Tony Stark finally gets to act like Tony Stark here, not the sad movie version always saving the universe instead of getting laid. You start in this obscene luxury island mansion that looks like somebody mashed together a billionaire’s Airbnb, a secret SHIELD bunker and a nightclub from Miami that never closes. The game just drops you in as the smug asshole host of an endless “hero party”, with Gwen Stacy on the balcony checking city views, Raven pretending not to care in a dark corner, Supergirl trying to look wholesome while wearing something that would get you banned on Twitch, and you thinking about profit margins while also planning whose panties you’re gonna take off next. It sounds like a power fantasy because it is, but the fun part is how messy and horny it gets when the whole “management” part starts clashing with “I want to creampie every superheroine in this building”.

One moment I was in some fake meeting room talking business numbers with Stark’s AI, flicking through contracts like on Google Sheets, trying to keep the party budget from exploding. Five clicks later I’m in the pool area, flirting with Spider-Gwen, picking joke options about web shooters that really should not have worked, and suddenly the dialogue goes from snarky to filthy real fast. It has that thing where your choices stack up quietly, so after a few shameless lines and one badly timed compliment about her ass, she still ends up in your room casually stroking you through your pants like it’s just another Tuesday. The game treats handjobs as just a warm-up, not some big event, which is kinda funny because they animate it like it’s a ceremony. And when she finally climbs on top and you choose whether to pull out or fill her up, the game actually reacts in later scenes with her being a little more clingy, or weirdly sarcastic about you not knocking her up. I picked creampie first time just because the button was bright and I have zero self control, then spent the next in-game day sweet talking her like I didn’t basically turn her into my personal breeding experiment.

What I liked a lot is how the heroines don’t feel copy-paste. Raven is cold and slow to open up, which makes it absolutely priceless when she goes from passive-aggressive spell girl to pressing her soaked panties into your hand in the training room. Supergirl acts like she’s above normal horniness, until you catch her alone on the terrace and push a bit harder, then suddenly she’s begging you to fuck her like some random fan, not a symbol of hope. Black Cat and Wonder Woman show up later and kinda blow up whatever “plan” you had, since they respond better when you act even more arrogant than usual. There was this stupid moment where I promised Scarlet Witch I’d help with some experiment, completely forgot, spent the night pounding She-Hulk in the gym shower, and then had to deal with Wanda throwing me this jealous, half-psycho magic tantrum while still obviously wanting my dick. The tone is all over the place in a good way: one room you’re talking business strategy like a tycoon game, next room you’re raw-dogging a superheroine on Stark-branded bedsheets, hoping the AI doesn’t comment. It’s horny, dumb, strangely clever sometimes, and absolutely not interested in making you feel like a good person. Which is kind of the point when you’re running a never-ending party where every hero girl eventually ends up naked and breathing hard into your ear.

Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.

This fantasy romp throws you straight into the deep end - you wake up in some demon lord's castle with zero explanation and a very real threat of getting murdered if you step out of line. The premise sounds terrifying until you realize you're basically living in a supernatural harem situation. Your captor might be temperamental and deadly, but hey, at least the other prisoners are gorgeous monster girls who apparently have nothing better to do than chat you up.

The 3D animations are surprisingly smooth when things get steamy, and trust me, they do get steamy. Each demon girl has her own personality quirks and backstory that actually matter - not just cookie-cutter "I'm horny" dialogue. One minute you're having a philosophical discussion about imprisonment, the next you're getting a handjob from a succubus who's genuinely curious about human anatomy. The contrast is jarring but somehow works. What doesn't work is how the male protagonist occasionally sounds like he wandered in from a completely different game, spouting generic hentai lines that clash with the otherwise decent writing.

The castle exploration feels pointless though - you can wander around all you want, but there's really only a handful of rooms that matter. I kept expecting some kind of escape plot or deeper mystery about why you're there, but nope, it's just "talk to demon girls, get sexual favors, repeat." Not that I'm complaining about the sexual content itself - the big-titted demon designs are genuinely creative, mixing traditional succubus elements with more exotic monster features. The handjob scenes have actual technique variety instead of the usual repetitive motions. Still wish there was more plot substance beyond "don't anger the boss lady while you fuck her subordinates." But sometimes simple works.

Yuu looks like one of those quiet types you’d never notice in a crowd, but that’s the trick, isn’t it? The game doesn’t start with fireworks or any fancy menu music - it just drops you right into his head. You can almost feel how tense he is around Misaki, his little sister who’s too innocent for the filth swirling around her. It’s that kind of story where every click feels heavier than it should, because one wrong choice and things slide from tender to completely fucked-up. And they do. You think you’re protecting her, then suddenly the camera lingers too long, she’s asleep, breathing soft, and your cursor hesitates. It’s not subtle about temptation. The voyeurism here is dirty in a way that makes you feel complicit, like you’re peeking through a crack in a door you shouldn’t have opened.

The animation hits that weirdly realistic zone - not uncanny, just raw enough to make the moans stick in your ears. There’s this one scene where Yuu’s hand trembles before touching her thigh, and the sound design makes it worse, or better, depending on what you came for. When the blackmail angle kicks in, everything starts looping back: guilt, lust, anger, repeat. Some endings hit harder than expected - one actually made me shut my phone for a minute. Then I went back anyway. The multiple paths don’t feel like “good” or “bad” endings, more like different shades of corruption. You’ll probably hate yourself a bit, which is exactly why it works.

Weird thing - the romance thread actually lands emotionally once or twice, like when Misaki whispers his name during the sleep scene, half-awake, half-aware. It’s messed up and strangely intimate. You won’t find polished heroes or tidy morals here, just a slow descent wrapped in warm skin and bad decisions. Dare to play it alone, or invite company?