This one starts like some sad wage slave fantasy, but it actually hits harder than I expected. You die like an idiot at a traffic light and then wake up in this magic world with a body that isn’t falling apart from stress and coffee, a weirdly wholesome adopted family, and a job as a low-rank adventurer who is way too in love with an A-rank witch. Mia is the “cold bitch who melts” type, yeah, but the game gives her just enough little human moments that I kinda ended up fighting with the dev in my head: no, she belongs with me, not with every bastard in the guild. She snaps at you, she blushes, she does that smug little half smile when she’s clearly teasing and pretending she doesn’t care. There’s this scene where she cleans monster guts off you with magic and then, completely straight face, wipes a little bit with her fingers and licks it, like she’s testing potion ingredients. It’s not sexy at first. Then she looks at you, tongue still out, and you go “ah ok, we’re doing this.” I hated how much I liked that.

What I love and kinda hate is how the game keeps playing chicken with you about “trusting” her. The romance parts are really sweet and honestly a bit cringe in that way only fantasy VN can be. Hand-holding under the cloak, lazy cuddling in the inn, her one time letting you use her thighs as pillow while she reads a grimoire and pretends you’re not basically nuzzling her ass. That part feels almost like a normal lovey game. She gives you a handjob with this super serious face while talking about spell formations, like she’s doing lab work, then at the end she breaks and giggles when you cum on her wrist. Then some chapters later, the same hand is wrapped around another guy’s cock and she has this dazed look, and the camera lingers on her fingers like it remembers before you do. I wanted to close the game at that part and also replay it immediately. The netorase pieces are sneaky too. It starts with “haha what if we just showed a bit of skin in the tavern to scam free drinks” and ends with you pretending you’re ok while she gives an under-the-table footjob to some drunk knight right in front of you. You still get the text choices like you’re in control, but both answers are hurt. Classic. I swear one of the most evil things was a simple kissing scene. You finally get a proper kiss on the bridge at night, she’s shaking, you can feel she really wants you. Then, much later, that same bridge shows up again and she stands there with another man, laughing too loudly, her lipstick slightly smeared. No explicit sex there, just the echo of that kiss, and it hit harder than any creampie CG.

The game doesn’t stick to only one flavor of pain either. There is full-on cheating, yeah, like watching her kneel and swallow another dude’s load while the narration insists she’s thinking of you, and you know she isn’t. The sleep sex scene pissed me off in a good way. You go to bed exhausted and wake up to her riding you slowly, whispering that she “couldn’t hold back anymore” which would be cute if there wasn’t already this hint that she’d been warmed up earlier by someone else. Small detail: the wet sound isn’t quite right the first thrust and your brain goes “why is she this ready” and then shuts up because tits. There’s anal too, but honestly it’s less about you being dominant and more about you realizing she already learned to relax for someone before you. The game throws in some female domination moments where she cuffs you with magic and edges you with her mouth, then the next scene flips it and you’re the one pinning her to the wall and making her beg to be filled. I liked that power shift, though I wish she had kept the little witch hat on during that oral scene and she just doesn’t and I’m still annoyed about it for no sane reason. Also, furry side characters show up and of course they get scenes that are way hotter than they have any right to be, especially one smug fox girl who makes fun of you while jerking you off with her tail, like this is normal Tuesday. There’s humor all over, sometimes dumb, sometimes actually good, like your party member making NTR jokes inside the story as if he knows what kind of VN he lives in. I forgot to mention that one whole dungeon arc is basically designed just to humiliate you in public with exhibitionism stuff, where Mia pretends to be under mind control and “forced” to show off her body to a crowd, except the more they look the wetter she gets. The AI-style CG gives everything this weird almost-too-perfect face that becomes creepy when she’s moaning for someone else. It’s messy, horny, petty, and yeah, I’m still arguing in my head that Mia is better as my girl, even while watching her get pounded from behind and still calling my name at the wrong moment.

This thing feels like somebody smashed together every horny Japan fantasy from old forums, some meme culture, and then just let it run free on your phone while you pretend you’re checking WhatsApp in public. You’re this dude dropped into “country of the rising sun” territory, but it’s not trying to be deep or realistic. It’s more like scrolling horny Twitter, then suddenly you’re in the middle of a harem adventure where everyone has gravity‑defying tits and no sense of personal space. First girl I met had boobs so big they were practically their own side characters, bouncing like they’re animated on a slightly drunk Friday night. She’s flirting, you’re picking dialogue, suddenly it goes from joking about anime to her pressed against you in a train, nipples poking through the uniform like the fabric is begging for mercy. And the game just shrugs like “yeah, that’s normal here.”

What I really liked is it pretends to be a laid-back sandbox romance, then slips a parody scene right in the middle of you trying to be a decent guy. One moment you’re walking around some generic city street, basic UI at the bottom, checking your messages, thinking you’re playing it smooth like in a dating sim. Next moment, a crossover event slaps you in the face: a familiar “totally not that famous waifu from that big anime” shows up, with bigger tits, new name, same chaotic energy. She cracks a dirty joke, the game breaks the fourth wall, and suddenly you’re in her room, clothes half off, phone vibrating on the bed, and she’s riding you like she’s trying to break a speedrun record. The sex scenes go straight to the point: pussy shots, close view, her moaning in that over-the-top anime style while your character’s just hanging on for dear life. There is one romance path where you actually feel something like feelings, then the script instantly ruins it with some dumb gag and I kind of loved that, even if it pissed me off. Vaginal scenes are done like old-school hentai loops, lots of focus on those huge boobs bouncing in rhythm, cum dripping, her legs wrapped around you while the camera refuses to be modest. Sometimes the pacing is all over the place, like you switch from a funny harem argument to a hardcore fuck session with almost no buildup, and it shouldn’t work, but somehow that chaos kind of fits the whole vibe. I opened it once just to “check something quick” and ended up stuck on a long scene with three girls teasing each other over who gets to sit on your lap first, like a horny version of musical chairs that never ends properly.

On mobile it’s very “one hand for phone, one hand for you,” which feels intentional. Text choices, quick taps, small icons, you’re flirting while your bus stop is getting closer and closer and you’re absolutely not stopping the scene. There’s this one adventure-style part where you’re moving between locations, picking who to visit, and you accidentally trigger a chain where two big-boob heroines end up arguing over you at a café. They lean in, tits almost on the table, voices rising, and some NPCs in the background are drawn like they know exactly what’s about to happen. Next cut, one drags you somewhere “private,” shoves your back to the wall, yanks your pants down, and starts riding your dick raw, her breasts slapping your chest, sweat on her collarbone catching the light. The parody side keeps leaking in: a character referencing gacha pulls while literally “pulling” your cock, or romance flags popping right when she’s moaning your name with her pussy clenching on you. It’s stupid, overcharged, self-aware, actually kind of sweet in a very horny, very not-safe-for-anything way, and incredibly easy to play with your thumb while you pretend you’re just checking Instagram.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.