Evil mage steals a rival’s body, grabs his fancy tower and all the arcane toys inside, then immediately gets cockblocked by three clueless apprentices banging on the front gate. That’s basically the setup, but the game leans hard into the fun side of being the bastard in charge. You’re not some shy virgin hero; you’re a smug asshole already sitting on the throne, trying to corrupt three walking disasters in robes and cleavage. One’s a big titty muscle girl who looks like she could bench the castle walls and your face at the same time, one’s a blonde with that “I read one spellbook and now I think I know everything” energy, and one’s a quieter brunette who you just know is hiding some kinky brainrot under that polite smile. All three of them worship the guy whose body you stole, so the whole thing is you pretending to be him while slowly twisting their faith, their morals, and yeah, their legs.

The writing doesn’t waste time on “oh no, is this wrong?” stuff. It dives straight into teasing, power games, and that nice slow burn where you keep pushing boundaries until suddenly you’re using magic to pin a knight girl against a stone wall and she’s moaning your stolen name like a prayer. One scene had me laughing because you’re in this grand hall, supposed to act like the wise archmage, and instead you’re trying not to stare at the blonde’s tits bouncing while she lectures you about “responsible magic usage”. Bro, she’s scolding the evil mage with a stolen body and doesn’t notice a thing. Peak comedy. Then five clicks later she’s kneeling between your legs, talking about “serving the realm” with a straight face while your cock is basically her new holy relic. That shift is where the game shines: choices look simple on screen, but suddenly they branch into “soft corruption” or straight “shut up and obey, whore” territory, depending how much of a bastard you feel like being that click.

What I liked most is how it keeps the domination fantasy playful instead of just screaming edge all the time. You can be cruel, yeah, but the humor keeps peeking through, like the demon girl who pops in acting like tech support from hell, giving you tips on how to break minds and backs in the same evening. There’s even a scene with an armored knight chick, all righteous and shiny, getting used as a toy in the tower dungeon, the kind of “I’ll never yield” speech while she’s literally riding you raw. Interracial stuff pops up without making a big fuss about it; it’s just part of the world, like “oh yeah, here’s a demon with purple skin and hips wide enough to block a doorway, obviously she wants to help you corrupt the apprentices”. Not everything is perfect; sometimes a line lands a bit cringe, like something you’d see in a horny Reddit thread, and a few transitions feel like the writer clicked “fast forward to sex” in their own brain. But then you get a moment where the muscle girl casually lifts you a little while kissing you against those old castle stones, and your evil mage is thrown off his own dominance for a second, and it feels weirdly hot and funny at once. You go from serious fantasy castle vibes to “haha, ripped spell mommy” in one scene. It’s messy, horny, sometimes clumsy, but that’s exactly why it works here.

Everything is falling apart and somehow you end up as the one guy sitting in the big chair. That is the feeling this game chases. Virus, empty streets, city quiet like a church at night, and then you open the interface and it just goes: “You’re the mayor now. Do what you want.” There is no slow heroic build up, no epic speech. It is more like waking up hungover and realizing you accidentally bought a whole city on Steam during a sale. Only this time the city is full of desperate, scared, very fuckable people who need food, safety, rules, and you are the one deciding what “rules” actually means.

What I like is how casual the corruption starts. You are not forced to be some cartoon villain. You begin with small decisions. Approve some ration cards, move a patrol here, give a special pass to that district. Then the game quietly asks if maybe that cute nurse can get extra medicine if she gives you a “private report” first. You say yes once, and like in WhatsApp chats you think “ok, only this time.” But the next scene remembers. Her sprite changes, her attitude softens, she starts calling you “Mr. Mayor” with this tiny blush. Then the CG kicks in and suddenly your office desk is not for paperwork anymore. The city is dying outside and you’re rearranging her underwear like it’s the most important problem in the world.

The survival layer actually feeds the porn instead of just being some menu in the corner. You cut funding to security so you can pour resources into building your private harem wing in city hall, and the game lets you do it. Crime rises, some people suffer, you still get a new scene where a former councilwoman crawls to you, begging for protection. And you sit there with your fake moral choices. “Sign this obedience contract if you want supplies for your district.” She hesitates for half a second, then the CG shows her on her knees between your legs, signing with her mouth busy. The writing is blunt, not poetic, and that fits. This world is not romantic, it is hungry. Bodies bargaining for safety, girls trading their pride for your signature. Sometimes the text goes a bit too edgy and silly and you roll your eyes, but then a new character pops up, maybe a local cop or a teacher, and the game nails that specific fantasy of slowly watching her standards rot away scene by scene.

