Jason is that kind of lazy-ass 22-year-old everyone knows: still parked in mom’s house, half pretending to look for work, actually grinding through games like his life depends on clearing the next level. The game drops you right into one of those “I’ll just play one more” nights where the screen glow is basically his only real relationship. Except here, the more he plays, the stranger his world starts twisting. Not in some deep philosophical way, don’t worry. More like: the geeky gamer fantasies in his head start leaking into his real life, and suddenly mom’s tight shirt isn’t “just mom’s shirt” anymore, and the Lara-style brunette on screen feels a little too close, like she might crawl out of the monitor and ask for a blowjob for beating the boss. It plays out like a short episode, self-contained, like a dirty Black Mirror that decided to stop pretending it has a moral and just went full horny instead.

The tone is this weird mix of everyday boredom and “shit, did that actually just happen.” One moment Jason’s half-slouching at his desk, alt-tabbing between his game and some porn site like Pornhub or XVideos, thinking about nothing, and then bam, you’re in front of a stacked milf with ridiculous big tits, and the game doesn’t even pretend you’re there for plot. You get those classic VN moments where time kind of slows down, screen holds on a CG of her bending over the sink, panties riding up, Jason’s eyes glued to her ass even though he’s pretending to look at the floor. The text doesn’t over-explain it, which I like. You already know what he’s thinking. When oral comes in, it’s not some meek fade to black. Mouth on cock, spit strings, sloppy sounds, her lips stretching around him, his hand in her hair pulling a little too hard, that quick little panic in his head that she might actually notice how much he’s enjoying it. Then he thinks about that redhead from his game, the one with the explorer shorts, and suddenly the lines start blurring. Is he imagining mom as his own bootleg Lara, or did the dev just decide that gamer brain is one endless crossover event and call it a day.

What sells it isn’t some great mystery plot, it’s that feeling of being stuck between screens and reality. Jason grinding XP in his games, then “grinding” something else in the hallway when mom bends down to pick up laundry. You get those heavy-breathing scenes where she’s on her knees, her lips wrapped around him, cheeks hollowing out, eyes up, and the text throws in just enough little details like the taste, the warmth, the way her tongue plays with the tip, that it hits that sweet spot between porn and fantasy diary. The parody vibe sneaks in too, with that obvious nod to Lara Croft style heroines: tough gamer fantasy girls with guns and shorts who, in this world, also happen to love sucking cock once Jason manages to “beat” their route. No long grind, no nonsense stat juggling, just click, read, choose, watch the CG hentai do its thing. One shot, in and out, like a quick jerk-it session between real-life obligations you’re definitely ignoring. It feels dirty in that specific way only a story about a useless gamer son drooling over his milf mother and game heroines can pull off, and it doesn’t apologize for any of it.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

Michael is that dude everybody has in the office. Quiet, smart in a boring way, always fixing printers and pretending Excel is his religion, but completely clueless when a girl even looks at him for longer than three seconds. The game throws you straight into his head while he is already stuck in this bland routine: go to work, stare at screens, go home, jerk off, repeat. No trauma, no crazy ex, just… life that slowly numbed his dick and his brain at the same time. Then Penelope shows up again in his life, childhood friend with big energy, big mouth, and yeah, big everything if you like that anime style. She bullies him into that dating app, and from there stuff goes from “haha lonely IT guy” to “why the fuck are there suddenly so many hot women orbiting this dude” real fast.

What I liked is how messy it feels in a good way. One moment you are just answering texts on the app, trying to choose between sounding like a normal adult or a total coomer, next moment the scene cuts and you are staring at an AI generated girl in lingerie, with eyes that look like she knows exactly how long you last and is judging you a bit. The art goes from soft and romantic to “okay that’s porn” with basically no warning. There is this one early scene where Michael is exhausted after work, Penelope calls him on video, flops on her bed, her shirt rides up a bit, and you are there sitting with a choice like “look away” or “keep talking like nothing happens” while the camera just lovingly focuses on her thighs. It is horny in that slow burn way, not instant gangbang explosion, more like edging with dialogue. The mystery they tease in the background is actually kind of funny because it pops up right in between fap moments, like you are in the middle of a really sweet blowjob CG and your brain suddenly goes “wait that thing the app did earlier was weird as hell”. They never fully explain it early on, just small details like wrong profile data, déjà vu in conversations, girls acting like they know you from somewhere, little uncanny stuff that crawls under the romance.

