I didn’t expect the opening scene to slap that hard. You’re just standing there, half-broken hull around you, half-naked angel girl trying to look dignified while her collar blinks red every few seconds like some sick metronome. The captain walks in, voice like a bad radio signal, and you already know he’s going to be trouble. He touches her shoulder and - bam - your gut twists, not from shock, but from that weird cocktail of jealousy and arousal that this game keeps feeding you. It’s dirty, but not in the lazy way. The camera lingers too long, like it’s daring you to blink first. I didn’t. The whole thing plays out like someone’s fever dream of power and guilt and skin. Makes you feel complicit, which I kinda like. Some games treat voyeurism like a kink checkbox; this one makes it feel like a confession.

Then there’s that sequence in the maintenance bay - god, the lighting there. Blue flicker off the coolant pipes, the hum of half-dead machinery, and she’s there again, pretending not to notice you. The teasing is mean, but not cartoonishly so. She leans over, the slave tag glinting on her neck, and you can almost smell the metal. I won’t say the animation’s perfect - it isn’t - but it stumbles in a way that feels almost human. The moans don’t line up sometimes, and that somehow makes it better. You start thinking about the morality system that never really punishes you enough, about how the captain’s wives don’t even care you’re stealing glances, and then suddenly there’s a flashback about the fall of the Geniorcracy and I kind of stop caring about lore entirely. Maybe it matters, maybe not. What kept me there was that slow burn humiliation mixed with tenderness, like someone whispering “you’re disgusting” but softly.

Anyway, the soundtrack’s too clean, too polished - like it doesn’t belong in that filth. And I swear one of the sound cues is stolen from some old dating sim on Nutaku. Doesn’t matter. By the time the angel finally looks you in the eye, you’ve already forgotten what you were supposed to be doing.

It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.

Civilization is basically a smoking crater, the streets are full of rotting corpses and hungry dead things, and somehow this game still manages to feel more about horny, stupid human choices than about the zombies themselves. You start in this ruined city where everyone keeps saying “freedom” like it’s a religion, and yeah, they absolutely use that word as an excuse to fuck anything that moves, drink anything that burns on the way down, and chase every dark kink they were too scared to Google when society still had laws. The vibe is half horror, half “what if Pornhub and a bad trip had a baby during Halloween cosplay night,” and honestly it kind of works. The writing swings from serious to trashy in like two clicks, one moment you’re checking a blood–smeared hallway and the next you’re balls-deep in some girl who thinks moaning louder keeps the undead away. Spoiler, it doesn’t.

What surprised me is how often the story gives you a choice that looks simple on screen but hits weird after. You’re not just picking “fuck / don’t fuck” every time, sometimes it’s “do you help this desperate guy who’s clearly high as hell” or “do you use this girl’s messed up daddy issues to get what you want.” It pushes that line where you catch yourself thinking, ok, I’m kind of an asshole here, but then you click anyway. There’s a scene early on where you’re holed up in a shitty apartment, sirens long dead, city quiet like a morgue, and your partner for the night wants to try something rough while there’s a zombie literally scratching the door. The game lets you decide if you stop and deal with the threat or keep going and turn it into fear-play. I picked the second option. Felt dirty, didn’t regret it, regretted it, still not sure. That’s the type of thing that sticks. The horror is not the dead; it’s you getting used to this new normal where necrotic moans outside are just background noise while you eat pussy on a broken kitchen counter. And yeah, the game knows exactly what it’s doing when it leans into drugs, shady trades for sex, and people using the apocalypse as an excuse to finally turn their porn tags into real life. Sometimes it’s hot, sometimes it’s gross, and sometimes those two are the same thing and the game just shrugs and lets you click “continue.”

Whole world gone to shit, cities eaten by zombies, and what you get is not some heroic soldier fantasy, but a fucked up little family bunker where everyone is too close, too horny, and way too bored. The game throws you in as the male MC, stuck with your “relatives” in a half-ruined safehouse, watching the world rot from the windows while you juggle food, ammo, and the fact that every woman under that roof keeps walking around in underwear like it’s a normal thing. It starts kind of slow, like a messy point and click management sim: you check supplies, patch walls, send people out to scavenge. At first it feels almost normal, like one of those survival browser games you’d run in a second tab while pretending to work on Slack. Then it begins to twist. The longer you play, the more you notice how often the camera lingers on curves, on that milf’s big ass squeezed into tight shorts when she climbs a ladder, or how your “sister” stretches on the couch while the radio talks about the end of humanity. The horror part is not just zombies scratching at the door, it’s the fact that you start to like the tension.

What really got me hooked is how the corruption doesn’t slam into your face from the first click. It drips. You choose who goes on patrol with you, who showers when, who sleeps where. Little “innocent” choices, yeah? Until one night you peek through a cracked door and she’s masturbating in the dark, trying to be quiet so nobody wakes up, and you get a voyeur scene that actually feels earned. Another run, you push more, tease more, and you end up “accidentally” groping her in a cramped storage room when you both reach for the same box. Suddenly her shirt rides up, your hand stays on her big tits a second too long, and the game just lets that silence breathe. You know that porn game moment when you click once and everything jumps from 0 to full gangbang? This is not that. Here you grind affection, trust, and straight up manipulation like XP. You decide if you want to be protective or a sneaky bastard, if you share rations as reward for oral sex, if you let her go outside wearing almost nothing, turning scavenging runs into walking exhibitionism while zombies groan in the background. There is group sex if you push the corruption hard enough, and some nasty netorare edges too, where you can watch someone else touch “your” woman, and the game just sits with that feeling instead of trying to comfort you. Half the time I was aroused, half the time I was uncomfortable, and weirdly, that’s why it works. It’s rough, a bit clunky, UI looks like it escaped from a porn site in 2012, and I still kept a tab open in Chrome all week, min-maxing food and morality while the family slowly forgot what real society was and started using each other to stay sane. Or insane. Whatever. Just remember: in this wasteland, survival is numbers, sex is a resource, and privacy is completely dead.