Fog rolls in, streets go quiet, and John is just stuck at work with two women he mostly knows from awkward breakroom small talk. That’s the whole vibe here: not some badass hero fantasy, but a guy trapped in an office while the world outside rots in a toxic soup. One second he’s checking his phone, the next the signal dies and the city kind of just vanishes behind this white, angry fog that literally burns skin if you get too brave. It’s weirdly intimate, because when everything outside goes to hell the only thing left to play with is people’s nerves, their fears, their bodies, their need to feel close to someone while it all might end tonight or next week or never. The horror parts hit first, and then slowly the romance and the sex leak in around the edges like the fog under a door, not some instant “you are the chosen dick” story. You feel stuck with Kallie and Laura in this poisoned little bubble, watching them crack, get scared, get horny, get angry, sometimes all in the same scene. It’s messy in a good way. Not every line lands, some conversations ramble, and sometimes John acts like a confused Reddit thread, but that’s also kind of believable.

What really caught me is how often the game lets you just say small shit. Little comments that don’t blow up the plot, they just sit there in the back of someone’s mind. You flirt at the wrong moment and Desire ticks up a bit even while Anxiety spikes, so she might still let you slide a hand under her shirt later, but she’ll shake when she kisses you. You’re nice and soft with her after she has a panic attack and Love crawls higher, which makes the eventual creampie scene feel more like “we might die, please stay inside me” than porn hub speedrun. It’s not all sweet, though. There are moments where the sex is raw and selfish, bodies slamming together on some half-clean office couch or cramped storage room, her moaning while the building around you feels like a coffin. Condoms exist mostly as a suggestion, which the characters ignore whenever the tension finally snaps, and the game leans hard into that risk. You can have a romantic talk, then five clicks later you’re pinning her against a window with the toxic fog just beyond the glass, filling her up because you both need proof you are alive. I wish the UI text was a bit bigger on my phone, but anyway, the story quietly shoves you into this fucked up little family, where trust, lust, fear and love keep shifting around like stats you pretend not to care about while you very much do. Sometimes the pacing drags for a scene or two, then suddenly you’re in a pitch-dark hallway, breathing with her, feeling her hand find your crotch because she wants reassurance in the only stupid way she knows. It’s not subtle. It’s also strangely tender. And then out of nowhere the game just drops a line that feels like a shitpost and you remember people made this on actual computers and not in some cursed fog dimension.

Your pap dies off-screen, leaves you his whole damn job in Soul Society, and you’re still basically a horny newbie who barely remembers which captain hates which. That’s the vibe here. You’re thrown in as the new commander, everyone calls you “taicho” with that fake respect, and half the time you’re trying to decide if you should fix the political mess or just fuck your way through it. First scene already tells you how it goes: one minute you’re at a funeral, the next you’re staring at Rukia’s legs way too long and thinking “yeah this is not how a responsible leader behaves” while the game kinda smiles and says, “good, keep going.” It doesn’t pretend to be epic and serious, even when it tries. You talk to captains, you mess with schedules, send squads on missions, but every choice has that “ok but how does this help me get into her pants” feeling. Sometimes it’s soft stuff, like walking Hinata-style shy girls out of their shell with dumb little compliments, sometimes it’s straight up “I’m your commander, get on your knees” and the game doesn’t flinch at all.

What really hooked me was how dirty it gets once you stop being polite. At first I was like “I’ll play the good boy,” trying to keep everyone friendly, but you run into Rangiku and her tits are basically their own cutscene, spilling out of the uniform every time she bends forward. You can tease her, get teased back, or just push it into rough territory if you set your dominance high enough. Same with Yoruichi. One route she’s trolling you, laughing in your face, making you jerk off like a dog while she watches. Different route, you’ve got her on all fours, collar biting into her neck, ass up and dripping while you decide if it’s going to be slow pussy worship or full-on choke-and-cream. The game doesn’t hide the nasty stuff: sleep sex scenes, voyeurism when you spy on captains bathing, lesbian side events with girls grinding on each other while you’re just there stroking, ahegao faces that would get you banned on Instagram in one second. It’ll let you titfuck Orihime on your office chair, footjob from some smug captain who pretends she hates you, sex toys stuffed into subordinates while they’re trying to keep a straight face in meetings. One moment you’re holding a sweet romance flag with someone like Inoue, later you’re watching her gag on your cock while her eyes roll up, drool everywhere, and then you still go to a “respectful” briefing like nothing happened. The AI CG actually surprised me a bit, sometimes it looks weird on fingers but then you get a midnight creampie scene with Nel or a rough blowjob with Tsunade-tier milf and suddenly you forget everything you wanted to complain about. I still hate that tiny menu button that’s slightly off-center and my brain screams every time I tap it, but yeah, this is one of those games where you say “ok, just one more scene” and then your dick hurts but you still click.

New town, new job, new giant horny mess. The whole thing starts with you dragging your tired ass into this weirdly serious pharma company, Palmer-Pharma, while every single woman around you looks like she escaped from a “thick and dangerous” catalog. The boss wants to see you on Sunday, which already screams “this is not about paperwork, honey,” your phone is gone, you barely know where you sleep tonight, and then you meet your landlady with hips that could cause traffic accidents. Game’s like: welcome, you are stressed, lost, and also surrounded by big tits and asses that do not believe in subtlety. Real HR problem, but in a fun way.

