You wake up as this pale girl in a filthy underground “medical” room, wearing almost nothing, with tubes in your arm and some creep’s blood bags hanging around. The first thing that hits harder than the jump scare is the camera slowly zooming on your face when you realize the blood smells good. Not “hospital good”. Dick‑hardening good. Pussy‑throbbing good. It’s not shy about it. The game just locks you there for a while and lets you stare at that one dripping bag, and I swear that scene lasts too long, but in a nice sick way. That’s when it clicks: alright, I’m a vampire, I’m starving, and every person I see is either a snack or a fucktoy or both. After that, it just throws you in this big modern city where all the lights look too bright and every human heartbeat sounds like porn BGM. They pretend it’s a normal “arrive in the city, get clothes, find job, meet people” start, but under that it’s basically a slow horror build where you keep wondering if you are about to suck someone off or tear their throat out. Sometimes both. The story keeps dropping small weird details like people scared of ancient myths, news about mutilated bodies, a girl with almost yellow eyes who stares at you a bit too long on the subway. You keep thinking “ok this will explode later” and then it… doesn’t. At least not yet. That’s kind of hot too, like edging with plot.

Sex scenes don’t rain from the sky right away, and I actually liked that, which is funny because I also hated it when I was horny and clicking through dialogue like a degenerate who has three other tabs open with Pornhub, xHamster and Discord. When they finally let Kyra get off, it goes from zero to “I’m fingering myself in a stranger’s bathroom while trying not to bite through my own lip” really fast. There’s one masturbation scene in a crappy rental apartment, blinds half broken, city noises outside, where she’s trying to stay quiet because her new roommate is on the couch. The camera spends a ridiculous amount of time on her thighs tensing, not even on the pussy. I kept thinking “move down, move down” and at the same time I was kinda happy it didn’t. Like, the tease is better than the shot sometimes. Then you get group situations later where things stop being gentle. There’s this club scene, shitty techno, neon everywhere, and you end up in a back room with too many hands on your body, mouths on your neck, someone’s cock rubbing your inner thigh while another girl is kissing your jaw. You can either lean into the “I’m the hungry monster, use them” vibe, or just drown under them, and both paths feel dirty in different ways. The oral stuff is nice and messy, spit and blood mixing, and the game doesn’t flinch from graphic violence when you finally stop holding back and rip someone open like a meat toy. The weirdest, most memorable bit for me was when you wake up after a kill, covered in dried blood, and you realize you came while doing it. They don’t overexplain it. No long monologue. Just her staring at her hands, shaking, then getting horny again when she smells herself. It’s fucked. It’s kind of romantic too, in a twisted way. And no, I’m not going to talk about that alley scene with the monster girl, the one where you’re not sure if you’re dominating or being milked. That thing is stuck in my head for all the wrong reasons and I’ll probably still think about it in a week while pretending I opened Chrome for “emails”.

Lena’s voice keeps ringing in my head even after I closed the tab - like an echo that’s not really hers, but mine. She’s drawn to disaster, that much is clear. I kept thinking she’d make a “good” choice, but the game doesn’t reward good. It teases it, then smothers it under sweat and half-whispered apologies. That scene in the cheap motel room (yeah, the one with the red sheets that keep sliding down her thighs) hit weirdly hard. I wanted to laugh, but I didn’t. Ian’s dialogue there, when he asks if she *feels anything at all* - it’s not written like porn, it’s more like he’s daring her to stop pretending. And then you realize the game’s been daring *you* the same way for the last hour.

There’s a rhythm to the choices, like breathing too fast and then stopping. One moment you’re talking about dreams and gigs and paying rent; next, you’ve got Lena on her knees, warm breath fogging up the screen. The blowjob animation isn’t even the point - it’s how she looks up after, like she’s trying to find meaning in it. I swear that little pause before she wipes her mouth says more about her than any of the branching dialogue trees. But still, there’s something sloppy about the transitions - like it’s all too aware of what it’s supposed to turn you on with. I got annoyed once because the text box covered her chest at the exact wrong time. Then I forgot I was annoyed when she bit her lip and said his name wrong on purpose. Some games talk about corruption; this one feels sticky with it, uncomfortable in a way that makes you stay longer than planned.

By the time the threesome scene rolled around - Lena, the redhead, and Ian with that smug smirk - I’d stopped trying to make moral choices. You just click and watch the mess unfold. It’s romantic and ugly and kind of beautiful in its own broken rhythm. Like you shouldn’t be watching, but you keep doing it anyway because there’s something too human about all that skin and guilt tangled together.

