Hell has a weird sense of humor here. Instead of fire and torture racks, you get a tiny boring town full of people who pretend they’re good, and an overachieving demon who’s basically your horny project manager. Your “job” is simple on paper: push these walking hypocrisies into every ugly, dirty, wet sin you can think of, and do it faster than the angel who’s fluttering around trying to keep their halos from sliding off during sex. The funny part is that the town looks harmless at first glance. A quiet shopkeeper, uptight priest, lonely housewife, nerdy student, those office types who act like they’re married to Excel. Then you start poking around, you see how thin their morals are. One slightly wrong choice and the shy girl who “never does this” is suddenly on her knees in the back room, drool on the floor and mascara halfway across her face, while you’re already planning who to corrupt next.

What makes it feel good is how the game treats sex like a slow infection instead of a jump scare. Early scenes are pretty tame, just some teasing, half-accidental groping, a hand going a bit too low, like they’re still telling themselves it doesn’t count as cheating if they don’t kiss. Then it escalates. You walk the same route through town, but the energy shifts. The bar that was almost empty before now has a drunk office lady grinding on some random guy’s thigh, pretending she doesn’t notice his cock pressing into her. The girl who once refused to wear a short skirt is now “just trying something new” while her panties are basically transparent. And both you and the demon know it’s because you chose to nudge her, again and again, into that spiral. It feels a bit like philosophy class crashed into Pornhub: every choice is technically about ethics, but the answer is always someone getting fucked against a wall. The angel keeps showing up with this fake pure attitude, trying to reset people, but you can drag the same characters back into filth, harder than before, until the whole concept of redemption starts feeling like a running joke.

There’s this one route where you keep visiting a very religious household. At first it’s just awkward talk about virtue, prayer, that usual “we must resist temptation” script. Then you get one crack in the armor. A slightly too long look, a hand “accidentally” touching a thigh, the mother biting her lip when she thinks nobody sees. A few corrupt choices later, and the man who led grace at dinner is fucking his daughter on the couch while the wife watches with her hand shoved into her panties, whimpering like she’s the one being used. The game doesn’t pretend it’s romantic. It’s messy, uncomfortable, and hot in that specific “I shouldn’t be enjoying this but I absolutely am” way. The angel interfering there feels almost comic, like trying to cover a cum-stained sheet with a prayer book. The more progress you make, the more the whole town becomes this living map of your sins: streets that used to feel clean are now linked in your mind with moaning, spit, rough hands, and all those “oh god” lines that clearly don’t mean god at all. And the demon? He’s not your friend, not really. He’s just as obsessed with ambition and winning as any startup boss, only his KPI is how many holes you can turn into willing, greedy, shameless tools of hell. If that idea alone doesn’t turn you on a bit, this probably isn’t your town anyway.

Office was dead quiet when I opened this in a side tab, pretending to be “checking Tableau dashboards”. Yeah, sure. This is not a numbers game, unless you count cup sizes like I do. The whole thing spins around this girl, Luna, who starts off feeling pretty average, kind of lost in routine. Nothing special on paper, basic student life, but the fun part is how quickly her “normal” becomes totally fucked in the best way once she finds that weird little shop. It feels like someone mashed a comfy slice‑of‑life VN with a horny growth spreadsheet, then forgot to clean up the formulas. You click through dialogue like usual, but every potion choice is basically a data point in a very perverted line chart. Tits go up, ass goes wide, clothes stop respecting physics, and you keep thinking “ok, that’s enough” then push one more increment anyway.

What I liked is how slow the ramp is at the start. The first time her bra feels tight, it’s described so plain and small that my analytics brain instantly went “ah, baseline shift detected”. Then suddenly she leans over her desk, button strains a bit, roommate notices something is off, and you realise, oh, we’re actually doing a full time series here, not just one jump cut. It’s a visual novel, sure, but it feels like a growth sim hiding in VN clothes. You pick ingredients from the shop that sound half harmless, half cursed, mix them up, and there’s this little thrill when you click to the next scene like you’re refreshing a dashboard after changing filters. Some routes keep it modest for a while, like she’s just getting a bit more curvy, more confident, still fitting in public transport seats. Other times, if you go greedy with the recipes, she turns into walking fanservice and the story doesn’t even pretend to be realistic anymore. Which is fine. We’re already in “magic boob lab” territory.

