Eva’s story doesn’t even pretend to be clean. It starts with her pretending - pretending she’s got everything under control, pretending she’s not curious, pretending those late-night messages don’t make her pulse jump. There’s something almost cruel about how the game lets you linger on her hesitation, how it slows time right before she crosses a line she swore she wouldn’t. You can feel her trying to reason with herself - then giving up. I didn’t expect the texting mechanic to be that addictive. You think you’re just choosing dialogue, but no, it’s you pushing her, pulling her, maybe ruining her. The city feels like it’s watching her too, waiting for her to slip up. It’s messy, and kind of hot in that uncomfortable way that makes you want to close the tab - but you don’t. You just keep pushing.

What caught me off guard was how the game doesn’t really reward you for doing the “right” thing. You think she’s safe with one person, and then the next scene just wrecks that illusion. The art style does this thing where it looks soft, almost innocent, and then the next frame just slaps you with something filthy - like contrast is part of the kink. I got annoyed at one point because the UI glitched during a stripping sequence and killed the mood, but then again maybe that’s just me being picky. The sound design though - too real sometimes. There’s one scene in a bathroom that made me mute the laptop because I thought someone would hear. It’s not even that graphic visually, it’s the breathing. The tiny pauses. It’s insane how much tension they packed into that.

Anyway, it’s not a “fun” game in the usual sense. It’s more like being caught reading someone’s private messages and liking it too much. I kept telling myself I’d stop after one more choice, but Eva’s slow slide into her own reflection, the way she starts liking the attention she said she hated - it’s gross, it’s hot, it’s kind of art. I don’t even know if I liked it, which probably means I did.

Sam’s summer doesn’t start with explosions or some anime bullshit prophecy. It starts with him jerking off quietly in a cramped bathroom, hoping his mom doesn’t knock, while thinking about his own best friend in a way he definitely shouldn’t. That’s the vibe here. Ordinary high school, humid Asian heat, everybody sweating in their uniforms, and underneath it all everybody is horny, frustrated, and pretending to be “normal”. The game leans hard into that slow burn feeling where every stare in the hallway and every accidental touch feels like it could cross a line. One moment you’re helping Angela with homework, the next you’re watching her skirt ride up as she stretches on the bed and wondering if you should look away or look closer. You usually don’t look away.

There’s a lot of teasing and it’s not gentle. The bullies at school are assholes, they push Sam around, grope the girls when they think they can get away with it, and the game doesn’t try to moralize. Sometimes you interrupt, sometimes you don’t, and sometimes you pretend you didn’t see a hand slip under a blouse because the situation turns you on and you hate yourself for that. The nicest thing is that the characters actually feel like horny idiots instead of porn robots. Sam’s mom, Riona, walks around the apartment in these thin summer clothes that cling to her body, pretending she’s just “too hot” from the weather, and the camera knows exactly when to linger on her ass or the outline of her nipples. She acts like a normal caring mother, cooks, nags you a bit, then sits too close on the couch and you notice her breathing change when your leg touches hers. The game loves that “is this still innocent or not?” line and keeps poking it. It gets pretty fucked when the bullying brothers start eyeing her and your sister too, and the story quietly asks if you’re going to protect them or secretly want to watch things fall apart. Sometimes protecting them means watching something you can’t unsee. Sometimes not protecting them is even worse.

The sex itself ramps up from clumsy masturbation scenes to full-on sweaty summer nights. There’s that first time you manage to sneak into Angela’s room during a storm, lightning outside, her in a loose shirt with no bra, pretending she’s scared only of the thunder. You feel her thighs tense as your hand slides higher, she bites her lip, and everything feels messy and way too real. Vaginal scenes are shot very close, like you’re right there feeling every movement, and the game loves when someone might walk in at any second. The best part is also the most annoying: you get choices that look small, like peeking at Juno while she changes, or letting Riona drink a bit more wine than she should, and ten scenes later you realize those little “just this once” moments pushed everyone down a darker, more corrupt path. And then there’s that one tiny detail that stuck with me: the way Angela’s face shifts when she realizes you’re turned on by her humiliation in front of the bullies. She blushes, looks away, but her legs don’t move. It’s fucked up and hot and uncomfortable at the same time, which is exactly what this game is chasing, like a slow, sticky summer you kind of wish would never end and also kinda hope would.

Guy is broke, tired and just trying not to crash, and suddenly every busted pipe and broken dryer in town turns into an excuse to get his dick wet. That’s pretty much the vibe here, and it actually works way better than it sounds. You play this quiet, kinda worn down repair guy, going house to house, pretending to care about appliances while you’re clearly staring at thighs and panties. It’s not some big choice-heavy thing, it’s more like you’re riding shotgun inside his head while he stumbles into one horny situation after another. The story moves in a straight line, but it’s not boring. Scenes have this slow, teasing build: you ring a doorbell, you see the woman, you check the “problem”, and your brain already knows where this is going, but the game still makes you wait for it. There’s a lot of solo tension too, like he’s jerking off after jobs, replaying what just happened, feeling half guilty, half proud. That masturbation stuff isn’t just thrown in, it’s almost like a checkpoint between scenes, like his way of processing all the dirty shit he’s getting into.

