So like, remember when you used to watch My Hero Academia and think "damn, these girls are cute but what if they were broke college students doing questionable shit for money"? Well someone made that into a game and honestly it's kinda fucked up in the best way possible. My Tuition Academia throws you into this weird ass world where you're playing as some brunette chick who's basically trying to survive college by any means necessary. And when I say any means... yeah, you know where this is going.

The whole setup is pretty straightforward - you're broke, you need cash, and apparently everyone around you is horny as hell and willing to pay for it. What starts as maybe selling some panties or doing cam shows quickly escalates into full-blown prostitution scenarios with characters that look suspiciously like Mina, Tsuyu, and the rest of the MHA gang. The pregnancy system is actually more complex than I expected, which caught me off guard because most games just treat it like a game over screen. Here you're dealing with actual consequences while still trying to make rent. There's this whole voyeurism element too where you can spy on other students or get caught in compromising positions yourself - it's like a perverted slice of life anime but with actual stakes.

What really gets me is how the game doesn't shy away from the darker implications of what you're doing. Like yeah, there's plenty of vanilla stuff with toys and masturbation scenes, but then you've got these group sex scenarios that feel genuinely uncomfortable in a way that makes you question your life choices. The groping and harassment elements aren't just thrown in for shock value either - they actually affect your character's mental state and how NPCs interact with you. Sometimes I'm playing and thinking this is hot as hell, other times I'm wondering if I need therapy. The mobile version runs surprisingly smooth though, so at least you can have your existential crisis on the go.

Eva’s story doesn’t even pretend to be clean. It starts with her pretending - pretending she’s got everything under control, pretending she’s not curious, pretending those late-night messages don’t make her pulse jump. There’s something almost cruel about how the game lets you linger on her hesitation, how it slows time right before she crosses a line she swore she wouldn’t. You can feel her trying to reason with herself - then giving up. I didn’t expect the texting mechanic to be that addictive. You think you’re just choosing dialogue, but no, it’s you pushing her, pulling her, maybe ruining her. The city feels like it’s watching her too, waiting for her to slip up. It’s messy, and kind of hot in that uncomfortable way that makes you want to close the tab - but you don’t. You just keep pushing.

What caught me off guard was how the game doesn’t really reward you for doing the “right” thing. You think she’s safe with one person, and then the next scene just wrecks that illusion. The art style does this thing where it looks soft, almost innocent, and then the next frame just slaps you with something filthy - like contrast is part of the kink. I got annoyed at one point because the UI glitched during a stripping sequence and killed the mood, but then again maybe that’s just me being picky. The sound design though - too real sometimes. There’s one scene in a bathroom that made me mute the laptop because I thought someone would hear. It’s not even that graphic visually, it’s the breathing. The tiny pauses. It’s insane how much tension they packed into that.

Anyway, it’s not a “fun” game in the usual sense. It’s more like being caught reading someone’s private messages and liking it too much. I kept telling myself I’d stop after one more choice, but Eva’s slow slide into her own reflection, the way she starts liking the attention she said she hated - it’s gross, it’s hot, it’s kind of art. I don’t even know if I liked it, which probably means I did.

Becky’s story starts in one of those small towns where everyone pretends to know everything about you, but somehow she’s the only one who doesn’t really know herself. She has this clean, sweet plan in her head: save money, move to the city with Liam, be a “good girl” and build a normal life. And then the game just grabs that dream and slowly twists it until you’re watching her do things she never imagined, and kind of never stops wanting more of. It’s not instant corruption, more like a steady drip of bad choices, horny curiosity, and people around her who see she’s soft and try to own that. One minute she’s trying to be loyal, next minute she’s on her knees for someone she should absolutely not be touching, with you deciding if she pulls away or opens her mouth wider.

