Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.

You wake up in Sonic’s blue spiky body on this weirdly quiet island, with zero idea how you got there and way too much blood in the wrong place. The game doesn’t waste time pretending to be deep. You click around, you poke into random places, you pretend to care about the “mystery of the island”, but everybody knows why you’re actually here. Amy shows up early, all pink and clingy, and the writing leans hard into that obsessive fangirl vibe. One second she’s telling you that Tails is locked up in Chemical Plant, next second you’re already getting options that basically translate to “act like a horny hero” or “act like a slightly less horny hero”. It’s not subtle. I liked that. Or maybe I hated it. I’m not sure, I clicked everything anyway.

The best part for me is how it keeps pretending it’s a serious Sonic adventure with mother emerald, Eggman trying to make a new life form, world in danger, blah blah, while you’re clearly just building a harem of furries with big… personalities. Blaze shows up with this cool serious attitude, like she’s too good for horny nonsense, and ten clicks later you’re seeing her in a situation you definitely never saw on your old Sega emulator on your phone. Rouge? Completely untrustworthy, which is perfect, because every time she talks I’m waiting for her to stab me in the back or sit on my face. Sometimes both. There are dialog choices that act like you’re planning strategy, who to recruit, how to attack Eggman, but the “strategy” is mostly about which girl you want to flirt with first and how much you can push before the game rewards you with another explicit scene. And of course Tails is suffering offscreen while you’re getting handsy with everybody. Relatable, honestly. My love life also feels like I’m the side character locked in Chemical Plant.

The actual adult scenes are not shy at all. The game knows exactly what Sonic fans have been searching on incognito mode for years and just leans into it. You get Amy going from cute to desperate, Blaze trying to keep control and failing, Rouge being a total tease, and then you have Sticks, who feels like she escaped from some conspiracy subreddit and landed straight into porn. The tone jumps around all the time, sometimes goofy, sometimes surprisingly sweet, sometimes just straight up filthy for three clicks in a row. I laughed at a few lines that clearly were written by someone whose first language also isn’t English, then got turned on, then laughed again because a sex scene used the word “teamwork” like it was a fetish. The “plot” with Eggman and the mother emerald is only there to justify why all these hot animal girls are stuck together on one island and why you have an excuse to “form a team” by fucking your way through the cast. I kept telling myself I was chasing the emerald, but the only gems I actually cared about were attached to the girls’ chests. It’s messy, horny, a bit stupid, sometimes oddly romantic for three seconds before it goes back to raw hentai energy. Honestly, it feels like the exact kind of disaster a lonely Sonic fan would dream up after a bad day and too much internet. In a good way. Or a bad way. Whatever, I still clicked every option.

Daybreak Nightbreak feels like somebody mashed together a horny Mass Effect, a janky management sim and a corruption hentai manga they hid under the mattress. The city of Chios looks normal at first, just your standard modern place where rent is too high and people pretend to be fine, and then you realise there is a whole mirror version of it lurking on the other side, full of cults, monster girls and people who really, really should not be kneeling and calling you “my lord” with their tits out. You start as this kinda awkward guy, a bit of a late bloomer vibe, virgin energy all over him, who accidentally ends up infused with a power that basically turns “building a fanclub” into “building a sex cult”. It sounds stupid, and yeah, sometimes it really is, in the best way. One moment you are doing accounting in a tiny office, trying not to go bankrupt because some megacorp is crushing your small business, and ten minutes later you are in a dark alley, whispering corrupt little “prayers” into a married woman’s ear while her husband is a room away. And of course she’s got her panties soaked and her ahegao face out in about three dialogue choices.

I like how the game pretends to be about “big decisions” and then your biggest decision turns out to be something like: Do I use mind control to slowly twist this shy college girl into an exhibitionist cosplay slut, or do I turn the local milf head of department into my personal worshipping toy first. The sandbox part hits hard because you just wander around town and keep tripping over new scenes. There’s this goblin girl in the other dimension with ridiculous hips and an ass that moves like it has its own gravity well, and the first time you get her on your lap, she’s grinding in your office chair while asking nervously if “humans really fill girls up that much.” Of course the game gives you the option to breed her stupid with a creampie that drips down her thighs. The animations are rough sometimes, like two dolls humping, but when she’s bouncing, tongue out, drool on her tits and eyes rolled back, you kind of stop caring. Actually, you never cared. And the striptease scenes? There’s this one where a normally classy businesswoman you’ve been carefully corrupting does a half-drunk lapdance for you in a cheap karaoke bar, slowly peeling off her blazer and bra, trying to keep her dignity as she ends up riding your hand under the table, whispering “I’m cheating, I’m so bad” while you finger her until she squirts on the seat. The game just leaves the mess there, no comment.

