Okay listen, this Dragon Ball parody game is kinda wild but also frustrating as hell. You're basically some kid who becomes the new God of Destruction because Beerus got kicked out or whatever - honestly the setup doesn't matter much since you'll be too busy trying to figure out the customization system. And holy shit there's a lot of customization.

The angel Vados is supposed to help you raise the "mortal level" but really she's just there to guide you through banging every female character from the series. We're talking Bulma, Chi-Chi, Android 18, Videl, that green-haired Cheelai chick from the Broly movie, even some of the angel characters like Heles. The art style tries to match Toriyama's but it's clearly amateur work - not terrible but you can tell it's fan-made. What got me hooked though was the costume editor. You can modify literally everything these girls wear, from their regular outfits to bikinis to... well, nothing at all. Spent way too much time getting Android 21's lab coat just right before the actual sex scenes.

Combat exists but it's basically an afterthought RPG system where you grind levels to unlock more characters and outfits. The real gameplay loop is collecting all the different costume variations and scene animations. Some characters like Kefla and Caulifla have fusion mechanics that unlock special threesome content, which is pretty clever actually. Mind control elements pop up here and there but they're not the main focus - mostly just an excuse for why these characters would suddenly want to fuck the new GoD. Mobile version runs decent enough on my phone but the PC browser version has better controls for the customization menus. If you're into Dragon Ball girls and want to dress them up before the lewd stuff, this hits that specific niche pretty well.

It starts with a weird kind of quiet, like you’re waiting for someone to say something they shouldn’t. The first scene pulls you in because it doesn’t even try to be shocking - it just *is*. Anna’s voice has this tone that sits between teasing and sincere, like she’s half‑ashamed of wanting to talk about what she wants. And then you realize, the game isn’t really about her leaving for Italy; it’s about how much you can stand watching her become someone else. There’s a moment where she sends you a photo - nothing too wild - and yet it feels heavier than the later scenes where everyone’s naked. I think that’s the trick: it makes you feel complicit before you even click the next line.

The humor sneaks in when you least expect it. There’s a bit where one of the side characters, can’t even remember his name now, tries to give “advice” about open relationships using a sandwich metaphor that’s absolutely terrible but somehow right. The writing jumps from filthy to tender so fast you almost get whiplash. Sometimes it feels mean on purpose, especially when Shego shows up - yeah, they went full parody there - and suddenly the tone flips again, all green eyes and cruel smirks, leather snapping against skin like punctuation. The game keeps forgetting it’s supposed to be sexy and then accidentally becomes it. One minute you’re laughing, next minute someone’s wrists are tied and you’ve forgotten why you were amused.

I’ll admit, I got weirdly obsessed with the sound design. The moans don’t loop cleanly; they stutter, slightly off‑tempo, and that imperfection makes it more real. There’s a scene with a mirror - voyeur stuff, sure - but what caught me is how the reflection lags a frame behind. Maybe intentional, maybe not. Doesn’t matter. It messes with your head. The pacing’s uneven, some transitions abrupt, but that chaos fits the story. If I could change one thing, I wouldn’t. Or maybe I would, but only to make it worse. Hard to tell anymore.

Rush description during subway, sorry if my english go weird.

This one throws you right into that quiet, uncomfortable space at home after a funeral, but then slowly turns it into something way more fucked up and horny than it has any right to be. You’re Saigo, the older brother, stuck in a tiny apartment with Hana who used to be lively, now she’s like a doll that talks. Her face is empty, eyes kinda dead, but she still says pervy stuff with flat voice and it messes with your head. Game doesn’t even pretend to be normal romance for long. It starts with “care,” then it becomes “how far can I push my sister while telling myself it’s therapy.”

There’s no choices, it just moves, one scene into another, and you just sit there on your phone like an idiot on the bus watching your own character cross line after line. It starts with harmless touching, “checking her temperature” while she lies on the bed in her school uniform, shirt just a bit open, bra visible. You tell yourself it’s nothing, but then your hand stays too long on her chest and the text says her nipple is hard under the fabric. She doesn’t react, no blush, no cute anime squeal. Just “Is this necessary, onii-chan?” in that blank expression, and it’s somehow nastier than normal moaning. Later she’s in her classroom, sitting by the window, and you get a flashback of when you first noticed her tits got huge in middle school. That scene lingers way too long on how her blouse buttons are fighting for their life. Four screens of text only about the way the fabric hugs her big ass when she leans forward. I actually missed my stop once because of that stupid button tension.