I got irrationally annoyed by one tiny thing though: sometimes the dialogue repeats her surprise again and again, even after you already boosted her three times with the same potion. Girl, you watched your ass grow out of two pairs of jeans already, you are not “confused” anymore, you are running A/B tests on your own body. At least it feels that way. Still, there is this nice, guilty pleasure vibe when she looks at herself in the mirror and you can tell she is half scared, half turned on. That kind of scene hits harder than the big “wow huge now” moment for me. Also, the game quietly tracks your choices in the background like some horny analyst, feeding you different little reactions depending what path you push her toward. I kept thinking of it like a perversion funnel: start with mild curiosity, end with her filling doorframes and pretending this is still a normal student life. And yeah, I know I should have been doing pivot tables in Google Sheets instead of watching a fictional girl outgrow every outfit she owns, but honestly, watching those curves “trend upward” felt more satisfying than any quarterly growth report I ever made.

Lustful Years feels like reading someone’s dirty secret diary that accidentally got really long and really self-aware. You’re inside this young woman’s life while she stumbles through relationships, flings, “this is just casual, right?” moments that aren’t casual at all, and way too many scenes where she ends up on her knees before she figures out what she actually wants. It starts pretty soft, flirting and awkward tension, those little choices like “do I stay for another drink?” or “do I text him back?” and then you blink and she’s got her lips wrapped around some guy’s cock in a bathroom, trying not to make noise while her internal monologue is still going on about trust and love and all that shit. I like that, actually, that the erotic stuff doesn’t feel like separate scenes but like the same messy timeline where one stupid choice at a party can lead to her waking up sore between two warm bodies and wondering if she secretly loved it or secretly hates herself. The game doesn’t hold your hand, it just throws you into her head and expects you to be ok with how horny and insecure and selfish she can be.

The visual novel flow is the usual click-next thing, but it has that annoying habit where you misclick and skip a line you actually wanted to read, and of course there’s a “history” button but I never used it because I am stubborn. Sex scenes come out of conversations that feel a bit too real sometimes, like that moment when she finally stops pretending and just pulls his pants down, holding his cock with this weird mix of hunger and doubt, and the text is describing the taste and the warmth of his precum while she’s thinking if she’s doing this to feel loved or just not feel empty for a second. One route I took, she tried to be all romantic and “wait for the right moment,” and I still somehow ended up with her legs pushed open on a couch, panties half-off, moaning while he fucks her quick and rough because they “don’t have much time.” It’s hot, yeah, there’s detailed oral, messy swallow scenes, him thrusting into her pussy with that wet sound you can almost hear, but between the lines you can feel how fragile she is, or maybe I’m just projecting because I play these games instead of touching grass. Anyway.

What I really liked, then didn’t like at all, is how the choices about relationships are mixed with the choices about sex. You say something small like “I trust you” and three scenes later she’s on her knees again, gagging around his cock, tears in her eyes, and the narration is describing how she forces herself to take him deeper because she wants him to see her as “good enough.” It’s extremely erotic, yeah, but also kind of depressing in a way that turned me on more, which is probably not healthy. There are also sweeter paths, where a slow build-up leads to a tender blowjob on a bed with soft breathing and her fingers tracing his thighs, or a first time where he actually asks if she’s ok before sliding inside, and she moans anyway and grabs his back because “yes” is already obvious. The game pretends to be about love and heartbreak and all that romantic stuff, but the parts that kept me clicking were when she’s half-naked, hair a mess, lipstick smeared, mouth full, or riding someone with her nails digging into their skin, and afterwards the story tries to talk about consequences like we didn’t just spend five minutes reading about how warm it feels when he finishes deep inside her. At some point I forgot which route I was even on, I just followed whatever choice felt nastier, or softer, or just wrong for her, and watched the years pile up like empty glasses on a table.

