Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

It’s weird how this game feels both filthy and kinda wholesome at the same time. Like, you’re just a farmer, right? Doing your chores, minding your crops, and suddenly there’s this pig-girl princess showing up in your barn acting like she owns the place. She’s spoiled as hell but somehow adorable, rolling her eyes while asking you to “show her how humans do it.” The writing doesn’t even pretend to be subtle - one second you’re talking about feeding pigs, next thing you’re milking something that definitely isn’t a cow. The transitions are janky in a funny way, like the devs knew exactly what they were doing and didn’t care if it made sense. Honestly, I respect that kind of chaos.

The humor hits that perfect spot between dumb and clever. There’s a scene where the royal advisor tries to lecture you about “proper conduct with livestock” while you’re literally hiding behind hay bales with the princess moaning your name. It’s stupidly hot and stupidly funny. And the futa twist? Didn’t see that coming (pun totally intended). The first time it happens, you just stare for a second like - wait, did that just grow? But it works because the tone never shifts into serious mode; it stays playful, teasing, constantly flirting with absurdity. There’s even a lactation gag that somehow turns into a group scene, and by then you’ve stopped questioning logic entirely. You just go with it.

I kinda wish the farmer had more dialogue options though; sometimes he just grunts or blushes when you want him to say something dirtier. But maybe that’s part of the charm - you project your own filth onto him. The art style’s got that soft, round look that makes everything feel warm even when it’s absolute debauchery. And yeah, I laughed out loud when the princess called herself “royal pork” mid-handjob. Who writes that? Whoever they are, they get it. It’s horny, messy, self-aware, and doesn’t apologize for any of it.

This one feels like scrolling your phone after a breakup, half naked in bed, then suddenly falling into someone else’s messy life and going, “oh shit, that’s me.” You’re this college guy who used to just rot in his room, drowning in cheap snacks and porn tabs, pretending that ghosting your ex and muting half your contacts counts as “healing.” Then basketball drags you back into the light. Not as some heroic sports anime star, more like the dude wheezing on the court, staring at a girl’s bouncing tits in a sports bra and losing the ball because your dick thinks faster than your brain. The game leans into that awkward, horny, slightly cringe vibe. You’re not a smooth sex god at the start. You’re a rebound. For your own life, and sometimes literally for some of these girls who also use you to forget their shit.

The way it mixes horny and emotional is weirdly hot. One moment you’re in a quiet dorm room, just you and this girl with a huge ass squeezed into tight leggings, music low in the background, her hair messy in that “I didn’t plan to get fucked tonight” way. She laughs at something stupid you say, leans in, her tits softly pressing into your arm, and the whole world shrinks to the sound of her breath in your ear. Then the next scene you’re on the court, sneakers squeaking, crowd noise like a fuzzy roar, and you’re staring at the cheerleader with big boobs bouncing in slow motion while you miss a free throw you absolutely should have nailed. The writing loves to drag you back and forth like that. Loving the chaos and then pretending you’re better than it. The harem stuff sneaks up on you too. You start with just trying to talk to one girl without sounding like a Reddit post, and before you know it you’ve got a horny goth chick teasing you, a sweet sporty girl who moans your name when you pin her to the shower tiles, and some bratty college princess who pretends she hates you even while she’s grinding on your lap in a dark party corner. Choices matter, but not in that stiff “good route / bad route” way. More like: do you jerk off alone and text someone after, or do you swallow your fear, go to that date you almost cancel, and end up with her hand sliding under the table, stroking your hard cock while you try not to knock over your drink.

What really sticks is how slow some scenes let things build. There’s this moment where you’re just sitting on a bed with a girl, legs touching. She talks about some stupid fight with her ex. Nothing epic. The lights are low, some indie song plays on her laptop, just a soft background, and you’re watching the way her big breasts move under her loose shirt as she breathes. You feel like a piece of shit for checking her cleavage while she opens up, but the game knows you’re doing it and kind of laughs with you. When she finally climbs into your lap, straddling you, kissing you with this mix of need and hesitation, it feels earned. Like you really crawled out of your slump for this. Then other times it just goes full hentai brain, like “hey, you won the game, here’s a girl with ridiculous big tits riding you until the bed squeaks, moaning so loud you’re sure the whole dorm hears.” And both vibes work. It’s romantic one second, absolutely filthy the next. You masturbate, you fail, you get humiliated and turned on by the wrong things, you pick dumb options just to see what happens, maybe you score big, maybe you crash and burn. It never pretends you’re some perfect hero. You’re just a horny college idiot trying to turn one little rebound into a life where you fuck up less and fuck a lot more.

Shoji’s house looks like one of those quiet, expensive places in a drama where you already know some fucked up shit is going on behind the paper doors. The game drops you right into that mood. You’re this broke husband, basically a guest with a dick and a suitcase, and Shoji is the rich “family friend” who’s a bit too kind, a bit too available, and way too comfortable walking around half dressed. Your wife Lana starts off like a normal modern girl, cute casual clothes, a bit of foreign flair on her style, talking about Instagram and stupid stuff, and then little by little she starts changing. One day she’s scrolling on her phone in shorts, next time she’s quietly kneeling in a soft kimono pouring tea for Shoji while he sits like some lazy old lion, and she doesn’t even look at you when you come in. The game never shouts “corruption” at you, it just lets you notice her lipstick is different, her hair color is back to natural, she bows a little deeper to him than to you, and it hits harder than a flashy “bad end” screen.

What got me hooked wasn’t the porn right away, it was that slow gut punch of small stuff. That one early scene where you walk into the living room and Lana is sitting on the floor next to Shoji’s legs, listening to him talk about “proper Japanese values”, and she gives you this quick guilty smile while her hand is hidden under the low table. You know exactly what she’s doing, you know what his cock looks like already from a dream scene, but the game just lets it hang there. You hear the tiny wet rhythm, see her shoulder twitch a little, and she tries to keep the conversation casual with you while she’s jerking him off inches from your face. No big drama, no yelling, he even talks to you about job hunting while your wife is milking him for all he’s worth. Then later she acts like it never happened and asks if you want a handjob too, like it’s some cute married couple thing, like she didn’t just swallow another man’s cum behind the table where you eat. My brain hated that, my dick loved it, and the game knows exactly how to play with that split. It’s not subtle at all, but somehow it feels more real than it should, like some shitty memory you’re not supposed to have.

The story keeps pressing on this Japanese “traditional wife” idea, but in the dirtiest way possible. Lana starts speaking more polite to Shoji than to you, calling him “Shoji-san” with that soft voice, kneeling next to him, fixing his tie, adjusting his belt a little too low. You get scenes where you come home and they are “practicing tea ceremony” and her kimono is pulled down just enough for her tits to almost slip out, or you see her sitting in front of him while he stands behind her, “showing her proper posture”, his hands on her hips, his bulge against her ass under the thin fabric. Sometimes you get a choice, like pretend you don’t notice, or say something weak, and either way you feel like a useless husband watching your own wife slide into this obedient little sex toy for an older man. They always look like you arrived two minutes too late. Her lipstick smudged, her panties missing, Shoji buttoning his shirt, acting normal. And there is that one balcony scene where she tells you she loves you, kisses you softly… and the CG zooms just enough to show a white drip still clinging to her inner thigh. She doesn’t even notice. Or she does and won’t say. It’s that style. The game is basically asking “are you still okay with calling her your wife when she kneels for someone else first?” and then, just when you think “this is too much”, it gives you a gentle sex scene with her where she rides you slow, eyes half closed, moaning your name… and all you can think is she learned that grinding technique on someone thicker. It’s fucked up, it’s hot, and it never really lets you breathe.