The sex escalates like a slow boil. There’s this one scene in the bathroom where she’s brushing her teeth and you come in behind her, and the camera just stays on the foam around her lips while she stares at her reflection. You touch her hips, and she doesn’t move away, and somehow that’s hotter than if she jumped on you. When you finally get her to wrap those soft hands around your dick, she keeps this weird monotone commentary like “The hardness is increasing” while pumping you, no emotion, drool shining on her chin. The first blowjob is wild because she goes from robotic to full ahegao in about three lines, tongue out, eyes rolled, tears at the corners, like her brain just flipped a switch. You cum on her face and she calmly asks if this is part of the “treatment plan.” That line killed me and turned me on at same time. And the creampie scenes later, on her bed with the old photo of your dead mom on the nightstand looking right at you, are just wrong in the exactly right way. She wraps her legs around you, huge boobs bouncing, pussy soaking, and only then you notice at the very bottom of the screen there’s a tiny text note about her still wearing her school socks. I don’t know why that detail hit harder than the whole harem side thing with the other girls at school, including that scene where you eat her out behind the gym while your so-called “girlfriend” is waiting on LINE. The cheating angle barely gets called out, which somehow makes it filthier. It’s like the game assumes you already accepted you’re trash, so it doesn’t bother to judge you. Or maybe it does and I just pretended not to see it.

Broken main guy on the street, trash bag for a pillow, dead eyes, and then this girl Valerie just drops into his life like some horny ghost of Christmas depression. That is pretty much the tone here. It looks like a TV show your phone decided to fuck you with: tight shots on faces, long pauses, zero narrator holding your hand. You’re just tossed between wet alleys, cheap neon, and weird quiet rooms where people say way too much with almost no words. It’s a mobile thing, yeah, but it doesn’t feel like the usual “tap to see boob” junk. You watch these animated scenes play out and you poke at choices, trying to guess what’s under everyone’s skin. Sometimes you’re staring at a massive pair of tits bouncing in a dirty motel bed while the guy is mentally drowning in guilt, and sometimes you’re just looking at Valerie smoking in silence and it’s somehow hotter than the actual sex.

The game loves to tease. Valerie has this thick ass and heavy tits that are clearly made to distract you, but half the time the camera hangs on her eyes instead of her curves, so when you finally get her naked it hits harder. There’s a sex scene in an abandoned building where the wind is howling outside, broken windows, weird blue light, and she climbs on top of him, riding him slow, and the whole time you feel like something is watching from the darkness. It’s not just porn pasted on top of horror wallpaper, it’s like the horror is breathing down your neck while she moans. Penetration is right there, no shy angles, you see her body take it, but then her expression flickers for a second, like she’s not fully there, like maybe this is about more than just getting him off. The mystery stuff comes in quietly, tiny details in the background, odd symbols, strange music cues. It never shouts “woo spooky cult” in your face, but your brain starts going “ok what the fuck is that” while you’re supposed to be focused on the blowjob.

Romance is messy here, in a good way and in a fucked up way. Valerie feels soft and dangerous at the same time, one moment pressing her tits against him for comfort, next moment looking like she’d sell his soul if it meant surviving one more night. There’s this scene where they curl up in a blanket under some bridge, sharing body heat, clearly horny, clearly broken, and they start kissing like they’re trying to erase the world. When he slides into her, the game doesn’t cut away, you see everything, her ass bouncing, her legs around his waist, but the mood is half porn, half funeral. The mystical angle sneaks into those quiet moments, like when the city sounds vanish for a second and the music drops into this eerie, almost holy tone while they fuck. It feels like something wants him to let go of his past through sex, which is both hot and a bit creepy. It’s not clean, not polished, sometimes the timing is weird, a line lands awkward, a transition is sudden, but that roughness kind of matches a story about a man who lives in the gutter and still ends up balls deep in a woman who might be his salvation or just another ghost he’s trying to cum through.