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.

This thing is such a weird mix that it already feels like a party game I’d pull up on my laptop when everyone’s a bit too horny and a bit too shy. It’s basically you, your dick, and 2B pretending to be your chaotic life coach while rubbing your brain with “48 Laws of Power” and rubbing… other stuff too. She’s not the quiet, stoic android from the original game here, she talks more like some slightly unhinged, overconfident camgirl who read one self help book and now thinks she’s your personal mentor. Half of the time she’s quoting Robert Greene, the other half she’s teasing you about how easily distracted you are by her thighs. And she’s right. The text jumps between “here is how to play power games in conversation” and “ok, now edge for me until the next law.” Very educational. Very stupid. Very hot.

What I really like is how unpolished it feels, in a good way. Some lines read like the dev typed them at 4 coffees in, no editor, just raw horny brain. There’s this one moment where 2B is explaining something about controlling how much you talk in a social situation, then the dialogue box suddenly shifts and she calls you out for clicking too fast and “not actually absorbing shit, just scrolling for tits.” I actually laughed and then, of course, slowed down like a good goon. The porn scenes are not subtle at all. She leans hard into the classic “I’m above you, but I’ll reward you if you obey” thing, with simple 2D art that really loves her ass and those legs. No pretense, no artsy metaphors, just “here is your android mommy dom reciting power strategies while making you ache.” Sometimes the pacing is all over the place: you get two laws packed tight together, then suddenly a long teasing stretch where she just keeps you on the edge and repeats similar lines, and I started thinking about what I needed from the grocery store. Then she dropped a line about “weaponizing silence in conversation” while telling me not to touch myself and I was suddenly paying attention again. The sound is mostly minimal, but the tiny clicky effects on choices and the occasional moan feel almost too loud, like when Pornhub starts an ad while you forgot your speakers are up. I wish there was more music variety, but honestly, I also kind of like the quiet, like she’s coaching you one on one in a hotel hallway at some anime con and you’re just praying nobody hears. It’s dumb, horny, and kind of helpful in a way that would make any serious therapist cry, and I’m absolutely going to “practice my social skills” with it again.

Matthew is a bit of a mess, and honestly that makes him hot in a weird way. Fresh grad, no clue what to do, absolutely overwhelmed by daddy issues and pressure, then suddenly you drop into his head like some horny guardian angel with an agenda. You’re not just clicking through his story, you’re literally steering his thoughts, poking at his fears, dangling pleasure in front of him like a carrot while the whole “save humanity” thing sits in the background going hello, remember me. One moment you’re having a serious talk with him about what it even means to choose something freely, next moment you’re pushing him to say yes to a girl who is clearly trouble, just because you want to see how far he’ll go when his dick is making the decisions instead of his brain.

The sci‑fi angle isn’t just some lasers and space wallpaper either, it feels more like you’re a strange higher being that can be both kind and a complete bastard at the same time. You flirt with him without ever really being on screen, which is kinda fucked up and kinda hot. Telling him “trust me” while you line him up for a threesome, watching him hesitate, then finally give in and grab those hips like he’s been starving his whole life. The sex scenes go from tender “I want you to feel safe” to full on “shut up and take it” pretty fast if you push him there. There’s this one moment where you convince him that relaxing is part of the mission, and he ends up with a girl riding him slow on the couch while the TV shows news about the world going to shit. He’s moaning, sweat on his chest, and in the corner the headline is literally talking about collapse. That contrast sticks in the head more than any cheap porn loop.

