Warm sand, lazy waves and that sticky summer heat that makes clothes feel too tight, that is the mood here. On the surface it is just this couple trip, Satoshi and Mary doing the cute romance thing, like some basic visual novel dating stuff, but the whole resort smells like sex and trouble from the first scene. As an ASMR brain I got weirdly fixated on tiny things: the sound of the elevator doors closing while Mary is still breathing a bit fast from being teased, the faint splash from the pool while uncle Kendo’s hand stays just a little too long on her back, the soft clothing rustle from those uniforms she really should not be wearing around her boyfriend’s uncle. The game loves that slow teasing, the “oops I brushed against your cock” kind of groping in crowded places, or that nasty little thrill when you peek around a corner and see way more than you should. It is not screaming moans all the time, more like whispered gasps in his office, tongue sounds during a half-hidden blowjob behind some plants, the wet slide during a lazy titfuck while the fan hums in the background. Those small sound loops are not even high quality sometimes, they repeat a bit awkward, but somehow that makes it feel more pervy, like you are stuck rewatching the same dirty moment in your head.

Story keeps pretending it is about romance, vacation, cute couples selfies and all that, then casually throws NTR in your face like “oh by the way, your girl is sitting on someone else’s lap now”. Mary starts the game as this sweet college girlfriend, normal student clothes, clingy but pure, then Kendo slowly corrupts her with flirty jokes, accidental skinship, then actual handjob routines and hidden sex scenes that only unlock if you picked the more cowardly, negligent choices as Satoshi. Those hurt in a delicious way. Watching her big tits pressed up against that older guy while she still texts her husband-to-be like nothing is wrong, that gave me this nasty ear-tingle similar to when someone whispers right into your earphone on TikTok lives. Some scenes really go for it: lazy oral sex in the office chair while the door is unlocked, creamy vaginal creampies where you can almost hear the thick squelch when he pulls out, her uniform pushed up, panties hanging at one ankle. There is one bathroom scene where the only sound for a few seconds is water dripping and her shaky breathing while his fingers work between her thighs, and that silence before she lets out a tiny whine is so much hotter than the actual animated thrusting that comes after.

Sometimes the humor hits at weird times, like during a pretty brutal cheating-wife moment the game throws in a goofy Konosuba parody reference with Aqua-level stupidity and a Megumin joke that almost killed the mood for me. Then right after, Mary is getting pounded from behind on the balcony, tits bouncing, Kendo grabbing her big ass with both hands, and I forgot I was annoyed. The tone is messy like that. One route had me listening to a police siren in the distance while a stepmom-looking milf with huge breasts lets herself get groped in a hallway, and my brain was like, why is that siren loop so loud compared to her moans. It never gets fixed. The multiple-protagonist thing is sneaky too: you think you are just Satoshi, then you slip into Kendo’s head for a bit and suddenly the same scene feels nastier, more direct, his inner monologue about Mary’s soft thighs and how easy it is to corrupt a bored young wife on vacation. There is family tension, step fantasy vibes, straight-up netorare where your “good boy” choices just make you more pathetic while she learns to love big cock and risky public groping. It is not subtle, not polished, sometimes the animated loops look a little stiff, but that actually fits this dirty-resort energy. Like a summer fuck that got way out of control and left you sweaty, frustrated, and still replaying her breathy little “don’t tell him” in your head when you close the tab.

Lena’s story starts quiet and a bit awkward, like that first shift at a new job where everything smells like old paper and furniture polish. She’s this shy girl dumped into a huge, old library that feels way too big for her. The game really leans into that silence. No jumps right away, no cheap “boo.” Just you, a slow crawl through dusty corridors, and Lena’s brain slowly getting louder than any sound effect. At first she’s just shelving books, logging weird titles, trying not to embarrass herself in front of the other staff. But the place has this almost wet, sticky atmosphere to it, especially in those restricted sections where the lights flicker in that “this is absolutely unsafe” way. There are these books that feel wrong before you even open them, and the game lets you just linger on them, making you choose if Lena peeks inside or pretends she’s a good girl. Of course she peeks. The erotic stuff doesn’t slap you in the face from the first click. It creeps in at the edges of her thoughts. Tiny flashes. A phrase in a book that hits way too close. A touch from a co-worker that lasts slightly longer than it should. A dream sequence where she’s not sure if that shadow touching her is a ghost, a god, or just her own pent-up frustration trying to cosplay as a demon. All that gets tied into this subtle horror vibe, like something in that library is watching her, gently pushing her to test herself, maybe ruin herself a bit. The sexy scenes feel like you’re reading Lena’s diary after she got horny on the bus and tried to pretend she wasn’t.

