It’s weird, the way *A Fortnight at Frenni Fazclaire’s 2* plays with tone - like, one moment it’s soft lighting and syrupy teasing from an animatronic wolf with silicone lips that catch the club’s pink glow just right, and the next second you’re hearing metal sc*** in the next room like something mechanical trying to breathe. I couldn’t decide if I was turned on or spooked half the time, which maybe is the point. The writing leans into that uncanny space where synthetic skin meets real loneliness, though sometimes it feels too self-aware about being a parody. It’s as if it winks so much it forgets to blink. Still, when Mia Mangle leans across the security desk and says things she shouldn’t know - stuff only the player would think - it hits that strange nerve of digital intimacy that good adult games sometimes stumble into by accident.

The furries here aren’t played for cheap fetish fuel (okay, not *just* that). There’s tension in every movement, more like stage performers improvising after hours than machines following code. I kept thinking about Nabokov because yeah, it’s sexy, but it’s also about control and play and being observed while pretending not to care. And then there’s the mobile version, where tapping through dialogue feels like petting something alive that pretends to glitch. Sometimes choices freeze for no reason - probably a bug - but it almost fits the mood: desire interrupted by static. The horror bits creep slow; shadows twitch behind velvet curtains even during explicit scenes, and the sound design hums under your skin like anxiety that smells faintly of perfume.

Honestly, the worst part is the damn loading screen image - I hate that smug smile they gave Aurora. Every time she flickers in before the menu loads, I kinda want her to malfunction just to break the eye contact. But when she starts singing that low note (yeah, she sings), everything stutters into this mix of comedy and obscene tenderness. Maybe I imagined that part. Or maybe the game wanted me to. Hard to tell where the line’s supposed to be anymore.

Conrad starts as this kinda average guy who just wants to sell clothes and maybe touch some tits in peace, and the game immediately laughs at that idea. It throws him into this weird mix of family drama, horny tension and lowkey spooky shit hiding behind cute outfits. You play from his head, and it is a mess in there in a good way. One moment he is talking about fabrics and color palettes for the new store logo, next moment he is staring at his sister’s ass while she leans over the counter and he tries to pretend he cares about invoices. The game really leans on that “I should not want this, but I really, really do” incest vibe. She walks around the house in tiny tops, there is this one scene where she asks him to help measure her waist for some new stock and the tape just “accidentally” slides under her boobs. As a SFX addict, I went straight to listen for the tiny details and the way they put this little fabric rustle when her shirt lifts and that soft wet swallow when he tries to calm himself, that stuff is way more erotic than half of the moans later.

The possession angle is what makes it feel less like just another “hey sis, suck me” mobile thing. Conrad starts having this presence in his head that does not always talk, but it kind of pushes him. There is a moment in the shop basement, he is alone with his sister, arguing about a late delivery, and suddenly you get this choice to “relax” your control. You click it, the screen tint goes darker, and his hand just moves on its own and grabs her hip, fingers digging into her skin. She gasps, you hear that sharp inhale in your headphones, the little shaky breath after, and she doesn’t pull away right away. That pause is filthy. The possession makes all those groping scenes feel half innocent, half “I totally meant that”. Sometimes he resists and you get a sweet handjob scene where she is the one comforting him because he is “stressed”, sometimes you let the demon inside or whatever control him and suddenly that same scene goes way rougher, more like he pins her wrist and forces her to keep stroking. The wet sound design there is honestly illegal, I had to turn my phone volume down on the subway since it sounded like I had Pornhub autoplay in my pocket.