Not everything hits perfect though. Sometimes he overthinks in huge text blocks when all you want is to pull someone’s panties aside and get on with it. There’s a choice where you just want to say “yeah sure, let’s fuck”, but the option is written like some philosophy homework and you kind of roll your eyes. Still, when the visuals line up just right, the bodies look good enough that you forget you were annoyed five seconds ago. I liked how some of the girls don’t instantly act like brainless sex toys, they argue, they doubt, and when you finally talk Matthew into crossing a line with them, it feels dirty in a very human way. You watch him slide a hand under a shirt, fingers brushing nipple, her breathing changing, and in the back of your mind you know this might screw up his future, his morals, his “save the world” plan, but you press continue anyway. And that tiny guilt mixed with arousal, that’s where this game actually gets interesting. It’s not just about how many positions you can unlock, it’s about you slowly realizing you’re enjoying breaking this boy while pretending to guide him. Which, to be honest, says as much about the player as it does about poor Matthew.

Foggy forest, quiet as hell, and you’re lost with a hard-on you don’t want to admit you have. That’s pretty much the mood here. The trees feel wrong in that fairy-tale way, like they’re watching, but not in a horror movie thing, more like they’re just waiting for you to do something stupid and horny. Then this witch shows up, and she doesn’t look like the usual “I cast fireball” witch. She’s got that lazy smile that says she already knows what you’re going to click, and she smells like a toy store mixed with a bath bomb shop. Latex, sugar, soap, that weird clean-but-not-innocent vibe. The game doesn’t rush to shout what you’re in for, but yeah, if you’re into inflatables and transformation and that floaty, rubbery ownership of a body that stops being flesh and turns into a damn balloon, it hits that itch pretty directly.

The cool part is how low-key everything starts. It’s just you poking around her little forest corner, clicking stuff, poking at bottles, weird trinkets, that sort of thing. Half of it feels like background junk until you notice something reacts if you try again, or if you did another scene before. There was this moment where I accidentally triggered a change too early, and my character’s body started filling out, tight and squeaky, and I actually paused, staring at my screen like, “ok, I did not expect it to jump to that this fast.” The game is short, yeah, but it doesn’t waste your kinks. The inflation is not just “you get bigger.” It’s that slow, pressurised feeling in the text and art, the witch teasing you, almost casual about turning your body into her private float, testing how much air or magic you can hold. She treats the whole thing like a cozy craft project, while you’re the one struggling with how round you’re getting. It’s a weird mix of mystery and fetish, and I like that it doesn’t apologize for it even once. You’re not playing a hero, you’re playing a future decoration, and she knows it way before you do.

The forest itself is small, but it feels like one of those “hidden room” games where there’s always one last strange item you haven’t clicked in the right order. I spent way too long clicking the same damn stump because I was convinced it had a secret, and honestly I’m still annoyed it didn’t. But while I was being stubborn, I kept noticing little reactions: the witch’s comments changing, the way she hints at other “guests” she inflated before, maybe still around, maybe not in the shape you expect. There’s magic everywhere, but it’s that squishy, rubber-magic. You’re not slinging spells; you’re more like the spell result. A toy, a trophy, an experiment. The furry angle sneaks in too, with those hints that your body isn’t only filling with air, it’s shifting into something cutesy, animal-ish, then more object than creature. Ears, tail, then plastic sheen, then hollow. It’s honestly hot as hell if you’re into losing control and becoming a thing instead of a person. And the best part, or the worst, depending on your brain, is that the witch never seems cruel. She’s playful, almost seasonal, like some twisted holiday hostess inviting you to become part of the decorations, tucked between the trees, gleaming under moonlight, filled tight and waiting. You kind of know from the beginning this forest is not a place you walk out of on your own feet. You’re rolling, floating, squeaking your way out, if you leave at all.

Lussuria Academy feels like someone took all those “normal” magic school fantasies, poured a bucket of horny over them, then left the edges a bit rough on purpose. You’re the only human in a whole academy full of anthro girls, and that tiny detail never shuts up in the background. It’s in how they stare a bit too long, how their ears twitch when you walk past, how the teachers say “human” like it’s a spell that might backfire. The story moves like a slow finger tracing along your neck, not rushing, sometimes even stopping in awkward places. One moment you’re in a quiet corridor, sound of your own footsteps soft over some lazy background track, and then a fox-girl classmate catches you alone and the mood tilts from scholarly to “are we really doing this here?” without big fanfare. The music is simple, loops you’d normally ignore, but in this game they sneak under your skin. A calm, almost innocent melody during a late study session, then it fades, and suddenly all you hear is the little sounds: tails brushing fabric, a chair scraping, her breath hitching when you stand too close. The sex doesn’t crash into the screen with fireworks. It creeps in. A hand on your wrist a bit too long, a joke that turns dirty, a spell practice that somehow needs “body contact” for channeling. Then the CG hits and you just forget what the previous dialogue even said.

