This one feels like reading someone else’s diary while jerking off and then suddenly realizing the diary belongs to you in ten years. It starts simple: long‑married couple, comfortable routine, sex life not dead but kind of stuck on autopilot. He’s loyal, a bit clueless, she’s loving but bored in ways she doesn’t even want to admit. Then something small goes wrong, she does one “little” thing to fix it, says it’s only this once, and that’s basically where everything goes to shit in the best possible way. The game doesn’t let you drive, it just straps you into her head and you watch her slide from nervous to curious to outright hungry. There’s no real choices, which sounds bad, but it also means the story can just punch straight through to some messed up places without pausing to ask you if you’re okay.

The sex starts very tame, soft kisses, a bit of teasing, playful handjobs that look like she’s still thinking “this is wrong” while her body is saying “just a little more.” Then the guardrail disappears. Voyeur stuff kicks in first, like that moment when she realizes someone’s watching her and instead of covering up she spreads her legs wider. You get slow scenes of her being harassed, the kind of “accidental” groping that stays too long, a dick pressed against her ass in a tight space, that awful hot mix of fear and arousal that the game really leans into. It doesn’t pretend it’s nice. It’s blunt about ***, blackmail, and all the ugly ways someone can use her weak spot against her. One minute she’s being forced to suck a guy off while trying not to cry, next minute she’s grinding on his face and orgasming so hard she forgets why she said no in the first place. The corruption feels like a checklist the dev is ticking off, and I loved that, even while it made me hate the husband for not seeing shit.

Later on it gets crowded. Group scenes where they treat her more like a shared toy than a wife, guys taking turns on her pussy and asshole while she’s pinned down, one dude in her mouth finishing with a messy creampie over her tongue while another finishes inside her raw. There’s this one bit where she’s getting railed from behind, her ass red from spanking, and she’s staring at her own reflection while another woman licks her nipples just to shut her up. That older woman angle is nice too, she’s clearly a milf, body thick and soft in all the right places, tits bouncing in those animated loops when she rides. The lesbian moments aren’t some gentle “girls’ night” either, more like she’s being taught how to be a good slut by someone who’s already too far gone. You get cheating, swinging, NTR all bundled together, and the husband watching, sometimes literally, sometimes just suspecting it, feeling like the last person to get the joke. The most fucked up part is how normal it starts to feel by the end, like yeah of course she’s on her knees again, of course another stranger is unloading inside her with zero condom while she whispers she still loves her family. And she does. That’s what makes it hit harder. The game never asks forgiveness and never gives it. It just keeps pushing until the hole she dug is so deep you can’t even see the sky anymore.

Happily married, nice house, good sex, normal life. On the surface it looks like boring vanilla couple from Instagram. Underneath, both of them are horny as hell and lowkey too curious for their own good. One day it’s just playful teasing on the couch, her sitting on his lap in those tight shorts, his hand sliding under the fabric while some Netflix trash plays in the background. Next time, she is “jokingly” sending a pic in her underwear to that fitness trainer from the gym, and you suddenly realize the game is not about simple husband fucks wife. It is about how far you let them go before everything breaks. Sometimes you control him, sometimes you control her, and sometimes it feels like you control nothing and just watch your own bad decisions catch up, like a slow car crash with big tits and messy creampies.

The nice part is how small it starts. Like, he scrolls through her phone when she is in the shower and sees some messages that are a bit too flirty. You can choose to ignore, confront, or pretend you are “cool” and play the open couple. You think, ok, I’m going for the honest, mature route, good communication and all that Reddit bullshit. Then the game slaps you with a scene where she is bent over the kitchen counter, describing how some stranger at the bar grabbed her ass and how wet it made her. The groping is not just random either, you actually see how her body reacts, how she starts to enjoy the attention, how her eyes change when another guy touches her thigh under the table. There is this one moment on a crowded rooftop party, she stands close to another man, short dress, no panties, your character sits opposite and pretends to laugh with the group. Camera angle shows her hand slowly guiding his fingers higher over her inner thigh while she keeps eye contact with you. You choose if you let it happen, stop it, or get off on watching. It feels like someone mixed voyeur porn, cheating fantasy and that “oh fuck I made a mistake” feeling into a cocktail.

