Elizabeth Barton is the kind of redhead your brain keeps replaying when you should answer emails. Middle of her life, big tits that make blouses look like they’re about to file a complaint, tight business skirts, that “I know what I’m doing and I know you’re looking” vibe. She runs this clothing franchise like a boss, but the game doesn’t treat her like some cold power woman. She’s messy, horny, insecure in the little ways that feel too real. One minute she’s calculating sales, the next she’s staring at herself in the mirror in her office, hand sliding under the waistband, pretending the security cameras can’t see shit. They can’t. Probably.

Then Holly just dumps her daughter on her. That’s where the summer gets weird. Jessica walks in like trouble in short shorts, that mix of brat and lonely girl, the kind where you know she’s going to push every line because nobody’s watching her close enough. The game really leans into that slow-burn teasing. First it’s small stuff. Liz catching Jessica lying on the couch, legs open a bit too wide, phone in hand, watching some guy rail a girl on Pornhub with the volume almost off but not quite. You have this tiny choice: pretend you didn’t hear the moans or make a joke that is way too adult for an “aunt.” Both feel bad in a good way. And because it uses multiple protagonist, you jump into Jessica’s head after that scene and realize she noticed the stare, liked it, and then goes to her room to masturbate with her earphones in, replaying that half-second of eye contact.

The game’s sex content is filthy in a slow, adult way, not just “click to see boobs.” You get lesbian tension between Liz and some older MILF customer who comes in for “help with sizing” and very obviously wants Liz on her knees between the dresses rack. There’s this oral scene in the stockroom with a Black delivery guy that hits that interracial porn energy without turning him into a stupid caricature, which surprised me. Liz acts like it’s a one-time mistake and then checks the delivery schedule twice a day. At the same time, you might push her toward cheating in a more emotional way: late-night messages, hand under the table scenes, her rubbing her thighs together when her “partner” sends her a dick pic during a family dinner. Sometimes the cheating is only in her head, sometimes you fully go for it and watch her swallow and then go home like nothing happened.

And Jessica isn’t just some side prop. When you play from her POV, she’s got all this pent-up bi curiosity. The way she looks at Liz is part “aunt” and part “woman with big ass who clearly knows how to fuck,” which is… yeah. There’s a sequence where Jessica borrows Liz’s blouse, doesn’t wear a bra, then does a little private stripping in Liz’s bedroom mirror, grinding on a pillow, imagining Liz walking in. You can later nudge the story so that Liz actually does walk in during a different “accident” and the look they share is way hotter than half of the full-on sex scenes. That’s the good stuff. And the office scenes, holy shit. Doing boring stock numbers on a laptop while there’s a vibrator inside, trying to stay professional on a video call while clenching? It hits different when the character is a businesswoman who’s supposed to act all proper. I wish the phone UI in-game wasn’t so clunky, notifications sometimes pop in weird timing and broke my mood once, but then Liz bent over to pick something and her skirt rode up and my brain just deleted the complaint.

By the time lesbian scenes start to properly bloom, like Liz and a regular customer sharing wine after closing time in the fitting room, slow kissing, one hand under the shirt, one between thighs, licking like they’ve been thinking about it since the first discount coupon, it feels earned. Not rushed. And when the game flips back to Jessica alone in her room, watching lesbian porn on her phone, trying to match the rhythm, moaning into the pillow so Liz doesn’t hear… that contrast is nasty in the best way. Nothing in this story feels safe. People are always one drink, one late shift, one “accidental” touch on the big tits away from blowing up their boring lives. It’s that quiet tension of a long summer where everyone is horny, pretending they’re not, while the clothing store, the house, even the fitting rooms feel like they’re soaked in sex already.

Guy thinks he’s just going back for another boring uni semester, next thing he knows he’s dropped into dusty Goldfield County in 1896 with no phone, no Google Maps, nothing, and a whole town that looks like it’s stuck between a cowboy movie and a weird Victorian drama. The game throws you right into this “adapt or die” vibe, but then you realise adapting here mostly means choosing which gorgeous girl you’re going to fuck behind which saloon door. It’s all from his eyes, always this male POV thing, so every blowjob, every time you slide into someone raw, feels like you’re the one fumbling your way through this old-timey world. They play a lot with teasing too, girls bending over to pick up something in those long skirts but you still somehow see big ass and giant tits almost popping out, and you’re like “I thought they were more modest in 1896?” but okay, sure, history can be horny. One scene that stuck with me is this supposedly “innocent” church girl, still a virgin, who keeps pretending she doesn’t know what she’s doing while her hand is already stroking you under the pew, whispering that it’s a sin, but not stopping at all. The dev really likes that ahegao face stuff, so when she finally rides you in a dusty barn and you finish deep inside her, her expression is less “scared of God” and more “broken by dick” and it’s kind of hilarious and hot at same time.

The whole thing is this messy mix of sex and danger: gunfights in the street, duels, little RPG style choices about who you side with in town, and then suddenly you’re behind the brothel, getting sucked off by a prostitute you just paid with coins you earned from shooting bandits. There’s a sandbox feel where you wander around, trigger scenes by poking into random corners like a peeping idiot, and sometimes you just straight up catch two people fucking behind a shed. You can watch, you can join, or you can pretend you’re better than that and then five minutes later you’re balls deep in group sex with them anyway. I like how some girls are shy and act all romantic, wanting you to “court” them with flowers and slow kisses, and then when the clothes finally come off they spread their legs, ask for anal like it’s nothing, and push your head between their thighs for oral until they tremble. Other times the game just goes totally crude: interracial threesomes in a bathhouse, one girl riding your face while another grinds her big ass on your lap, you switching between mouths and pussies and asses, filling one with a creampie while the other one jerks you off and laughs about how much cum you have. There’s also stripping scenes in the saloon, where you can basically encourage a girl to go from dancing on stage to full-on prostitution, which will either turn you on or make you slightly uncomfortable, especially if you’re thinking “would I want my daughter to see this?” and then remembering this thing is absolutely not for kids and never will be. The combat is kind of clunky and the shooter parts feel like someone learned how to script guns from a YouTube video, but weirdly that roughness fits the place. It’s not polished, not neat, but when you’re pushing a farm girl against a fence, yanking up her skirt, sliding into her while she tries to stay quiet so her father doesn’t hear, the lack of perfection actually makes it feel more dirty and real. Honestly, I went in expecting more romance and got a full-time harem fantasy where almost every woman eventually spreads for you, and even though I keep saying I want “deep story” I still clicked every single masturbation scene just to see how far the game would go with voyeur stuff. Spoiler: pretty far.