What really hit me is how the erotic pacing feels like some porn video you’d half-remember from an old bookmark in your browser, but better framed. It’s animated in this slightly stiff, slightly uncanny way that weirdly adds to the horny atmosphere instead of ruining it. You notice small things, like the way her hips twitch when he “accidentally” brushes her or how her lips part just a little when she leans closer to hear him talk about some loose wire he doesn’t even care about. The 3D look makes skin, underwear and wet spots pop in a very direct way, no artsy filter, just raw, shiny flesh and naughty posing. There are these CG shots that freeze right on the good stuff: her bent over the washing machine, his hand on her ass, or him alone, pants around his ankles, cum hanging from his fingers while he thinks about going back to that client again. Don’t expect tons of deep choices or big branching; you’re basically strapped into his path, watching him crawl from “I just need money” to “I can trade a fix for a blowjob if I play this right” without really being able to stop him. Weirdly, that makes it hotter. You’re complicit, but you’re also just a passenger, and that whole “fuck, I shouldn’t enjoy this that much” energy is everywhere. Best way to enjoy it? Stop clicking so fast, let the scenes play out, and when he pulls his cock out in some random bathroom after a visit, don’t skip it, just sit there and let him finish. That’s where the game really shows what kind of pervert he is.

Your dad suddenly decides he'd rather chase dick than milk cows, drops a casual “bye” and vanishes, and the whole spoiled city life just collapses in one afternoon. Your mom drags you back to the family farm, where the wi-fi is shit, the air smells like animals, and the only real entertainment is whatever your cock can get you into. The game really leans into that awkward “too close for comfort” family setup: mom trying to pretend everything is normal, you being way too aware of her curves when she bends over to haul a bag of feed, and all those long evenings in a creaky old farmhouse where the doors don’t quite close and nobody remembers to lock anything. It starts “tame” on the surface, like you just help around the place, but the camera loves slow, hungry pans and those tiny moments when a hand lingers too long or a shirt rides up just enough to make your brain go feral. There is a lot of staring. You catch yourself just watching her ass while she’s washing dishes, or spying through a half open door when she thinks she’s alone and her hand is between her legs, biting her lip and whispering your father’s name but clearly not thinking about him. That part hit weirdly hard. And hot. Mostly hot.

What I liked is how the game weaponizes boredom. City porn is all quick, fast, click-click-nut. This feels more like: nothing happens, nothing happens, you jerk off in the barn because you watched mom suck a popsicle weirdly slowly at lunch, then suddenly she walks in while you’re stroking, and instead of a normal reaction, she just freezes, looks at it, blushes, then pretends she saw nothing and tells you to help her with the hay later. But next scene she can’t keep her eyes off your bulge. That slow corruption, both of her and of you, kind of mirrors old incest hentai from the 2000s where the line between “oops accident” and “I am using your cock as my personal coping mechanism” just dissolves. There is also the younger angle, the shota flavor in how the protagonist is framed, like he’s not really fully grown man but absolutely old enough to be dangerous with a hard-on. It plays hard with that contrast: an older, stressed, needy mother with heavy tits and tired eyes who starts by giving you innocent chores, then at some point starts waking you up with her hand “by mistake,” or letting you watch while she “checks if your balls are developing right, because your father isn’t here anymore.” When it escalates to blowjob in the barn, with hay sticking to her knees and her trying not to gag, you realize the whole farm became just a big porn stage: the milking stall looks like a bondage frame, the tractor becomes a place where you pin her against the seat for a quick handjob, the shower is a narrow space where your “accidental” erections rub against her ass every time she tries to squeeze past. And I didn’t even mention the farm girl relative that shows up once, laughs way too loud, and clearly wants to test if family genes are strong by wrapping her lips around you while her aunt pretends not to notice from the hallway. The animated scenes lean dirty and personal rather than polished, like amateur porn where the camera shakes, spit strings hang from her mouth, and your cum lands somewhere a bit wrong. Honestly, sometimes the humor hits at the same time as the arousal, like when mom scolds you for wasting “precious seed” on the floor, then immediately jerks you again “so you don’t stay frustrated” and stares at the dripping mess on her fingers like it’s the only wealth this farm still has. It’s clumsy, horny, and unashamed of what it wants: you watching, you getting watched, hands and mouths where they shouldn’t be, family pretending they still care about morals while kneeling in the hay with your cock down their throat.