Luke's got this whole university thing figured out - or at least he thinks he does. This isn't your typical college romance where some awkward freshman stumbles through dating mishaps. Nah, Luke's been through this rodeo before, literally. Time loops, resets, whatever you want to call it - he's lived his first year over and over until he's basically gaming the system. Now he's ready for what he calls "Phase Two," which sounds way more strategic than it probably should be for a guy just trying to get laid.

The whole premise is pretty wild when you think about it. Luke's essentially become a relationship speedrunner, knowing exactly which buttons to push with each girl. There's this maid cafe setup that becomes central to everything - because of course there is. The game throws you into managing relationships with different girls who each have their own specific kinks and fetishes. One minute you're dealing with some vanilla romance situation, next thing you know you're deep in BDSM territory or watching some serious NTR unfold. The variety is honestly overwhelming sometimes. You've got your classic anime parody characters mixed in too - I spotted what looked like Nico Robin and Boa Hancock variants, which feels both nostalgic and weird at the same time.

What gets me is how the game handles the whole "perfect base" concept Luke keeps talking about. It's like he's treating relationships like some kind of RPG stat management, which... honestly isn't that far from reality if we're being real here. The turn-based combat elements feel randomly thrown in, but somehow work with the overall simulator vibe. There's phone interactions, dating mechanics, and this whole corruption progression system that gets pretty intense. The multiple endings thing means you're constantly second-guessing your choices, wondering if you're optimizing for the right fetish path or missing out on some kinky scenario. Luke might have his advantage, but navigating all these relationship dynamics still feels like controlled chaos.

You come back from war all hyped for glory and instead you get this drafty old mansion, a weird title, and a wife who looks like she hugs knives for stress relief. Aeris smiles like she loves you, but every time you pick a dialogue option you’re low-key checking if she’s plotting your funeral or your orgasm. Half the game you’re sitting in this dim room, talking about politics and money and who’s going to screw who over, and then suddenly you’re on your knees between her legs, or she’s on hers, and the camera just goes full “yeah, this is why you’re here, admit it”. It’s like Crusader Kings opened a Pornhub tab and forgot to close it.

The mansion itself feels like a horny ant farm. There’s this servant, Yssa, and she is absolutely not normal. Sometimes she’s obedient and soft and totally in “yes, my lord” mode, and sometimes, if you let her get away with little things, she starts testing how far she can push you. One playthrough I treated her like property, pure “I’m the master, you’re the toy” energy, and the way the scenes shifted into rougher, more corrupt vibes was actually kind of scary hot. Another time I tried to be nice, share power, ask her opinions, and she slowly slid into this quiet, manipulative dom energy, like she was petting the leash around my neck but pretending she wasn’t holding it. The game never shouts “CORRUPTION ROUTE” in your face, but you feel it every time you confirm a choice and the next sex scene lingers a bit longer on who is actually in control. The POV angles during oral are wild too, by the way. Not overblown, just that slow, close-up rhythm where her lips shine and you can see her eyes looking up, and yeah, I had to pause one time because I forgot there was even a plot.

What got me hooked isn’t the amount of sex, because honestly it’s not a nonstop fuckfest. Scenes are spaced out, they tease you hard, you’ll go several decisions in a row just managing gold, alliances, council idiots and who eats at whose table. But when a scene finally triggers, the animation hits like you just unlocked a rare drop in Genshin. I had this moment where Aeris, who I’d been treating as an equal partner, suddenly went hard dom on me in bed, pinning my wrists and riding me like she’d been waiting the whole game, and the dialogue was still in that political tone but twisted into bedroom power talk. Another run, I flipped it and made her into more of a submissive trophy wife, and the exact same room turned into this private stage where I made her kneel beside the bed and take me in her mouth while Yssa “just happened” to walk in. The tension there, with Yssa pretending to be scandalized but not leaving, kind of broke my brain in a good way. Only thing that annoyed me is that sometimes the choice that looks like it will lead to a scene just gives you more council talk instead, and I was sitting there like “I did the mental gymnastics, give me the blowjob, not another debate about trade routes.” But then eventually the game does pay you back with this slow, animated vaginal scene where hips are moving, bodies are grinding, and all that political bullshit suddenly feels like foreplay that took way too long but somehow worked. I still hate that one small UI delay on some menus though. Never getting over that.

