You start as this poor bastard trying to get a job at Chimera Corp, and the “job interview” is basically you poking at a digital girl until she turns into exactly the kind of slutty little toy the company wants. It looks all corporate and clean at the start, like some boring HR training module, then you realize the whole thing is just an excuse to mess with a test subject’s body, brain, and personality in the most fucked up sci‑fi way possible. You don’t move a character on a map or anything, you sit in front of a fake company interface and tweak stats, pick sub-options, and watch your test girl go from regular office chick to whatever flavor of corrupted meat puppet you’re in the mood for. That could be a wide‑eyed innocent with slightly fuller lips and bigger tits who just “kind of likes” sucking cock now, or a full-on lactating breeding cow with a fat ass, ahegao face, and a contract to do double anal for company publicity material. The more you play with the sliders and categories, the more you start to feel a bit like a mad scientist who found a porn hub hidden inside Excel.

What sells it is how reactive everything feels. Tiny changes to “obedience” or “sexuality” don’t just show up as a number, they twist her whole vibe. One run you nudge her toward prostitution training and suddenly the feedback text starts describing her as eager to take on more clients, offering anal and titfucks to upsell, drooling about group sessions and bukkake “for the brand.” Pick more hardcore path and now she’s a mind‑broken BDSM pet, calling herself company property, begging to be branded and collared, talking like she lives to be spitroasted by management. Push transformation and body mods and you get big tits, big ass, different outfits, different hair, different speech patterns, sometimes a total change of identity, newly chosen name included, like she forgot she ever was a person and not a slave template. There are lots of little puzzle moments too, where you try to hit a specific combination: the right mix of obedience, skill, and depravity to unlock a certain type of ending. Some leads you to a loyal office whore who handles private “meetings” and HR blackmail, other ones spit out a gangbang-ready cum dump that the company loans to entire teams as stress relief. And yeah, budget limits mean you cannot just max everything, you gotta pick if you want her to be an anal specialist, an oral goddess, or the perfect multi‑penetration toy that passes internal QA.

The art is AI generated but it actually works for this weird corporate-sci‑fi vibe, like you are browsing some shady internal database of test subjects that were never meant to see daylight. You keep clicking and thinking “okay, that’s enough” and then you stumble on a variation where she has milk dripping from huge tits, mascara running, mouth open in a ruined ahegao while the report calmly talks about her “improved productivity in group sex environments” and suddenly you are doing another playthrough. The writing leans hard into male domination and control, but it has that slightly fucked up humor where the system describes her as a “valuable asset for customer engagement” while she is basically a programmable anal slave who loves creampies and toys rammed everywhere. There is management logic behind everything too, which is funny: the game scores you not on how “nice” you are, but how profitable your personal fuckdoll is, how many holes she can keep busy, how marketable her new look is. It is short, yeah, and sometimes a stat change gives you a result you did not expect and you sit there swearing at the monitor because she lost the perfect big ass combo you just had, but then you restart and make a slightly different monster, a little more obedient, a little more corrupted, and you kind of forget you were annoyed five minutes ago.

Anna looks like that person you see in the subway who already gave up on the day before 9 in the morning. Gray office, gray boss, gray everything, with the one bright spot being Lucy spamming her phone with stupid memes and soft kisses through text. That feeling when your life is dying slowly but your girl sends you a selfie in elf ears and a tiny bikini and suddenly your whole body goes “oh”. That’s where this game lives, in that dirty little spark between “I love her” and “I kinda want to ruin this”.

Stuff escalates fast once Lucy sends those cosplay photos. They aren’t just cute. They’re horny as hell, and not just because her chest is almost falling out of the costume. There’s this guy, Sig123, always right there in frame, just off to the side, a hand on her hip, a shadow leaning in, and the game keeps shoving his presence in your face without shouting it. One shot has his fingers holding the zipper on her back, another is his lap visible under her as she sits “for the pose”. You’re Anna, looking through Lucy’s gallery, pretending it’s fine, scrolling, zooming in on small details like lipstick slightly smudged or her eyes not looking at the camera, and your brain just starts writing its own porn fanfic you never asked for. Suddenly you’re jerking off to the idea of your own girlfriend being shared, and you hate it, and you also click “next” again.

What I liked is that it doesn’t treat cheating like a simple switch. It starts with these harmless POV fantasies, like you jerk off in the office bathroom imagining Lucy on her knees in that cosplay, but the angle is wrong, and then you realize in your head it’s not you she’s looking up at. That little snap in your stomach? The game leans on that. One moment you’re watching a soft lesbian scene between Anna and Lucy, lazy morning tongues and bed hair, and the next you’re rewatching a clip of Lucy “just rehearsing” a group photoshoot concept and suddenly there are extra hands and extra mouths and you can’t tell if it’s real footage or something Anna is imagining over the top of it. It blurs porn and memory. Or maybe I was just horny and overthinking, but it felt like that.

