Your dad suddenly decides he'd rather chase dick than milk cows, drops a casual “bye” and vanishes, and the whole spoiled city life just collapses in one afternoon. Your mom drags you back to the family farm, where the wi-fi is shit, the air smells like animals, and the only real entertainment is whatever your cock can get you into. The game really leans into that awkward “too close for comfort” family setup: mom trying to pretend everything is normal, you being way too aware of her curves when she bends over to haul a bag of feed, and all those long evenings in a creaky old farmhouse where the doors don’t quite close and nobody remembers to lock anything. It starts “tame” on the surface, like you just help around the place, but the camera loves slow, hungry pans and those tiny moments when a hand lingers too long or a shirt rides up just enough to make your brain go feral. There is a lot of staring. You catch yourself just watching her ass while she’s washing dishes, or spying through a half open door when she thinks she’s alone and her hand is between her legs, biting her lip and whispering your father’s name but clearly not thinking about him. That part hit weirdly hard. And hot. Mostly hot.

What I liked is how the game weaponizes boredom. City porn is all quick, fast, click-click-nut. This feels more like: nothing happens, nothing happens, you jerk off in the barn because you watched mom suck a popsicle weirdly slowly at lunch, then suddenly she walks in while you’re stroking, and instead of a normal reaction, she just freezes, looks at it, blushes, then pretends she saw nothing and tells you to help her with the hay later. But next scene she can’t keep her eyes off your bulge. That slow corruption, both of her and of you, kind of mirrors old incest hentai from the 2000s where the line between “oops accident” and “I am using your cock as my personal coping mechanism” just dissolves. There is also the younger angle, the shota flavor in how the protagonist is framed, like he’s not really fully grown man but absolutely old enough to be dangerous with a hard-on. It plays hard with that contrast: an older, stressed, needy mother with heavy tits and tired eyes who starts by giving you innocent chores, then at some point starts waking you up with her hand “by mistake,” or letting you watch while she “checks if your balls are developing right, because your father isn’t here anymore.” When it escalates to blowjob in the barn, with hay sticking to her knees and her trying not to gag, you realize the whole farm became just a big porn stage: the milking stall looks like a bondage frame, the tractor becomes a place where you pin her against the seat for a quick handjob, the shower is a narrow space where your “accidental” erections rub against her ass every time she tries to squeeze past. And I didn’t even mention the farm girl relative that shows up once, laughs way too loud, and clearly wants to test if family genes are strong by wrapping her lips around you while her aunt pretends not to notice from the hallway. The animated scenes lean dirty and personal rather than polished, like amateur porn where the camera shakes, spit strings hang from her mouth, and your cum lands somewhere a bit wrong. Honestly, sometimes the humor hits at the same time as the arousal, like when mom scolds you for wasting “precious seed” on the floor, then immediately jerks you again “so you don’t stay frustrated” and stares at the dripping mess on her fingers like it’s the only wealth this farm still has. It’s clumsy, horny, and unashamed of what it wants: you watching, you getting watched, hands and mouths where they shouldn’t be, family pretending they still care about morals while kneeling in the hay with your cock down their throat.

This one hits that weird spot between horny soap opera and shady crime story, and somehow it works way better than it should. You’re playing this nice-on-surface Yamaguchi husband, but honestly he’s a total piece of shit in the best hentai way. Two families, both freaking out about babies, one guy shooting blanks, one woman with issues, and instead of just going to a clinic like normal people they cook up this “share the dick, share the kid” plan. It sounds dumb when you say it out loud, but inside the game it feels like those old VHS hentai plots where everyone is pretending to be noble while thinking only about who they want to fuck next. The whole “be the wife’s boyfriend” idea is pushed hard: you’re not just knocking up some random MILF, you’re creeping into her daily life, her bed, her phone, her head. One moment she’s a polite housewife pouring tea, next moment she’s choking on your cock, drool on those perfect fake-ahegao lips, and you realize, ah, ok, that’s why this is a mobile game and not on Google Play.

What I like is that the story actually tries. It’s not just click, boob, click, pussy. You get text messages, late-night calls, that slow corruption feeling. She starts off stiff and formal, then the outfits get tighter, the eye contact lasts longer, she “accidentally” brushes your thigh, and before you know it she’s riding you in the room next to her sleeping husband, whispering “don’t make noise” while clearly trying to make you blow in her raw. The 3D CG is that specific horny-asset-store style: big boobs with gravity that kinda makes sense but kinda doesn’t, thick asses tailor-made for doggystyle close-ups, and faces that go full ahegao in a way that would be cringe in anime but here just feels filthy. Scenes don’t stop at vanilla either. There’s a proper femdom mood sometimes, especially when she flips from shy to controlling, sits on your face, presses her foot on your chest, makes you lick her toes clean before even letting you touch her nipples. Footjobs, handjobs under the table, sloppy oral with deepthroat gag sounds, those “I’m married, this is wrong” lines while she’s begging you to cum inside, all that classic pixel-brain porn logic. You even get those interracial vibes when they throw in darker-skinned characters and treat you like the dangerous outsider, which fits the whole blackmail angle that quietly builds in the background. Netori fans will grin, because you’re not getting cucked here, you’re the one screwing up the other guy’s life, taking his wife, maybe his future child, and somehow the game still pretends there might be a happy ending. Plot keeps teasing thriller stuff, like people getting suspicious, doors almost opening during a blowjob, messages from unknown numbers, the kind of tension that makes you keep one hand on the mouse and one on your dick, then forget which one was supposed to be doing what. It’s messy, horny, sometimes stupid, sometimes weirdly emotional, and feels exactly like something you’d hide behind other apps on your phone and swear you only play “for the story” while her big tits bounce on screen for the tenth time in a row.

