You wake up on this ugly rust bucket of a fishing ship, wearing an orange sweater that keeps trying to crawl up over your borrowed tits, and everyone is calling you Vilma like that is totally normal. You know that feeling when you're lying to every single person in the room and your dick is half hard at the same time? Yeah, that feeling is basically the whole game. The dev clearly loves Halloween junk and classic mystery cartoons, but everything is twisted just enough that it looks like the cheap porn parody DVD you find in the wrong section of the store. Scrooby keeps shivering, Saggy looks like he smells like wet dog and weed, and you are the “smart girl” with the big ass who is supposed to solve a murder in five minutes or get blown the fuck up by some letter bomb. And of course the real Vilma is naked and tied up in a storage room, annoyed, horny, and way too clever for her own good.

The fun part is how the timer hangs over your head while you are trying to decide if you should drag another clue out of Nymphne with actual logic or just bend her over a crate and fuck her until she starts talking. I wasted two full runs trying to see how much I could get away with before the bomb went off, just speedrunning bad decisions. Took me a bit to realize the “deduction table” is not just flavor text. You slap evidence on it like a crazy wall, except instead of red string you have your cock and some pretty mean dialog options. One run I focused only on interrogations, squeezed Ford until he spilled half the plot, solved the murder like some nerd god, and then realized I had barely touched Vilma in the hold. Next run I did the opposite: ignored half the questions, kept going back downstairs, playing good cop / very bad cop with her. Her reaction when you pretend to be her, while she is tied up and watching you strip off “her” sweater, is nasty in the best way. Also, the jiggle in some of the animated loops is honestly stupid good, then on the next scene a hand looks like it was drawn by someone using a mousepad in a bus. It made me laugh, then still made me horny, which is kind of impressive and also annoying.

What really sold me is how the voyeur stuff is baked into the whole structure. You’re pretending to be the smartest girl on the ship while the real one is naked furniture in the next room, and the game keeps tempting you to leave her there just a little longer so you can wander around and peek at everybody’s secrets. I kept pausing on the same detail: her glasses. When you put them on and walk into an interrogation, people suddenly trust you, but you know they actually belong to the girl who is currently gagged and getting her ass toyed with below deck. The contrast between playing the clever detective and then going downstairs to use her like a cum-dump clue dispenser is filthy in a way screenshots don’t show. Some of the humor hits hard too, like when Saggy tries to tell you he “respects women” while staring at your chest, or when Scrooby freaks out at the idea of anal like that is somehow worse than the murder. I had one run where I solved the case perfectly, unlocked a fancy sex scene with Nymphne, then realized I had missed a tiny conditional flag in the storage room so the Vilma finale variant didn’t trigger and I actually growled at my monitor. Still going back to clean up those last few CGs like a pervert completionist.

This thing starts like one of those harmless school slice-of-life stories, except it never feels harmless. You’re this dude walking the halls, joking with classmates, peeking at asses in too-tight skirts, pretending everything’s normal while the game keeps whispering that nothing is. On the surface you’re just chasing romance routes and big tits, trying to figure out which milf teacher you wanna risk your future for, which childhood friend you’ll accidentally corrupt, which guy you’ll piss off enough that he starts eyeing your girl. Then it hits you that every flirt, every little “harmless” grope in the hallway, every blowjob in the music room is getting tracked, twisted, fed back into this mess of morality and mind games. One minute you’re laughing at some dumb humor scene where your buddy makes a joke about your porn folder, next minute you’re watching a scene of brutal violence and you’re not sure if you caused it or just failed to stop it.