What really got me is how the visual novel style makes your filth feel official. You click through council reports, infection stats, budget numbers, and then in the same interface you choose to personally “inspect” the shelter staff. No music swell, just a choice button that changes someone’s whole life. You can pretend to be caring, giving out resources like a kind leader, but the game keeps tempting you with that darker path: exclusive access passes in exchange for “night visits,” forced loyalty oaths while you fuck them over your desk, whole city districts run like your personal breeding grounds. The corruption is not just in them, it’s in you watching the next CG unlock and thinking, “Ok, just one more depraved law.” And it never really judges you. That’s maybe the most dangerous part. This is not a story about saving the city. It is about how good it feels when no one can tell you no.

Ryunosuke is that kind of uni grad who feels like he skipped the part where life gives you a main quest. No job, no passion, just this blank “ok, now what?” screen. So he screws off to this fake-Italy place, Stivale, thinking it’s going to be wine, pasta, maybe a summer fling. Instead the first real thing he runs into is a fox-eared swordswoman who looks like she walked out of some horny doujin circle: Serena. Big ass, big tits, armor that protects nothing important, voice that’s way too sweet for the shit she drags you into. She’s basically on a holy mission to punch the country’s corrupt government in the balls, and you, with your totally useless degree, end up as her “strategist” or something. In practice that means one second you’re picking dialog lines to sound cool, the next second you’re watching a monster girl pin him against a ruined fountain and grind on his thigh while he tries to pretend he’s still a virgin gentleman. It doesn’t last long. Obviously.

The funny part is how the game pretends to be a serious fantasy RPG half the time. You’ve got turn based combat with little details that actually matter, like whether you blow your mana on a fire spell or save it because you just know the next fight is going to be some corrupted priestess who spends the first two turns teasing and stripping instead of attacking. Fights are basically foreplay with health bars. A lot of enemies are monster girls, some fully beastly, some just ears and tails, and they do not care about your moral purity. You mess up choices, suddenly Ryunosuke is on his back, armor pieces scattered, getting titfucked by a slime girl who reshapes her chest to wrap around him, all while she milks him so hard he ends up creampying her core. Then in another path, if you play it “heroic”, he holds out, turns the fight around, and you get this slow, romantic vaginal scene with Serena later, where she tries to stay in control and then completely loses it the moment he starts actually moving his hips. The game loves that shift from “I’m teasing you” to “ok fuck me properly right now” and it uses it everywhere: oral scenes where he’s awkwardly licking at first, then she’s grabbing his hair and groping her own tits, begging; anal sex that starts with her acting like it’s just some kinky experiment and ends with her panting like a beast as she leaks and shakes. Sometimes there’s groping in public, under a tavern table, sometimes it’s full group sex in a camp after a hard quest, with everyone swapping positions and someone getting a messy creampie while another girl is busy with masturbation in the corner. There’s cheating too, not spelled out like a moral lesson, just choices where you go “ok, I really shouldn’t” and then do it anyway, and the game quietly remembers for later endings. Some routes end with pregnancy, some with you basically a horny legend surrounded by monster wives, some not so nice. The peeing stuff and the light bdsm show up more as flavor than core, like a fox girl sitting on your face and letting go a bit while she rides, or Serena tying your hands before oral and then totally forgetting you’re supposed to be the one in control. Voice acting is all over the place, in a good way: sometimes cute, sometimes way too raw, those little gasps when the tip slips from pussy to ass by accident and she half-squeals, half-laughs. To get the best out of it, don’t rush scenes, let the teasing play out, actually lose a couple battles on purpose, and when a choice looks like it might ruin the “wholesome” romance, click it anyway and see how much of a mess Stivale can turn into.

This twisted little game caught me completely off guard, and not in the way I expected. You know how sometimes you stumble into something thinking it'll be a quick thrill, but then it grabs you by the throat and doesn't let go? That's exactly what happened here with this Monokuma nightmare. The premise sounds simple enough - you're just some thief breaking into an abandoned school for easy money, right? Wrong. So fucking wrong.

The moment that black and white bastard shows up, everything goes sideways fast. And I mean *everything*. The hypnosis elements aren't just thrown in for shock value - they're woven into every interaction with genuine psychological weight. When Monokuma starts messing with your head, you feel that slow loss of control seeping through the screen. The muscle transformation scenes hit different too, especially when you realize you're not just watching your body change, you're experiencing the complete mental shift that comes with it. The inflation content manages to be both absurd and genuinely arousing, which shouldn't work but absolutely does. There's this one ending where... actually, discovering those twisted conclusions yourself is half the fun.

What really got under my skin though was how the game handles agency. You think you're making choices, but Monokuma's already three steps ahead, pulling strings you didn't even know existed. The writing style keeps you locked in second person, so when things start getting heavy and your character begins losing themselves, it feels uncomfortably personal. Six bad endings out of seven should tell you everything about your chances of escaping with dignity intact. The transformations aren't just physical - they're complete personality rewrites, and watching yourself become exactly what that demented bear wants is both terrifying and incredibly hot. Fair warning: this isn't gentle corruption, it's full-throttle mind-breaking with a Danganronpa twist that'll leave you questioning your own kinks.