Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.

Corruption is not just a bar on the screen here, it feels like a mood that slowly crawls under your skin while you click “next room” again like a degenerate. Forbidden Dungeon throws you into a fantasy world that pretends to care about saving kingdoms and slaying monsters, but everyone knows why you’re actually there. You start with these “heroes” who look serious for about five seconds, then the game starts stripping them, shoving them into traps with tentacles and cursed toys, and suddenly every combat choice is also a sex choice. You’re staring at a turn-based fight, thinking about buffs and debuffs, but also thinking “ok if she loses here, how badly is the dungeon going to fuck her this time?” Then you lose on purpose. Or you tell yourself it was a mistake. Sure.

What I like is how the dungeon feels hungry. Rooms are not just “fight skeletons, get loot”. You open a door, get a weird altar with a glowing toy on it, and you have that awful nice feeling like when you know you shouldn’t click “accept” but you do anyway. Take the blessing, your stats go up, your “purity” goes down, next encounter she is more sensitive, more aroused in the art, more easy to push over the edge. At start I was trying to play “correct” like it is some hardcore roguelike. After a few runs I was basically feeding my party to every corrupted slime just to unlock new scenes. There is that one event with the breeding pit where you think “ok, this is just some background lore thing”, then suddenly your character is on all fours, tentacles holding them open, multiple penetration from things that do not even have a name, and you are sitting there like, yeah, this is fine. Also the little text line that casually mentions the chance of pregnancy like it’s just another status effect, that got me. It is not like a soft romance thing, it feels more like the dungeon is marking them, making sure they stay its toys forever.

The parody bits are funny in a really trashy way. If you know those edgy solo-leveling memes or you played Darkest Dungeon, you will recognize some scenes twisted into horny nonsense. A “heroic” speech turns into a submissive pledge to serve the dungeon, that kind of thing. It keeps trying to pretend there is a noble path, but the more you progress, the more the skills, gear and even the AI-generated CG push you toward naked, chained, displayed in front of monsters. Exhibition stuff hits hard here because the game keeps throwing you into situations where the character should be ashamed, and the UI pops up like “Gain +10% damage if you let them watch.” Grind a bit, unlock another protagonist, and suddenly the same corridors feel different because you know exactly which trap will drag them into that familiar tentacle nest. I really wish the game let me corrupt the town hub more, like turn the whole support cast into willing dungeon slaves or something, but I guess that’s my brain asking for DLC already. Anyway, if you like your runs to end with your party fully broken in some dark corner of the map, soaked, pregnant, and still going back in because loot, then yeah, this dungeon knows exactly what kind of player you are.

Rowan is supposed to be the boring happy-ending guy. War hero, tiny village, hot wife who actually loves him, all that fairy tale stuff. Then the game basically grabs him by the balls and drags him back into the kind of world you’d expect from some depressed fantasy writer who jerks off to demon girls. You start with this vibe of “retired hero, quiet married life,” and in like five clicks you’re knee-deep in demons, cult shit, political mess, and way too many chances to ruin your marriage just because somebody looked at you with glowing eyes and big tits. It pretends to be about grand fantasy and the six kingdoms, peace after the big war, blah blah, but the real hook is watching Rowan and Alexia slowly bend, crack, and sometimes completely snap under pressure. You’re pushing them into deals with monsters and nobles, letting them get corrupted, watching them cheat or get used, then acting surprised like “wow, how did this happen.” Yeah, sure. Totally an accident when you sent your wife into that obviously horny monster girl’s lair in lingerie.

The whole thing is built around choices that feel like you’re playing with their souls instead of stats. Sometimes you’re managing the castle and moving troops, and it looks almost normal, like a strategy sim wearing a cheap porn costume. Then out of nowhere you’re arranging a threesome, or letting your hero get pegged by some smug demon, or forcing him to watch as his wife “negotiates” with a noble who has more gold than morals. One moment you’re clicking through political scenes that feel straight out of some low-budget Witcher fanfic, next you’re in a sweaty lesbian ritual with a priestess who clearly skipped the part of the holy book about modesty. There are futa demons with cocks that look like they have their own skill tree, horny elves who act like they discovered group sex and never stopped, and that one early scene where you know you shouldn’t flirt with the mysterious woman, but your dick does the decision-making and the game quietly writes your marriage’s death flag in the background. Sometimes it leans into female domination so hard Rowan basically turns into a toy in his own story, and sometimes you steer Alexia into being the one who gets off on being “pure” while doing the filthiest oral in the realm. Half the fun is that you’re never really sure if you’re still the hero, or just the bastard pulling all the strings while the world rots in a very hot, very wet way.

You know that awful feeling when your phone buzzes, you open the chat, and you’re not sure if you even want to scroll up because you already feel something’s wrong? This game lives inside that feeling. You play as Eddie, normal guy, married, kind of worn out by life, stuck in this shitty loop of work, stress, debt, and a dick that just refuses to cooperate when you actually need it. The whole thing plays out mostly through chats and phone stuff, so you’re basically spying on your own life. Messages, pictures, little bits of “hey babe, miss you” turning into “hey, I’m working late” and then into things you really don’t want to see your wife sending to someone else. And still you keep tapping, because of course you do.

Rachel starts as that sweet, supportive wife who just wants to help, who wants her man back, wants sex that isn’t awkward and half-hearted. The game doesn’t jump straight into filth. It teases you. She takes small jobs, chats with new people, gets “friendly” with that one guy who compliments her more in two texts than Eddie managed in a whole week. You see her selfies get a bit bolder. At first it’s cute. She’s shy, a bit embarrassed, but she sends that “accidental” cleavage pic and you feel both proud and a bit sick. Then the pictures get dirtier. The emojis change. The typing pauses get longer. The game really likes to make you stare at the screen waiting for three dots, wondering if she’s going to send something soft or something that will make you want to punch the wall and jerk off at the same time.

Sex scenes here are mostly in your head and on the phone screen, twisted together. When she’s playing with herself, you don’t just see her; you see the messages that pushed her there. Some random guy hyping her up, telling her how wet she must be, asking for “proof”, and she actually sends it. You get AI-style images that look like those edited photos you see on Telegram porn channels, slightly too clean, but the situation around them is messy as fuck. There’s cheating, voyeurism, corruption, all that good painful stuff. You read how she describes your failures in bed while you’re the one stuck watching and masturbating like some pathetic cuck who can’t even look away. The worst part is how normal it all feels. No magic, no mind control. Just money problems, stress, one dude with a working dick and another with a nice salary and a smooth tongue, and a woman who gets tired of waiting. The story doesn’t need big twists. It just pokes at those ugly relationship fears until they get horny, then keeps going a bit too far. You know it’s going to hurt. You still open the next chat. And the next picture. And the next.