You know that moment when you’re staring at your screen, cock in hand, thinking “why the hell am I doing this again?” This game basically grabs that pathetic little thought, slaps you with a horny demon girl and goes, “yeah, you are addicted, shut up and enjoy it.” You play this poor bastard who jerks off so much he literally sends a horny prayer into the universe, and instead of a therapist, he gets a whole team of succubi answering the call. Not subtle at all. And it’s not just some random OC girls either, it’s like your private illegal multiverse porn folder came to life. One minute you got this smug redhead spy chick with the gymnast hips and attitude, next moment there’s that stretchy superhero mom whose ass honestly deserves its own loading screen, then you blink and boom, that blonde cosplay girl bouncing on your lap like she’s streaming for OnlyFans. It’s messy and stupid and hot. Mostly hot.

What I like is how the game doesn’t pretend you’re a hero. You’re basically a horny lab rat with “superpowers,” so every new girl you summon is part sex toy, part experiment. The “power training” scenes are just excuses for milking sessions, foot worship marathons, deepthroat practice, all wrapped in this half-serious, half-shitpost story about demons and paranormal deals. You get a new ability and your first thought isn’t “how to save the world,” it’s “how many ways can I make this ninja doctor with huge tits lose her mind on my cock.” The game lets you switch from being a controlling bastard, grabbing hair, forcing throats, filling every hole, to just lying back while some smug princess brat steps on your chest, spits on your tip and makes you say “thank you, mistress” before she even touches you. Sometimes it feels like Pornhub category roulette, but in a good way. Or a bad way. Depends on how you feel about drowning in cum.

There’s this one scene that stuck in my brain way too long. You summon this blue-eyed fire princess with that permanent “I’m better than you” face. She looks at your cock like it insulted her ancestors. You use a mind control ability on her, think “oh nice, she’ll become a soft, obedient girl.” Nah. She drops to her knees, smiles with that evil little smirk, and starts a blowjob that feels like she’s trying to ruin you on purpose. Teeth just barely grazing, hands twisting, drool everywhere, eyes rolled back, then she pulls off and wipes her face with her foot, making you lick her toes clean while she calls you her “pet.” I hated how much I loved that. Also the toes animation? Weirdly detailed. Like, someone spent real life hours on those arches and soles, and I can’t decide if I should applaud them or report them to someone. The only thing that annoyed me was this tiny sound effect in one menu that doesn’t match the click, and it’s driving me crazy every single time, and of course it will never get fixed. Anyway, you go from creampies to bukkake stacks to sloppy titfucks, with girls covered in your cum like it’s some cursed skincare routine, and the game just keeps handing you more universes to corrupt. It’s horny, shameless, a bit broken, and honestly feels like your late-night browser history turned into a demon contract you kinda don’t want to escape.

I didn’t expect to laugh this much during what’s basically a porn game about rebuilding civilization with your dick, but here we are. “Dickcare” doesn’t even pretend to have subtlety, which somehow makes it better. It’s like the dev looked at every crossover hentai fantasy - Velma squinting behind foggy glasses, Raven pretending she’s not into it, Tatsumaki rolling her eyes while secretly moaning - and said, yeah, let’s just throw them all in one ruined world and call it salvation. The writing’s half self-aware and half deranged sincerity; the voice lines swing between awkwardly horny and genuinely funny. There’s one scene with Frankie in a busted gym locker room that made me pause, not because it was hot (though it is), but because she calls you “hero” in this weird soft tone right before things get messy. It stays in your head longer than expected.

What’s wild is how much *sound* adds to everything. You can tell someone cared about the way a zipper slides down or the slap echoing off concrete walls. The sandbox part? Looser than it sounds. You wander, talk, get distracted by some zombie side plot that doesn’t matter, and suddenly Velma’s stuck halfway through a ventilation shaft. It’s ridiculous, yeah, but also... kind of perfect. There’s no grind, no fake moral choice. Just dirty, absurd freedom. Though, I swear one moaning loop cuts off too early - it’s such a small glitch but now I obsess over it. Maybe that’s the point: perfection would ruin the charm.