What really got me is how your choices feel fine in the moment. You see a big ass bending over a desk and you click the option to touch. Simple. She blushes, maybe moans, maybe slaps you, sometimes both. Then three scenes later she’s crying about how nobody respects her, and the game doesn’t tell you “this is your fault,” but you know anyway. Same with the whole NTR / netorase thing. At first it’s kind of hot, letting another guy or futa girl “help out” your partner, just sharing for fun because you think you’re in control. The group scenes are wild, by the way, especially when the camera lingers just a bit too long and you catch your own character watching instead of acting. Voyeur mode inside the story itself. But little by little, jealousy starts to bleed into it. There’s this one route where you push your girl toward another guy as a joke, like “go flirt with him, I don’t mind,” and way later you catch them in a quiet corner, his hand already under her skirt, her breathing way too heavy to pretend. You can interrupt, dominate, turn it into a threesome, whatever, but that sick “maybe I went too far” feeling doesn’t really go away.

Sex scenes are not shy at all. Virgin loss with awkward eye contact, messy creampies where you’re not totally sure if it was consensual or just pressured, titfucks on the school rooftop while the city burns somewhere in the distance, rough oral that slips into domination, then flips and she chokes you right back with that sudden female domination switch. There’s drugs, too, and that’s where things get weird in a different way. Some of the best animated scenes come from those mind control bits, where you honestly can’t tell if the girl wants it or your character is just rewriting her brain to want it. The game doesn’t clean it up for you. No “safe word,” no soft fade out. You’re the one clicking “continue” while she begs you to stop and also not to stop. But then you have these strange quiet romance scenes with actual warmth, like holding hands in a classroom while talking about family you really, really shouldn’t be this close to, or lying naked beside someone after fucking them raw and talking about sanity and what’s real. Sometimes it even feels wholesome before it throws another cheating scene at you completely out of nowhere. I kind of hate that. And I kind of went back to see every single ending anyway.

Lewd Island feels like somebody mashed together a trashy reality show, a fucked‑up Saw movie, and an otome game made by a pervert who actually understands sexual tension. You land on this “paradise” that looks like every cheap travel ad on Instagram, only here the palms hide cameras, the cute bungalows have more locks than sense, and every smile from a hot guy might be scripted by whoever is watching. The game really wants you to be horny and paranoid at the same time, which is funny, because half the time I forgot about the horror part and just wanted to drag one of the guys behind a tree and see how far the scene would go. Then suddenly some random line about missing girls or creepy surveillance hits and you’re like, oh right, someone might actually die here, cool. The mood flips fast, from beachy flirting to “oh shit, did I just help a murderer” in one click, and I kind of loved that, even when I hated it.

What I liked most is how the guys are written like they’re all hiding porn tabs behind their eyes. One looks like the chill vacation fling type, easy smile, sun‑kissed skin, that whole thing, but when the camera angle lingers a second too long on his hands holding your wrist, you feel there is something off. Another one acts like a gentleman, polite, protective, and then he starts talking about how the island has its own rules and your panties basically write their own will. The sex scenes, when they finally pay off, are pretty explicit, not that soft fade‑to‑black bullshit. There is tongue, sweat, rough grabbing, a bit of desperation, and the CGs really push the “we’re being watched” fetish. Sometimes you are literally mid‑fuck and there is the feeling someone might be replaying this later and judging your choices, and if you are into humiliation or exhibition vibe, this hits hard. If not, it’s still hot, just slightly uncomfortable in the right way. I only wish they let you be nastier in dialogue; the game teases you with dirty talk, but sometimes the options feel too tame when you want to straight up tell a guy to choke you on that sunbed and leave marks. Also the text box is a bit chunky in some scenes and it annoyed me for no real reason, but I kept staring at it instead of the dude’s abs, which is a crime, honestly.

The detective part sneaks up on you. You think you are only choosing who to flirt with under the palm trees, picking cute answers like in any dating sim, then suddenly your “who do I kiss” choice becomes “who do I trust not to gut me while I sleep.” There are little clues in the way they react when you touch certain topics, like previous guests, missing belongings, the rules of the show, stuff like that. I got totally stuck stalking the same conversation log in the menu because one guy repeated a phrase word‑for‑word and it creeped me out more than the bloody stuff. And while the story pretends to be super serious psychological thriller, it is also just porn with plot, and that’s fine. You will make choices that ruin people, you will get off on scenes that feel wrong, and sometimes you’ll laugh because a moan sounds like something from a cheap hentai clip you forgot you left open in another tab. Best way to enjoy it is to actually lean into that tension: save often, tease every route a bit instead of locking in too early, and don’t rush to the first sex scene. Let the guys simmer, poke at their secrets, and when things finally explode against that pretty tropical backdrop, it hits a lot harder, in every way that matters.