What I liked is that Becky never feels like just a dumb puppet. She hesitates, gets flustered, sometimes panics, sometimes gets way too into it. When her old “friend” shows up in her life and starts this revenge thing, you can really push her into some rough shit: forced groping in public, being talked down to while she still obeys, used like a slut while she’s wearing the same clothes she wears to meet Liam later. And yeah, the game lets you go there: anal with zero romance in it, messy blowjobs where she’s humiliated and somehow turned on, that awkward handjob scene where she’s crying and still moving her fingers because she’s scared of what happens if she stops. The sex feels dirty in a specific way, more like, “this is a real girl who got trapped between shame and desire,” not just porn dialog thrown over pretty animations. Sometimes I hated her choices. Sometimes I clicked the worst option on purpose. The game never judged me for it, which is nice and also a bit disturbing.

Visually the scenes hit that line between romantic and cruel pretty hard. You get moments where she’s with Liam and it actually feels tender, the kissing, the slow vaginal sex, her trying to focus on him while her mind is replaying what she did with someone else a day earlier. Then you flip to another route and watch her get pinned against a wall by a guy who talks to her like trash while she secretly clenches her thighs around him. The camera loves her face when she’s humiliated: eyes looking away, lip bitten, a little drool still on her mouth from the last blowjob. There is a lot of male domination here, but the fun part is seeing which scenes she leans into and which ones she just survives. Cheating isn’t just a tag, it actually stings. When you send her to meet Liam after some filthy alleyway scene, she still smiles at him, and you kind of feel like an asshole and still want to push it even further. The tension between “good girlfriend” and “used toy” is where the game gets really hot. It’s romance strangled slowly by lust and control, and Becky is stuck right in the middle, with you quietly deciding how far she falls.

Karma is tired as hell and it kind of shows, in a good way. She’s not some shiny anime waifu, she feels more like that bossy bitch who’s already seen the end of the world three times and is just done with everyone’s bullshit. The whole thing starts right before everything goes to shit: war coming, Antichrist about to rise, timeline already cracked like a cheap phone screen. Instead of “hero saves world”, you’re basically poking holes in fate, pushing people into bed, twisting their lives, and then pretending it’s all for “Balance”. Most of the time it feels more like you’re using cosmic responsibility as an excuse to fuck whoever you want and corrupt whoever you can reach.

You jump between perspectives and it’s actually fun, even if sometimes it makes your brain hurt. One scene you’re stuck in the head of this dude who clearly thinks with his cock first and brain later, next scene you’re in a woman’s body who can literally feel when she’s pulling on someone’s life thread, watching how a single choice sends them from “normal life” into “I’m naked in front of a demon and somehow I’m wet about it”. Some routes let you push harder, like turning a decent girl into this needy toy who starts craving rough attention, or shoving a proud woman into a situation where she ends up on her knees for someone she’d normally laugh at. And then Karma acts like it’s all part of the plan. Sure. Totally not horny abuse of power at all. There’s also those moments where you’re in a trans or futa body and it’s honestly hot as fuck: you feel that mix of power and vulnerability when you’re pinning someone to a bed, dick hard, and still feeling every little shiver when they clench around you. Sometimes the dialogue leans too heavy into lore in the middle of a sex scene, which kills the rhythm a bit, like you’re mid thrust and suddenly someone starts explaining fate mechanics instead of moaning. I literally alt-tabbed to Discord while a character was ranting about threads and came back only for the blowjob to finally start.

What I liked most is when it lets you be a real bastard about it. There’s this one route where you play nice at first, super gentle, soft touches, almost romantic, then slowly start twisting the dynamic, nudging her into more submissive stuff, until you’ve got her begging for your cum like she’s the one seducing you. Or switching into a female POV and suddenly your whole mood flips, because now you’re the one being pinned down, thighs shaking, and you actually get to choose if you hate it or lean into it. Watching a “good” girl get dragged into lesbian sex by her own curiosity, then by your pressure, then by her own addiction, feels dirty in that way people actually come here for. Not everything lands though. Some scenes talk too much before anyone takes off a shirt, and a few choices look important but barely move the needle, which sucks when you’re trying to steer someone from normal to full-on corrupted and the game pretends it changed a lot but you know it didn’t. Still, the mix of domination, timeline fuckery, and that weird feeling that you’re both saving and ruining people at the same time? It hooks you. Even when the writing trips over itself, you kind of keep going, just to see how far you can drag these poor bastards away from the lives they were meant to have and into your messy, horny, broken Tapestry.