You start as this smug bastard who already turned Tsunade into his personal toy some years ago, and the game just treats that like normal Tuesday. No big drama, just “yeah, she’s mine now, what’s next.” That already tells you the tone. You’re not here to be a hero. You’re basically weaponizing mind control to build your own village with a harem of kunoichi from everywhere, and the story is very honest about it. The vibe is closer to some fucked-up fan doujin than a “proper” visual novel, which I liked way more than I should. It looks simple at first, just text and 2D scenes, but the scenes are animated enough that when Hinata drops to her knees and you order her to “prove loyalty with her mouth,” it actually hits. There’s this one early scene where you test your improved technique on Kurenai, and you see that moment her eyes glaze over, her whole serious-jonin act just melts, and you can push her from “I’ll never obey you” to “should I use my tits or my tongue first, Master?” with like two choices. It’s wrong, it’s hot, and then it’s somehow even more wrong.

The funny thing is, the corruption is not even subtle. You charm, you push, then you flip the mental switch and suddenly someone like Temari, who normally would snap your neck, is awkwardly trying to give you a footjob because you told her this is “Sand Village protocol.” She complains, you tease, a bit of groping, and then the animation kicks in and she’s rubbing your dick with her toes while her face is this perfect mix of pissed and turned on. I kinda loved that. And then I hated how sometimes the pacing just dies between scenes for no reason. You get a brutal gangbang-style group sex setup with Mei and Samui on their knees, Tsunade in the back stroking you with her tits, creampie after creampie, and then the next bit of story is just walls of text about politics, like I didn’t just watch the Mizukage drooling on a cock that is technically controlling her brain. The game likes to drop you from intense anal with Ino straight into talky exposition about “support from other villages” and I kept wanting to yell at my phone. Yes, I’m on a bus, yes, I’m reading about Sakura getting her virginity stolen in a storage room behind Ichiraku, I have no shame, but at least keep the horny flow going, you know?

What I keep coming back to is how it handles power. It’s not romantic at all. You’re the guy who already broke Tsunade and now treats her like living proof that your technique works. At one point you use her as a demonstration, ordering her to lick Ayame clean after you finish inside her, like you’re showing off a trained pet. It’s fucked, but the game doesn’t pretend otherwise. The male domination is heavy, there’s BDSM flavor, and the harem thing isn’t some fluffy family vibe, it’s more like “these girls belong to my new village, and by village I mean my dick.” One moment you’re forcing Karin to ride you until she passes out, the next you’re making Hinata and Tenten play with toys on each other while you sit back and decide who gets your cum. Lesbian scenes feel like you’re watching puppets you pulled strings on, especially with the mind control touches, and I mean that as praise and also as a bit of a “Jesus Christ, dude.” There’s a corruption route where a girl who starts shy and stubborn ends up begging for anal, asking you to mark her womb, and you realize the game quietly shifted from teasing handjobs to full-on harem breeding fantasy. It pretends to be “just” a parody, but after a while, you’re in too deep to call it that with a straight face.

You’re not the destined hero here, you’re the guy who looked at the Leaf Village and thought, “Yeah, I’m going to fuck this place sideways using psychology, chakra tricks, and pure horny persistence.” The whole thing plays like a sleazy side story that someone cooked up after binging too much Naruto on Crunchyroll and then opening Ren’Py instead of touching grass. You start small, with the “nice” girls who are already around you all the time: Sakura trying to act mature and responsible, Hinata blushing at every breath, Ino pretending she’s not secretly dying for attention, Tenten stuck in permanent side-character mode. They’re not just thrown at you naked from the start. You grind for openings, build fake trust, tease, push boundaries in little scenes, then line up the exact moment to hit them with your control trick and watch the lights go out and the slut switch flip on. First they argue, then they obey, then they help you hunt bigger prey.

The game feels like a trashy mix of visual novel, mobile gacha brainrot, and those old Flash hentai parodies people used to share on shady forums. You’re clicking through dialogue, picking options, saving scum after you say something dumb to Sakura and she shuts you down, then reloading to say the smooth line that gets you closer to her panties. One moment you’re doing “innocent” training sessions with Hinata, your hands “accidentally” on her hips too long, her voice trembling. Next moment she’s on her knees, eyes glazed, deepthroating you because you told her it would make her a better kunoichi. The corruption is slow at first. A handjob she swears is “only this once,” a sneaky grope in the hot springs, a titfuck with Sakura in the hospital storage room while she tries and fails not to moan, the first anal scene with a girl who swore she’d never do that. The game really likes that shift from “no, I shouldn’t” to “please fuck me harder, master” and it milks it in almost every route. Sometimes too much, honestly, but then it throws in group scenes and my brain forgets to complain.

