Thiago is that kind of idiot you scream at through the screen and then still wanna see naked. The whole thing is built like some trashy late-night TV show that should be banned, but you keep watching anyway. You’re not the hero here, you’re more like the perv in the audience that somehow got the remote. Every “episode” throws him into another ridiculous game against some girl who looks like she walked out of an anime convention after too many tequila shots. And the rules are stupid simple: lose the game, get punished; win the game, still maybe get punished, just in a way that gives you a boner instead of trauma. It feels like a horny game show that escaped from Pornhub and learned how to talk. Dialog is all over the place, kinda meme, kinda cringe, but also exactly what I hear in my group chats, like when someone types “bro she gonna ruin your life and dick at same time” and nobody disagrees.

What really hits is how the “punishments” are never just one thing. Sometimes it’s teasing, like the girl just verbally wrecks him, steps on his pride, and uses him as emotional toilet paper. Sometimes it flips and she goes full-on sexual humiliation, making him kneel, calling him her cute little loser while she rubs his face against her tits or grinds on him like he’s furniture. And then there are moments that are almost sweet, which pisses me off more, because I came to see horny disaster, not low-key affection. One of the girls laughs at him for losing, calls him pathetic, then pets his hair and tells him he did “good enough” while pushing his head down between her legs. It’s toxic, it’s messy, it’s hot, and yeah, it kinda reminded me of that one situationship I had where Discord calls somehow turned into “show me more” at like stupid hours. The game doesn’t pretend to be deep, but it accidentally pokes your kinks in very specific places: being dominated, being mocked, trying to “win” affection through games, like hentai Squid Game but horny and low stakes. You get to pick stuff sometimes, flirt badly, act brave or submissive, and the girls react in ways that feel just random enough to hurt. They look like they’re having more fun than you. Which is honestly fair.

If you’re like me and you overthink everything, you’ll catch yourself treating each little minigame like some test of worth. Lose a round and suddenly you’re there, clicking through, letting this anime girl ride your character’s face while she laughs about how “men are only good for this anyway” and you’re nodding along like, yeah, okay, that tracks. It hits that lonely-brain spot where you’re used to porn tabs, shitty dating app swipes, ignored DMs, and now you’re here, begging pixels to step on you a little harder. The humor helps, though. There are memes thrown in like the writer just alt-tabbed from Twitter and copy-pasted their timeline, dumb jokes about reality shows, small fourth-wall breaks, nothing fancy but it makes the sex feel less clinical, more like a horny shitpost that got out of control. Scenes are short, quick payoff, like someone chopped a season of a degenerate TV show into bite-sized episodes just long enough to make you blush and then hit “next” anyway. If you wanna squeeze the most juice from it, don’t rush the dialog. Lean into the flirting, pick the cocky options just to watch Thiago get wrecked, or go full submissive dog and let the girls drag him deeper every time. Either way, the “show” keeps going, and you just sit there, one hand on the mouse, wondering how the hell a stupid little TV game ended up knowing exactly what kind of loser you are.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.

You start as this mafia prince kind of guy, rich kid with a target painted on his back, thinking life is just booze, guns and pretty women, and then everything goes straight to hell in like two minutes. One ambush, a lot of bullets, and suddenly your powerful crime family is just red stains and broken windows. The game throws you into that chaos from inside his head, so it feels less like “I am playing a character” and more like “oh shit, that’s my dad getting executed.” It’s all from your eyes, even the sex, so every scene hits kind of personal. Not deep-artsy personal, just “yeah, I’m really here, my dick’s out, this is happening” personal.

Natalya, the bodyguard, basically steals the whole thing. She gets you out alive and then you’re stuck with her in this dry, endless desert, hunted, tired, horny, scared, and somehow still flirting in the middle of it. She’s not some shy anime waifu, she’s tall, scary, a little fucked in the head, with that soldier mindset. One moment she’s snapping a guy’s arm like a breadstick, the next she’s pinning you to a rock with her boot on your chest and asking if you’re “still a man after all that crying.” Half the scenes with her feel like foreplay even when nobody’s naked. There’s one bit where you’re hiding behind a broken car, bullets hitting the sand around you, and she just grabs your face, kisses you hard, then shoves you away and goes right back to shooting. Totally not realistic, but it made me laugh like an idiot.

It calls itself a visual novel, but it’s not only dialog boxes and “do you love her or do you love her more” kind of thing. You’ve got choices that mess with your score, some little combat-ish moments, and a bunch of paths where you can act like a loyal heir, or a petty asshole, or some horny idiot who thinks with his cock while hitmen are literally tracking you. Sometimes the pacing is like a wild house party where the music keeps changing mid-song. One moment you’re digging into who betrayed your father, interrogating some bruised thug about which rival family ordered the hit, and then boom, horny desert campfire scene where you’re half traumatized and half grinding against someone who probably killed more people than you ever met. It’s weirdly hot and also kind of messed up. There’s romance too, but “romance” here means guns on the table, bruises on your neck, and girls who tease you about being soft while they unzip your pants. At one point I forgot I was chasing the truth behind the massacre because I was too focused on getting a better “score” with one of the women, and when the game suddenly threw more soldiers at me, I actually said out loud: “bro, can I finish getting laid first?” That mood sort of sums it up.

Matthew is a bit of a mess, and honestly that makes him hot in a weird way. Fresh grad, no clue what to do, absolutely overwhelmed by daddy issues and pressure, then suddenly you drop into his head like some horny guardian angel with an agenda. You’re not just clicking through his story, you’re literally steering his thoughts, poking at his fears, dangling pleasure in front of him like a carrot while the whole “save humanity” thing sits in the background going hello, remember me. One moment you’re having a serious talk with him about what it even means to choose something freely, next moment you’re pushing him to say yes to a girl who is clearly trouble, just because you want to see how far he’ll go when his dick is making the decisions instead of his brain.

The sci‑fi angle isn’t just some lasers and space wallpaper either, it feels more like you’re a strange higher being that can be both kind and a complete bastard at the same time. You flirt with him without ever really being on screen, which is kinda fucked up and kinda hot. Telling him “trust me” while you line him up for a threesome, watching him hesitate, then finally give in and grab those hips like he’s been starving his whole life. The sex scenes go from tender “I want you to feel safe” to full on “shut up and take it” pretty fast if you push him there. There’s this one moment where you convince him that relaxing is part of the mission, and he ends up with a girl riding him slow on the couch while the TV shows news about the world going to shit. He’s moaning, sweat on his chest, and in the corner the headline is literally talking about collapse. That contrast sticks in the head more than any cheap porn loop.

Not everything hits perfect though. Sometimes he overthinks in huge text blocks when all you want is to pull someone’s panties aside and get on with it. There’s a choice where you just want to say “yeah sure, let’s fuck”, but the option is written like some philosophy homework and you kind of roll your eyes. Still, when the visuals line up just right, the bodies look good enough that you forget you were annoyed five seconds ago. I liked how some of the girls don’t instantly act like brainless sex toys, they argue, they doubt, and when you finally talk Matthew into crossing a line with them, it feels dirty in a very human way. You watch him slide a hand under a shirt, fingers brushing nipple, her breathing changing, and in the back of your mind you know this might screw up his future, his morals, his “save the world” plan, but you press continue anyway. And that tiny guilt mixed with arousal, that’s where this game actually gets interesting. It’s not just about how many positions you can unlock, it’s about you slowly realizing you’re enjoying breaking this boy while pretending to guide him. Which, to be honest, says as much about the player as it does about poor Matthew.