Sex scenes are not shy at all. When she goes down on someone, you see tongue, spit, everything animated, her fingers digging into his thighs, him grabbing her hair. There is standard stuff like oral and vaginal, but it goes into anal and foot job territory pretty quick if you follow the more corrupt path. I actually laughed when she used her foot to stroke some guy’s cock under a restaurant table while talking about vacation plans with her husband, like this weird mix of TripAdvisor and Pornhub in one shot. And it’s not just her being used either. Sometimes she flips, pins him to the bed, rides his face, tells him when he is allowed to come, full femdom mood. In one route, she straddles him in the car, pulls his hands away when he tries to touch her tits, and makes him beg just for a handjob. Later on she lets another man finish inside her and then comes home to her husband with that “innocent” big ass bouncing on his lap, and if you chose the wrong answer before, he has no idea there is still some other guy’s cum inside her. You can get interracial scenes, shared partners, proper swinging situations where everybody pretends it’s just sex, no feelings, while the game quietly keeps track of every look and every tiny jealous reaction. It feels weirdly real at moments, like when he secretly jerks off to a video of her getting railed by someone else, hand shaking, shame and arousal fighting. And then ten minutes later there is a silly scene of her teasing him with her feet while scrolling TikTok, because this game never decides if it wants to ruin your heart or just make your dick hard.

Neuro/Splice feels like someone grabbed a cyberpunk thriller, a fucked‑up body swap fetish, and a humiliation dungeon, blendered it together, and then forgot to clean the mess off the walls. In a good way. You’ve got this cop Ryke, corporate dog for NexaCorp, who ends up jammed into Cassie’s body, tossed straight into a mixed‑gender max security prison that looks like a cross between a riot and a sex club that never closes. He’s a guy in his head, stuck in this soft, dangerous female body, surrounded by assholes who think she’s just fresh meat. Guards grope when they feel like it, inmates test boundaries with “accidental” touches that are not even slightly accidental, and every little mistake you make, the game slaps you back with some brutal teasing or public humiliation. There’s this early scene where you misjudge who to talk to in the yard and instead of a simple “game over”, you end up pressed against a fence, hand forced between Cassie’s legs in front of half the block while some guard laughs and pretends it’s a “routine check”. That whole vibe of “you wanted to be the hero, now suck it up” never really stops. It keeps poking at the fantasy of control, then yanking it away. If you’re expecting soft cuddly romance, you loaded the wrong tab in your browser.

The wild part is that while Ryke is getting his ass metaphorically and literally beaten in Cassie’s skin, Cassie wakes up in his male body on the other side of the fence with all the power he used to enjoy. Suddenly the hunted rebel girl is the scary dude in uniform, walking down halls where people flinch when she passes. She can abuse that. Hard. Use her new status to harass coworkers, push underlings around, “search” suspects with hands that stay way too long in the wrong places. There’s this interrogation room scene where you can lean into full male domination, pushing a nervous female tech against the table, fingers slipping exactly where HR would have a heart attack, all under the excuse of “investigation procedure”. Or you can pretend to be decent while constantly edging the line, which is almost worse. The game loves turning basic choices into fetish traps. Say the polite thing, you still get dragged into some forced stripping in the showers later. Try to act tough, you get chained up, spanked, and mocked like a bratty girl who forgot her place. It toys with netorare stuff in a really sneaky way too. People talk about “Cassie” like she’s a thing that can be used, and you know it’s Ryke in there screaming, but the body reacts, the nipples harden, the thighs tremble, and the game does not let you pretend that isn’t hot. Meanwhile, outside the prison, Cassie in Ryke’s body gets chances to steal other people’s lovers, ruin relationships, and then walk away like it was nothing. It hits that nasty “I stole your girl and she liked it better” kink and then just moves on like it never happened. Honestly, I wish they toned nothing down. The more it kicks at comfort zones, the more it actually feels alive.