Later on, when the smaller fish are already your toys, it gets nastier in a fun way. You start using them like tools to crack the “big” women: Tsunade, Shizune, Anko, Kurenai, all that juicy sensei energy. There’s this messed up satisfaction when Tsunade, who usually is all attitude and power, ends up on her knees, covered in cum, with Sakura smiling behind her like a good little puppet you trained. Same with Ino using her mind tricks under your orders to drag other girls into a lesbian scene, pretending it’s “training” while you watch and decide when to join in. The game jumps between solo corruption, rough sex with ropes and toys, and messy harem situations where everyone’s sharing your cock, licking each other clean, getting filled one after another until you lose track of who got creampied where. Sometimes it leans more into *** and mind control and it gets really dark, sometimes it turns into goofy fanservice with Tsunade’s tits bouncing like they are made in Unreal Engine with no constraints. It’s not subtle, it’s not classy, and it absolutely doesn’t want to be. This is straight up Leaf Village brainwashing porn where every kunoichi, from shy virgin to strict medic to smug weapons girl, eventually ends up bent over for you, dripping, obedient, and ruined.

I don’t know if this one wants to be heartfelt or horny first, because it keeps confusing me in the best way. You start as some quiet kid tossed under this giant village shadow - yeah, the Hokage’s mansion, not exactly cozy décor - but when the nights stretch too long, that’s when things really spark. It’s got that weird warmth like you’ve accidentally wandered into someone else’s memories: a slice of calm life and then suddenly you’re watching Hinata bend forward across a training bench, slow enough that your heartbeat starts syncing with the animation loop. Her voice acting isn’t afraid of silence either; she lets you hear her breathe, which somehow hits harder than any line she murmurs. I keep getting distracted by her hands though - they move with these strangely delicate motions, rough callouses meeting soft skin, totally believable she'd knock a guy senseless and still touch him like that after.

Most of the moments slide between tender and ridiculous. Shizune tries to mother you one second (that tea scene!) and ten lines later she’s doing something that would get her banned from a medical tent forever. The art swings slightly inconsistent but the imperfections almost help - it feels drawn by someone who’s sweating through the same fantasies you’re supposed to. I caught myself rewinding Naomi’s smirk just because it felt too alive, as if the coder accidentally recorded a real girl’s micro‑expression. The whole story pretends it’s about recovery and peace after the war, but honestly it’s more about how the human body looks when it finally stops pretending to be polite. A couple bugs killed the mood once (Hinata’s eyes froze wide open mid‑moan, nightmare fuel), yet even that glitch felt weirdly intimate - like breaking the illusion without ruining desire.

The only thing missing is smell - everyone feels tangible except the scent part, though maybe that’s for DLC. Or maybe it’s better this way, because sometimes when you linger on Shiho’s lines about experiments, you realize you’re not supposed to need every sense simulated. I kept thinking “this shouldn’t work,” then going back again, grinning at my own hypocrisy. Anyway, whatever they patch next, I kinda hope they don’t fix the awkward pauses - they sound too real to lose.

You wake up in the middle of a place that’s half memory, half wet dream - the Soul Society twisted into something far less noble. Everyone looks familiar but wrong, like they’ve been peeled out of their uniforms and dropped into your fantasies. Rukia gives you that icy glare that somehow makes you harder, Rangiku leans too close when she talks about “duty,” and Yoruichi moves like she knows every nerve in your body already belongs to her. The game doesn’t waste time pretending it’s about honor or leadership; it’s about power, and how easily it melts when someone whispers your name while stroking your cock under the desk. You’re supposed to be the new commander, but half the time you’re just trying not to lose control while captains argue over who gets to “train” you next.

What hits different here isn’t just the sex scenes (though yeah, they’re filthy as hell). It’s how the choices twist things - one moment you’re punishing a disobedient subordinate with ropes and toys, the next you’re the one begging for release while Unohana’s calm voice tells you to endure. The writing has this strange rhythm: part parody, part genuine lust, like the devs couldn’t decide if they were making fun of hentai tropes or worshipping them. And maybe that’s why it works. When Hinata shyly offers herself as a peace gesture between worlds, it’s absurd, but then she moans your name and suddenly you forget to laugh. There’s voyeurism, there’s domination, there’s that weird line between love and control that keeps getting blurred until you stop caring which side you’re on.

It’s messy, inconsistent, and sometimes the dialogue sounds like it was translated twice through Google, but somehow that fits. This world shouldn’t feel clean. It should feel sticky, desperate, alive. You’ll come for the fanservice, stay for the chaos, and probably end up questioning why watching Tsunade pin you down feels more spiritual than any boss fight ever did.