I didn’t expect to laugh this much while, you know, also being wildly turned on. *Furry Bang Town* sounds like some cheap meme bait, but halfway through the first date scene with that smug wolf barista (he keeps pretending he’s bored while his tail literally wags), I realized this game knows exactly what it’s doing. There’s this weird mix of parody and genuine horniness - it flirts with irony but still goes all in when things get wet. The humor hits that awkward space where you don’t know if you’re supposed to cringe or moan. And the writing? Kind of broken in places, but in a way that feels like someone poured their kinks into Google Translate and said, “good enough.” It works. Too well maybe.

I keep thinking about Judy - not the movie one, but the version here who’s somehow both a cop and a futa stripper on weekends. Her route wrecked me; she teases like she’s reading your mind, then there’s this beach scene where she just drops the uniform and starts talking about “justice” while grinding against your thigh. It’s ridiculous. I almost closed the tab, but the sound design pulled me back - heavy breathing layered with seagulls and waves, absurdly effective. Then suddenly, boom, Pokémon crossover out of nowhere. A Lucario bartender offering “protein shots.” I wanted to roll my eyes, but I was already clicking through dialogue faster than I’d like to admit.

The public use scenes are messy in every sense - crowded cafe bathrooms, fur everywhere, people pretending not to watch. It’s filthy, kind of funny, and weirdly intimate. I hated that it made me feel something beyond just arousal. Also, the ending just stops mid-sentence, like the dev gave up or came too early. Still, I can’t stop thinking about that line where the pony character whispers, “You smell like story.” What does that even mean? Maybe nothing. Maybe everything. I’m probably overthinking it, but whatever - this game got under my skin in ways it really shouldn’t have.

You’re stuck in a dusty foreign base with a shitty Wi‑Fi signal and a gun that feels lighter than your stomach, and all you really have is your phone and a redhead you’re scared to lose. That’s basically the heartbeat of this thing. You’re the soldier, she’s Grace, making coffees for random assholes while you count the days, and the game never lets you forget that there’s an entire ocean between you when the worst possible guy walks into her cafe. Not a thug, not some cringe teen. A smooth, confident photographer who actually listens to her, calls her beautiful without stuttering, and knows exactly where to put his hands on a woman’s waist for “just the right pose.” It hits way harder than some cartoon villain, because he acts normal. Too normal.

The way it starts is almost boring in a good way. Your first calls with Grace are sweet, a little awkward. You talk about missing her, she tells you about rude customers, tips, her stupid co-worker, what she wore to work. And then she casually mentions “this photographer guy” who said she has a good face for his next project. Nothing dramatic. It just sits in your head. Later you unlock options during calls: push her to chase the opportunity, or brush it off, or sound jealous without admitting it. The game never slaps you with morality. You just feel it when she texts you a selfie from the shoot, wearing a dress that hugs her in all the places you remember touching, and you know some other man asked her to tilt her hips like that. The 3D scenes are clean and very physical: the way her bra strap slides down her pale shoulder, the shine on her lips from cheap cafe gloss, the slightly nervous way she holds her own elbow at first. Then in later shoots she doesn’t do that anymore. That tiny change hit me harder than the first kiss scene.

Sex here is not just porn filler. Early on, you get those needy calls at night, where she whispers your name in bed, fingers moving under the sheets, and you can guide how dirty the talk gets. If you encourage her to explore, she gets bolder, sending pics from the bathroom, pushing her panties aside to show just the wet line between her thighs, asking if you still want her even if other men look at her. If you give her strict “no flirting, no photos” vibes, the tension twists into something rougher later. There’s a run where she shows up at the photographer’s studio in a loose shirt and no bra, nipples poking through when the room gets cold, and you can practically feel the moment she stops thinking about you and starts thinking about how it feels when he stands behind her, guiding her hands, telling her to “trust the process” while his fingers spread her legs for a more “intimate composition.” It’s corruption, but not fast; it’s this slow slide where every choice you made before suddenly matters while she’s on that couch, thighs open, breathing hard, trying to convince herself it’s still “just art” even as his tongue is on her and her phone with your unread message is lighting up on the table behind her.

And the worst part? Half the time, when she calls you after, her voice is soft, almost more loving, because the guilt makes her clingier. So you’re there on a crackly line saying you can’t wait to fuck her brains out when you get home, imagining her wet and untouched, and the game zooms on those faint red marks on her inner thighs from someone else’s grip. No dramatic music. Just that quiet “I miss you” in your ear while she’s still sore from another man.