New Antioch feels like somebody took a brutal dark fantasy, smashed it into a porn game, then asked, “ok, but how much filth can we cram between all this blood and rusty armor?” You play as Mateo, this cold bastard enforcer everyone whispers about, the guy nobles send when they want someone broken, not just beaten. On paper you’re a loyal dog of this dusty mining province, stomping around a dead world that never really recovered from the last time humans fucked everything up. In practice you’re sneaking into the capital with a grudge, a hard-on, and way too much freedom to ruin people’s lives. One moment you’re ankle deep in corpses after a raid, the next you’re in some torchlit room humiliating a noble milf who has more jewelry than self-respect, riding your cock while begging you not to tell her husband. The game never pretends to be wholesome. You get romance, sure, but it’s the kind where you might pull a girl’s hair while she’s choking on you, then later actually feel weirdly protective when she flinches at someone else raising a hand.

The sex scenes are wild, and not in the “oh cute missionary with soft music” way. There’s a virgin priestess shaking so hard she can’t even guide you in, bleeding a bit while you slowly push deeper and whisper the most rotten shit in her ear. There’s a smug monster-looking thing you thought would just be a boss, but then you realize the “victim” chained near it is actually into it, and you end up watching way longer than you should, jerking yourself off like some pervert in the shadows. One of my favorite bits was this drunk, foul-mouthed older woman running a rundown tavern near the city walls, brown skin, messy hair, big ass. She pretends she hates you, spits insults, but when you corner her in the back room and tell her you know about her little smuggling side business, suddenly she’s on her knees, slurping you like she’s been waiting all year for that threat. The game gives you lots of those ugly little power moments: blackmail, humiliation, rough sex where you grab hips hard enough to leave bruises, or shove a girl’s face into the mattress while she moans that someone might hear. There’s even some twisted netori flavor when you bang a knight’s “pure” fiancée while he’s out dying for his banner, then smile at him later like nothing happened, still remembering the way she clawed your back and begged you to cum inside. It’s cruel, messy, unromantic and somehow still has these rare scenes where someone kisses you soft and nervous, and for a second you almost forget this whole world is just rotting slowly into dust.

You start as this ex–special forces guy who suddenly feels completely useless, which is kind of funny because he’s ripped, trained, all that macho stuff, and then some slime girl with tits bigger than his head just shrugs off rifle fire like it’s nothing. The world is getting chewed up by these dungeons that keep popping open like zits, monsters spilling out, magic everywhere, normal logic out the window. Then the whole “Awakened” thing kicks in, and he basically goes from soldier to magic freak with a hard-on, trying to clean up the mess in a way the army never trained him for. It’s not a heroic story in the usual sense, more like: “okay, the planet is screwed, might as well fuck my way through the problem while I’m at it.” The game leans into that. You go from room to room in these dungeons, talking to girls who really should be your enemies, but somehow they’re all stacked like hentai convention mascots and have faces that melt into ahegao the second your clothes come off.

The tone is weirdly calm at first. There’s this slow pace where you wander around the hub, poke different events, check who’s hanging out where, and it feels like a chill fantasy sandbox with magic and politics and people coping with monsters at the door. Then you stumble into a chamber and you’re suddenly pinning a demoness with wings and a ridiculous ass against a wall, stuffing her full until she’s moaning with that over-the-top tongue-out expression. The scenes are animated just enough, with these 3D-style CGs that loop and shift angles, and the dev is clearly horny for big breasts because every woman looks like gravity is just a suggestion. I like how the dungeon itself is part of the story, not just a corridor to spam fights. You discover weird rules, like doors that only open if you “satisfy” the guardian, or a cursed room that turns a regular battle into a domination scene where she tries to ride you into submission, then ends up getting creampied so hard the magic seal breaks. It’s stupid, but in a good way. And the facial detail when they hit that ahegao point? Uncomfortably good.

The slow-burn parts shine the most. Talking to a monster girl you fought last time and now she’s in your base, pretending she’s there against her will, while clearly waiting for you to take charge again. You learn bits of how their world connects to ours: some of them were human, some were born from the dungeon itself, and everybody’s sort of stuck in this war where sex and power are completely tangled. Couple of times I wished the UI didn’t hide the damn interaction spots in the hub because I spent like ten minutes circling around a tavern just to trigger one scene with a sorceress whose robe doesn’t even pretend to close over her boobs. That annoyed me and then I forgot because the next thing was her bent over a magic circle, gasping while you pump her full, white dripping all over the glowing runes. The domination angle is nice too, since you can play the protagonist as someone who enjoys having control in bed, even when the girl is technically a monster who could snap him in half. The writing isn’t “high literature”, but honestly it fits. Feels like reading a horny webnovel where the author really likes describing asses, and bodies, and that moment right after the creampie where her belly twitches and she pants and stares at you like “again?” and you’re like, yeah, obviously.

Briggs is absolutely the worst little bastard to put in charge of “bringing justice” to a kingdom, which is exactly why it works. The game throws you into this royal court where the queen is this insanely hot, thick-hipped tyrant with huge tits, zero patience, and even less modesty once you start messing with her. At first she’s all proud female warrior energy, barking orders, talking down to goblins and knights like they are trash under her heels. Then your goblin brain starts turning and you realize the whole palace is basically one big toy box for humiliating her in public. You sneak around, spy from keyholes, watch her bathe, catch her getting dressed, push little pranks that start as “haha funny” and end up as “why is the queen on her knees in front of half the guard with cum on her face.” The escalation is the fun part. It’s not just suddenly hardcore. It slowly slides from teasing and groping to straight up group sex in the throne room, while everybody pretends this is “discipline for the good of the realm.”

What I really liked is how many scenes are focused on her losing status, not just getting fucked. You’re not just clicking through sex, you’re orchestrating her fall. One moment you convince a knight to “check her armor fit” and the guy ends up with both hands buried in her chest plates, squeezing her huge tits while she tries to keep royal composure. Next moment, some noble walks in, sees her bent over a table with a goblin hand under her skirt, and instead of stopping it, he joins. Half of the time you’re basically a pervert director of a humiliation play. Voyeur scenes where Briggs hides behind curtains and you get full view of the queen, flushed and panting, trying to pretend she’s still in control while goblins grope her ass and spread her thighs for everyone to see. And when monsters show up? The tone shifts to this brutal fantasy corruption where big, ugly things pound her hard enough that her expression changes from rage to this broken, wet, “more” look. There’s a scene where she ends up mounted by a beast in the royal garden while the court watches, and by the end she’s begging to be filled, creampies dripping down her legs and into the grass, and everyone just laughs like it’s a show. It’s fucked up, it’s funny, it’s horny, and it never really pretends to be something noble. She starts as a proud warrior queen, she ends as the castle’s favorite toy, and somehow the goblin feels like the only honest one in the room.

It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.