It is also kinda funny how the game pretends to be about a clothing store and fantasy destiny and all that, but the most intense moments are in small places. Him under the sewing table while she is on a phone call, her bare feet brushing his thigh, and that option to let the “force” slip into her instead. When that happens, her voice changes just a bit, like this softer, breathier tone, and she starts talking nastier without even noticing, twisting her words about “stock” and “orders” so it sounds like she is talking about cocks and orgasms. If you push it, you can jump full into possession and ride her body like a stolen car, taking control while Conrad watches from the back of his own skull. That leads to some really fucked up blowjob scenes where her eyes are empty but her mouth works like a pro, and the slurping audio is honestly disgusting and hot at the same time. I give this thing my very serious “Best Use of Demons To Justify Wanting To Fuck Your Sister” award. It is rough around the edges, some lines feel like Google Translate had a hangover, but maybe that is why it stuck with me. The world is kind of soft fantasy, but what really lives in my brain is that quiet moment when she whispers “big brother” and you can’t tell if it is really her or the thing inside. I wish there was less UI clicking for simple actions, but whatever, my thumb survived.

Town of Redemption feels like somebody mashed a horny fantasy VN into a half-finished mobile sandbox and then just said “yeah ok, this is fine” and went back to drawing monster tits. You’re this dude who survived a village getting wrecked, finally lands in a big “safe” city that’s only safe if you ignore the amount of wet, thick, non-human girls wandering around it. You end up working as an alchemist for the guild, which sounds boring until every second job turns into “oops I spilled aphrodisiac on the wolf-girl with the huge ass, better check if she’s ok”. It’s that kind of game where you think you’re just clicking through errands, then suddenly you’re shoulder deep in a cow girl’s cleavage, trying to “measure milk output” with your hands instead of tools. She’s moaning, you’re pretending this is science. Absolutely my thing.

What I like is how the scenes creep up on you. One quest you’re mixing basic potions for some shy catgirl scout, next time she visits she’s pressing her big fluffy tits against the table asking if you can make something to “relax her nerves before missions”. Translation: give her a reason to pant and grind on your leg in the lab. And it actually feels like you built up to it, not just click sex button to win. There’s this lizard girl adventurer who keeps acting all proud, calling you “support staff”, then you slip a warmth potion in her gear and watch her swagger melt into heavy breathing and tail twitching while she begs you to check where exactly it’s getting “too hot”. Hand under her armor, fingering around her abs, then lower, then she’s using your hand like a toy. Feels good in that “ok, this is way too specific but I’m not complaining” way. The writing is sometimes messy, like someone glued horny ideas together without cleaning the edges, and the UI on mobile is clunky as hell with tiny icons that make your thumb miss the thing you want, but whatever, I stayed for the filthy bits. There’s an actual sense of being this low level dude building a little life, slowly turning half the guild into your personal test subjects. Except the inventory screen is ugly as sin and sorting items is a pain. I kept mis-tapping and using the wrong potion. Kind of funny when a buff elixir turns into a breast swelling one right before a fight though. Not for the poor bunny girl tank trying to move under her own bouncing chest.

The town itself ends up feeling like your playground. You walk out of the lab and already know which corner has the needy minotaur girl who leaks through her clothes if you even mention “pressure release”, which alley has the smug fox girl who pretends she hates humans but still arches her back when you “search for hidden enchantments” under her tail, which shopkeeper secretly has fur under the robes and loves it when you “accidentally” grope her while reaching for ingredients. There’s a nice rhythm where you run guild jobs, collect weird monster parts, then experiment not only in bottles but on bodies. At some point I had a batch of potions that made nipples super sensitive, and watching a proud warrior melt into a shaking mess from just a thumb rubbing her big areolae was stupidly hot. The game teases a lot too, sometimes giving you a scene that stops right at the edge, making you work more jobs or raise some stat before she finally lets you push her against the table and go full-on, tits slapping, claws in your back, panting in your ear. Some characters feel unfinished, like they were supposed to have more scenes but real life stole the dev, and there are dead spots where nothing new triggers even if you grind. Still, when it hits, it hits filthy enough: thick furry hips grinding on your lap, warm milk running down her belly while she moans your name, your hands sunk into jiggling titflesh like soft dough. It’s rough around the edges and kind of janky, but it has that unpolished charm where you can smell the artist’s brain: “what if every girl in this nice fantasy town was just a little too eager to get grabbed, teased, milked and ruined by some refugee alchemist who barely knows what he’s doing”. Honestly, I’m ok with that.

