Mira wakes up in a world that looks like somebody mashed together Skyrim mods, a horny D&D campaign and a trashy isekai anime they binge-watched on Crunchyroll while drunk. There are lecture halls with projectors and chalkboards, but outside the window you see floating ruins and half-dead eldritch skeletons drifting across the sky like they missed their bus. She’s supposed to be a “proper” adventurer-in-training, learning about mana theory and ancient rituals, but every time she walks down the academy corridor she ends up in some kind of mess involving too-short uniforms, invisible runes that definitely should not be glowing under her skirt, and at least one girl staring a bit too long at her thighs. The game just lets that linger. It loves the moment before anything actually happens, when you realise the class of mostly monster girls is way too interested in watching her squirm.

It plays like that friend in Discord who keeps sending you horny screenshots at work. One scene you’re in a serious lecture about old gods, the next you’re in the campus bathhouse where the tiles are foggy and someone “accidentally” left the door lock undone. There is a slow, lazy focus on skin, curves, texture, like the camera enjoys being a pervert as much as the player. The orc teacher with biceps like tree trunks leans over Mira to “correct her stance,” and her tank top rides up just a little too much, and you get a solid ten seconds of watching Mira pretend she isn’t staring at those abs. The demon girl has this perfect smug-face that feels like half of Twitter thirst posts, tail flicking while she backs Mira against a locker and whispers about all the things a proper mage’s body can endure. The satyr girl hides behind textbooks that are clearly too small to cover her boobs, especially when a stray wind spell blows through the courtyard. People in the background notice, their eyes follow, but nobody says it out loud; the whole game is like public indecency that society collectively agrees to ignore because it is fun to watch.

The school loves rules about modesty and discipline that exist only to be broken in front of an audience. Short skirts are “within regulations” if they technically cover the ass, which they do, until some enchanted gust flips Mira’s hem up right as she walks past a group of human supremacist boys who are very obviously trying not to look and failing miserably. The girls definitely look. There is a quiet lesbian hunger in almost every shot: the elf prodigy correcting Mira’s spell circle while her fingers linger way too long on Mira’s hip; the orc woman giving praise in that slow low voice that sounds more like a bedroom than a classroom; the satyr trying to explain lore while her eyes keep dropping to Mira’s cleavage like she forgot where faces are located. You are not just watching sex, you are watching people watch each other, watching them realise they’re into it. The humor hits that horny-gremlin vibe, like someone took the energy of late-night Reddit threads and stuffed it into a magical campus: boob jokes next to cosmic horror, panty flashes in the library where the books whisper about dead gods. It should not work, but it kind of does, especially when the camera just sits there while Mira pretends she doesn’t love being seen, her blush fighting with that tiny smirk at the corner of her mouth that says she really, really does.

City is fucked, virus hit, and suddenly this quiet nobody from the council wakes up with “congrats, you’re the mayor now, everyone else is dead or gone.” That’s pretty much the whole vibe. No fancy hero intro, you just walk out into streets that feel half-abandoned, half-hungry, and every girl you meet is either scared of you, wants something from you, or ends up on her knees because the new laws say so. Power here is not metaphor, it’s literally “sign a paper and that shy nurse is now legally required to spread her legs for public morale.” The game leans very hard into that fantasy where your word is the only rule that matters, and every scene is built around that: city hall office sex with the blinds wide open, turning a rescue shelter into your private harem base, using “health checkups” as excuse to bend a trembling secretary over your desk and fuck her raw while she tries to still call you “Mr. Mayor” without choking on your cock. It plays like a corruption sandbox, but the corruption is half on them and half on you, because early on you may actually try to be nice and then the game keeps tempting you with easy shortcuts like “legalized prostitution as economic stimulus” and suddenly you are running a citywide brothel network with branded uniforms.

What really hooked me was how casual the mind control and paranormal stuff creeps in. At first it’s legal pressure and fear. Then you unlock these weird powers after a shady lab scene, and now you can just touch a girl’s forehead and flip a switch inside her, turn a proud cop into a cock-hungry slave who still wears her badge while you make her suck you off in a dark alley, knowing patrol cams are catching every second because you ordered surveillance to stay online “for safety reasons.” The more you abuse it, the more the girls change, not just dialogue, but their whole attitude. That quiet librarian who used to flinch when you mentioned public punishment? Later she’s volunteering to get chained naked in the square, dripping while the crowd watches and you decide if she gets her first anal pounding there in front of everyone or in your private room with her mouth full and her ass already lubed from your last creampie. There’s group scenes where your personal harem kneels in a line and you just walk along, using them one by one, some trying to impress you with deepthroat, others begging for cum inside because in this broken city, being pregnant with the mayor’s kid is basically a golden ticket. It’s filthy, unpolished in a way that actually fits the setting, and yeah, sometimes the game trips over its own ambition, like a choice menu that promises moral dilemma but really only asks if you want to fuck her in the ass first or keep her pussy untouched for later. Still, when I was signing a “public morale decree” while some big-titted ex-councilwoman rode my dick on the mayoral throne, moaning that she used to be your boss and now she’s your slave, it felt exactly like the kind of wrong, nasty fantasy this sort of game is supposed to be.

Middle-aged, bored, thinks he’s clever because he learned how to delete browser history on mobile. That’s your guy here. He’s got the comfy house, the quiet wife who’s more interested in TV than his dick, and a work schedule that never changes. Then some young girl turns up waving a piece of paper that basically screams “You fucked up years ago.” It doesn’t wait long with the teasing either. You’re in control of him, but honestly half the time it feels like you’re trying to steer a dick that already made all the decisions before the brain caught up. One scene you’re in the office pretending to work, next scene you’re with your side-piece giving her a sloppy blowjob in a parked car, phone buzzing with messages from your wife asking about dinner.