The visuals are that kind of slightly imperfect 2D where a line isn’t perfectly clean and colors sometimes look like the artist was horny and tired at the same time. And it works. Fur texture is suggested with a few strokes, not hyper-detailed, so your brain fills in the softness when her thighs wrap around your waist. Breasts are drawn bold, unapologetic, but not all the same copy-paste shape. Some girls are lean and sharp, with smug smiles, some are thick, heavy hips, tails curling around your leg while they ride you like they’re trying to milk a spell out of your cock. There’s a catgirl whose moans hit this weird mix of purr and whimper and it stays in your head long after the scene ends, way more than whatever magic exam you passed. The magic stuff itself is almost casual. You’re casting with them, learning, charming objects, and then out of nowhere a training room turns into a place to pin a wolf-eared student against the wall and fuck her while candles flicker and she tries not to howl. They use spells as excuses: “We need to test human stamina,” “We should explore cross-species bonding,” and you’re sitting there, pants open, thinking yeah, real scientific.

What I liked most is how the pace messes with you. It’s not smooth. Some routes drag, you click through lines that feel like someone wrote them half awake, and sometimes the translation vibe slips, a phrase sounds off, and you snort instead of getting horny. Then two screens later, a teacher pulls you after class, locks the door, tail slowly curling as she explains “private tutoring” and your brain just melts. There’s this one scene where a shy bunny student tries to thank you for helping her in a duel. She invites you to her dorm room, the background is quiet, only a soft hum like outside wind, and she keeps fidgeting with her skirt. The camera lingers on little details: her trembling fingers, her ears folding when you sit beside her, the tiny squeak when your hand slides over her thigh. It takes ages before anything explicit happens, and then when she finally climbs into your lap, grinding nervously, the game doesn’t cut away. You hear the rhythm pick up, that wet sound, the shaky breathing layered over the same simple loop, and suddenly this silly furry magic VN feels way too intimate. It’s messy, sometimes clumsy, horny as hell, and when a fox teacher presses your face into her furry tits to “calm your mana flow,” you completely forget you ever came here to study.

This thing feels like someone took a horny RWBY Discord server chat, smashed it into Ren’Py, and hit “fuck it, good enough.” And weirdly, that’s kinda the charm. You’re not dealing with slick corporate porn here. It’s Ruby and Cardin in a messy little fantasy romance that should not work at all, but you sit there clicking like a raccoon in a trash can anyway. The writing swings all over the place: sometimes it’s sweet “shy girl with her first real crush,” sometimes it’s “oh, Cardin is absolutely rearranging her inside that Beacon dorm bed” and the text really leans into it, spelling out every wet sound like the dev had Pornhub open on one monitor and Ren’Py on the other. There’s this one scene where Ruby is trying to be all serious about her feelings and within like ten lines she is on her knees, drool on her chin, begging him not to stop. That tonal whiplash? Honestly felt like some of the hookups at my events. One moment deep emotional talk, next moment someone is grinding on a folding chair.

The pacing is like a half-drunk house party where the snacks run out but the booze doesn’t. Early on, the story toys with the whole “is this romance or is this just Cardin using her” thing, and if you know RWBY canon you keep going “no way she’d fall for this guy.” And then you click through a few more screens and she’s pressed against the wall, panties around her thigh, gasping his name with that kind of desperate little whine that makes you shift in your chair. The moaning audio carries more weight than it should. It’s not studio quality, you can literally hear that slight home-recording vibe, but when Ruby starts letting out those shaky little cries and the text mentions her legs trembling while he pushes in deeper, it suddenly feels way more obscene than it has any right to be. There’s this bed scene where she’s trying to keep quiet, biting into the pillow, and the game keeps flipping between her thoughts about how wrong it is and then describing exactly how her body is clenching around him. Honestly, kind of hot in that “this is almost too personal” way, even if a couple of lines sound like they came from a Wattpad account that got banned three times.