The corruption feels deliciously slow when it wants to. That college subplot where you go back to campus hits like a twisted nostalgia trip. You start out helping a stressed student with her grades, totally innocent tutoring, then “accidentally” using your power to make her respond a bit too strongly to your touch. Next visit she’s sucking you off in an empty classroom, knees on the cold floor, big doe eyes looking up, lipstick smeared, trying to swallow all of it like she’s cramming for finals. And later you drag her into this stupid cosplay event in the other dimension, make her dress as a bunny girl in front of a small crowd of your followers, and she ends up flashing her pussy to them, moaning while they chant your name like some horny church. It is weirdly romantic too sometimes, buried under all the filth. You can build actual relationships, have soft moments in between the handjobs and public sex. Sitting with a milf on a rooftop, talking about her failed marriage, then quietly sliding your hand under her skirt while she leans on your shoulder, torn between guilt and arousal, might be one of those little scenes that stick. But yeah, then fifteen minutes later you’re using mind control to make her bend over a balcony, tits hanging out, while half the city could technically see you pound her from behind and fill her with a thick creampie she can’t stop leaking. The game swings between “Yakuza-style side story” and “hardcore hentai brainrot” so fast it feels wrong, and that’s kind of why I couldn’t stop clicking.

Kohei comes back to his old town for something boring like university, and instead walks straight into the kind of summer that fucks with your head for years after. It looks harmless at first. Childhood streets, cicadas screaming, cheap fans pushed to their limit, that older girl next door who used to ruffle his hair and laugh too loud. Misaki feels like she should be safe territory, familiar, almost family, this cozy fantasy of “onee-san who waited for you”. The game knows that expectation and plays with it in a way that’s honestly pretty mean. She’s still teasing, still bright on the surface, but her eyes slip away at weird moments, her smile freezes half a second too long. Small details like that. You pick a flirty choice, she laughs, leans in, you can almost smell her sweat and shampoo mix, and then some other guy’s name casually comes up and your stomach drops. It’s not subtle, and it’s not gentle.

The horny parts grow slowly, like mold in a corner you pretend not to see. At first you’re just choosing where to spend a day, which cheap cafe, whether to help her carry groceries. One scene you’re alone with Misaki in her apartment, the sun too bright through thin curtains, her in a loose tank top and shorts that ride up when she sits cross-legged. She offers you iced tea, your hand brushes her thigh when you take the glass, she goes quiet for a second. That silence is hotter than any moaning later. The game loves those tiny pauses, the routes where nothing explicit happens yet are somehow dirtier in your head than the straight-up sex scenes. Then there are the runs where you lean into the NTR sickness on purpose, like poking a bruise. Letting her reply to that late-night message. Choosing not to follow her when she “just goes to meet an old friend”. Coming back to a half-buttoned blouse, a faint smell that is not your cologne, and a CG that stings more because she is still smiling at you like she wants to protect you from what already happened. It gives you options to avoid that, sure, to keep things “pure” and romantic, but you feel the game secretly smirking when you pick them, like a producer forced to include a vanilla route to keep the sponsors calm.

What makes it interesting for me as a genre nerd is how it plays with POV shifts. One route you’re stuck inside Kohei’s head, rationalizing, pretending it’s fine, one bad choice, no big deal. On another, it flips and suddenly you’re watching scenes where you’re not supposed to be present at all, getting that ugly voyeur thrill. Sometimes you see Misaki from another guy’s eyes, the way he studies the sweat creeping along her neck, the way her body reacts even when her voice says “we shouldn’t”. That’s where the eroticism goes from simple horny to slightly cruel, because it forces you to admit that her desire is not a thing you own. And still the game offers proper romance lines, soft endings where you manage to hold on to her and build something tender out of all this mess. Those paths feel almost suspicious, like you wandered into a different title hosted on the same site by accident. But that contrast gives the sex extra charge. A slow kiss in a quiet room means one thing when you trust her; the same CG, same pose, after you saw what she did in another route, becomes loaded with paranoia, with “who touched you like this yesterday”. It is not elegant writing, not “high art”, but it understands really well how lust, jealousy, nostalgia and that stupid first-love hope all bleed into each other and make you click “next” even when you already hate the ending you know you’re walking toward.