You’re stuck on this tired old cruise ship that’s pretending to be classy, but everyone on board is horny, bored, or both. You’re the first officer, so you’re supposed to care about navigation and safety and all that, but let’s be real: you’re mostly walking around the decks thinking “who on this tub is going to end up on their knees in my cabin tonight.” The ship has that fake luxury vibe, faded carpets, uniforms a bit too tight, and a lot of MILFs trying to drink away their marriages. Half of your “job” becomes wandering the halls, bars, cabins, and staff-only corridors, poking into people’s business, catching them doing dumb shit, then figuring out how to twist that into something perverted. One moment you’re “helping” a married guest who locked herself out of her cabin wearing only a towel, the next you’re in her room, her huge tits spilling out of a half-buttoned shirt, and she’s begging you not to tell her husband she was flirting with the bartender. The way the game handles that shift from normal to filthy is surprisingly smooth. You ask a slightly too personal question, she stutters, looks away, cheeks getting red, and then suddenly she’s on the bed, legs spread, panties halfway down her thighs, giving this messy ahegao face while you rail her and the camera jumps to a slick internal shot of your cock hammering her pussy. It feels filthy in a very… lowkey human way. Not subtle, just human.

What I liked a lot is how sound is treated here. It’s not Hollywood level or something, but moans actually change depending on how hard you’re going, and there’s this wet slapping sound during titfucks that hits way harder than it should. Handjobs have that skin-on-skin friction noise that makes you want to crank the volume, even though it’s kind of embarrassing when her voice jumps an octave and you realize you left your headphones unplugged. The blowjob scenes are nice and nasty, deep sucking sounds and little choke gags that sync well with the animation. There’s one scene on deck at night, near the rail, where a uniformed officer MILF you’ve slowly corrupted drops to her knees, unzips you, and starts a slow, teasing blowjob while you can still hear the distant ocean and faint cruise ambience in the background. That mix of calm ship sounds with her sloppy oral is weirdly hot. Not perfect though. Footjob sounds are a bit off for me, like the audio is reused from a handjob, so your brain is going “those are toes, not fingers, come on.” But the visual of her leaning back on the cabin couch, bare feet stroking your cock up and down while she stares at you with this smug “you’re so weak” look and calls you out for blackmailing her earlier still works. The humiliation vibe is not extreme, more like “I caught you doing something you shouldn’t and now you’ll jerk off when I say,” especially with the crew girls you slowly push from shy into full-on corruption territory. One of my favorite moments was cornering a strict officer in a storage room, using a bit of leverage you got from snooping her private stuff, then making her strip piece by piece. The sound of her breathing getting heavier every time a uniform button pops, the tiny cloth shuffle when she drops her skirt, then eventually you’ve got her in only her cap and open shirt, tits huge and bouncing while you fuck her against stacked boxes. You get mouth, tits, pussy, even a quick internal view and her brain-glazed ahegao as you fill her. The game lets you wander, poke, push people too far, then jerk off alone in your cabin when you screw up and someone only lets you watch them masturbate instead of touching. It’s messy, a bit mean, horny in a very direct way, like a long, filthy vacation where the only thing you don’t care about is the actual destination.

It’s messy in a way that feels uncomfortably real, like watching someone make the worst decisions possible and still finding yourself leaning forward, curious where her next excuse will lead. Yumi moves through the story with this almost painful self-awareness - she knows she’s being watched, both by the player and the game’s world, but she never really stops preening for it. The first time she opens her blouse just slightly too far during that office scene, there’s no sound cue, no dramatic pause - just the soft rustle of fabric and that flicker of doubt on her face. I swear, that moment hit harder than any of the explicit stuff later. The game tries to sell corruption as gradual, but honestly, it’s more about how easily she adjusts to attention. Maybe that’s what makes it so believable.

Then again, sometimes it overplays its hand. There’s this one animation loop during a handjob scene where her eyes cross weirdly, and it pulled me straight out of it; felt more comedic than erotic - like a reaction meme frozen mid-spasm. But that’s part of its charm, right? It’s too earnest to be slick. Even the blackmail thread with Thompson manages to feel less like some grand scheme and more like the world’s creepiest HR problem spiraling out of control. Which, depending on your mood, could be hot or just exhausting. And yet, when Yumi whispers something half-hearted before giving in, it lands. Maybe because the voice acting doesn’t try to sound sultry - it sounds confused, nervous, real.

The lighting deserves attention though. Somebody clearly obsessed over skin tone gradients because every sweat bead looks deliberate. The husband scenes are quieter, tender even, though they carry that slow dread of knowing he’s already losing her. I found myself irrationally annoyed by his tie color - gray, always gray - as if that dull choice symbolized everything wrong with him. Maybe that’s reading too much into it. Or maybe the game wanted that reaction. Anyway, it lingers. You finish a session and keep thinking about those tiny hesitations, how desire can look like guilt when the camera holds just a second too long.