There is this quiet, slightly tired feeling in the whole thing that hit me harder than all the porn grindfests I usually dig through on itch and F95. You start with this middle-aged bar owner who clearly had his “fun young time” years ago, then just pressed stop on life. The guy lives between empty glasses, Spotify playlists stuck on old rock, and that awkward silence after the last drunk leaves. And into that walks Elena, still carrying that fresh hurt you only get when you believed some dude’s promises a bit too hard. It’s one of those nights where two people should probably just go home, jerk off to Pornhub, sleep, and forget everything. They don’t, obviously. The whole kinetic setup is basically saying: you’re not choosing where the story goes, you’re just stuck in the backseat watching these two try to use sex as a bandage over old shit that never healed right.

The route that plays “normal” romance feels like a long, slow exhale. He is careful with her, not in a corny way, more like someone who fucked up enough in life to finally learn where to touch and when to shut up. There are a lot of small moments: her hand shaking a little when she takes that first sip of whiskey, his fingers brushing her thigh while he pretends to talk about music, that dumb smile when she realizes she actually wants his mouth on her. When it finally turns explicit, it is not some turbo-hentai nonsense. She drops to her knees and you can almost hear her thinking “fuck it” before she pulls his cock out. The blowjob scenes are long and almost too real; spit on her chin, her mascara slightly smeared, his hips twitching when she decides to take him a bit deeper than she can handle. Then the bed, finally, with that slow, lazy missionary where they look at each other way too much for just a one night thing. Vaginal creampie, yeah, but framed more like a mistake they both secretly want, not just a “achievement unlocked” moment. And at the same time I kind of hated how sometimes the dialogue leans a bit Tumblr-poetry, like two people trying to sound deep on WhatsApp at 1 in the morning. There is also this corruption flavored second path where the mood shifts and he stops being only gentle. The bar feels colder, less safe. His hands close around her wrists, push them above her head, and you can tell he is testing how far she will go to forget the guy who broke her. Light bondage, a bit of rough throat-fucking, his voice in her ear telling her when to open her mouth, when to beg, when to ride him until her legs are shaking. It is still pretty tame compared to some brutal stuff out there, but it has that nice edge where romance and male control mix in a way that makes your brain and your dick argue. By the end I only really remembered two things: her face when she realizes he actually sees her, not just her body, and the moment his cum spills inside her and neither of them does the “oh no, what about protection” talk. Also, the save menu font annoys me for no reason. Anyway, it lingers. Not like a big dramatic saga or some hardcore fetish circus, more like that one chat on Telegram with someone you fucked once and never muted.

Erik comes back to this private island after a year away and the whole place feels like it’s holding its breath. That is basically the mood of the novel. Sunburnt paradise, empty villa, two twins walking around each other like they’re scared to breathe too hard because one wrong look and they are ready to fuck on the nearest piece of furniture. The story sticks you inside their heads a lot, both him and Lyna, and it hits that awkward horny childhood memory vibe, where you remember things you shouldn’t have stared at, touches that lasted a bit too long, late showers with thin walls. There is no “click this, choose that”, you just sit there and watch the tension grow while they pretend to be normal. It feels slow for a while, almost like the author is teasing you on purpose, with stupidly wholesome things like headpats, soft hugs, holding hands on the couch under some trashy Netflix show. Then there is that first real look, the moment he realizes her ass is not “little sister” anymore, and you can basically hear his brain break in silence. I run NSFW events, I saw people do kink performances in public, and still that quiet bedroom scene with nothing but eye contact and careful breathing felt filthier than a gangbang.