Kate Adler looks like the kind of woman you cross the street for, not because she’s scary, but because you know she’d read every dirty thought in your head and file it away like evidence. The game just throws you into this huge, sweaty, sleepless city where everything feels a bit wrong, like the whole place smells of perfume, gun oil and cheap disinfectant. One second you’re zooming in on some grainy club camera feed, trying to match faces, and two clicks later you’re watching that same guy rail some VIP slut in a back room while Kate acts all professional and still clearly getting turned on. She pretends she doesn’t care, you don’t pretend anything. The whole thing plays like a visual novel that forgot how to be polite. You bounce between interrogations, tailing people, reading all these messages full of lies, and then suddenly you’re choosing if Kate lets someone bend her over a balcony in those stupidly tight jeans. The pacing is weird in a good way. Some scenes are slow, like late night Netflix scrolling where you tell yourself “just one more,” then out of nowhere the story slaps you with missing girls, fake passports, and this high-society sex club that tries way too hard to look exclusive and ends up feeling like a horny IKEA maze.

Nocturne, that club, is where the game really starts being nasty. You get those masked rich assholes, dancers in latex, people pretending they’re not scared, and Kate walking in like she owns the place even though she’s basically spying. There’s this moment where she’s in a private room, supposedly just listening to two big shots talk business, and the dialogue quietly shifts from blackmail to who they’ve had in chains last weekend. You get the choice to keep the audio clean or push her into “deeper cover” and yeah, if you pick the second one she ends up on her knees, using sex as a tool and also clearly liking it. I loved that scene and kinda hated it, because the game gives you the power and then rubs your face in what you used it for. Also the UI text for the clues is tiny in some menus and it pissed me off for no reason and then I forgot about it five minutes later when she got her ass fingered in the backseat of a town car while pumping a politician for information. Sometimes the writing hits hard, like when she’s alone on a rooftop, tired, trying to connect dates and names, and her phone buzzes with some slutty offer to “come relax” at the club again. Other times it throws in jokes that land like a wet sock. Doesn’t even matter. The city feels alive in that broken, horny way where every neon sign hides a camera and every secret costs either money, blood, or Kate’s pussy. You jump from glossy penthouse to damp tunnel to cramped office with an evidence board, and it never fully explains things, just trusts you to click, read, decide who she fucks, who she betrays, and how deep she lets that corruption crawl into her body and her brain. Dare to play it alone, or invite company?

Foggy forest, quiet as hell, and you’re lost with a hard-on you don’t want to admit you have. That’s pretty much the mood here. The trees feel wrong in that fairy-tale way, like they’re watching, but not in a horror movie thing, more like they’re just waiting for you to do something stupid and horny. Then this witch shows up, and she doesn’t look like the usual “I cast fireball” witch. She’s got that lazy smile that says she already knows what you’re going to click, and she smells like a toy store mixed with a bath bomb shop. Latex, sugar, soap, that weird clean-but-not-innocent vibe. The game doesn’t rush to shout what you’re in for, but yeah, if you’re into inflatables and transformation and that floaty, rubbery ownership of a body that stops being flesh and turns into a damn balloon, it hits that itch pretty directly.

The cool part is how low-key everything starts. It’s just you poking around her little forest corner, clicking stuff, poking at bottles, weird trinkets, that sort of thing. Half of it feels like background junk until you notice something reacts if you try again, or if you did another scene before. There was this moment where I accidentally triggered a change too early, and my character’s body started filling out, tight and squeaky, and I actually paused, staring at my screen like, “ok, I did not expect it to jump to that this fast.” The game is short, yeah, but it doesn’t waste your kinks. The inflation is not just “you get bigger.” It’s that slow, pressurised feeling in the text and art, the witch teasing you, almost casual about turning your body into her private float, testing how much air or magic you can hold. She treats the whole thing like a cozy craft project, while you’re the one struggling with how round you’re getting. It’s a weird mix of mystery and fetish, and I like that it doesn’t apologize for it even once. You’re not playing a hero, you’re playing a future decoration, and she knows it way before you do.