It’s funny how a game full of cum jokes and cartoon parodies ends up feeling more alive than most serious stuff. Maybe because it doesn’t care if you take it seriously. One minute you’re saving humanity, next you’re wiping something off Raven’s cape while she pretends not to blush. If there were awards for “Most Unnecessarily Emotional Cum Scene,” this one wins without competition.

It’s weird how this one got under my skin. I opened *Deck of Hearts* expecting another lazy click‑through with the same recycled bodies, but the writing kept pulling me back. It’s just text and cards, right? Except the cards don’t feel like props - they’re little traps for your decisions. You draw one and suddenly you’re in a room that smells like perfume and bad ideas, staring at a redhead who looks like she knows exactly how far you’ll go before folding. The game doesn’t even try to hide its filth; it leans into it like it’s proud of being shameless. And honestly, good. The MC’s voice is messy, horny, insecure, sometimes cruel, which feels way more real than those perfect hero types.

There’s this scene - I won’t spoil too much - but the moment the blonde leans over the table, teasing about “luck,” you realize the cards aren’t random at all. They’re judging you. It’s not subtle, but it works. I laughed when I shouldn’t have, mostly because the dialogue feels like something you’d overhear in a bar where everyone’s pretending not to listen. The corruption angle hits harder than expected; it’s slow, sticky, uncomfortable in the best way. I caught myself clicking slower, reading every line twice, like the words might change if I stared long enough. Sometimes they do. Maybe that’s just me projecting.

If there was an award for “Most Unnecessary Grope That Still Made Sense,” this game wins it. The AI CGs look almost too clean for the dirt they’re showing, like someone tried to polish sin. The MILF character - yeah, you’ll know her when she shows up - has this smug smile that makes the whole plot bend around her. I kinda wish the teen character had more agency, but maybe that’s the point: everyone’s trapped in their own deck. Also, whoever wrote the card descriptions must’ve been drunk or a poet. Hard to tell which. Anyway, I closed the tab and immediately reopened it. That probably says enough.

I wasn’t even sure why I clicked “play” on this thing, maybe boredom, maybe curiosity, maybe just that dumb impulse you get when your brain wants something soft and warm to sink into. The game pretends to be about family drama and old memories, but five minutes in you realize it’s really about staring at people too long and overthinking every choice that might lead to someone taking their clothes off. Which sounds cheap, but it isn’t? Or maybe it *is*, and that’s kinda the charm. There’s this weird pacing, like half soap opera, half porno, with pauses long enough for you to question what you’re doing with your life before the next moan interrupts. Aunt Megan shows up looking like a walking contradiction - proper tone, dirty eyes - and I kept thinking, “she knows exactly what she’s doing.” Then forgot all about that thought when the screen went dark because I missed a dialogue cue.

What surprised me most: the teasing is actually… patient. Like, the game doesn’t rush. It lets you stew. Everyone’s pretending not to notice how tight the air gets whenever the MC walks into a room, and those moments hit harder because they feel almost accidental. One scene - with the older woman bent over a kitchen counter complaining about her back - had more tension than any of the “explicit” ones. Don’t even get me started on the small-tit character, she’s written like she’s always two seconds away from snapping at you, then does something so soft you forget what she said. Kinda embarrassing how much that worked on me. The sound design helps too - not high-budget, but the little sighs, the way footsteps echo on tile floors, it bleeds realism in all the wrong ways.

Anyway, I was gonna complain about how some routes feel half-finished, how the interracial scenes pop up outta nowhere, but then again, maybe that’s part of the mess. It feels human in that sense - uneven, horny, sentimental, lazy, weirdly tender. I stopped trying to find the “point” halfway through. Maybe that’s when it got good.