The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.

Eva’s story doesn’t even pretend to be clean. It starts with her pretending - pretending she’s got everything under control, pretending she’s not curious, pretending those late-night messages don’t make her pulse jump. There’s something almost cruel about how the game lets you linger on her hesitation, how it slows time right before she crosses a line she swore she wouldn’t. You can feel her trying to reason with herself - then giving up. I didn’t expect the texting mechanic to be that addictive. You think you’re just choosing dialogue, but no, it’s you pushing her, pulling her, maybe ruining her. The city feels like it’s watching her too, waiting for her to slip up. It’s messy, and kind of hot in that uncomfortable way that makes you want to close the tab - but you don’t. You just keep pushing.

What caught me off guard was how the game doesn’t really reward you for doing the “right” thing. You think she’s safe with one person, and then the next scene just wrecks that illusion. The art style does this thing where it looks soft, almost innocent, and then the next frame just slaps you with something filthy - like contrast is part of the kink. I got annoyed at one point because the UI glitched during a stripping sequence and killed the mood, but then again maybe that’s just me being picky. The sound design though - too real sometimes. There’s one scene in a bathroom that made me mute the laptop because I thought someone would hear. It’s not even that graphic visually, it’s the breathing. The tiny pauses. It’s insane how much tension they packed into that.

Anyway, it’s not a “fun” game in the usual sense. It’s more like being caught reading someone’s private messages and liking it too much. I kept telling myself I’d stop after one more choice, but Eva’s slow slide into her own reflection, the way she starts liking the attention she said she hated - it’s gross, it’s hot, it’s kind of art. I don’t even know if I liked it, which probably means I did.

Karma is tired as hell and it kind of shows, in a good way. She’s not some shiny anime waifu, she feels more like that bossy bitch who’s already seen the end of the world three times and is just done with everyone’s bullshit. The whole thing starts right before everything goes to shit: war coming, Antichrist about to rise, timeline already cracked like a cheap phone screen. Instead of “hero saves world”, you’re basically poking holes in fate, pushing people into bed, twisting their lives, and then pretending it’s all for “Balance”. Most of the time it feels more like you’re using cosmic responsibility as an excuse to fuck whoever you want and corrupt whoever you can reach.

You jump between perspectives and it’s actually fun, even if sometimes it makes your brain hurt. One scene you’re stuck in the head of this dude who clearly thinks with his cock first and brain later, next scene you’re in a woman’s body who can literally feel when she’s pulling on someone’s life thread, watching how a single choice sends them from “normal life” into “I’m naked in front of a demon and somehow I’m wet about it”. Some routes let you push harder, like turning a decent girl into this needy toy who starts craving rough attention, or shoving a proud woman into a situation where she ends up on her knees for someone she’d normally laugh at. And then Karma acts like it’s all part of the plan. Sure. Totally not horny abuse of power at all. There’s also those moments where you’re in a trans or futa body and it’s honestly hot as fuck: you feel that mix of power and vulnerability when you’re pinning someone to a bed, dick hard, and still feeling every little shiver when they clench around you. Sometimes the dialogue leans too heavy into lore in the middle of a sex scene, which kills the rhythm a bit, like you’re mid thrust and suddenly someone starts explaining fate mechanics instead of moaning. I literally alt-tabbed to Discord while a character was ranting about threads and came back only for the blowjob to finally start.

What I liked most is when it lets you be a real bastard about it. There’s this one route where you play nice at first, super gentle, soft touches, almost romantic, then slowly start twisting the dynamic, nudging her into more submissive stuff, until you’ve got her begging for your cum like she’s the one seducing you. Or switching into a female POV and suddenly your whole mood flips, because now you’re the one being pinned down, thighs shaking, and you actually get to choose if you hate it or lean into it. Watching a “good” girl get dragged into lesbian sex by her own curiosity, then by your pressure, then by her own addiction, feels dirty in that way people actually come here for. Not everything lands though. Some scenes talk too much before anyone takes off a shirt, and a few choices look important but barely move the needle, which sucks when you’re trying to steer someone from normal to full-on corrupted and the game pretends it changed a lot but you know it didn’t. Still, the mix of domination, timeline fuckery, and that weird feeling that you’re both saving and ruining people at the same time? It hooks you. Even when the writing trips over itself, you kind of keep going, just to see how far you can drag these poor bastards away from the lives they were meant to have and into your messy, horny, broken Tapestry.