There’s a nice little cruelty in how often it sticks you in first person while everyone else ignores your feelings. You get POV scenes that should feel loving, Lucy riding you slow, ahegao face way too much for a couple that’s “just having a normal night”, and instead of feeling romantic it starts to look like she’s practicing for someone else. Later, when the group sex stuff hits, you kinda recognize moves she did with you, and that stings in a hot way. At one point, there is this cosplay orgy sequence where Anna is half participating, half watching Lucy get passed around, and it plays it almost casual: a tongue between her legs here, someone gripping Lucy’s hair there, your girlfriend moaning another person’s name, and the camera just lingers like it’s your eyes trying not to blink. The lesbian bits are not some side fetish either, they’re the emotional knife. Two women who clearly care about each other, then one of them slowly getting addicted to attention, to cameras, to being used like a prop while the other discovers she likes the idea of her girl as a public toy way too much. It’s messy, horny, a little mean, sometimes too exaggerated with the faces, but in that way where you roll your eyes and still keep clicking because you want to see just how far Lucy will go before Anna snaps, or worse, before Anna starts directing the whole fucked up show herself.

Bored guy in a glass box in the sky decides he wants to break his toy a little. That is basically the soul of this thing. You start as this marketing exec who has everything dialed in: money, cool apartment with stupidly huge windows, and a girlfriend who looks like she walked out of some luxury perfume ad, all long legs, big tits, expensive taste, polite smile. She is “good girl” in that high society way, the kind that apologizes when the waiter bumps into her. And you look at her and think: what happens if I push? Just a bit. Just enough to crack that perfect mask. So you tell her to take off her clothes next to the glass, where the city can see. It is not even subtle. It is just: show me how far you can fall for me.

What I liked is how dirty it feels without being all screaming porn right away. At first it is like a stupid couple game, 30 seconds with her shirt open, her nipples pressed to the cold glass, you standing behind her, half teasing, half testing. You keep talking, whispering in her ear about people watching, about the office guy across the street maybe jerking off behind his blinds. She blushes, tries to cover herself with her hands, and of course you move them away. Tiny thing that annoyed me: at one point she wears these heels that look like they were grabbed from a random asset store and my brain just fixated on them for no reason. Anyway. Slowly she starts obeying faster. You tell her to bend over, to spread, to let you slide your fingers inside her while the city is right there, all the lights, all the windows. Sometimes the game cuts to this voyeur angle, like you are on the opposite balcony, watching her tits bounce while you fuck her from behind, and it feels wrong in that good, greasy way. Sometimes the pacing is weird and a scene just ends when you actually wanted to stay there longer, with her face smashed on the glass, mouth open, drool, eyes rolling up in that ahegao mess. I even paused once just to stare at the reflection of your own body in the window, pressing close behind her, like you two are on display in some live porn shop above the street.

Over time she shifts from “no, this is crazy” to touching herself on her own, pressing her pussy on the window, rubbing her clit while people maybe walk below and you just watch, arms crossed, this calm little overlord vibe. There is romance, but it is twisted, because every “I love you” is wrapped around male domination. You praise her, then push her harder. Make her suck you while the curtains are half open, then pull her hair and aim your cum so it drips down her chin in full view of those hypothetical neighbors you keep talking about. One creampie scene sticks in my head: you make her ride you facing the glass, her big ass slamming down, your cock buried inside her until you fill her and tell her not to move, to let it leak while she stares at her own reflection, cheeks flushed, half ashamed, half proud. It is corruption but also kind of a collaboration, because she slowly starts wanting it, asking “do you think they can see my tits from here?” then lifting them up like an exhibitionist little trophy. Anal slips in as a sort of next-level dare, where she hesitates, then lets you push in while she bites the glass, hands flat, nails scratching. There is oral, there is masturbation, there are those moments where you catch her stroking herself when you are not even in the room and the camera pretends to be security footage. Part of me wanted more variety outside the apartment, but at the same time, that single cage of glass and city lights gives it this weird art piece feeling, like the whole relationship is a performance for invisible strangers scrolling their phones on the other side of the street.

Luke's got this whole university thing figured out - or at least he thinks he does. This isn't your typical college romance where some awkward freshman stumbles through dating mishaps. Nah, Luke's been through this rodeo before, literally. Time loops, resets, whatever you want to call it - he's lived his first year over and over until he's basically gaming the system. Now he's ready for what he calls "Phase Two," which sounds way more strategic than it probably should be for a guy just trying to get laid.

The whole premise is pretty wild when you think about it. Luke's essentially become a relationship speedrunner, knowing exactly which buttons to push with each girl. There's this maid cafe setup that becomes central to everything - because of course there is. The game throws you into managing relationships with different girls who each have their own specific kinks and fetishes. One minute you're dealing with some vanilla romance situation, next thing you know you're deep in BDSM territory or watching some serious NTR unfold. The variety is honestly overwhelming sometimes. You've got your classic anime parody characters mixed in too - I spotted what looked like Nico Robin and Boa Hancock variants, which feels both nostalgic and weird at the same time.

What gets me is how the game handles the whole "perfect base" concept Luke keeps talking about. It's like he's treating relationships like some kind of RPG stat management, which... honestly isn't that far from reality if we're being real here. The turn-based combat elements feel randomly thrown in, but somehow work with the overall simulator vibe. There's phone interactions, dating mechanics, and this whole corruption progression system that gets pretty intense. The multiple endings thing means you're constantly second-guessing your choices, wondering if you're optimizing for the right fetish path or missing out on some kinky scenario. Luke might have his advantage, but navigating all these relationship dynamics still feels like controlled chaos.