter, depending on your mood.

The strangest part? I actually cared about the damn story for a second. There’s this older woman - Melory’s mom maybe, can’t remember - and she pulls off that fake calm thing way too well. One minute you’re blushing through a foot scene, next she’s lecturing you like some goddess who read your search history. And yeah, it’s heavy on the domination bits, anal teases, stuff that’d make your phone pause mid-loadscreen, but somehow none of it feels cheap. Even the sleep scenes - they make you uncomfortable in that weird way where you still click *next* without thinking. The ASMR moments are hit or miss, honestly; sometimes sexy as hell, other times they just sound like the mic brushing against a pillow, but whatever, it fits the messy, intimate rhythm of the game.

I hate that bottle mini-game though. It’s supposed to be random, but I swear it always lands on the person I didn’t want stripped that round. Maybe that’s the point? It messes with you, keeps that frustration humming right between curiosity and guilt. By the time things twist into those cross-path routes - with trans, maid, interracial, even golden shower endings - you kinda stop worrying about which kink is next and just ride the chaos. The mix of control and shame here works almost too well. Makes you breathe slower. Or hold it. Hard to tell which.