When it starts to go over the line, it really does not bother to pretend it is classy. You get a lot of dirty family talk, like, they lean into the taboo instead of hiding it. She teases him while he is trying to be the responsible one, climbs onto his lap, grinds slow, makes him admit he’s been watching her sleep. There is POV stuff that feels almost too personal, like you are the one between her thighs while she still calls you “bro” and says she shouldn’t like it this much. The game flips between him and her sometimes, and that makes the corruption hit harder, because you see how she talks about being a virgin and in the next chapter she is planning how to get his tongue between her legs without him running away. There is also a lot of focus on small physical kinks: toes on his lips, her foot pressing on his cock while she pretends to watch the waves, her sitting on his face like it’s totally normal. Then their mom Helga is on her way to the villa, and the vibe shifts again. She is not just “MILF appears, dicks out”. She has her own messy thing going on, a controlling presence, a bit of soft female dom energy, and she changes how both twins act. One moment it is this romantic, almost sweet incest bubble, and the next it is him getting jerked off under the table while Helga talks about family values and pregnancy like some twisted sermon. I actually hated one thing: there is a throwaway bit with a phone notification mid-scene, totally killed my rhythm, and then the story never mentions that chat again. It lives rent free in my brain. Still, when the anal and titfuck and all the other stuff finally explode after so much build up, it feels less like porn clips glued together and more like you followed two idiots all the way from “I will just hug you” to “I am going to fill my sister on the same bed we used as kids”. It’s wrong, it’s hot, it’s surprisingly emotional, and it really does not apologize for any of it.

This Scooby-Doo parody hits different when you realize they actually made Fred watch from the corner. The gang's got this new guy who's basically speedrunning corruption routes faster than you can say "jinkies," and honestly? The outfits are what got me first - Velma's sweater gets progressively tighter each scene until it's basically painted on, while Daphne's whole wardrobe screams "I'm definitely not the innocent one anymore." But then the writing kicks in and suddenly you're watching Fred get absolutely demolished emotionally while this newcomer just... takes over everything. The animation style works surprisingly well for what they're going for, though I kept getting distracted by how Velma's glasses somehow stay perfectly positioned during the most ridiculous situations. Like, physics much?

The sandbox elements let you corrupt at your own pace, which sounds great until you realize there's actually optimal paths and you've been doing everything wrong for hours. Mystery-solving takes a backseat to mystery-creating, if you catch my drift. Daphne's scenes escalate way faster than Velma's, but that might just be because redheads are apparently easier targets in this universe. The group dynamics get wild when everyone's involved - there's this one sequence where the van is literally rocking and Fred's just standing outside looking confused. Poor guy never saw it coming. The dialogue tries too hard to be funny sometimes, throwing in "zoinks" every other sentence like we forgot what show this is parodying. But when the corruption really kicks in and the girls start suggesting their own "investigations," the writing actually gets pretty clever about subverting expectations.

What really sells it though is how they handle the trainer aspects - you're not just clicking through scenes, you're actively choosing who gets corrupted how and watching the ripple effects. The netorare elements aren't subtle at all, which honestly works better than trying to be coy about it. Fred's reactions range from oblivious to devastated, and watching that progression while Velma discovers she likes being watched is genuinely hot. Just don't expect any mystery-solving by the end.

Goblin Down feels like someone took a messy affair from a cheap motel, stitched it into a fantasy story, then forgot to iron the seams. Which I mean as a compliment. As a lingerie designer I kept thinking of it like a jealous little boudoir drama: tiny space, three bodies, way too much skin and not enough honesty. You start as this rookie adventurer who once got saved by a goblin girl, then years later she’s your wife, Qilka, and she’s basically the only one in the house with any common sense. Her design hits weirdly close to how I sketch green-skinned models: short, soft belly, those slightly too-big eyes that look innocent even when she’s getting railed, and that cheap village dress that screams “I can be pulled aside in one motion.” It’s not elegant, but it works. Like lace that scratches but looks hot in photos.

