Zeus gets a prophecy, freaks out like always, and throws you into the underworld before you even get to enjoy your first breath. That’s your childhood. Now it’s your eighteenth nameday, and suddenly all the stuff they kept from you hits at once: divinity, lust, raw destructive magic, the kind of power that makes mountains nervous and mortals wet. You’re Thalya, a futa demigoddess with a dick that is honestly treated more like a weapon than a body part, daughter of a titan of love and a war goddess who solves problems with blood and orgasms in equal measure. You’ve been hidden away in the dark, raised on stories about the world you’re not allowed to touch, and now the leash finally snaps. The whole ancient Greek world opens up like a toy box full of temples, monsters, snarky demigods with parent issues, and gods who think they’re untouchable. Spoiler: they’re not. The story just pushes you along, no choices, no fake “morality system”. You’re not here to be a hero. You’re a walking middle finger to Olympus, powered by horny spite and daddy Zeus’ paranoia.

The fun part is how the game treats your power like something alive. Lightning crawling over your skin while you pin a smug demigod against a ruined pillar and fuck the arrogance out of them. A priestess trying to pray to Athena and ending up on her knees for you instead, your hand on the back of her head, your magic seeping into her thoughts until the only worship she cares about is your cock. One scene has you stepping out of the underworld for the first time, everything blazing sunlight and marble, and the first thing you do is test your new “dominion” on a squad of armored soldiers. They raise their shields, you raise your hips, and in a blink their weapons are clattering to the ground while they stare at you with that mix of fear, awe, and desperate need. It’s not subtle. It’s not shy. The game loves big tits, big attitudes, and your big, very busy shaft, wrapping all of it in this messy, oversexed Greek mythology that feels like someone mashed together old legends, horny deviantart, and a lot of late-night power fantasies. Sometimes the writing trips over itself, like the dev typed faster than their brain, but honestly that just makes it feel more personal. You’re not guided, you’re dragged, from encounter to encounter, from orgasm to spell blast, until the idea of “good” or “evil” feels kind of pointless and all that matters is how hard you can screw over Olympus… and how many people you’ll literally screw along the way.

You start off thinking it’s just another fantasy visual novel with tits and dragons, right? Then it hits you - this thing actually *wants* you to care about who you fuck. You’re tossed into this castle, all dressed up like some half-hero, half-sacrifice, and the queen’s gaze feels like she’s undressing your soul. The choices come fast, and they’re not just “pick girl A or girl B.” They twist your story, they mess with your head. One moment you’re flirting with a sly elf who keeps her armor half-open just to tease you, the next you’re in a candlelit chamber, her breath hot on your neck, whispering something that sounds like a spell but feels like a promise.

And then the dragon part - holy hell. It’s not just a pet or a mount; it’s a whole mood. The game plays with that line between power and surrender, and it’s filthy in the best way. There’s a scene (you’ll know it when you get there) where you’re supposed to “bond” with your dragon, and it’s dripping with tension. The camera lingers, the sound design goes low and throaty, and suddenly you’re not sure if you’re taming the beast or if it’s taming you. The lesbian routes? Way more tender than I expected, but still raw - like two warriors trying to outlast each other in bed, both refusing to be the first to beg.

It’s not perfect. Some transitions feel like the devs got distracted halfway through animating a kiss, and the dialogue sometimes sounds like it was written by someone who’s never actually seen a naked person. But then it’ll throw a line at you that just *clicks*, and you forget the rough edges. It’s messy, horny, weirdly emotional. Like a fever dream that smells of sweat and dragonfire. You’ll probably finish it once, swear you’re done, then start again just to see what happens if you say yes to the queen this time.

This Zelda parody hits different than your typical fan game bullshit. Love in Hyrule throws you into some alternate timeline where Princess Zelda's got three other girls hanging around and everyone's horny as hell. The whole isekai angle works surprisingly well here - you're not Link, you're just some random dude who ended up in Hyrule and now these four women want to jump your bones. Zelda's still got that royal attitude but she's way more forward about what she wants. Ribo and Zaphie feel like original characters that actually belong in this world instead of feeling tacked on, and Kiya... well, she's got her own thing going on that I won't spoil.