Mythos feels like somebody smashed together a late night crime podcast, a horny anime parody and that weird urban legend subreddit you scroll on your phone when you should be sleeping, then sprinkled way too many tits on top and said “yeah, this is fine”. You pick if you’re playing as a guy or a girl right at the start, and it actually matters, not just in “pronoun changed, congrats” way. Some scenes twist a bit depending on your body, who stares at you, who you can seduce, whose hand “accidentally” lands on your ass in the train when the lights flicker and the supernatural stuff leaks through. There is this first big moment where you’re at Lisa’s memorial, staring at a photo of your ex who got murdered in some fucked up way nobody wants to explain, and two completely different types of people hit on you almost at the same time: a smug cop with that “I’m totally abusing my badge” vibe, and this soft spoken girl with huge tits spilling out of a tight uniform that should absolutely not be legal in a public place. The game doesn’t stop to tell you “this is a choice”. It just lets you go horny detective or horny victim or both and quietly tracks who you want to bend you over later.

Sex is not just “reward unlocked, here’s generic bouncing”. You’re running around this fake-modern city where vampires are landlords, tentacle things hang out in dark alleys like drunk ninjas and one busty elf professor keeps “tutoring” you after class, squeezing your thigh while talking about mythology like she isn’t about to slide under the desk and wrap her lips around you. There is a scene at a cheap business hotel during a “vacation” that is not really a vacation. You’re supposed to investigate, but instead you spend half the night pinned against the balcony railing by a frustrated MILF who is technically someone’s wife and technically not human and technically doesn’t give a fuck. She rides you slow while the neon signs below blink and you can choose if you pull out or let her take every drop and feel that messy creampie drip down her inner thighs while she laughs and calls you a good little snack. Later the same day, basically in the same clothes, the story casually throws you into this awful netorare-ish angle where you watch through a half open door as a different woman you got close to is getting pounded by some supernatural asshole with a cock way bigger than yours. The game lets you peek, or walk away, or join and turn it into harem chaos. If you stay hidden, you see her begging for more, getting titfucked until her face is glazed and you can’t decide if you hate her, hate yourself, or just want in. And that mood, that messy mix of comedy, jealousy, horror and “fuck it, let’s suck his balls too”, that’s pretty much Mythos all the way through, jumping between murder clues, meme jokes, romance sweetness, corruption temptations and stupidly hot tentacle scenes in the dark where you swear you’re still solving a case while something slimy is filling your ass and your mouth at the same time.

Sophia’s life looks boring on paper, right? Nice husband, nice house, two kids, teacher job, basic catalog mommy vibes. Then she lands in this sweaty coastal city that feels like Instagram filters and bad decisions had a baby, and suddenly this woman is one short skirt away from forgetting what “faithful” even means. The game just throws her into all these small daily things that start normal and end with you zoomed all the way into her cleavage on your monitor, like “how did we get here, exactly?” You go with her from homeroom to backyard pool to late night kitchen in that oversized shirt, and every place is just another chance for someone’s eyes to be exactly where they shouldn’t be. Student stares too long, neighbor “just happens” to look over the fence when she bends, the friend’s wife sits too close on the couch, and Sophia keeps pretending she doesn’t notice while her nipples betray her every time.

What I liked is how the game lets you be messy with her. You’re not just clicking through porn gallery, baby, you’re steering this horny ship. Wear that almost-see-through top to school or pick the safe blouse and hate yourself. Lean in for the “innocent” kiss with your curvy female friend on the balcony, or pull back and then spend the next scene watching them in the shower anyway, because the camera work loves a good “I shouldn’t be seeing this” angle. There’s this beach scene where she adjusts her bikini bottom for like ten full seconds while some guy and his wife pretend they’re not staring. Camera just sits behind her huge ass like it’s a religious experience. And the lesbian tension? Wild. There’s one moment in the bedroom where her “friend” is teaching her how to relax, giving her a back massage, hands sliding lower, Sophia biting her lip, and you can choose if that hand keeps going between her thighs or if she panics and runs to the bathroom to masturbate alone like a coward. I did both paths, obviously. The solo one has her sitting on the closed toilet lid, panties around her ankles, phone in hand, watching some tame clip, then switching to that selfie the friend sent earlier and just losing it quietly so the family doesn’t hear. It’s nasty and kind of sad and stupid and hot at the same time, which is exactly my brand.

