Homeboy comes back from his “year abroad” like he just discovered culture, and walks into a house that feels the same but somehow way dirtier. Not the furniture, the vibes. Mom’s still stacked like a hentai thumbnail, stepdad’s still pretending to be the wholesome nice guy, and the two sisters are… yeah, not how he left them. The game drops you right in the middle of this horny little pressure cooker where everyone’s pretending nothing weird is going on while literally everything is weird. You’re the son, you’re broke, trying to find a job, and instead of working on your CV you’re out here watching your own family like a degenerate peeking from behind the curtains. One second you’re in the kitchen talking about “future plans” and next second you’re getting flashbacks of how your mom’s shirt always rides up when she reaches for the top shelf and your brain just turns into Pornhub recommendations.

The game loves to play that slow, rotten corruption thing. At first it’s just small shit. You walk into the living room at the wrong moment and your older sister’s skirt “accidentally” rides up while she’s watching some Netflix clone on her laptop. Younger sister’s glued to her phone, doing that fake innocent student routine, but when you pass her door at night there’s that soft wet sound and a choked breath and your dumb ass just stands there, listening, hand already on your dick before you even realize it. The voyeur stuff hits hard: crack of the door, bathroom mirror fogged, mom bent over the sink in a towel that’s one bad knot away from dropping, and you’re there, hiding, blood pumping way too loud in your ears. Sometimes you catch stepdad grabbing her ass in the kitchen, his hand way too low, her pretending to push him away while still pressing back into him. You start noticing he stays out late more, and when he’s home, he’s rougher, like some switch flipped. There’s that one scene where you see him arguing with mom, his voice raised, and then it cuts to him dragging her to the bedroom. You don’t see everything at first, just hear the bed banging and her moans sounding a little too close to crying, and the game just leaves you with that messed up mix of jealousy, anger, and straight up arousal.

Then the cheating and interracial stuff starts dripping in, not subtle at all. Mom “goes out with a friend” and suddenly she’s in the back of some dude’s car, face buried in his lap, her big tits bouncing while she chokes a little on his cock and pretends she still has morals. Your older sister sneaks out to “study” and ends up riding some huge black guy like he’s the final boss of her degree, and later you accidentally see the video on her phone when she goes to shower. The game lets you decide if you just watch, confront, or quietly use that shit later while you jerk off alone in your room. That’s the thing: masturbation scenes are everywhere, like the house itself is horny and leaking. You catch mom with her fingers buried deep between her thighs after a fight with stepdad, see your younger sister grinding on her pillow, see your own reflection in the monitor light while you stroke it to some CG scene of the same women you just had breakfast with. Sometimes there’s a tiny romance beat, like mom looking at you too long, hand resting on your shoulder a little too soft, or your sister cuddling up to you on the couch while pretending to be scared of some movie. Next day she’s snapping at you again like nothing happened and you’re left half hard and confused. Anal, oral, groping in tight spaces, sneaky handjobs under tables, the game just stacks all the family-relationship shit until you’re not sure if this is still a “nice son returns home” story or a full-blown degeneration arc. And it somehow feels even worse when the sex gets tender for a second, like when mom kisses you slow, like a real lover, after you’ve already done the nastiest things together. You sit there, pants around your ankles, feeling like the most fucked up romantic idiot on the internet, and then you click “next scene” anyway.

Coming back to this house feels dirty in all the wrong and right ways. Your parents are both gone and yeah, the game throws that at you with a kind of “sorry, shit happens” energy, then casually pushes you toward the front door of the woman who basically helped raise you. Monica opens the door and it hits you at once that this isn’t the “auntie” from your memories. This is a walking porn category: tight dress, heavy curves, ass that probably has its own gravity field, and a smile that clearly isn’t parental. She still calls you “sweetie” like you’re twelve, while her tits are almost falling out. It’s grossly comforting and also horny in a way that makes you feel like you need a priest and a cold shower, but you still click the flirty dialogue because of course you do.

