You wander through this dead, sunburned Egypt where the sand is full of bones and broken tech, and somehow your biggest problem keeps becoming “who am I fucking tonight and how hard.” The game throws you in as this desert scavenger who is supposed to be hunting relics and old-world junk, but every time you push deeper into the ruins you just keep stumbling into more messed up, horny situations. One second you are negotiating with some half-feral tribal girl who wants water, the next second she is on her knees between your legs in a crumbling temple, sand dust falling from the ceiling while she gags on your cock and tries to keep eye contact like it’s some kind of ritual. The story pretends to care about fate, old gods, this artifact that can twist the future and all that, but the real tension is always “do you ruin this person, or do you pretend to be her savior while still using her body.” It feels wrong and hot at the same time, like you are playing with a broken toy that still smiles at you.

What actually keeps it interesting is how many different flavors of messed up it has. You have girls who melt the second you humiliate them in front of others, being dragged by a collar through a ruined street while people stare. You have this strict, icy woman who acts like she owns you, spitting orders and making you lick her feet, only for you to later chain her up in some underground chamber and fuck her until she cries and drools milk all over herself. One girl is shy and flat, another stacked and leaking, and the game really doesn’t care if you want to turn the whole ruined pyramid complex into your personal harem, breeding them, sharing them with your allies, or letting them “serve” as slaves in some filthy market. Sometimes the sex is slow and almost tender, bodies pressed together on dusty sheets in a half-collapsed apartment, sometimes it jumps into full-on horror, with blood, screaming, and you still hard while something awful drips down her thighs. You get pissing scenes in dirty showers, public use in alleys, group scenes in torch-lit chambers where everybody is sweaty and no one really knows who is fucking who anymore. There are moments where you feel like a monster, forcing a girl to strip in front of her own family, or making a daughter watch what you do to her mother, and the game just lets that hang there, no hand holding, no “good boy” message, just your choices and the way these broken people cling to you anyway. Then five minutes later you are clicking through some dialog that feels like it came from a hentai shitpost and laughing because it is so blunt and stupid. It is rough, filthy, sometimes too much, sometimes not enough, but it sticks in your head like the taste of sweat and sand on someone’s skin.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.

Janna here starts as that squeaky clean wind priestess you kinda remember from League, all shiny, polite, acting like she’s allergic to bad words. Game laughs at that fast. You’re basically the invisible perv voice in her head, poking her into “adventure” choices that look innocent on the surface and then slide into total corruption. One moment it’s “help this villager, Janna, you’re a good girl”, ten minutes later you’re watching her give a nervous footjob because you told her it was some weird healing ritual. It’s not subtle. It’s also kinda funny in a trashy way, like those old Flash games where the dialogue tries to be serious and then a stupid pun about toes comes in and ruins the whole scene.

The fun part for me is actually poking the route to see how far you can push her before she stops pretending she’s shy. There are options that feel safe, like “pray for guidance”, and if you pick that every time she stays more or less vanilla, touching herself at night, getting flustered by other girls, all that soft stuff. You stop doing that and choose the dumb horny answers, suddenly she’s sneaking off to “meditate” and you’re watching her fingers get way too busy. There’s a slow-burn lesbian angle that turns into full-on obsession if you keep picking the flirty responses with the right NPC. First it’s accidental skin contact, then the classic “we’re just helping each other relax”, then she’s on her knees with her tongue between a girl’s thighs like it’s the only religion that ever mattered. I actually missed one tiny dialogue branch and had to replay just to unlock a specific scene where Janna gets her face sat on. Felt like speedrunning shame.

