You start as this kinda broke, half‑sleeping journalism student who thinks he’s just chasing some dumb campus rumor, and then suddenly you’re knee‑deep in a blackmail mess where everyone’s horny, half‑guilty and way too hot to be real. It feels like opening a boring Google Doc for class and finding porn screenshots hidden between the paragraphs. One minute you’re asking normal interview questions, next minute a girl is “accidentally” spreading her legs in the library while pretending not to notice, and you’re choosing whether to keep it cool or lean into the pervy energy. The whole thing plays like a dating sim that got drunk and fell into a fetish forum. You bounce around the campus, coffee shop, staff rooms and weird quiet corners in this sandbox routine, chasing leads, sending risky messages, and trying not to jerk off every time the game tosses in a new explicit CG that looks a little too much like something generated at 3x strength on some AI art app.

The four main girls each pull you in a different way, and they’re messy in a very human way. Rina hits you with that “I don’t care about you, idiot” tsundere act, then five clicks later she’s pressing you against a wall and daring you to look her in the eyes while she strokes you off in some half‑lit corridor where anyone could walk in. She calls you a pervert while blushing hard, and then later blackmails you with your own dick pics you stupidly left in chat. Kira is the brainy one, all logic and spreadsheets, helping you track victims and suspects like she’s building a case file in Notion, but her mouth says “professional partner” while her hands wander under the desk, slipping into your pants mid‑conversation about motives. She’ll break down a pattern in the blackmail messages, then casually ask if you’ve ever let a futa girl use your throat like a toy. Sofie at the coffee shop is that chaotic energy. She flirts for tips, remembers your order, and suddenly you’re in the storage room with your pants around your ankles, her tongue sliding slow while she jokes about giving “premium customer service.” She’ll send you a selfie later, bra pushed up, asking if you’re masturbating to it right now. And Mila, the teacher, has that dangerous vibe: soft voice, strict eyes, and this way of stepping way too close when she’s “interrogating” you about the case. Half the time she looks like she wants to fail you; the other half she looks like she wants to bend you over her desk and see how good you scream when she doesn’t let you finish.

What surprised me is how the humor and the dirty stuff keep tripping over each other. One scene you’re grilling a suspect about anonymous blackmail texts, and the next scene you’re helping a girl compose her own anonymous message that’s literally just her teasing she’s not wearing panties in the classroom. There’s this whole exhibition streak running through it: girls flashing you in public spaces, blowjobs in risky corners, forcing you to keep your voice down while they ride you in a room that’s way too close to other people. Some of the AI‑generated CGs look wild, like the hands are a bit cursed or a boob’s angle is kinda off, and I liked it more because of that. It feels raw, like a horny sketchbook, not some polished corporate porn. You’re constantly choosing whether to be sweet, manipulative, romantic, or just absolutely filthy. Sometimes your “good guy” answer somehow leads to even kinkier payoff, which is funny and a bit fucked up. You can go from awkward first kiss to swallowing cum in a bathroom stall in like ten clicks, then sit in your dorm later staring at your in‑game phone, wondering if you should send that risky text that might turn into blackmail power over her or backfire and put your nudes in someone else’s hands. The game doesn’t really care if you play lover, perv, or amateur detective; it just keeps tossing situations where romance, threats, and sex tangle together until you forget if you’re solving the case or just using it as excuse to watch beautiful disasters of girls fall apart on your dick in every wrong place possible.

Ellie from that zombie game and Lara from those old temple raider days stuck together in one filthy, horny mess is already kind of illegal, but the way this thing uses their feet is what actually surprised me. It starts almost innocent, like some weird fanfic fantasy where a regular dude ends up with both of them under his control, and you think “ok ok, just another basic porn parody”. Then you realize the whole focus is on socks and how much abuse you can squeeze out of a single sweaty foot. The game treats socks like gear, like actual tools for humiliation, not just decoration. You’re pulling Ellie’s dirty socks off slow while she glares at you, toes curling, and Lara is in the background with those tight sport socks still on, being forced to stroke you off with them while acting all proud and pissed at the same time. It’s fucked up and kind of funny.

