Game feels like someone threw Stalker, a sex toy shop and a bad breakup into a mixer, then forgot to put the lid on. You play this girl wandering a fucked-up anomaly zone, where everything hums like a cheap fridge about to explode. No choices, no branches, it just drags you along, but in a weird way that works. You’re not “roleplaying” her so much as watching her unravel while you sit there with one hand on the mouse and the other… yeah. One of the first scenes that really stuck with me is when she’s alone in some rusted-out industrial corridor, all red emergency lights, and she pulls this ugly, jury-rigged vibrator from her pack. It’s not sexy at first. It looks like something you’d use to torture information out of someone, like, wrong shape, wrong noise, buzzing like an electric toothbrush dying. She’s covered in grime and bruises, and instead of the usual porn-game bullshit where the girl poses like a catalog model, she just slides down the wall and starts using it because she needs something, anything, to remind her she’s still a person and not just meat walking through radiation. That mix of “I shouldn’t be turned on by this” and “okay but I am” pretty much sums up the tone.

The sex isn’t soft-focus romance, even when it is technically romance. There’s this guy she keeps crossing paths with, and their chemistry feels like two broken lighters trying to make one working flame. They care about each other, kind of, but everything around them is rotting, and the game loves to tease you with tenderness before smashing you in the teeth. You’ll get a sweet hand-holding moment, then five minutes later she’s masturbating alone in some abandoned checkpoint, using a smooth metal artifact that might be worth a fortune, or might kill her, with this look that’s half desperation and half “fuck it, if I die like this, at least I came.” The toy scenes are surprisingly varied, though sometimes the pacing is off. There’s one long masturbation stretch where I honestly tabbed out to check Telegram because it felt like the same angle and the same moaning loop. Then the game hits you with an absolutely brutal, bloody encounter, and suddenly that earlier slow scene makes sense because your brain’s still echoing with it while you watch her crawl away from a body that honestly looks too real. The violence is not pretty. People get torn up, shot, melted, and the camera doesn’t politely look away. That clash of erotic tension with graphic wounds makes the whole thing uncomfortable in a deliberate way. It’s not “gore porn” for the sake of shock, more like the dev wanted you to constantly ask yourself where your own line is, and then step over it anyway.

The world itself feels claustrophobic even when the locations are open. You can almost smell the wet concrete and rust. Some of the romance bits are genuinely cute though, in this bitter, awkward style. Like she’s sitting in a half-collapsed truck, passing a flask back and forth with her sort-of-partner, knees touching, and for two minutes you forget there are supernatural anomalies outside tearing people apart. Then she ends up grinding on his thigh, trying not to make noise because other scavengers might be nearby. There’s this one shot where her panties are halfway down, gun still strapped to her leg, and you can see a blood smear on her thigh that clearly isn’t from sex, and that detail just lodged in my head. The game likes these ugly little truths. Her orgasms are messy, not glamorous, sometimes a bit sad. She cries once while using a toy, and the camera doesn’t overly fetishize it, it just stays with her long enough that you start feeling weirdly protective. To be fair, a few scenes try too hard to be “deep” and end up coming off like edge-lord poetry, but then the next event is her quietly humping the handle of an artifact while listening to distant gunfire, and suddenly you’re back in it. It’s not romantic in the classic sense, but the way it mixes need, fear, loneliness and pure raw horniness feels more honest than most “love story” porn games I’ve seen. And yeah, I’m still annoyed that one corridor light flickers in exactly the same rhythm every time and my brain catches it like a gnat, but I keep thinking about that filthy wall, that awful buzzing toy, and the way she keeps going anyway.

You wake up in this soft, sugar-sweet all-girls academy where everything looks clean, polite, kind of like those mobile romance apps that pretend to be wholesome while everyone is secretly dripping with horny energy. You’re the new assistant teacher, which already feels wrong, because the way some of these students look at you is not “Sensei please help with homework” and more “Sensei I absolutely want to ruin your life with my thighs.” At first it feels like a normal school day: you walk the halls, talk to the girls, check their work, act like a responsible adult. Except their smiles are just a little too shiny, their memories slip a bit when you ask simple questions, and sometimes a girl says something that sounds like she already fucked you in a scene that never happened. It’s like your brain has save files you don’t remember making. One girl clings to your arm and calls you by a pet name you’re sure you never told her. Another one knows exactly what you’ll say before you say it. The romance here isn’t slow burn, it’s like someone already burned it once and you’re watching the leftover smoke.