Art & Love feels like someone mashed a horny dating app with that one semester you pretended to care about “expressing yourself” in art class, then quietly used every excuse to stare at boobs. The setup is simple: you’re a dude at an art college, surrounded by students who are way too hot to be that stressed about homework. Half the time you’re pretending to focus on sketches and color theory, and the other half you’re trying not to get caught staring at an ass that basically has its own gravity. It’s very on the nose, but that’s kind of the charm. No fake epic destiny, no big fantasy world, just “here’s your campus, here’s a bunch of curvy girls, try not to bust in your pants in the first ten minutes.”

The thing that hit me first is how the game treats “everyday life.” That phrase usually means boring filler. Here it means walking into a studio and your classmate is already bent over the table, boobs pressed against the canvas because she’s “fixing the composition,” and your brain just shuts down. The animations do a lot of work in these scenes. When a girl leans in close and you can actually see her chest bounce as she adjusts her pose, or when your hand slides over a thigh in a half-accidental grope that doesn’t really look accidental, it sells the moment. Sometimes it feels almost too animated, like the dev got a new toy and refuses to chill. A girl shrugs and her tits move more than the rest of her body, like they’re trying to escape. It’s hot, but also kind of funny in a scuffed porn video way.

Where it gets interesting is the mix of romance and all the low-key harassment that just sort of “happens.” You’re not some silent saint. You grab, you stare, you “help adjust the pose” and your hands linger on big soft curves way longer than necessary. There’s a scene where you help a girl practice body painting in the empty classroom. She thinks you’re just drawing on her back, but your hands slide to her sides, then under her shirt, and she hesitates just a little before leaning into it. The camera lingers hard on her breathing and the way her ass presses into your lap. Then later that same girl might be sitting with you on a bench outside, talking about her stupid childhood dream of becoming a painter for kids books, and it weirdly works. You jerked off to her ten minutes ago and now you’re listening to her talk about brushes and Instagram algorithms like you’re on a normal date. Well. A normal date where you keep remembering how her tits looked squeezed against your hands and you can’t stop adjusting your pants.

There’s plenty of solo stuff too. Game really likes the “I came home from class and I can’t stop thinking about that one accidental grope” vibe. One scene has you in your dorm, phone on the bed, scrolling Pixiv, and you keep seeing art nudes and suddenly you’re replaying that moment of pressing up against a girl in the hallway. The MC just says screw it, drops pants, and it goes into a masturbation scene that actually feels connected to what happened earlier. He’s not just jerking it in a void, he’s replaying specific details. The way her hair smelled. The little shock when she didn’t pull away after your hand brushed against her breasts. And then a new message pops up from her while you’re mid-stroke, some innocent “hey, can you help me with my project tomorrow?” text, and it hits way filthier than it should. I laughed, then kept going.

Campus stuff is all over the place. Sometimes you walk into the workshop and it’s quiet, sunlight on the floor, girl sitting cross-legged on a stool in shorts that absolutely do not meet any dress code, and the scene plays like a soft romance moment. Other times you’re in a crowded hallway, trying to squeeze through, and “accidental” groping happens in a way that really isn’t accidental at all. You feel a big ass grind against you, she pretends to ignore it, then glances back with this tiny smirk. Those small beats land harder than the big in-your-face sex scenes, honestly. Even the dialogue has this slightly broken rhythm that reminded me of messaging on Telegram with someone horny who’s also tired from class. It’s rough in places, some lines sound like Google Translate lost a fight, but that kind of fits the whole vibe. Art & Love isn’t trying to be perfect. It’s more like that messy sketchbook the teacher would hate, full of half-finished drawings and big titted girls in the margins, except this time the sketchbook looks back at you and asks why your hand is still on her thigh.