That resort game, the one mixing all those anime worlds together, feels like it was made by a group of sleep‑deprived modders who somehow hit the exact kind of chaos that’s actually fun. You show up as this nobody, supposed to manage a handful of “special guests,” and within ten minutes you’re knee‑deep in half‑serious flirting with characters who definitely don’t act like they did in their shows. Yoruichi teases you like she knows she’s the hottest woman walking that beach, and Hinata - yeah, Hinata - is way too forward for someone who used to blush at eye contact. I laughed when Momo starts discussing work schedules while half‑undressed like that was a normal HR meeting. The writing’s nowhere near perfect, but it has that unfiltered vibe that makes you forget you’re reading a script.

There’s a weird rhythm to the sandbox bits. You wander around pretending to manage resort stuff, but mostly you’re hunting for the next scene that’ll ruin your concentration. The choices matter only half the time, and when they don’t, it’s almost better - like the game’s winking at you, saying “yeah, we know what you’re here for.” I got stuck once because I kept getting distracted by Mitsuri’s pool animations (don’t judge me). The transitions between locations feel choppy, sometimes even glitchy, but then a random scene with Nobara saying something filthy just resets your patience. It’s like being scolded and rewarded at once. Also the music - why is Miku on the speakers? Feels cursed but in a way that fits.

There’s something kind of honest about how it doesn’t try to be subtle. One moment you’re sunbathing, next you’re part of some ridiculous love triangle where Makima pretends she’s not manipulating the whole mess. Every “romance” route is written like a fanfiction draft that someone forgot to edit, yet it somehow nails the messy excitement of it all. You’ll roll your eyes, you’ll screenshot things you shouldn’t, and you’ll probably tell yourself “just one more scene” before realizing the resort has already swallowed you.

This thing is basically fanfiction that got drunk and horny and forgot what “respecting the source material” means. You’re Fafnir, yeah, that grumpy dragon nerd, but here he’s not just hoarding games. He’s hoarding control. You’re poking into the bodies and minds of the girls from Miss Kobayashi’s Dragon Maid and then some extras from other shows too, like someone left the multiverse door open and you just wandered in with a curse book. The vibe is: visual novel, click through scenes, pick a line, watch the girls slowly stop being themselves and start being exactly what your pervy little dragon brain wants. It uses AI CG so sometimes a shot looks almost too pretty and then you notice a weird finger or strange angle and your brain goes “huh” for half a second before going right back to staring at thighs. It’s messy, but in a way that kinda fits a curse story. Nothing here feels gentle. You’re not romancing, you’re breaking people down and repainting them inside their own heads, and if that sounds fucked up… yeah, it is. The game knows it, and it doesn’t really care.

The mind control stuff is not subtle at all. You curse, you tweak, you watch them crack. Tohru trying to stay loyal to Kobayashi while your influence slides into her thoughts is lowkey the best part. She’s smiling, saying her normal cute maid lines, but the text starts sneaking in things like her clenching her thighs or her hands hovering too long on places she shouldn’t touch. She tells herself she’s doing it for Kobayashi, serving her better, but it’s obvious she’s being rewired into your perfect toy. There’s a scene where you push her to “practice” seduction so she can surprise Kobayashi later, but every choice is actually making her more addicted to your magic and less able to say no. It’s twisted and horny and kind of pathetic, in a good way. Then you jump over to Kanna and the tone whiplash hits. She’s smaller, cuter, and the game leans hard into teasing and “innocent” obedience that is absolutely not innocent. She starts out pouting and stubborn, and after some curse adjustments she’s just quietly doing what you say, blushing and asking if she was “a good girl” while you mess with her body like you’re tuning a character in a creator app. I honestly spend too long just staring at how the lighting hits her legs in one CG and got annoyed because there’s this tiny artifact on her knee I couldn’t unsee. Still clicked through, obviously. Then you’ve got stuff with Power randomly showing up like someone mashed Chainsaw Man into the wrong folder, and instead of fixing it the dev just rolled with it. She’s loud, rude, and super easy to corrupt, which fits weirdly well. She hates being told what to do, so naturally the curse turns her into the kind of girl who begs to be ordered around, and by the time she’s grinding on a chair because you told her she can’t touch herself yet, she’s basically a dog chasing its own tail.

The best part is when the game pretends it’s about romance for a few lines. Fafnir suddenly gets almost poetic with Makoto Takiya, talking about “human attachment” while he’s literally using curse magic to make the girls obsess over him. It reads like those cringy Discord DMs where someone tries to sound deep before sending a dick pic. There’s also a running thing with sexual harassment that is just treated as normal here. You tell them to “act more friendly” and the next scene they’re rubbing against you in public, clothes riding up, people around kind of existing but not really mattering. The choices are often like: “push her further,” “push her even further,” or “pretend to be gentle while pushing her further anyway.” No moral out. Not even pretending. The parody angle is strong in how it pulls characters from everywhere and shoves them in the same cursed sandbox, but it never slows down to explain the lore properly, which I kinda liked. It feels like browsing a bunch of horny Twitter fanart threads at once, except here you get to decide exactly how broken their minds end up. And sometimes the CG glitches a bit or the proportions look a bit off, but that almost makes it feel more like some forbidden game you shouldn’t be playing, instead of polished merch. I tried screenshotting a scene with Tohru kneeling, looking up, her eyes half-gone from the spell, and my capture app lagged right at the good frame. Still mad about that.

It’s weird how this game starts like it wants to be romantic, and then ten minutes later it’s already elbow-deep in pure dirty chaos. One minute Violet’s giving you that look like she’s pretending to be shy, the next she’s dragging you somewhere private and asking if you’ll “watch her with someone else.” I swear it caught me off guard even though the tags should’ve warned me. There’s a sense the dev probably reads too much late-night fanfic because somehow Rangiku shows up, then Tsunade, and none of it makes any sense story-wise but it *works*, in that guilty way where your brain says “nah” but your hand’s already on the mouse. The animation’s smoother than expected - especially that ridiculous scene with Fubuki teasing you through a half-open door, talking about her “training schedule” like that explains anything.

Anyway, what actually surprised me was how human some of the writing feels when it stops trying to sound like porn dialogue. Like there’s this one quiet bit after the whole netorase mess where Eric just sits, pissed off and turned on at the same time. It’s clumsy, messy, hot - exactly how that sort of fantasy should feel. But then it immediately ruins the mood by throwing in a crossover cameo from Makima, who literally does not care about continuity and just starts talking about control mid-blowjob. Still, that kind of randomness is what makes it addictive; you never know if the next click is gonna bring soft moaning or someone getting their ego destroyed. Kinda like browsing old adult forums again - half cringe, half fascination.

Oh, and whoever coded the exhibitionism scenes deserves a medal. The one with Violet teasing you in public while pretending to check her phone, yeah - that’s burned into my brain. There’s something slightly broken about the transitions, though I almost prefer it that way; it makes it feel less scripted, more like stumbling into something you shouldn’t see. I keep telling myself I’m done with it, then remember there’s still that hidden route with Tatsumaki and bam - back again, no shame left to lose.