I will say, some of the AI images look hot as fuck from far away, but if you stare too long at the hands or small objects, the illusion starts falling apart. Nipples are blessed though, whoever tuned those prompts deserves a raise. Sometimes the lighting is inconsistent between shots of the same scene and it pulled me out for two seconds, then the dev throws a close up on wet lips and my brain forgets to complain. Dialogue is hit and miss: Penelope feels alive, a bit of a brat, texting like someone who lives on Reddit and TikTok at the same time, while a couple of other girls talk like ChatGPT tried to roleplay “horny anime waifu”. Not awful, just a bit stiff when everything else is trying to be sweaty and awkward and human. There was one route intro where I literally alt tabbed to Telegram mid-scene, came back, and it still felt like the same line looped again, but then it hit me with a CG of the girl bending over in an office skirt and my attention magically healed. That dumb little notification sound from the dating app also started living rent free in my skull, to the point I checked my actual phone twice. I kinda wish Penelope was more jealous and unhinged, like full “yandere but pretending to be wholesome” territory, but I know they will never push her that far and I hate that I know it. Still, when she finally drops her guard and you see her horny side peek out in text, there is this tiny flicker of “oh shit this could go very wrong in a good way”. And then you click next, waiting for either kisses or disaster. Or both.

This thing feels like somebody smashed a horny college drama, a ghost story and a fucked up power trip into one of those clicky visual novels, then forgot to clean it up. You start as this “spirit” kid who’s supposed to be dead or half-dead or just really broken in the head, and you get dropped into campus life like nothing happened. Class schedules, dorm gossip, hot girls everywhere, guys who look like they live in the gym, but the whole time there’s that weird silent question: am I actually here, or just haunting my own life? The game doesn’t really answer it. It just keeps giving you choices and those little CG scenes where hands are in places they absolutely shouldn’t be, in public hallways, in dark lecture rooms, and sometimes right in the middle of a crowded party while everyone pretends nothing is happening.

What I liked first is how fast it goes from “oh, poor traumatized soul, must heal” to “strip naked in this locked classroom while someone holds your jaw and calls you trash.” One minute you’re picking dialog like some shy kid trying to blend in, next you’re clicking through a masturbation scene in the dorm shower where you know anyone could walk in. They drag out those scenes nicely; the MC’s hand trembling, you hearing voices from the other stalls, and you still keep going because the tension is the whole point. Then the game swings the camera hard and suddenly you’re not touching yourself anymore, you’re being watched. There’s this one early scene where you get cornered on a stairwell by a girl with big tits, bigger attitude, and zero interest in your consent. She starts groping you like you’re just a toy she checked out of the library, orders you to strip piece by piece, and if you try to resist she just laughs and pushes harder. I kind of hated it. I kinda replayed it three times on my lunch break at work with Slack open in the other window.

Where it gets really nasty is the group stuff. It isn’t presented like some loving harem fantasy, more like everyone in this college is a little broken and really horny and there’s no real adult in the room. One of the wildest scenes I hit was during what’s supposed to be a “study group”, and you know how that goes. Door closes, books move, and suddenly the MC is in the middle of a couch, pants around their ankles, while hands from all directions start exploring. Some grab your ass, someone yanks your head back by the hair, someone else just slaps your face with their cock like they’re marking territory. The game really likes humiliation, not just the physical stuff but the way they talk to you: “you’re lucky we even touch you,” “this is all you’re good for,” things like that, right when your character is clearly still dealing with all that trauma from before. It’s messed up. But then, in the next scene, that same girl who made you strip in the stairwell might act like a soft dom, teasing you with a slow striptease on her bed, making you watch her play with her huge boobs while you sit on the floor jerking off and not allowed to cum until she snaps her fingers. The tone keeps zigzagging between cruel and almost tender, and honestly, it’s confusing in a good way. College parties in this world are just excuses for more public exhibition: balcony blowjobs, some girl riding your face in the back of a crowded room while people drink two meters away, that kind of thing. There’s blood in some scenes too, real graphic hits when the “mystery” part of the story pops back in, and it clashes awkwardly with the sex, like the game itself can’t decide if it’s about healing or about breaking you further. But that’s kind of why I couldn’t stop clicking through during work, phone in one hand, pretending I’m answering a Teams message while the MC is getting used and filled by a group that keeps calling them “our little ghost toy.”