Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.

Holly’s Summer is that kind of horny mess where you open it “just to check the art” and then suddenly you’re way too invested in two girls making every bad decision possible on a private island. You’ve got Holly, the cute “good girl” who clearly thinks she’s in control of her own story, and Brooke, who has big “I say I’m your best friend but I also kinda want to see you ruin yourself” energy. The setup looks like classic rich-boyfriend summer vacation, private house, quiet beach, you know the fantasy. And then the thieves show up, and the whole vibe just slides straight into dirty, twisted crime porn without even pretending to be subtle. One minute it’s bikini and sunscreen, next minute it’s ropes, hands where they shouldn’t be, and a house full of men who see them as toys, not people.

What I liked is how fast it stops playing nice. There’s no fake heroic rescue tone. The guys are criminals, straight-up, and the game leans into that: groping that ignores consent, “searching” their bodies like they’re looking for stolen goods inside their panties, that kind of thing. It feels like a porn comic turned into a visual story, and yeah, if you know Fernando’s stuff, this is right in that lane: lots of humiliation, the girls forced to pose, kneel, open, suck, obey, with their faces doing that mix of shame and arousal the whole time. There’s one scene where Holly ends up on her knees in front of a guy she absolutely hates, with Brooke watching from the couch, hand tied behind her back, some big dude’s fingers digging into her thigh while he tells her to “act encouraging.” I paused the game there, opened Twitter, typed a whole rant, deleted it, went back and… clicked the filthiest option anyway. The choices mostly push you between “bad” and “worse,” like, do you want Holly to resist and get punished harder, or cooperate and get praised like a good little toy. There’s a bit of femdom flavor too, but twisted: some of the female-led stuff is them being forced into a “dom” role that’s still under male control. Holly made to dominate Brooke, slap her, ride her face while guys watch and jerk off, and you can feel she’s not really on top, she’s just another tool.

The sissy content sneaks up on you. It’s not like, boom, here’s a crossdressing dude from the start. It grows out of the humiliation vibe. One of the guys clearly enjoys breaking people, and you get this path where a softer male character gets dragged into it, forced into panties, made to serve with the girls. They talk to him like he’s just another slut, shove him next to Holly and Brooke, compare their asses, treat him as “the sissy” from then on. It’s mean, it’s hot, and sometimes weirdly funny in a dark way, like when Brooke mocks him but her voice cracks because she’s still choking on cum. Interracial stuff is sprinkled in pretty casually: the game doesn’t do speeches, it just puts Holly between a white thug and a huge black guy and makes her work both, or has the girls humiliated by a mixed group that clearly enjoys turning rich island princesses into shared meat. There’s a lot of focus on female orgasm, not in some romantic way but in that cruel “we’re gonna make you come so you can’t pretend you didn’t like it” style. They edge the girls, deny them, then suddenly push them over the line at the worst possible moment, like Holly screaming in pleasure while she’s being slapped and called a whore in front of everyone. If you’re into soft, cuddly romance, this is the wrong page of the internet. If you want a dirty, criminal-feeling island nightmare where pretty girls get broken, used in groups, forced to dominate and be dominated, and a “sissy” joins the meat parade, this one just crawls into your brain and refuses to leave.

It’s weird how this game feels both filthy and kinda wholesome at the same time. Like, you’re just a farmer, right? Doing your chores, minding your crops, and suddenly there’s this pig-girl princess showing up in your barn acting like she owns the place. She’s spoiled as hell but somehow adorable, rolling her eyes while asking you to “show her how humans do it.” The writing doesn’t even pretend to be subtle - one second you’re talking about feeding pigs, next thing you’re milking something that definitely isn’t a cow. The transitions are janky in a funny way, like the devs knew exactly what they were doing and didn’t care if it made sense. Honestly, I respect that kind of chaos.

The humor hits that perfect spot between dumb and clever. There’s a scene where the royal advisor tries to lecture you about “proper conduct with livestock” while you’re literally hiding behind hay bales with the princess moaning your name. It’s stupidly hot and stupidly funny. And the futa twist? Didn’t see that coming (pun totally intended). The first time it happens, you just stare for a second like - wait, did that just grow? But it works because the tone never shifts into serious mode; it stays playful, teasing, constantly flirting with absurdity. There’s even a lactation gag that somehow turns into a group scene, and by then you’ve stopped questioning logic entirely. You just go with it.

I kinda wish the farmer had more dialogue options though; sometimes he just grunts or blushes when you want him to say something dirtier. But maybe that’s part of the charm - you project your own filth onto him. The art style’s got that soft, round look that makes everything feel warm even when it’s absolute debauchery. And yeah, I laughed out loud when the princess called herself “royal pork” mid-handjob. Who writes that? Whoever they are, they get it. It’s horny, messy, self-aware, and doesn’t apologize for any of it.

Fatima looks like the type of girl local aunties point at during weddings and whisper about. Proper clothes, shy smile, all that “good Muslim girl” energy, but the game just laughs at that and throws her straight into a marriage with a guy she doesn’t even know. It starts all stiff and awkward in the bedroom, like two strangers trying to act out porn they never watched. The first time they fuck is clumsy and weird in a way that actually feels right. No instant porn star bullshit. She’s nervous, he’s trying too hard, the bed squeaks like it’s judging them. And little by little, the game stops pretending this is a romantic love story and turns into what it really wants to be: this girl discovering she’s a horny mess with way more desire than her “proper” life allows.

What I liked is how her brain is always lagging behind her body. She tells herself she should be grateful and loyal, that nice little obedient wife, then you get a CG of her riding him with this desperate look like she just unlocked a new drug. There are scenes where she’s lying there after a creampie, staring at the ceiling and thinking about God and sin and all that, and the next scene she’s secretly replaying the feeling in her head while her husband is at work. And that’s before the other people show up. The game doesn’t play coy with the cheating at all. One moment she’s politely chatting, next moment she’s pressed against a wall with a thicker cock stretching her way beyond what her husband ever managed. The contrast is brutal and honestly kind of funny. Husband’s sex is “we should do this, we are married now.” Interracial dude rolls in and it’s “oh fuck, I didn’t know it could feel like this, I’m gonna break.” You get that nice dirtiness from watching her try to act like nothing happened when she goes back home with his cum still inside her.

And it doesn’t stay straight either. The lesbian stuff doesn’t start with some cheesy “I always loved girls” nonsense. It sneaks in as comfort. Another woman showing her how to touch herself properly, how to actually chase the orgasm instead of waiting like a passive doll. There’s a great bit where Fatima is half crying about being unfaithful, and this woman has her hand between Fatima’s thighs, calmly telling her it’s alright while pushing her to climax anyway. You can practically feel her morals snapping one by one. She’s supposed to be this obedient wife, but by the time you’re deeper in, she’s tasting another woman one day and then taking a raw cock the next, big tits bouncing all over the place while she tries not to say out loud that she likes the forbidden stuff more than the “normal” sex she’s allowed to have. The game doesn’t pretend to teach a lesson or be deep. It just keeps asking the same question in different scenes: if a girl like this grows up caged, what happens when someone finally opens the door and tells her she can fuck whoever she wants and nobody’s watching? The answer is not pretty for her husband, but it is very fun to watch.