What hooked me most wasn’t even the orc at first, it was how fast the mood in the house rots once he shows up. One scene you bring this huge hurt bastard home like some stray dog, next scene you’re watching her fuss over him, wiping his chest, his thighs, pretending she’s just doing first aid while her cheeks are already a little flushed. There is this early voyeur moment where you peek through the cracked door and the animation has her hand hovering just a bit too long over his crotch, like she’s “accidentally” brushing it. That’s when the game stopped feeling like a heroic fantasy and more like catching your partner sexting with someone bigger. The actual sex escalates in a way that made my stomach twist: first it’s innocent tending, then a clumsy handjob where she looks like she’s not even sure how she got there, then full-on sloppy oral with her ears twitching and eyes rolled up, that classic ahegao face that would look stupid if the guilt wasn’t so heavy. Sometimes her expression is a bit too cartoony for the mood, by the way. I wanted one scene where she just looks wrecked inside, not only drooling and cross-eyed. But they never go there, they stay in that porn comic style, which annoyed me and I still kept going.

What I like, or hate, is how the corruption isn’t only about her. You as the husband are kind of pathetic and it’s hot in a really bad way. The game gives you these choices where you can pretend nothing’s wrong, go back to your guild work, or poke around like a paranoid idiot. I picked the coward route first, just left them alone, and later there’s this animated loop of the orc lifting her by the hips and pounding her from behind in your own bedroom, her ring still on her finger, and I actually paused and stared like it was some lingerie catalog shot I needed to analyze. Her little tits bounce against his stomach, the camera lingers on the creampie dripping out of her while she whispers how “it’s fine, he’ll never know.” It’s filthy and sort of beautiful in a trashy way, like mismatched bra and panties that somehow look better than a full set. There’s one scene where she rides him in your bed, looking back at the doorway, almost like she wants you to walk in and watch. That voyeur energy is crazy, even if a few transitions feel rushed, like they skipped a beat between nervous groping and full surrender. Still, the whole thing left me thinking about designing a set inspired by her: something green and torn at the hem, a little too small, like it belongs to a wife who says she’s loyal while her thighs are still sticky from someone else. And then I remembered this is just a short visual novel and I’m overthinking it while she’s taking orc dick again in the next CG.

Royal Madness is probably the closest thing to a horny fairytale written by a very drunk court painter who really likes cats with huge tits and smug faces. You’re tossed in as Lewis, bastard ocelot prince, and the world instantly treats your royal blood like a kink rather than a title. It’s not subtle about it. Every rival, every “enemy,” every supposed threat ends up circling one question: are you fucking them into your harem, or are they turning you into their cute little pet instead. The game doesn’t pretend to be noble. It treats power as a sex toy and nobility as an excuse to collar people and re-style their bodies until they match your tastes a bit too perfectly.

What I liked is that the characters aren’t just recolors of the same cat-girl with different boobs. The art actually feels like someone sat there and thought “ok, what if a smug lioness warlord had hips like a fertility statue and armor that only makes sense if her nipples are a political statement.” Sometimes it looks messy, lines a bit shaky, anatomy going off on its own adventure, but that fits the energy. It’s not corporate clean, more like horny sketchbook that got out of control. There is this rhino general, for example, huge chest, scars across the muzzle, and when you win their challenge the magic doesn’t just slap “now they are pretty” filter. No, you literally watch the body warp piece by piece, broad muscles smoothing or sharpening, maybe the tits swelling stupidly big while they gasp halfway between outrage and getting turned on by losing. That slow change hits way harder than a simple “transformation finished” screen.

The actual structure is that loose sandbox style where you hop from one hot mess to another, switching perspective between male and female protagonist when the story feels like it, not when you are ready. One scene you’re Lewis using magic to slowly erode the pride of a tiger knight, teasing him until his cock and even his voice betray how much he wants to kneel. Next time the game flips and you’re playing as one of your own ex-rivals, now loyal, wandering your palace and accidentally starting something filthy with a new intruder who thought they’d be the one on top. That shift is the fun part. You see the same harem from different eyes, sometimes as a conqueror, sometimes as the newest toy, sometimes as the one being “improved” by your own magic. And the kinks slide around too. One route gives you a stacked lion queen that you carefully nudge from terrifying monarch into doting, overprotective mommy dom, then another throws you against a seemingly submissive bunny clerk that ends with you collared, hips reshaped, moaning her name while she tests how flexible ocelot royalty can be when properly “reformed.” Half the time I was cursing at the tiny UI buttons and weird pacing, the other half I was staring at the screen of my phone on the tram, trying not to bite my lip like a complete idiot.