The cheating stuff ramps up slow. You start with looks, then “accidental” boob brushes, then lingering oral fantasies where she imagines dropping to her knees in places where she absolutely should not. There’s a scene where she’s helping a younger guy with homework at the dining table and her blouse button pops open. You decide if she fixes it or lets him get a full view of those big tits hopping when she laughs. If you keep pushing her, the game rewards you with scenes that feel almost too intimate, like when she sneaks to the dark garden, hikes up her dress, and fingers herself behind a tree while the neighbor’s wife smokes on the balcony, pretending she’s on her phone but clearly watching. The game loves exhibition vibes, like nipples visible through a wet shirt, skirts hiking up while she leans over a railing, “oops I forgot panties” moments in public transport. Not every scene hits the same, sometimes it drags and you’re just clicking through dialogue on your phone in bed thinking “girl get to the part where someone eats you out already,” but when it lands, it lands hard. Best way to play? Don’t be soft with your choices. Go for the outfits that would get her fired, say yes to the kisses that ruin friendships, make her look a little too long at every ass and pair of tits around her, then ride out the guilt while she masturbates in every room of that big empty house.

There’s something oddly satisfying about watching Monica lose her grip - like seeing a queen forget her crown in the middle of a party and pretending she doesn’t care. The game doesn’t beg you to like her, which makes it even better when she starts slipping. I didn’t expect to get so hooked on her attitude, that smug smile before everything goes downhill. It’s not even about the sex at first (though let’s be real, you don’t play this kind of thing for philosophy). It creeps up on you, the way she looks at herself in the mirror after the first time she crosses one of her own lines. I kept thinking, “nah, she won’t go *that* far,” and then she does, with that lazy smirk like she’s been planning it all along.

The voyeur stuff hits harder than I thought - it’s not just some random camera angle, it feels meaner, like the game’s winking at you while she pretends not to notice. There’s this scene where she’s supposed to “teach a lesson” but ends up bent over a desk getting spanked instead, and the sound design there is too good. Like, uncomfortably good. Tiny details: the breath hitch, the crack of palm on skin, that stutter in her voice. I laughed right after, not sure if it was hot or pathetic. Maybe both. The sandbox part almost ruins it though - you wander around too much, trying to trigger scenes, and half the time I was checking my phone mid-dialogue because nothing was happening except her chewing someone out. And yet when the corruption bits kick back in, it’s like an entirely different game. You forget how slow it felt two minutes ago.

I don’t even know why I liked the lesbian arc as much as I did. Probably because it felt softer, less performative. Or maybe because the other girl looked genuinely into it - rare thing in these games. There’s this one moment with a toy, some teasing, and then Monica laughs in a way that’s half humiliation, half relief. It’s stupidly human. I almost wished they’d ended it there, but then came the blackmail twist and suddenly everyone’s dirty again. Somehow that’s exactly what I wanted.

Priscila looks like that kind of girl you see on some glossy cover in a supermarket, all sparkle and fake smiles, but here she’s stuck in this weird mix of glamour and trash where every “opportunity” has a hand on her ass. The whole thing plays out like a horny fashion documentary that got corrupted by Pornhub comments. You start with this almost innocent vibe, just a young model trying to climb up, basic shoots, awkward poses, her checking herself in the mirror and clearly not sure if she’s actually hot or just pretending. Then suddenly the camera is way too close, the guy behind it is breathing heavier than needed, and you realize the photoshoot is basically just an excuse to get her clothes off piece by piece while he keeps saying “more natural, more relaxed” and his fingers are absolutely not staying where they should.