The cool thing is how it keeps the sex close to the everyday stuff. Like, you’re doing boring paperwork, the girl who might be your daughter texts something innocent, and your mind goes straight into the gutter on its own. There is this bit where you’re in the shower, jerking off quietly so the wife doesn’t hear, and the game cuts between water on tiles and these little animated flashes of the girls you’ve been messing with. Not just still pics, actual movement, hips grinding slow, lips around your cock, spit running down, that kind of cheap but effective stuff that hits harder than it should on a small phone screen. You can almost feel the towel getting cold while you decide if you answer your wife’s call or keep your hand going. Later there is a scene on the balcony where you’re supposed to just smoke and relax, but of course some girl shows up in clothes that might as well be legal trouble. She leans over the rail, he tries to keep it casual, and you can scroll through his shitty internal monologue while her tits bounce in this loop that looks like someone animated it at 3 in the morning after too much coffee. At some point she straight up reaches into his pants, and you get this messy handjob with cars passing below, tiny streaks of light while your cum hits her fingers. It’s not classy, but it’s honest. The cheating angle is treated like brushing your teeth: something he does because it’s there. You’ll go from lazy couch talk with the wife to having your cock sucked in a stairwell so fast you barely remember how you got there, and the game doesn’t bother justifying it. Half the choices feel like excuses you’d tell yourself in real life. “It’s just a little flirting.” Sure, until you’re balls deep in some girl you met by accident, trying not to say the wrong name while she rides you and your phone lights up on the floor. There is this one hotel room scene where he’s supposed to have a serious talk, but you know how that goes. Clothes forgotten on a chair, her on her knees, tongue on the shaft, slow strokes, his hands awkward because he’s still pretending this is about feelings. And somewhere under all that, there is the whole “birth certificate” thing hanging over his head, but it slides in and out of focus like a bad habit you keep ignoring. You get little moments where he’s alone on the bed, scrolling through messages, jerking off to some pic he swore he deleted, trying to convince himself he’s still a good guy while the game quietly laughs at him in the background.

Game feels like someone grabbed Sword Art vibes, soaked them in jealousy and cum, then forgot to clean up the mess. In a good way. Kinda. You start as this pretty average guy who just wants to grind mobs, level gear, and then grind his hot VR girlfriend in the love hotel after. She’s got that classic big tits, big ass, school uniform thing going, but the dev keeps teasing more than giving at first. Lots of slow camera pans, skirt lifting, the way her thighs squeeze together when she pretends to be embarrassed. She’s like a burlesque routine in a sailor uniform, all “no no no” while her bra is already halfway off. In my head I was already planning how I’d do a fan dance to that scene, drop the fans right when she goes down on you in the alley behind the school. But anyway, then Inoda shows up with his stupid “stealth” thing and his weak-looking avatar and suddenly the game stops being just about you milking your girl and starts being about “who’s watching who” a lot.

What I really liked is how the combat and the sex are tied together, but not in that forced way where every fight is just a porn scene with HP bars. The turn based stuff is simple, but the tension is from “ok if I fuck up this boss again, I have to watch Inoda be alone with her… again.” You can feel that VRMMO addict rhythm: log in, grind, party with your girl, then there’s this extra guy third-wheeling, always “needing help” with something. At first you’re just happy to show off, like, yeah, look at my girl heal you, look at her cute butt in that armor. Then the camera starts doing those POV shots when she leans a bit too close to him on the field, or she laughs at one of his lame jokes, and you see his hand accidentally brush her tits in the crowded teleport lobby. Accidentally. Sure. I hate how the game makes you watch that. I also love it. It’s like a slow striptease that’s not for you anymore. In one dungeon, you’re fighting some big monster thing, and there’s this moment where he goes down, she runs over to “check on him,” and the game gives you this little voyeur angle of her ass tight in that skirt as she bends over him. My brain went straight to a chair dance choreography, grinding on some invisible guy while my real partner has to watch and pretend it’s just “part of the act.” Except here it’s not an act. Or it is, but you’re the audience, not the star.

The real fun is when the stealth stuff kicks in outside the actual game. You get that feeling something is off before the protagonist does. He’s still like “we’re just helping a friend,” while I’m staring at the screen yelling, “dude, he’s literally using his skill on your life.” There’s a scene where you log out of the VR world and you’re back in school, and suddenly Inoda is just there, talking to her like they’re classmates for ages. No fanfare. No build up. Just casual little touches, her laughing, his eyes sliding down to her chest for a half second too long. You can tell she notices and doesn’t pull away fast enough. The game loves this teasing stage: half-gropes on the train, her blouse stretched, that one shot where his hand is way too low on her waist, and you know if he moves two centimeters he’s palming her ass. It keeps dangling the line between exhibitionism and netorare. She’s still “your” girl, calling you darling, sitting on your lap in your room, jerking you off under the desk while you talk about game strategy. Then suddenly she’s texting someone behind your back, and the next time you’re in VR, Inoda’s character is doing better than he should, like someone’s been giving him late-night one-on-one tutorials. You get these animated sex scenes that feel like they’re building to the classic happy creampie ending, you buried deep inside her pussy, she moans your name, your cum spilling out, that warm “she’s mine” feeling. Except then you notice a tiny detail, like the mark on her neck that you didn’t put there, or she slips and uses the wrong name, or the camera angle feels off, like you’re not the only one watching. It’s small stuff like that that stuck with me, more than the actual blowjob scenes. Those are fine. Good throat sounds, decent animations. But the real kick is that slow sinking feeling when you realize the voyeur in this game might not be you. Or maybe it is, but you’re watching your own role fade, one thrust at a time.