Whole thing feels like someone mashed a horny VN with an old Resident Evil save room and then forgot to add actual zombies in more than once every ten minutes. You’re the only dude in this ragtag camp that looks like it smells of sweat, cheap deodorant and dried blood, stuck with women who are way too hot for the world to be falling apart. They’re all tense, tired, half broken, living in this shitty half-collapsed building surrounded by groaning corpses, and yet the main problem in your head is how badly you want to fuck at least half the group. It’s not subtle. The game doesn’t even try to pretend you’re noble. You’re supposed to be “helping the group survive” but the first thing you notice is titties spilling out of ripped tops and shorts that would get you kicked from a normal Discord server. And the best part is that the MC knows he is a creep. He just keeps going anyway.

Scenes kind of creep up on you. One moment you’re arguing over how much food is left or who guards the door tonight, next thing you’re peeking around a corner while one of the girls fingers herself in a sleeping bag, thinking no one can see. Camera just sits there, watching her bite her lip, watching her try so hard to be quiet so the others don’t wake up, and of course your idiot protagonist is tenting his pants while you click through inner monologue like “should I leave, should I keep staring, should I pull my cock out and stroke it right here.” You can. The game lets you be that much of a degenerate. You choose how far to push it, like staying longer, risking her catching you, dick in hand, or backing away and then later pretending you “heard a noise.” There’s even this scene where you’re on watch duty on the roof, she sneaks up to “talk,” and the talk somehow ends with her on her knees, giving this messy, rushed blowjob while zombies shuffle around down on the street. I liked that the game doesn’t romanticize it much, it’s awkward, she’s grumpy, you’re half scared, you cum anyway. Classic.

Sometimes it feels more like a porn chat story someone made in Ren’Py while horny on X and HentaiFoundry in the background. A lot of clicking, a lot of text, then suddenly a choice that actually matters: do you own up to the shitty thing you did earlier, or lie your way out and risk being kicked out of camp later. You do a brave thing once, and the game never lets you forget it, like “yeah you saved us from zombies but you also tried to jerk off on watch, maybe chill.” There is piss stuff too, out of nowhere. One girl is too scared to go pee alone outside because she heard moans behind the fence, so you go with her, and the scene just becomes this weird mix of fear and lust. She squats behind a ruined car, panties around her boot, you hear the stream hit the cracked concrete, she’s blushing, and you’re staring way too hard. Game happily lets you beat your meat over that if you angle your choices right. It’s dirty in this very specific way, like old pixel porn games from Newgrounds except everything is cleaner and the tits are bigger and actually bounce a bit. I tried playing it on my phone in Chrome once and almost alt tabbed to Reddit too fast when the anal scene started, her face half pressed into some moldy mattress while you’re pounding her, trying not to scream because there might be zombies hearing you. Honestly I kinda love how clumsy some dialogue is, like lines that sound like they were written by someone who learned English from Pornhub comments, but at the same time I kept thinking “who the hell chooses this stiff font for horny stuff.” That font annoys me so much and I never got used to it. Anyway, half the game is just you stuck between being a half decent survivor and a total creep who will risk the entire group just to get a handjob behind the barricaded door. And somehow that mix works way better than it should.

The house feels too quiet when Sterling walks in, the kind of silence that sticks to your skin. There’s that smell - old wood, perfume, something faintly sinful like memories that never left. You can almost hear the ghosts of laughter and moans tangled in the walls. Everyone looks at him differently now, not as the kid who ran off, but as the man who came back with a pulse full of tension. The women in this game, they don’t waste time pretending innocence. The so-called mourning period lasts about five seconds before somebody’s hand is somewhere it shouldn’t be. It’s messy, funny, uncomfortable, and hot in that way only forbidden things are. Sometimes you’ll laugh because the dialogue’s ridiculous, sometimes you’ll forget to breathe because a scene just hits that filthy sweet spot between lust and shame.

What I liked most was how it never feels clean. There’s domination that borders on cruelty, soft moments ruined by sudden gropes, a futa scene that goes way harder than expected, and those “oops-I-shouldn’t-watch-this” voyeur bits that make you squirm. Even the humor has teeth; it’s not wink-wink-nudge-nudge but more like someone laughing right in the middle of an orgasm. The harem thing isn’t just numbers - it’s chaos management, trying to juggle jealousy and desire while every woman (and not only women) seems one breath away from breaking the furniture. And then there’s that weird ache when corruption sneaks in, when seduction turns into ownership and you realize you kind of wanted it that way. The sound design helps too: low voices, wet noises that feel too real through headphones, that small gasp when a boundary gets crossed.

It’s not perfect - some pacing’s off, and a few scenes feel like they forgot their own setup - but maybe that’s why it works. Like old VHS hentai, rough edges make it human. It doesn’t pretend to be classy, it just drags you down into the mess and dares you to call it art while your pants are still around your ankles.