Once you start moving around town, it turns into this slow, horny tour of every curvy grown woman in a ten-mile radius. None of that barely-legal nonsense, these are women who pay bills, remember your schedule, and still somehow have time to pin you to the sofa and jerk you off while complaining about their ex. One moment you’re talking about lab procedures with the assistant who pretends to be all serious, glasses and clipboard, and next thing, she’s teasing you with that “oh, is that for me?” look, brushing her hand over your bulge and pretending it’s an accident. The receptionist? She switches from snarky gatekeeper to “I locked the door, now sit on this chair and don’t talk” while she kneels between your legs and takes her sweet time with her mouth. And she does that thing where she stops right before you cum, smiles, then goes back like she’s tasting wine. That detail annoyed me in the best way and I swear I’m still mad about it. I’m also still thinking about that barmaid, the one who hands you a drink, leans over the counter with her huge boobs almost falling out, and spends five minutes just playing with your self-control. Like, she’ll casually press her soft belly against you on the way past, whisper something filthy in your ear, then pretend she said nothing. The scenes go from handjobs on sagging couches, lazy morning oral with messy hair and no makeup, to hard, slow vaginal sex where the camera really loves the jiggle, the folds, the way big asses move when you’re deep inside. It’s not shy about any of it. There are choices everywhere, which you will totally forget about because your brain has turned into “which thick woman do I fuck today” mode, but those choices actually branch out into different scenes and endings, so your horny indecision has consequences. Also, I keep thinking about that one tiny animation where the landlady adjusts her top after you finish on her chest, like she gives this little “ugh, men” smile, wipes it with a tissue, and I spent far too long replaying that instead of doing literally anything useful. Anyway. The whole thing feels like you got dropped into a town where every chubby, soft, mature woman secretly wants to either mother you a bit, or ride you until you forget your name, sometimes both in the same scene, and yes, it’s a mess, but it’s my kind of mess.

Corrupt My Harem feels like watching a horny ethics lecture get slowly possessed by a demon and then deciding, ok fine, maybe consent is a bit… bendy tonight. You play this pretty standard anime boy who suddenly has access to dark magic that can poke around in people’s feelings, twist their shame, blow up their desire, and basically push them toward you. Not with subtle romance, more like “what if I slide a little corruption into that nice girl’s heart and see how fast she starts imagining choking and public sex.” That kind of vibe. The story pretends to ask things like “is this wrong?” but in practice it mostly asks “how far can we push this girl until she breaks in a hot way?” and then you click the darker option and, surprise, it actually goes there. As a gender studies person I should say “this is morally troubling” and yeah, it absolutely is, but also I still clicked the nasty choices first every time and then sat there staring at the screen like: alright, I’m the problem.

The fun part isn’t really the demon itself, it’s how the women slide down that corrupted slope. Early scenes are pretty soft: slightly naughty flirting, underwear shots, some teasing about being “too innocent.” You prod their emotions a bit, make them feel safe, or jealous, or curious, and then the script starts turning that into kinks. There is a really sharp moment where one girl is obviously uncomfortable, but you use the power to tweak her guilt into arousal and suddenly she is moaning while calling herself a slut and begging you not to stop. It’s fucked up, and the game knows it’s fucked up, but it does not pump the brakes. The harem angle is shameless: you are not building equal partners, you are stacking pretty toys around you and rewiring them until they feel lucky to be used. Sometimes it pretends to be a romance, with lines about “belonging to each other,” then five clicks later she is kneeling, crying from pleasure, thanking you for ruining her. That jump is wild, and kind of the whole point. I wish one route actually let a girl resist properly and stay resistant, but of course that would kill the fantasy, so it never really happens. The closest you get is temporary pushback before they melt into your hand again. Literally and metaphorically.

From a gender theory angle it is like a crash course in how power and desire tangle, just with a lot more cum. You’re not seducing, you’re hacking the emotional OS. The text leans hard on ideas like “she always wanted this deep down,” which is basically the classic porn excuse for non-consensual vibes, and it made me roll my eyes, then keep reading, then masturbate, then open Twitter and complain about patriarchy. I like how the corruption is emotional first and sexual second: jealousy, insecurity, need for approval, all inflated until they shift into exhibitionism, submission, even enjoying being shared. There is a scene where you dial up a girl’s fear of being abandoned so much that she offers her body to keep you, and the writing lingers on her shaking hands and wet thighs in a way that is almost cruel. It never really gives women a political voice, but it does give them a lot of sexual voice: they talk dirty, confess their fantasies, beg for more, describe what they feel in their bodies. It is still your fantasy, not theirs, but at least it lets them be loud and messy, not just silent dolls. I kind of hate how much that works on me. Also, tiny note that annoyed me: breasts get way more narrative attention than any other body part, to the point that one intense corruption scene almost gets derailed because the text can’t stop talking about nipples. I was like, yes, I get it, they’re hard, can we go back to her mind collapsing, please. Anyway, if you’re looking for soft, balanced, mutual romance, this is the wrong address. If you want to see “harem” turned into a laboratory for controlling desire, with demons as your research grant, it hits that fantasy embarrassingly well.