The forest itself is small, but it feels like one of those “hidden room” games where there’s always one last strange item you haven’t clicked in the right order. I spent way too long clicking the same damn stump because I was convinced it had a secret, and honestly I’m still annoyed it didn’t. But while I was being stubborn, I kept noticing little reactions: the witch’s comments changing, the way she hints at other “guests” she inflated before, maybe still around, maybe not in the shape you expect. There’s magic everywhere, but it’s that squishy, rubber-magic. You’re not slinging spells; you’re more like the spell result. A toy, a trophy, an experiment. The furry angle sneaks in too, with those hints that your body isn’t only filling with air, it’s shifting into something cutesy, animal-ish, then more object than creature. Ears, tail, then plastic sheen, then hollow. It’s honestly hot as hell if you’re into losing control and becoming a thing instead of a person. And the best part, or the worst, depending on your brain, is that the witch never seems cruel. She’s playful, almost seasonal, like some twisted holiday hostess inviting you to become part of the decorations, tucked between the trees, gleaming under moonlight, filled tight and waiting. You kind of know from the beginning this forest is not a place you walk out of on your own feet. You’re rolling, floating, squeaking your way out, if you leave at all.

Library Desires is exactly that kind of filthy slow-burn that pretends to be “about books” for like five minutes, then your dick is out and you forgot what you were even supposed to be reading. You’re this dude who goes to a quiet library that is absolutely not quiet, because every girl in there has some weird secret going on, and half of those secrets involve you getting your hands all over them when nobody’s looking. The vibe is kinda cozy and kind of fucked at the same time. One second you’re turning pages, the next you’re pressing some flustered librarian against a shelf, fingers sliding under her skirt while she tries not to make a sound. Whole game loves that “we could get caught” feeling. The groping scenes in the stacks hit way harder than they should. You get those animated loops where a girl twitches when you grab her ass or sneak your hand under her shirt, and the tiny movement in her hips is way more erotic than some full-on porn pose.

What I like most is how the story keeps pretending there’s some big mystery going on, and you’re actually falling for it while also trying to see which girl you can corrupt harder. There’s this strange thing with monster girls showing up in the middle of all the “normal” romance, and it somehow fits. One moment you’re teasing a shy bookworm, guiding her hand to your crotch under the reading table, and in another route you’re dealing with something with horns and a tail who acts like she owns you but you actually end up dominating her instead. Choices matter in a messed up way. You say one wrong thing and suddenly there’s some NTR twist where a girl you were slowly training to be your little library pet is moaning for another guy in a side route. I hated it and I loved it, and I still clicked it again like an idiot to see the alt scene. The game gaslights you a bit too, like “yeah, you’re in control” while quietly handing your favorite girl to someone else if you get careless. There’s real harem energy if you play it smart though, lining girls up, juggling their secrets, touching one in a dark aisle while another sends you needy messages. I had a whole notes file in Google Keep just tracking which choice locked which scene, and I still managed to lose one perfect teasing route because I picked the “nice” option once. Also, one of the early animated loops reuses the same breathing sound twice in a row and it annoys the shit out of me every single time, and I still replay that scene like a degenerate.