If you really want to squeeze every filthy drop out of it, don’t rush straight to the obvious sex scenes. Poke around the challenges, lose on purpose sometimes, see how the transformations twist when you’re the loser instead of the victor. Talk to characters again after you’ve changed them, especially the big tits crowd and the ones who pretended they didn’t care about you. Watch how their new bodies and new roles corrupt their own original goals. Treat each battle less like a level and more like a negotiation with the world’s nastiest fashion designer. That’s where the game actually gets hot.

You open your eyes in a garden that’s way too pretty for how fucked up you feel. You remember dying… kind of. It’s fuzzy, like that morning after too much vodka when you’re checking your phone and praying you didn’t text your ex. Except now the “ex” is literally your life, and instead of hangover you get a smug angel, a smug demon, and a bunch of confused hot dead people who all like girls, guys, both, neither, or “it’s complicated” in different flavors. They tell you this isn’t Heaven, not Hell, just the Garden hanging out in Limbo, like some cosmic waiting room where everyone’s bisexual or worse. You’re told you can pick your body and gender, like character creation but with the weight of “what the fuck am I actually” behind it. Female, male, futa, trans, something in between, something off to the side. The game doesn’t blink. You can just… exist the way you wish you had when you were alive. That alone hit harder than some porn games ever will, honestly. Then five minutes later you’re flirting with a demon girl who looks like she can ruin your life and you’re fine with it.

What really sticks in my head is how one scene goes from tender to horny to sad so fast it feels wrong, in a good way. You’re sitting under this glowing tree with another lost soul, talking about what you regret from your life. They’re quietly telling you about the first time they realized they liked girls, how they kissed a friend behind a church, shaking and happy and terrified. The garden lights reflect in their eyes, they lean closer, and your choices appear. You can joke it away, you can pull them into this slow, nervous kiss, or you can go full thirsty and grab their hips and push them against the tree. If you go thirsty, the way the writing describes hands sliding over still unfamiliar bodies, the awkward “is this okay” mixed with raw need, feels more real than half the polished porn out there. It’s not just “and then boobs appeared, wow.” It’s messy, people hesitate, someone laughs at the wrong time, it reads like two queer disasters horny in Limbo who never got to be honest when they were alive, so now they’re making up for it in one go. There’s even a moment where they say “I never had sex like this when I was alive” and you can answer “me neither” or pretend you were a huge player. Which is funny, because the game will totally call you out later on that lie.

In between the horny stuff, you’re doing trials, talking to angels that act like burnt-out office workers, demons who act like they run a queer nightclub, and other dead people trying to figure out if Heaven is worth the rules, Hell is worth the chaos, or if Limbo is secretly the best place because nobody really knows what the fuck is happening anyway. Sometimes the tone whiplash gets tiring, like you’ll go from heartfelt talk about dysphoria to a gag about someone’s ass in two lines and it almost kills the mood. There are parts where the pacing drags, especially when a character dumps lore on you about how Eden ended up stuck here and you just wanna go back to worrying if that cute trans boy is into you or only into your “tragic backstory.” But then later, one small choice from an earlier date suddenly changes how a big late scene plays out and you realize oh, okay, it was paying attention the whole time. There are multiple routes and endings, you can flirt with women, men, futas, trans characters, some are soft, some are monsters in a sexy way, some are just emotionally unavailable but so hot you try anyway. It’s not afraid to be horny, but it also doesn’t treat sex like the only reward. Sometimes you get a tender cuddle in the afterlife instead of a full-on scene, and weirdly that feels more intimate. Still, I got annoyed that one character keeps mentioning some specific snack from when they were alive and you never actually see it anywhere. No CG, nothing. That bothered me a lot more than it should have. Anyway, it all feels like a queer afterlife dating mess where you can be a lesbian, a dude, a trans futa, whatever, and still end up kissing under a divine tree while arguing about whether Heaven even deserves you.

