You show up at this huge, too-clean house as the new live-in code monkey, thinking you’ll just fix some apps, drink shitty coffee and maybe watch porn quietly at night on your phone. Instead you walk into a slow-burn, horny pressure cooker where everyone is pretending they’re normal while basically leaking sex and secrets from every corner. The boss is this stiff older guy who thinks he owns the whole world and you along with it. He talks to you like you’re a walking spreadsheet, but then sends you on “little tasks” that always end up with you alone with his wife in the kitchen or his daughter in her room or sneaking around the hallway like some budget ninja just to peek through a half-open door. The house itself kind of becomes the main character over time. First hours you’re lost, clicking into wrong rooms, bumping into nobody. After a while you know which door creaks, which bathroom mirror gives you the best angle to watch the wife shower without her noticing, where the daughter hides with her headphones when she’s pissed off at daddy again.

The wife is the one that really got me. She’s this blonde, big tits, very “I married money so I’m bored now” type, walks around the place in robes that are somehow always loose at the right moment. At first she’s cold as ice, giving you that look like you’re just another toy her husband bought, but then you help her with some tiny everyday thing, like moving boxes or dealing with a broken tablet, and she leans just a bit too close, bends way more than needed, you get a perfect side view of her ass and the outline of her nipples under thin silk. There is this scene where you’re “repairing the Wi-Fi” and she stands behind you, hand on your shoulder, asking these harmless questions that are obviously not harmless. I clicked through that scene way too slowly, just staring. Later on there’s this tension of “do I risk pissing off the boss and go for her properly, or do I keep pretending I’m just grateful to be here”, and the game actually lets you sit in that feeling for a while. Not just instant porn jump cut. It’s more like those moments when you’re alone in the living room at night, lights half off, she walks in with a glass of wine, sits too close on the sofa, and you both act like it’s normal until she puts her legs on your lap. It’s hot because it’s awkward.

And then there’s the daughter. Overprotected is putting it mild. She’s locked in this fancy, girly room with zero real life experience but a phone and internet and hormones going wild. She starts out bratty as hell, you kind of want to smack her, but it fits. The way she slowly warms up when you treat her like an actual person, not a museum piece, makes the later scenes hit harder. I liked that the game sometimes just lets you hang out with her, talk nonsense, watch something stupid on a tablet. One time I screwed up a stat and she just ignored me for several in-game days and I was more annoyed by that than missing a sex scene. And yeah, voyeurism all over the place. Standing at the top of the stairs, listening to them argue, sneaking past the boss’s office while he’s yelling on the phone, peeking into the wife’s room at night when she thinks no one is watching and she plays with herself on the edge of the bed, legs spread, robe half open. That little bar that tells you how tired or horny or whatever you are becomes this weird mini-game where you push yourself just to see if you can stay awake long enough to catch her walking from the shower. Once I spent too much time in the bathroom just clicking the mirror for no reason. Still kind of annoyed you can’t interact with the plants in the hallway. Don’t ask why, I just wanted to. Anyway, for me the best part is how it doesn’t rush. Sex comes, and it’s dirty and direct, but it crawls there through teasing, side glances, overheard fights, stupid chores, walking the same corridor a hundred times until it feels like home and prison at the same time.

Eight years after all the magic bullshit went “ok sure, now this is normal”, you’re dropped into this weirdly calm university life where everyone pretends they grew up, but nobody really did. She’s a blonde student now, technically an adult, wearing the ID card, going to lectures, passing bored faces in the hallway, and still getting that same rush when an old face appears at the back of the class. It starts slow. Too slow, honestly. You’re clicking through her daily routine, half-listening to some teacher talk about something nobody cares about, then suddenly you’re in this abandoned classroom with someone who used to save worlds with her, and now they’re just awkwardly standing too close. The game does this a lot. One second you’re watching her stare at a timetable, next second she’s on her knees between someone’s legs, the kind of blowjob scene that feels like the dev actually remembers what horny fans want: saliva, messy sounds, a bit of funny dialogue that somehow doesn’t ruin the mood. It’s not super polished, you see the seams, but that kinda works here. Feels like a fanfic that escaped Google Docs and picked up a Ren’Py engine on the way.

The whole thing is pure nostalgia porn mixed with actual porn. You get those “oh shit, I remember that” moments when she meets old acquaintances who are now adults too, but the way they look at her tells you everyone’s thinking less about magic and more about who’s going to end up pinned against a dorm wall. Scenes hit different when you’re the one choosing which door she knocks on after class. One route had me send her to this “study session” that turned into a very not-safe-for-library handjob under the table, while the teacher droned on two meters away. Another time I picked what I thought was the wholesome choice and somehow ended with her mouth full in a storage closet, joking about how this is better than exams. The game likes to pretend you’re roleplaying her feelings, but let’s be honest, half the time you’re just testing how far the dev will let this parody go without breaking the character completely. Some lines are a bit cringe, some scenes end too quick, and there’s this one background track that kept looping during a really hot scene and I wanted to strangle it, but I didn’t mute it. I just complained out loud to no one and kept clicking, because the next CG looked really nice in the wrong way. It’s not subtle. It’s not trying to be smart. It’s a horny, slightly rough fan-made eroge where a once chaotic magical girl is now a horny uni student with way too many “private talks” after class, and if you were ever into that show, your brain will fill in all the parts the script rushes through. Dare to play it alone, or invite company?

It’s weird how this one got under my skin. I opened *Deck of Hearts* expecting another lazy click‑through with the same recycled bodies, but the writing kept pulling me back. It’s just text and cards, right? Except the cards don’t feel like props - they’re little traps for your decisions. You draw one and suddenly you’re in a room that smells like perfume and bad ideas, staring at a redhead who looks like she knows exactly how far you’ll go before folding. The game doesn’t even try to hide its filth; it leans into it like it’s proud of being shameless. And honestly, good. The MC’s voice is messy, horny, insecure, sometimes cruel, which feels way more real than those perfect hero types.

There’s this scene - I won’t spoil too much - but the moment the blonde leans over the table, teasing about “luck,” you realize the cards aren’t random at all. They’re judging you. It’s not subtle, but it works. I laughed when I shouldn’t have, mostly because the dialogue feels like something you’d overhear in a bar where everyone’s pretending not to listen. The corruption angle hits harder than expected; it’s slow, sticky, uncomfortable in the best way. I caught myself clicking slower, reading every line twice, like the words might change if I stared long enough. Sometimes they do. Maybe that’s just me projecting.

If there was an award for “Most Unnecessary Grope That Still Made Sense,” this game wins it. The AI CGs look almost too clean for the dirt they’re showing, like someone tried to polish sin. The MILF character - yeah, you’ll know her when she shows up - has this smug smile that makes the whole plot bend around her. I kinda wish the teen character had more agency, but maybe that’s the point: everyone’s trapped in their own deck. Also, whoever wrote the card descriptions must’ve been drunk or a poet. Hard to tell which. Anyway, I closed the tab and immediately reopened it. That probably says enough.

Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.