And yet, for every filthy detail that hits just right, there’s a tiny thing that pokes your brain. The UI is there, it functions, but that textbox color? I keep thinking about it and I wish it was different, even if it never will be. Some lines feel like the dev just let an AI autocomplete, like mid-sex Ruby suddenly drops a weirdly formal line that nobody with a dick inside them would say. The parody angle shows up mostly in how off-brand everything feels, like this is Beacon in some horny parallel universe where everyone’s moral compass is slightly broken. Still, when Cardin grabs her by the hips and slams into her from behind, making her yelp and stutter through his name, it absolutely sells the fantasy. There’s a moment where she’s sore, cheeks flushed, hair all messy, but still climbing back onto his lap because she “needs it again” even though she can barely sit. That kind of detail feels oddly specific, like the dev was remembering something way too clearly. It’s clumsy, shameless, way too focused on this one wrong-but-right ship, and somehow that makes it hit harder than it should. I closed the tab once, then opened it again on Chrome because I wanted to replay that one corridor scene where he corners her and murmurs in her ear while she tries not to moan loud enough for teammates to hear. I’m not proud of that. But I’m also not going to pretend it didn’t happen.

There’s this thing the game does right away that I actually respect: it doesn’t pretend you’re a hero. You’re just a messy, horny, slightly broken person thrown into a gothic hellhole where every shadow either wants to kill you or fuck you or both at the same time. The “survival horror” part actually matters, not just in the jump scare way, but in the “ok, if I follow my dick here, I might end up chained to a wall with some demon girl sucking my soul out through my spine” way. First time I got that “choose to hide or follow the moaning” prompt, I obviously followed the moaning. Of course the corridor was lit in that sick red and the sound design was wet as hell. And yeah, it was worth it, but I walked away from that scene with my health wrecked, sanity lower, and a mark on my body that keeps showing up in later scenes. That mark is like this little dev note written on your skin: “you’re horny, I know, you will suffer for it.” Sexy punishment, basically.

What I really liked is how it lets you lean into being submissive, dominant, or that chaotic horny survivor that just flips depending on who’s in front of you. One moment I’m pinning a possessed priestess to the altar, hand at her throat while she’s whispering this prayer that sounds more like begging for dick than religion, and the very next route dump I’m the one on my knees in some filthy crypt, forced to “pay” a demon guard with my mouth so he lets me pass. It’s not just “pick dom option, get dom scene” either. If you act like a ruthless bastard earlier, some characters remember that and push back. I had a run where I kept choosing the arrogant, aggressive replies and finally one of the demon twins snapped, took control mid-sex scene and basically used me like a toy until my character passes out. That reversal felt earned. Annoying and hot. Like a bad ex that knows your buttons too well.

Small thing that irritated me: the text choice boxes are too close to the bottom and on Chrome mobile I kept hitting the damn navigation UI when I just wanted to pick the option about biting the nun’s thigh. It pulled me out of the moment every time but I kept playing anyway because the pacing of sex and horror is like watching a slow car crash in latex. Half of the nudity is filthy, sweaty, scratches-on-your-back kind, but then you get this scene in a candlelit library where a demon boy with white eyes reads your mind while fingering you under a table, and you forget you were even supposed to be scared. Or bisexual tension hits out of nowhere: you walk into a ritual chamber, there’s this couple, one demon, one human, and instead of choosing who to fuck, the game lets you slide right into a threeway that still somehow keeps the occult vibe going. I kept telling myself “ok, this time I’ll actually try to survive, not just chase every hot body,” then the UI pops a new corrupted choice in red text and, of course, I click it like an idiot. And the worst part is that the game knows. It keeps asking what you crave, like some smug supernatural therapist who gets paid in your orgasms and bad decisions.