The RenPy engine does its job fine, though the interface feels a bit clunky sometimes when you're trying to navigate between scenes. LewdSama's artwork carries this whole thing - the character designs stay true to the Zelda aesthetic while being sexy as fuck. Each girl has distinct personality quirks that come through in both dialogue and sex scenes. The harem setup doesn't feel forced either, which is rare for these kinds of games. You're not collecting waifus like Pokemon cards, there's actual relationship building happening between the steamy bits. Some of the dialogue gets cheesy but in that good way where you're laughing with it instead of at it.

What really surprised me was how much effort went into making Hyrule feel lived-in. You're not just clicking through sex scenes, there's actual exploration and world-building happening. The romance progression feels natural too - these aren't just fuck dolls waiting for you to show up, they've got their own motivations and desires. The hot scenes are well-written and varied enough that each character feels unique in bed. Fair warning though, this definitely leans into the fantasy fulfillment side of things rather than trying to be some deep narrative experience. But honestly? Sometimes that's exactly what you want from a Zelda porn game.

Athena’s Revenge feels like someone smashed a Greek myth book, a porn folder, and a metal album cover together, then said “yeah, that’s fine, ship it.” You’re dropped into this hellish road trip with Stheno and Euryale, the kind of monster girls who look like they’d ruin your life and then complain you didn’t last long enough. It kicks off right after the last mess, no hand holding, no recap, just “we’re going to Hell to get Athena back, and we’ll fuck or murder anything that gets in the way.” Sometimes both. The world is all red glow, chains, and wet noises, with that chunky animated style where tits and asses move like they have their own physics engine. The first time Stheno walks toward the camera and her ass jiggles inside that armor, I actually paused and rewound like some horny archaeologist doing “research.”

The sex scenes are where the game stops pretending it’s about plot and just leans in hard. You’ve got monster girls with curves that make zero anatomical sense, demons with way too many tongues, futa surprise scenes that kinda sneak up on you in the best way, and this whole harem energy where every new ally or enemy feels like, “Ok, when do I get to ride that?” There’s one moment early on where the group hits a demon outpost, and instead of just slaughter, you get this interrogation that turns into a blowjob competition. Euryale on her knees, drool stringing, the demon’s cock throbbing in closeup while Stheno watches with this jealous smirk, like she’s annoyed but also kinda turned on. Then Igret shows up later, smug succubus queen, and her scenes are just filth. She wraps her tail around your neck, pushes you between her thighs, and it cuts between her face, that lazy half-lidded look, and her pussy grinding in your mouth while the background is literally burning. It’s stupidly hot. Then suddenly the story wants to be serious, talking about revenge and divine punishment, while a demon girl with huge tits is still panting on the floor from getting railed in the last scene. The tonal whiplash is hilarious and also… I liked it. Maybe. I think.

There’s a surprisingly nasty edge to the violence though. Heads get ripped off, guts spill, some angels and demons die screaming, and then five minutes later someone’s face deep in a slick pussy like it’s a reward screen. The harassment stuff is very in-your-face too, demons grabbing, groping, pinning the girls against walls, and the game flirts with that line where you go “hmm, ok, this is hot but also damn, dude.” Some scenes lean hard into that forced vibe, others flip it and the girls are the predators, like when Stheno pins a lesser demon, sits on his face, and tells him if he stops licking she’ll cut his tongue out. I kinda love her, kinda fear her, kinda wanna ask her to step on me. What really stuck in my head though is one tiny detail: the way saliva and cum are animated during oral. It clings to lips, stretches, drips on boobs, sticks to thighs, and they show it from these close angles that made me lean toward the screen like an idiot. At one point a demon girl swallows and a little bit spills out the corner of her mouth, trails down to her big tits, and I had to pause just to stare. Meanwhile, the choices you make in dialogue pretend to matter, sometimes they do, sometimes they don’t, but I still clicked like it’s Tinder with extra steps. And that one background sound in the citadel, that low humming thing? It got into my head and annoyed me for the rest of the playthrough, and I kept thinking I’d find an option to turn it off, but no, it just stayed there, buzzing, like a mosquito with a sound fetish.