What I liked is how often it lets you push them from “annoyed” into “broken-in toy” during actual sex, not just in some text box. One scene that stuck with me: you’ve already used Ellie’s feet, made her rub you until she’s breathing hard and confused, and instead of jumping straight to normal penetration, you pin her down in missionary, keep her ankles pressed against your shoulders, and the camera keeps cutting back to her soles. Not her face, not your dick, just those feet twitching while you slam into her. Meanwhile Lara is ordered to kneel at the side, licking your balls like some obedient slave, still wearing one sock, and that stupid detail somehow makes it nastier. Then later you flip Lara into doggystyle, really rough, hair pulled, face pushed down, and she’s forced to rub you with her feet between thrusts, basically getting used like a multi tool. It’s actually a bit much when you chain everything together: harassment, domination, rough fucking, feet in your face, them gagging on you, and you keep going anyway because the game kind of encourages you to be a selfish bastard. At some point I realized the male protagonist doesn’t even feel like a “character”, he’s more like a cock with dialogue, but in this type of hardcore crossover it weirdly fits. The AI-generated CG sometimes looks slightly off, like Ellie’s toes bending wrong or Lara’s expression clipping into weird “half angry half bored” mode, yet those little imperfections give the scenes this trashy bootleg energy that matches the whole vibe. You’re not here for romance, or plot, or to be a good person. You’re here to grab two famous girls by the throat, use their mouths, their pussies, their asses, and especially their socks and feet, and then pretend later it was “just parody” when you close the tab.

Foggy forest, quiet as hell, and you’re lost with a hard-on you don’t want to admit you have. That’s pretty much the mood here. The trees feel wrong in that fairy-tale way, like they’re watching, but not in a horror movie thing, more like they’re just waiting for you to do something stupid and horny. Then this witch shows up, and she doesn’t look like the usual “I cast fireball” witch. She’s got that lazy smile that says she already knows what you’re going to click, and she smells like a toy store mixed with a bath bomb shop. Latex, sugar, soap, that weird clean-but-not-innocent vibe. The game doesn’t rush to shout what you’re in for, but yeah, if you’re into inflatables and transformation and that floaty, rubbery ownership of a body that stops being flesh and turns into a damn balloon, it hits that itch pretty directly.

The cool part is how low-key everything starts. It’s just you poking around her little forest corner, clicking stuff, poking at bottles, weird trinkets, that sort of thing. Half of it feels like background junk until you notice something reacts if you try again, or if you did another scene before. There was this moment where I accidentally triggered a change too early, and my character’s body started filling out, tight and squeaky, and I actually paused, staring at my screen like, “ok, I did not expect it to jump to that this fast.” The game is short, yeah, but it doesn’t waste your kinks. The inflation is not just “you get bigger.” It’s that slow, pressurised feeling in the text and art, the witch teasing you, almost casual about turning your body into her private float, testing how much air or magic you can hold. She treats the whole thing like a cozy craft project, while you’re the one struggling with how round you’re getting. It’s a weird mix of mystery and fetish, and I like that it doesn’t apologize for it even once. You’re not playing a hero, you’re playing a future decoration, and she knows it way before you do.

The forest itself is small, but it feels like one of those “hidden room” games where there’s always one last strange item you haven’t clicked in the right order. I spent way too long clicking the same damn stump because I was convinced it had a secret, and honestly I’m still annoyed it didn’t. But while I was being stubborn, I kept noticing little reactions: the witch’s comments changing, the way she hints at other “guests” she inflated before, maybe still around, maybe not in the shape you expect. There’s magic everywhere, but it’s that squishy, rubber-magic. You’re not slinging spells; you’re more like the spell result. A toy, a trophy, an experiment. The furry angle sneaks in too, with those hints that your body isn’t only filling with air, it’s shifting into something cutesy, animal-ish, then more object than creature. Ears, tail, then plastic sheen, then hollow. It’s honestly hot as hell if you’re into losing control and becoming a thing instead of a person. And the best part, or the worst, depending on your brain, is that the witch never seems cruel. She’s playful, almost seasonal, like some twisted holiday hostess inviting you to become part of the decorations, tucked between the trees, gleaming under moonlight, filled tight and waiting. You kind of know from the beginning this forest is not a place you walk out of on your own feet. You’re rolling, floating, squeaking your way out, if you leave at all.