Hailey’s story hits that weird spot between hot and kind of painful in the chest, and I liked that more than I want to admit. You start as this regular guy who clearly loves his wife, and she’s exactly that fantasy mix of cute and dangerous: big soft tits under casual clothes, ass that fills the whole screen when she bends even just a little, smile that makes you think “yeah, she knows what she’s doing”. At first it feels innocent, just playful teasing in the kitchen, her brushing past you so her boobs press into your arm, little flashes of panties when she stretches on the couch. The kind of stuff where you know she’s doing it on purpose, but she pretends she’s not. Meanwhile she keeps talking about this coworker, like he’s “just helping with a project”, and your guy is trying so hard to act chill while you, the player, are already imagining him rail her against the office desk. The game knows you’re thinking that and keeps poking the thought until it hurts.

What I didn’t expect was how much time you actually spend alone with the main guy’s dick in his hand. Not in a boring way. More like he’s spiraling. You get home, she’s late again, phone face down, new text sound, and suddenly you’re in the bathroom, jerking off to the idea of your own wife sending nudes to another man. Masturbation scenes feel sweaty and pathetic and still insanely hot. One time he’s stroking while listening through the bedroom door because she’s “just changing clothes” after coming back from drinks, and the game gives you this small pause where you think you hear another voice. Might be nothing. Might be him in your house. The art is simple 2D but the body language sells it: her flushed cheeks when she lies, that slightly different way she sits on the bed, legs a bit too open, like she’s used to being watched now. Sometimes she flashes you her bra and laughs in that “you’re safe, he’s not” kind of way, which somehow hurts more than if she just said she was cheating. The corruption is slow, but you feel every small step. You let her go out in that tight dress you know isn’t for you, you don’t say anything when she “forgets” panties, you pick the softer dialogue options because you’re scared to lose her, and that just opens the door wider for this coworker to fuck his way into your life. It’s honestly a bit depressing, but then she bends over to get something from the fridge, her huge ass filling the screen, and your brain just shuts up and says: yeah, ok, ruin my life again.

You’re stuck in a dusty foreign base with a shitty Wi‑Fi signal and a gun that feels lighter than your stomach, and all you really have is your phone and a redhead you’re scared to lose. That’s basically the heartbeat of this thing. You’re the soldier, she’s Grace, making coffees for random assholes while you count the days, and the game never lets you forget that there’s an entire ocean between you when the worst possible guy walks into her cafe. Not a thug, not some cringe teen. A smooth, confident photographer who actually listens to her, calls her beautiful without stuttering, and knows exactly where to put his hands on a woman’s waist for “just the right pose.” It hits way harder than some cartoon villain, because he acts normal. Too normal.

The way it starts is almost boring in a good way. Your first calls with Grace are sweet, a little awkward. You talk about missing her, she tells you about rude customers, tips, her stupid co-worker, what she wore to work. And then she casually mentions “this photographer guy” who said she has a good face for his next project. Nothing dramatic. It just sits in your head. Later you unlock options during calls: push her to chase the opportunity, or brush it off, or sound jealous without admitting it. The game never slaps you with morality. You just feel it when she texts you a selfie from the shoot, wearing a dress that hugs her in all the places you remember touching, and you know some other man asked her to tilt her hips like that. The 3D scenes are clean and very physical: the way her bra strap slides down her pale shoulder, the shine on her lips from cheap cafe gloss, the slightly nervous way she holds her own elbow at first. Then in later shoots she doesn’t do that anymore. That tiny change hit me harder than the first kiss scene.

Sex here is not just porn filler. Early on, you get those needy calls at night, where she whispers your name in bed, fingers moving under the sheets, and you can guide how dirty the talk gets. If you encourage her to explore, she gets bolder, sending pics from the bathroom, pushing her panties aside to show just the wet line between her thighs, asking if you still want her even if other men look at her. If you give her strict “no flirting, no photos” vibes, the tension twists into something rougher later. There’s a run where she shows up at the photographer’s studio in a loose shirt and no bra, nipples poking through when the room gets cold, and you can practically feel the moment she stops thinking about you and starts thinking about how it feels when he stands behind her, guiding her hands, telling her to “trust the process” while his fingers spread her legs for a more “intimate composition.” It’s corruption, but not fast; it’s this slow slide where every choice you made before suddenly matters while she’s on that couch, thighs open, breathing hard, trying to convince herself it’s still “just art” even as his tongue is on her and her phone with your unread message is lighting up on the table behind her.

And the worst part? Half the time, when she calls you after, her voice is soft, almost more loving, because the guilt makes her clingier. So you’re there on a crackly line saying you can’t wait to fuck her brains out when you get home, imagining her wet and untouched, and the game zooms on those faint red marks on her inner thighs from someone else’s grip. No dramatic music. Just that quiet “I miss you” in your ear while she’s still sore from another man.