The fun part is when the flirting starts feeling like déjà vu porn. You flirt with a shy class rep in an empty classroom, her hands shaking while she tries to confess some “secret.” She says this is her first time, but her dialogue feels weirdly polished, like she’s reading from a script she’s read a hundred times. You grab her waist, push her against the desk, her skirt rides up, and you get this strange sting in your head, like you did this exact scene before with different lighting. You keep going anyway, obviously. Her panties are damp, she’s biting your name, and for a second the whole background glitches and then snaps back. She acts like nothing happened and you’re the only one left breathing hard, wondering if this world is just looping your dirtiest choices. It’s horny, yeah, but also a tiny bit creepy in that “I should probably close this tab but I won’t” way. Sex scenes hit that mix of soft and filthy: girls that moan like good romance heroines but they’re also begging to be choked a little, or to be praised like they’re your perfect student while you rail them over the teacher’s desk. There’s one scene in the nurse’s office that goes from tender to absolutely feral the second the door “accidentally” locks and she asks you to check more than just her temperature. I got distracted staring at the little UI buttons during that scene because they don’t match the tone at all, they look like they belong in some cutesy otome, and it annoyed me more than it should. Anyway, the more you chase the girls and unlock their routes, the more the whole fake-school vibe breaks apart, like a horny dream that starts to remember it’s a nightmare. You’re supposed to guide your students, but half the time it feels like they’re luring you into repeating something you already did, like they’re trying to drag you back into old saves where you made worse choices. And the messed up thing is, the game kind of makes that feel hot.

Yui looks like the kind of wife you only see on Reddit threads that are clearly fake. Super sweet, big soft ass that keeps stealing camera focus, totally loyal, obsessed with her wedding dress job and also with you. The game really leans into that. Early on you’re just vibing in your tiny apartment, she’s measuring lace, you’re scrolling on your phone like a useless husband, and it actually feels boring in a nice way. That boring feeling is important, because when the corruption starts it hits harder. One moment she’s talking about veil fabrics, next moment her phone lights up with “Kuroda” and the whole mood drops like your battery at 5% with no charger. I liked that shift. Felt a bit too real. I literally paused the game to check Telegram while she was panicking, lol.

Kuroda is such a walking red flag that if he was on Tinder the app would soft‑ban him. Drug mess, manipulative, and the story keeps pretending “he’s still family” like that fixes anything. Watching Yui try to defend him is painful and hot at the same time, which makes me sound terrible, but here we are. The corruption is mostly emotional at first. Small lies. Late returns home. Her eyes looking away a little too quick. There is this one scene where she comes back from “helping him” and she’s still in her nice dress, but her lipstick is smudged just enough. Not obvious, but if you ever used Google Photos zoom you can’t unsee it. You can choose to confront her or act like a doormat. I tried both. Honestly, neither path makes you feel like a hero. Which is good. Or bad. Depends on how much you enjoy self‑insert suffering. There is romance mixed in, not some flowers and chocolate thing, more like those quiet moments when she sits on your lap, apologizing, and you know she’s hiding shit, yet you still grab her hips because that ass is ridiculous. The humiliation is slow burn: tiny cracks in trust, neighbors maybe hearing things through the wall, your line messages left on “read” while she “works late”. Sex scenes reward you, but they also kind of punish you. When the AI art goes extra on her curves while the text reminds you she might have been touched by someone else half an hour ago, your dick and your ethics go into open conflict.

On phone it runs smooth enough, though the UI sometimes hides buttons behind my stupid fat thumb and I got stuck in a menu once and rage‑tapped like an idiot. The simulator feeling comes from all the routine: chat logs, little money choices, scheduling when she visits Kuroda again. I wish there were more small domestic moments, like brushing teeth together, but instead you get repeated CG angles and that one underwear set that appears so often it should have its own Twitter account. Also the auto mode is too fast and too slow at the same time, somehow. What I really liked is how it plays with cheating. It’s not just “she cheats, you cry, game over”. It keeps asking how much you participate in her fall. Do you push her toward “helping” him because you’re naive, or because you secretly want to see how far she goes? There’s one late scene where she texts you that she’ll be “a bit late” and you can reply something supportive or jealous. No matter what you pick, it hurts in a different flavor. That’s the moment the game stops being about Kuroda and starts being about how disgusting desire can be when mixed with love. And also, again, that ass in those tight skirts. Honestly, the romance is kind of beautiful. And totally fucked. Both things can be true.

Yuu looks like one of those quiet types you’d never notice in a crowd, but that’s the trick, isn’t it? The game doesn’t start with fireworks or any fancy menu music - it just drops you right into his head. You can almost feel how tense he is around Misaki, his little sister who’s too innocent for the filth swirling around her. It’s that kind of story where every click feels heavier than it should, because one wrong choice and things slide from tender to completely fucked-up. And they do. You think you’re protecting her, then suddenly the camera lingers too long, she’s asleep, breathing soft, and your cursor hesitates. It’s not subtle about temptation. The voyeurism here is dirty in a way that makes you feel complicit, like you’re peeking through a crack in a door you shouldn’t have opened.

The animation hits that weirdly realistic zone - not uncanny, just raw enough to make the moans stick in your ears. There’s this one scene where Yuu’s hand trembles before touching her thigh, and the sound design makes it worse, or better, depending on what you came for. When the blackmail angle kicks in, everything starts looping back: guilt, lust, anger, repeat. Some endings hit harder than expected - one actually made me shut my phone for a minute. Then I went back anyway. The multiple paths don’t feel like “good” or “bad” endings, more like different shades of corruption. You’ll probably hate yourself a bit, which is exactly why it works.

Weird thing - the romance thread actually lands emotionally once or twice, like when Misaki whispers his name during the sleep scene, half-awake, half-aware. It’s messed up and strangely intimate. You won’t find polished heroes or tidy morals here, just a slow descent wrapped in warm skin and bad decisions. Dare to play it alone, or invite company?