RICO: Sin City feels like somebody took a GTA-style sandbox, smashed it together with a superhero cartoon marathon, then poured a whole lot of porn over the top and shook the bottle until the cap blew off. You’re this walking disaster of a criminal informant, technically “helping” the authorities, but mostly getting dragged through a city that’s completely fucked. Heroes are corrupt, villains are bored, random NPCs act like they escaped from ten different franchises at once, and everybody’s horny or violent or both. The game doesn’t really care about moral lines; it cares if you’re having fun bullying the city, jerking off in places you probably shouldn’t, and abusing whatever powers and contacts you collect. One moment I’m extorting some costumed idiot for intel, the next I’m getting head from a busty “heroine” on a rooftop while gunshots echo in the street and I’m thinking, yeah, this is probably not how justice works. The tone jumps from dumb gag to filthy sex to crime thriller and then back to meme-level stupidity in like three clicks, which somehow fits this world where nobody acts like an adult unless it’s about money or orgasms.

Sex scenes are where the game goes from “okay, this is funny” to “oh shit, my browser history is ruined forever.” There’s a lot of focus on big tits, big asses, and the kind of exaggerated bodies that look like they got patched in from a hentai subreddit. The girls move, jiggle, grind on your face, ride your dick and then pause mid-thrust to crack some dumb superhero reference that only makes sense if you grew up binging cartoons and reading fanfiction at school. Masturbation is everywhere too, not just as a side thing, but woven into the jokes and the story. Caught spying on a heroine changing in some crappy safehouse? Now your character is furiously jerking off in a dark alley like a degenerate, with the camera lingering way too long on his hand and the wet sounds. There are little animated touches when you blow a load over a costume or watch her stroke you off while pretending she’s doing “evidence handling.” It’s shameless and kinda proud of it. I had one encounter where I used superpowers to pin a criminal chick against a wall, watched her tits bounce under torn fabric, then the scene turned into this half-interrogation, half-fuck session that ended with her taunting me about snitching while still dripping my cum. That’s the vibe: nobody’s clean, everybody’s using everybody, and the game laughs at you for taking it too seriously. In between all the fucking and jerking, you’re doing petty crime errands, dumb superhero parodies, and crossing over with characters who feel “almost but not exactly” like people you’ve seen in other media, like the dev is daring some lawyer to notice. The pacing is like a drunk party: too loud in some corners, too slow in others, someone’s making out on the couch, someone’s stealing the TV, nobody knows who owns the house. And yeah, the UI pisses me off in this one little menu, but I’m still clicking back in like a raccoon digging in the same trash can every night, hoping for something filthier.

I didn’t expect to laugh this much while, you know, also being wildly turned on. *Furry Bang Town* sounds like some cheap meme bait, but halfway through the first date scene with that smug wolf barista (he keeps pretending he’s bored while his tail literally wags), I realized this game knows exactly what it’s doing. There’s this weird mix of parody and genuine horniness - it flirts with irony but still goes all in when things get wet. The humor hits that awkward space where you don’t know if you’re supposed to cringe or moan. And the writing? Kind of broken in places, but in a way that feels like someone poured their kinks into Google Translate and said, “good enough.” It works. Too well maybe.

I keep thinking about Judy - not the movie one, but the version here who’s somehow both a cop and a futa stripper on weekends. Her route wrecked me; she teases like she’s reading your mind, then there’s this beach scene where she just drops the uniform and starts talking about “justice” while grinding against your thigh. It’s ridiculous. I almost closed the tab, but the sound design pulled me back - heavy breathing layered with seagulls and waves, absurdly effective. Then suddenly, boom, Pokémon crossover out of nowhere. A Lucario bartender offering “protein shots.” I wanted to roll my eyes, but I was already clicking through dialogue faster than I’d like to admit.

The public use scenes are messy in every sense - crowded cafe bathrooms, fur everywhere, people pretending not to watch. It’s filthy, kind of funny, and weirdly intimate. I hated that it made me feel something beyond just arousal. Also, the ending just stops mid-sentence, like the dev gave up or came too early. Still, I can’t stop thinking about that line where the pony character whispers, “You smell like story.” What does that even mean? Maybe nothing. Maybe everything. I’m probably overthinking it, but whatever - this game got under my skin in ways it really shouldn’t have.