What really hit me is how much they lean into that slow corruption thing. She doesn’t just wake up slutty. At first she’s flinching when the photographer’s hand lingers too long on her hip, pulling away when the makeup artist “fixes” her bra and clearly grabs a full feel. But she still stands there. She needs the job, right? They use that constantly. You get these small scenes where she’s alone, phone in hand, scrolling through Insta, looking at other models who already sold their soul, and you can tell she’s thinking “maybe I should just do it too.” When she starts touching herself in the shower after a rough day, it’s not some big porn climax, more like frustrated, confused, kinda angry masturbation. She keeps replaying those groping moments in her head and hates that they turn her on. That part felt way too real. Also, side note, whoever picked the soundtrack has good taste. There’s this one track that has little chip-style arps hiding under a heavy beat, like a retro game trying to breathe under a pile of lube. I left that loop running in the background while I was answering emails in Gmail, not even touching the game, just vibing. Then went back, and she was busy on her knees making the “director’s cut” of her contract real.

The director is the worst and also the most fun to watch. Classic “I’ll make you a star” creep, surrounded by assistants who pretend they don’t see anything. He never comes out and says “suck me or you’re fired”, it’s more like “we can do something more… intimate for the next role” while his hand slides over her thigh and she half pulls away, half freezes. At some point he gets her into this “private audition” where he keeps the camera rolling while he pushes her into a blowjob, and the game really lingers on her hesitation. Mouth opens a bit, she closes it, looks up, cheeks already red, his hand pressing the back of her head just enough to show there’s no real choice. Later on, when she’s already more broken in, you get a completely different vibe: same room, now she’s the one unzipping his pants, almost annoyed if he tries to talk about the “art” of it. That flip from scared girl to “whatever, just cum so we can shoot the next scene” is nasty in a good way. And it doesn’t stop at one-on-one stuff either. There’s a group session with multiple guys from the agency, “celebrating” her new campaign, glasses of champagne and a couch that definitely wasn’t bought for sitting. Watching her go from uncomfortable in the middle of the circle to riding one cock while another guy uses her mouth, all while some jealous female model pretends to fix the lighting and ends up grabbing her tits from behind, is the kind of sleazy cinema that makes you feel slightly dirty opening Reddit afterwards. The animations themselves are sometimes stiff as hell and then suddenly you get this perfect little loop of her fingers working her clit in the dressing room while she’s listening to the director’s voice messages and biting her lip, and you forget to care that her hair clips keep clipping through her head. It’s messy, horny, a bit cruel, and for some reason the way her stockings sit slightly uneven in one scene annoyed me and I kept staring at it more than at the actual sex, but anyway.

Ariana is the kind of heroine who really shouldn’t be in charge of saving a damn thing, which is exactly why she works here. She’s a thief first, a horny mess second, and some kind of reluctant savior only if she can squeeze it between getting railed and looting pockets. The village of Pyrewood is already fucked in the head when you arrive, infected by this weird lust plague that basically tells everyone “forget self-control, just fuck.” It’s not subtle. You walk past the church, hear chanting, and for a second you think “ok, serious religious scene,” then suddenly you’re watching what looks like a holy bukkake mass while Ariana pretends to look shocked and still doesn’t move away. The story pretends to be dark fantasy but keeps tripping over its own horny feet. One moment Ariana is investigating strange symbols on a wall, next moment the wall opens and some tentacle creep decides to check her insides like she’s part of a quality control test. And yeah, of course she fights, and of course the fight quickly turns into moaning and sloppy animation. It’s that kind of game where “corruption” doesn’t mean slow moral decay, it means she goes from “I shouldn’t do this” to “choke me and fill me” in like, two scenes.

What I actually like, as someone who nerds out over leveling and choices way too much, is how the factions feel like three different flavors of porn brain. The Inquisition path is all about discipline and punishment, lots of “you sinned, now take it” vibes, with Ariana flagged as the naughty sinner that needs to confess with her legs open. The Mage path is basically “science, but horny,” with magic circles, weird experiments, and scenes where masturbation is treated like a diagnostic tool. Then you have The Orgy faction, which just gives up on pretending and goes full “everyone fucks, everything moves, liquids everywhere.” It feels like the dev sat there and said “ok, what if the corruption bar is less a stat and more a porn playlist.” You see it in small moments too, like Ariana trying to resist a cult ritual, the camera lingering on her face as she hesitates, then suddenly she’s surrounded and her body gives in before her dialogue does. Or when she ends up bred in a scene you didn’t fully expect, and the game quietly tracks that, acting like pregnancy is just another logical result of spunk flooding her every hole. It’s messy, horny, sometimes stupid, sometimes hot as hell, and the game never really decides if Ariana is a victim of the plague or its happiest customer. Which is probably why it works at all.