If you like feet, the game is weirdly committed. Her feet are practically their own characters. People keep commenting on them, worshipping them, begging to lick them. You can have Janna pretend she’s just “testing her charm” while she rubs some poor idiot’s cock under the table with her soft, clean toes, and the text really leans into every little detail. Toes curling, soles pressing, cum shooting all over her ankles while she acts shocked, then curious, then hungry for more. Later on, once she’s more corrupted, she actually uses her feet as bait. Stuff like “oops, I dropped something, can you help?” and then your camera, your focus, the whole scene just lives on her legs and ass while she touches herself. Anal content creeps in as part of the corruption path too, not forced, more like “well, I already did everything else, what’s one more hole?” and suddenly she’s pushing a slick finger in her own ass while moaning into another girl’s mouth. It’s filthy and also kind of hilarious, because the game still pretends this started as a noble quest. Story in general is light, a bit all over the place, but I didn’t really care, I was hunting down every single lewd variation like an idiot, going “okay, if I pick this dumb joke answer, do I get the masturbation-in-the-bath scene or does that skip straight to foot worship again?” It feels like a horny puzzle where the prize is watching this once-innocent wind goddess turn into a total lesbian corruption slut who uses her feet, tongue and ass like they’re magic spells.

Holly’s Summer is that kind of horny mess where you open it “just to check the art” and then suddenly you’re way too invested in two girls making every bad decision possible on a private island. You’ve got Holly, the cute “good girl” who clearly thinks she’s in control of her own story, and Brooke, who has big “I say I’m your best friend but I also kinda want to see you ruin yourself” energy. The setup looks like classic rich-boyfriend summer vacation, private house, quiet beach, you know the fantasy. And then the thieves show up, and the whole vibe just slides straight into dirty, twisted crime porn without even pretending to be subtle. One minute it’s bikini and sunscreen, next minute it’s ropes, hands where they shouldn’t be, and a house full of men who see them as toys, not people.

What I liked is how fast it stops playing nice. There’s no fake heroic rescue tone. The guys are criminals, straight-up, and the game leans into that: groping that ignores consent, “searching” their bodies like they’re looking for stolen goods inside their panties, that kind of thing. It feels like a porn comic turned into a visual story, and yeah, if you know Fernando’s stuff, this is right in that lane: lots of humiliation, the girls forced to pose, kneel, open, suck, obey, with their faces doing that mix of shame and arousal the whole time. There’s one scene where Holly ends up on her knees in front of a guy she absolutely hates, with Brooke watching from the couch, hand tied behind her back, some big dude’s fingers digging into her thigh while he tells her to “act encouraging.” I paused the game there, opened Twitter, typed a whole rant, deleted it, went back and… clicked the filthiest option anyway. The choices mostly push you between “bad” and “worse,” like, do you want Holly to resist and get punished harder, or cooperate and get praised like a good little toy. There’s a bit of femdom flavor too, but twisted: some of the female-led stuff is them being forced into a “dom” role that’s still under male control. Holly made to dominate Brooke, slap her, ride her face while guys watch and jerk off, and you can feel she’s not really on top, she’s just another tool.

The sissy content sneaks up on you. It’s not like, boom, here’s a crossdressing dude from the start. It grows out of the humiliation vibe. One of the guys clearly enjoys breaking people, and you get this path where a softer male character gets dragged into it, forced into panties, made to serve with the girls. They talk to him like he’s just another slut, shove him next to Holly and Brooke, compare their asses, treat him as “the sissy” from then on. It’s mean, it’s hot, and sometimes weirdly funny in a dark way, like when Brooke mocks him but her voice cracks because she’s still choking on cum. Interracial stuff is sprinkled in pretty casually: the game doesn’t do speeches, it just puts Holly between a white thug and a huge black guy and makes her work both, or has the girls humiliated by a mixed group that clearly enjoys turning rich island princesses into shared meat. There’s a lot of focus on female orgasm, not in some romantic way but in that cruel “we’re gonna make you come so you can’t pretend you didn’t like it” style. They edge the girls, deny them, then suddenly push them over the line at the worst possible moment, like Holly screaming in pleasure while she’s being slapped and called a whore in front of everyone. If you’re into soft, cuddly romance, this is the wrong page of the internet. If you want a dirty, criminal-feeling island nightmare where pretty girls get broken, used in groups, forced to dominate and be dominated, and a “sissy” joins the meat parade, this one just crawls into your brain and refuses to leave.