I didn’t expect to laugh this much during what’s basically a porn game about rebuilding civilization with your dick, but here we are. “Dickcare” doesn’t even pretend to have subtlety, which somehow makes it better. It’s like the dev looked at every crossover hentai fantasy - Velma squinting behind foggy glasses, Raven pretending she’s not into it, Tatsumaki rolling her eyes while secretly moaning - and said, yeah, let’s just throw them all in one ruined world and call it salvation. The writing’s half self-aware and half deranged sincerity; the voice lines swing between awkwardly horny and genuinely funny. There’s one scene with Frankie in a busted gym locker room that made me pause, not because it was hot (though it is), but because she calls you “hero” in this weird soft tone right before things get messy. It stays in your head longer than expected.

What’s wild is how much *sound* adds to everything. You can tell someone cared about the way a zipper slides down or the slap echoing off concrete walls. The sandbox part? Looser than it sounds. You wander, talk, get distracted by some zombie side plot that doesn’t matter, and suddenly Velma’s stuck halfway through a ventilation shaft. It’s ridiculous, yeah, but also... kind of perfect. There’s no grind, no fake moral choice. Just dirty, absurd freedom. Though, I swear one moaning loop cuts off too early - it’s such a small glitch but now I obsess over it. Maybe that’s the point: perfection would ruin the charm.

It’s funny how a game full of cum jokes and cartoon parodies ends up feeling more alive than most serious stuff. Maybe because it doesn’t care if you take it seriously. One minute you’re saving humanity, next you’re wiping something off Raven’s cape while she pretends not to blush. If there were awards for “Most Unnecessarily Emotional Cum Scene,” this one wins without competition.

This thing looks at you like some horny multiverse Tinder that went off the rails. You start as this pretty average dude, nothing heroic, nothing super broken, just that familiar "why are all these famous cartoon girls in my life now" energy. And then suddenly you’re stuck clicking around rooms, messing with a weird cube, and Rias is standing there with her boobs basically breaking gravity and you’re still pretending you’re interested in the plot. We tried to, for like five minutes. Then she bent over and the conversation system honestly became background noise.

The whole vibe is like some fanfiction thread escaped from Reddit and someone turned it into a point and click. There’s no huge tutorial slapping your face, you just poke at stuff. One moment you are trying to figure out what this ancient being in the cube wants from you, next moment you’re in what looks like a cheap school corridor and Rias is "thanking" you with a sloppy blowjob that gets more detailed than it has any right to. Her tits are huge, obviously, but they actually use that in scenes, not just as decoration. She presses them against you when you choose some dumb dialogue option and somehow it feels like the game is laughing at you while still making you hard. Then suddenly you’re with Raven, and she has that deadpan "I hate everything" look while you’re corrupting her bit by bit, talking her into small things first, like a kiss, a little groping, until she’s kneeling and the game quietly slides into full-on throat fucking with her mascara almost ruined. It looks wrong in a hot way, like you caught a wholesome Cartoon Network show sneaking off behind the gym to suck dick.

The AI art is kinda obvious sometimes. You can see fingers going weird in one CG, and Gwen’s nose changes shape between scenes like she’s got three different plastic surgeons on payroll. But then there’s this one moment with Starfire riding you, all orange skin and messy hair, and her face is half pure love and half cock-drunk, and suddenly the AI thing stops mattering. Animations are not crazy smooth, but that almost works, it reminds us of those old flash hentai games on Newgrounds you’d play in a hidden browser window at school. You click the wrong thing sometimes and trigger a repeat line or a half-broken transition, and it’s a bit annoying, but then Gwen is pushing your head between her thighs in some Total Drama crossover nonsense and complaining about how "this better improve my rating", and the scene just lands. Dialog is weird: sometimes actually funny, sometimes cringe as hell, especially when it tries to be deep about romance, like, nobody is here to think about emotions while Rias is spitting cum back on your shaft. But that contrast, this half-serious "save the ancient being" quest wrapped around corrupted waifus from your teen years, kind of sticks in your brain. We kept clicking, not really sure if we care about the cube, just wanting to see how far the game will drag each girl from cute to ruined, and honestly it goes pretty far.