The AI generated CG stuff is surprisingly hot and also a little weird in a good way. Some faces look too perfect, some hands are slightly off if you stare too long, but honestly it just makes it feel more dreamlike, like a horny fever hallucination. There’s this one scene where a girl is pushed against a towering bookshelf, her shirt half unbuttoned, and your hand is sliding up her thigh while text is describing how wet she is getting, and the art has that slightly unreal glow that makes it feel like forbidden porn you shouldn’t have found. The teasing is brutal, too. MC likes to control, to make them beg in whispers: kneeling between the shelves, forced to keep quiet, swallowing you while anyone could walk past. Then in another path the control flips and you watch a girl you thought was “yours” getting used by someone else, while you’re stuck reading it like a loser. I actually left the game open on a background tab while scrolling Twitter because I couldn’t decide if I wanted to reload or just let the jealousy hit me. If you play, don’t rush the skip button. Milk every scene, read the flirting, take the “wrong” choice sometimes just to see who gets stolen from you, and lean into the pervy MC role fully. The library’s packed with secrets; your job is to grope all of them until they break.

You wake up in this cold metal coffin, brain still full of weird cryo dreams, cock already half hard for no good reason, and the first thing you hear is your ship AI calmly telling you the entire Tau Ceti system went silent fifty years ago. No welcome back party, no fancy sci-fi bullshit speeches. Just you, a crew that looks way too hot to be statistically realistic, and a mission brief that screams “we’re all fucked” between the lines. The game doesn’t waste time pretending this is some noble heroic space epic. It’s more like: “Hey commander, everything beyond this door might be hostile, corrupt or horny as hell. Also you really need to keep morale up. Use any tools you have.” And yeah, they mean exactly what you’re thinking. Sometimes even more.

The tone flips in a fun way. One moment you’re walking through dark corridors with only emergency lights on, convinced something is watching from the vents, tension crawling on your skin, then suddenly your second-in-command starts stripping in the med bay because “skin-on-skin contact helps circulation after cryo” and she says it with a straight face. She’s got this insane body, big ass that barely fits in the standard-issue uniform, tits that look… honestly they look like a violation of the Proxima engineering budget. You’re doing a full psychological evaluation and it turns into her sitting on your lap, grinding slow while still talking about chain of command and mission protocol. You’re half listening to the horror story about what happened to the last expedition and half lost in the way her uniform slides down, nipples hard in the cold recycled air. At one point she starts stroking you under the desk while asking if you’re “mentally stable enough to lead.” Answering that form with your dick in her fist is a special flavor of fucked up that the game leans into really hard.

Sex scenes feel like they belong to the stress. Nobody is “romantic”, they are needy, scared, pretending they aren’t. One of my favorite bits is this oral scene in the observation deck, stars drifting by so slow it looks like a painted wall. She gets on her knees between those massive observation windows, jokes about giving the void a show, then opens her mouth and you forget there might be actual monsters waiting out there. She takes you deep, drooling, gagging a little, eyes locked on yours, then when you unload she absolutely refuses to spit. Just looks up, swallows every drop, then casually licks the tip like she’s cleaning a lab tool. After that she snaps right back into mission talk, wiping her lips and briefing you about the blackout like this is a normal staff meeting. The contrast between “I'm full of your cum” and “by the way, we might be the last humans alive in this system” hits harder than any jump scare.

The male domination angle is there, but not in a corny porn way where everyone just instantly worships you. You have authority by rank and the game milks that. You order a crew member to strip because you “need to check for cryo burns”, run your hands along her skin, grip her throat lightly to see her reaction, push her against the bulkhead and fuck her raw while she’s half moaning, half begging you not to forget the actual mission. There’s a scene where you use a toy on her in the lab, just to “test the effects of micro-vibrations on post-cryo muscle tension”. Total bullshit excuse, but she plays along, strapped to a chair, legs spread, toy humming inside her while readouts blink in the background. When she finally creampies herself on the toy, thighs shaking, you’re the one who gets to decide if she licks it clean or you just shove your cock into that overstimulated pussy and finish the job with a messy creampie of your own. And in the next scene she might casually bring up that you’re running low on rations and someone has to volunteer for a high-risk EVA. The game is good at making you horny and slightly guilty at the same time, like you’re jerking off in a haunted spaceship.