The hook here is simple and kinda dirty: your sister spoils you rotten for years, builds you up, then vanishes and throws you the keys to an apartment complex full of horny disasters who clearly never heard about boundaries. You pick if you play as a guy or a girl, but either way you’re the one everyone suddenly wants to impress, seduce, dominate, or milk like some perverted space-cow. It sounds like typical harem fantasy, and yeah, it is, but wrapped in this weird mix of romance and power play where one second you’re awkwardly trying to be a responsible landlord, and the next you’re elbow-deep in someone’s cleavage, trying not to think about how soft and warm and oh shit she’s pushing your head down further.

What I really liked is how the “pickup line” thing kind of sneaks up on you. The game doesn’t say “this is the flirting system” with big glowing text. You just start talking to tenants, and the dialogue branches suddenly care a lot about how bold or submissive you act. Pick a cheesy line with the shy lesbian tenant, and she blushes so hard you feel like a bully… then later she surprises you by pinning you to the wall and making you whimper. Try the same line on the confident femdom chick and she laughs like you’re a little toy and makes you prove you deserve to even look at her tits. I had one moment where I thought I was being smooth with a “romantic” reply, and the game answered with: “You say that while staring at her nipples.” That’s when I realized this thing is not interested in staying subtle.

The sex itself swings around a lot. You get soft, cuddly lesbian scenes where two girls just touch and kiss slowly, fingers exploring, hands on hips, careful teasing, and then out of nowhere someone pulls out toys that look like they belong in a sci-fi lab, presses them against swollen breasts and starts talking about how full she wants to feel. There’s a lot of focus on big tits, not just as decoration, but as actual gameplay focus: teasing, groping, titfucking, even milking. I spent way too long on one scene where I was just watching text describe how milk ran down her chest in thin lines and pooled around her nipples while you keep thrusting between them. It sounds stupid when I write it, but in the moment I was just scrolling like “yeah, go on, more detail, don’t stop here.” Then later in a different route the same body is treated totally different, more like a throne you kneel under while she uses your face or your cock without asking. Femdom fans will see the strings immediately. The domination swings between playful and actually kind of mean, especially if you lean into the “serve me” options. You get hand jobs that start as a reward and end as punishment, anal scenes that flip who’s in control mid-thrust, creampies that feel earned, not just “you came, congrats.” I wish the romance side was a bit stronger in some branches, but it also fits this messy tone where everyone is half in love, half horny, half lying to themselves. Yes, that’s three halves. Shut up.

The only thing that actually annoyed me is tiny: the way some lines repeat when you’re trying different approaches with the same girl, especially the landlord talk when all you want is to get back to the part where she threatens to sit on your face if you don’t answer correctly. It breaks the flow when you’ve already seen that text five times. But then suddenly you get a new variation of a scene where your character, male or female, gets dragged into a bed, toy pressed against them, and the tenant says something like “You’re in charge of this building, but I’m in charge of this body,” and my brain just forgets to be annoyed. There’s something funny about how often the game pretends to care about rent and cleaning schedules while the actual content is full-on groping in stairwells, panties pushed aside for quick vaginal fucks, tenants competing for your attention, and you trying to juggle being in control with being completely dominated. One route has you slowly building a kind of accidental harem, another route has you stuck under one woman’s heel, and in between you still toss out pickup lines like you’re on some cursed Tinder where everyone is horny and too honest. I kept thinking “this is too much” and then clicking the dirtiest option anyway.

Dare to play it alone, or invite company?