The really fun, fucked up part is how the game plays with who gets a say in all this. You’ve got Monica and her two daughters, who grew up with you like sisters, and now every route is teasing where the line is. One moment you’re having this normal reunion chat in the living room, the next you notice the younger girl bending over in shorts that barely count as clothing, camera angle planted right on her ass, and the game nudges you: stare or look away? You don’t “ask” for consent here, you poke at the system and see how far you can push things without them snapping. It feels like watching your own brain on Pornhub addiction. You get these choices that pretend to respect boundaries, then reward you hard when you quietly ignore them. Peek through the slightly open bathroom door? Of course, the game gives you a juicy CG of her naked and wet, then later acts like the universe forgot you did that. As someone who actually thinks about consent stuff in games, it’s both interesting and a bit fucked, because the story keeps telling you “this is wrong” while the mechanics go “nice job, here’s another panty shot.”

The side characters twist the knife more. There’s this smug neighbor who clearly wants Monica’s attention and talks about her like she’s a prize to win, and the game lets you either out-creep him or play the “good guy” while still spying through windows at night. You get scenes where you “accidentally” walk in on two girls making out, or end up sandwiched between a group of drunk friends grinding on you during a party, and nobody in the story ever really gives a full, clear “yes” in a real-world sense. They’re flustered, embarrassed, teased, humiliated a bit, but somehow always positioned in a way that their bodies say yes even if their mouths say “stop being a perv” for formality. That’s the core kink here: the fantasy that people secretly want you to push them, to nudge past their comfort if you’re just charming enough. Ethically, it sucks. As porn, it’s hot. Those two truths sit together the whole time, like watching a messy relationship on Instagram that you know is unhealthy but you still stalk every story update. Sometimes the game pretends it’s about “romance” and “healing old wounds” and you almost believe it, then it throws you a choice like “grope her in public or stay polite” and, yeah, it knows exactly what site it’s being played on.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.

Claire is basically that girl who moves to the big city with way too much hope and not enough shame, and the game knows it. It starts pretty harmless, like some casual romance visual novel on your phone that you pretend to play on the subway while actually staring at the hot guy across from you, but then it slides into the horny mess part very fast. You follow her through this messy “I wanna be an actress” journey, where every casting couch looks a little too soft and every director is just one compliment away from unzipping. The voyeur stuff sneaks up on you too: sometimes you’re not in the sex, you’re just watching Claire peek through doors, overhear moans from the next room, scroll some sketchy chat app, and your brain goes “okay, I should not be this turned on by her spying but here we are.” And yeah, it’s romantic, but in that trashy, late-night Netflix series way where one minute she’s holding hands on a rainy street and the next minute she’s face-down, ass up on a stranger’s couch, thinking about how this will “help her career.” Relatable? No. Entertaining? Absolutely.

What surprised me is how the sexy scenes and the relationship drama are mixed together so you never get just one clean thing. You’re in this big city full of lights and noise, trying to keep Claire loyal to someone who maybe deserves her, but every time the game throws some confident older guy, or a hot actress rival, or some creeper with money, your resolve kind of melts. There’s this one casting where you can literally feel her hesitating, like “do I open my legs or walk away,” and I actually paused the game, opened Telegram out of habit, then came back and still made the wrong choice, twice. Cheating is not some hidden bad ending here, it’s right in your face, baked into how you pick dialogue, how curious you let her be, how bold you push her. Sometimes she’s getting her pussy pounded while thinking about another person entirely and the writing doesn’t try to clean it up. It just lets her be shameless and confused and horny, and you either go with it or pretend you’re better than this and still click the nasty option. The scenes with her big tits bouncing during those “auditions” hit hard, but then suddenly the same boobs are in a quiet, tender bedroom moment and you’re like, this is cute, I hate it, do it again. And the worst part is the save menu button is slightly in the wrong place on mobile and it bothers me every single time I mis-tap it and end up in settings instead, but I keep playing anyway, watching this girl trip through love, sex, and city nights like a walking tarot card: Fool, Lovers, Devil, all in one slutty, confused package.