What sells it for me is how the horror and the humor keep cockblocking each other. There’s this one gag where the AI deadpans some stupid meme-level line right as you’re about to cum from a rough handjob in the engineering bay. She’s jerking you with oil-stained fingers, muttering how she needs “stress relief” before checking a failing reactor, and the AI chimes in with a safety warning so out of place you actually laugh mid orgasm. It undercuts the seriousness, but in a way that feels real, like people trying to stay sane while they’re one broken bulkhead away from getting spaced. And sometimes the horror takes over completely. Long, quiet walk down a cargo corridor, lights flickering, you hear what sounds like breathing that isn’t yours. No sex, no jokes, just that slow burn psychological shit that reminds you this is still a thriller, not just a porn slideshow. I opened one of the locked doors expecting more tits and toys, got something else, and for a minute I just sat there staring at the screen thinking “ok, maybe everybody fucking all the time is actually the healthiest thing on this ship.”

Also, tiny thing, but it annoyed the hell out of me: one character’s hair clipping through her collar during a really intense scene pulled me right out of it, and then I spent the rest of that scene half focused on her mouth, half staring at that stupid floating hair like a maniac. I never got over it. At least the swallowing animations are on point.

This one feels like somebody took all those dumb horror movies you watch on Netflix when you are too tired to think, ripped them apart, and then glued the pieces back together with sex and bad decisions. You get this small group of five walking clichés, but in a good way: the jock with more muscle than brain, the nerd who overthinks everything, the “good girl” who pretends she never masturbates, the wild party chick with tits that should have their own Discord server, and that one brooding guy/girl that clearly has problems and looks hot because of it. All stuck around a lonely cabin in the woods, with shit going on outside and inside at the same time. Classic “we shouldn’t be here” energy, except here you are literally rewarded for pushing them into the worst possible choices. And sex. A lot of sex in very wrong places.

What I really liked is how the game lets you jump heads. One moment you are inside the male protagonist’s brain, watching him try to play hero while secretly wondering how fast he can get his dick wet. Next moment you switch to the shy girl and her internal monologue is like “this is dangerous, we should stay together” while your mouse is guiding her alone into the dark corridor in a transparent tank top with no bra. It has that choose-your-own-adventure feeling I had as kid, but now instead of “turn to page 32 if you open the door”, it’s “click here to make her suck his cock while something moves in the shadows behind them.” Sometimes you even know it is a terrible idea, but the game kind of smiles at you and goes “yeah, do it anyway.” The horror stuff creeps in slowly. You might start with simple teasing, a blowjob on the couch while the others “sleep”, or two characters pressed against the cabin wall, her huge ass bouncing while she tries to stay quiet because there is noise outside. Then later the same wall has scratches, blood, and suddenly that earlier scene looks way more fucked up in hindsight. The antagonist is not just some random monster. It feels like it enjoys watching them fuck up, like a DM in a tabletop game who is a little bit horny and a little bit evil. There is this one moment in the woods where you can choose to keep fingering the girl against a tree, even after you already noticed something breathing near you. That choice felt nasty in the best way.

The sex is not soft. It fits the horror angle, rough and messy, people grabbing, biting, choking a bit, pushing faces down, messy oral where you can see spit strings and hear gurgling, that kind of thing. Big tits are not just decoration, the camera is obsessed with them, bouncing, getting grabbed too hard, slapped, pushed together around a cock. Same with asses, especially when the cabin lights are low and you only see the curve of her hips and his hands holding her like she is going to run away. Sometimes the game goes too much into “everyone is always horny” mode and you kind of forget there is danger, until suddenly it reminds you with a scream or a creepy shot outside the window and you think “ok yeah we’re dying here.” I actually got annoyed one time because a pretty tense scene in the woods stopped just so two characters could start fucking against a tree, but then I kept clicking anyway, so I guess I am the problem. The story tries to be serious, sometimes even emotional, and then two clicks later you have a dick in a mouth and someone crying in fear and pleasure mixed up, and it somehow works. Or maybe it doesn’t, and that’s exactly why it sticks in your head for too long after you close the browser.

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.