Eva’s story doesn’t even pretend to be clean. It starts with her pretending - pretending she’s got everything under control, pretending she’s not curious, pretending those late-night messages don’t make her pulse jump. There’s something almost cruel about how the game lets you linger on her hesitation, how it slows time right before she crosses a line she swore she wouldn’t. You can feel her trying to reason with herself - then giving up. I didn’t expect the texting mechanic to be that addictive. You think you’re just choosing dialogue, but no, it’s you pushing her, pulling her, maybe ruining her. The city feels like it’s watching her too, waiting for her to slip up. It’s messy, and kind of hot in that uncomfortable way that makes you want to close the tab - but you don’t. You just keep pushing.

What caught me off guard was how the game doesn’t really reward you for doing the “right” thing. You think she’s safe with one person, and then the next scene just wrecks that illusion. The art style does this thing where it looks soft, almost innocent, and then the next frame just slaps you with something filthy - like contrast is part of the kink. I got annoyed at one point because the UI glitched during a stripping sequence and killed the mood, but then again maybe that’s just me being picky. The sound design though - too real sometimes. There’s one scene in a bathroom that made me mute the laptop because I thought someone would hear. It’s not even that graphic visually, it’s the breathing. The tiny pauses. It’s insane how much tension they packed into that.

Anyway, it’s not a “fun” game in the usual sense. It’s more like being caught reading someone’s private messages and liking it too much. I kept telling myself I’d stop after one more choice, but Eva’s slow slide into her own reflection, the way she starts liking the attention she said she hated - it’s gross, it’s hot, it’s kind of art. I don’t even know if I liked it, which probably means I did.

Quiet little towns in these games are never really quiet, but here it actually feels like it for a moment. Just a horny, slightly bored guy with a normal life, scrolling porn on his phone in bed, thinking about girls that are way out of his league. Then his blood wakes up and suddenly everyone wants to either fuck him, use him, or stab him in the heart. In that order. The whole vibe is this mix of fantasy and sci‑fi where the city looks almost normal on the surface, but behind it there’s this hidden vampire hierarchy that treats humans like resources and other vampires like walking status points. You’re the “dead” bloodline that isn’t supposed to exist anymore, so when you start throwing your weight around, some girls get wet, some get scared, some try to play you, and some just let you use them because they think you’re the next big monster on the food chain. The sex scenes lean hard into that power shift thing. You start out kinda unsure, then suddenly you’re fucking from your own POV, hand around a throat, pushing a girl down into the mattress while she pretends she doesn’t like it but keeps grinding back. Creampies are constant here, not just a one‑off fetish. You finish inside, she looks up at you like, “You’re not supposed to do that,” but her legs are still shaking and you know she’ll let you do it again. The animations are not Hollywood level, but weirdly that makes them feel more raw. There’s this one scene in a back alley, neon light from some shitty bar sign hitting her skin, you press her against the wall and just slam into her, her panties pushed to the side, and the way her hips twitch when you cum in her feels almost too intimate for a mobile game you’re playing on the toilet while pretending to scroll TikTok.

What I liked most is how the cheating stuff isn’t treated like some big moral lesson. It just happens. You’re fucking a girl who clearly has someone else, you see the hints, the messages popping up on her phone that she ignores while she’s riding you, and instead of some drama talk, the scene doubles down on how wrong and hot it is. One moment she’s whispering that she shouldn’t be doing this, the next she’s begging you not to pull out. It’s scummy as hell and the game doesn’t apologize for it, which I respect in a dirty way. Not everything is perfect. Sometimes the dialogue tries to be deep and lands a bit like fanfic written on a bus, and there are moments where the pacing is weird. You’ll have this intense political vampire meeting where everyone threatens each other, and right after you’re just casually raw‑dogging someone on a couch like you didn’t almost start a blood war twenty minutes ago. But then again, that mismatch kind of works? Feels like you’re juggling sex, power, and secrets, and always choosing the wrong priority on purpose. The male domination angle is strong but not in a cartoon way. You’re not a screaming edgelord, you’re more like this calm, dangerous guy who realizes people will bend if you push in the right places, emotionally and physically. One of my favorite bits was a scene where you use your status to steal a girl from another vampire at a party, polite smile on your face while she kneels between your legs later, licking you slow, knowing she’s basically your trophy now. And yeah, playing from POV the whole time makes it feel personal in a way that hits different. You’re not just “controlling a character,” you are the asshole who keeps filling girls up and walking away like it’s all part of some big plan for your legacy.

So there I was, expecting another generic isekai trash game, but this hell-school thing actually caught me off guard. The premise sounds stupid at first - truck-kun strikes again, right? But then you're stuck being principal of some twisted academy where anime waifus end up trapped. The she-devil who recruits you has this whole seductive manipulation thing going on, and honestly? Her voice acting isn't terrible for what looks like a budget production. You get thrown into this weird city managing all these girls from different series - Tsunade's there looking magnificent as always, Sakura's being her usual self, even got Makima which... damn, that woman's dangerous even in pixel form.

The sandbox elements let you wander around freely, but sometimes I got lost trying to figure out what triggers certain scenes. Mai Sakurajima shows up and suddenly I'm having Bunny Girl Senpai flashbacks to my younger days discovering ecchi anime. The groping mechanics feel clunky though - like they just slapped them in without much thought. Oral scenes are surprisingly well animated for such a rough-looking game, especially with Boa Hancock who knows exactly what she's doing. But then Hinata's scenes feel rushed compared to others? Makes no sense. The male domination stuff ranges from playful teasing to more intense moments, and you can choose how far to push things with each girl.

What really gets me is the moral choice system - help these trapped waifus escape or drag them deeper into corruption for your demonic boss. Some paths lead to genuine romance while others... well, let's just say Nobara Kugisaki has some very explicit punishment scenes if you go the darker route. The vaginal sex animations could use work but there's something raw about the whole experience that reminds me of those early flash games we used to play in secret. Zero Two's route especially had me making choices I probably shouldn't admit to. Not gonna lie, spent way too many hours trying to unlock everything with Nami.

It’s messy in a way that feels almost too personal, like reading someone’s horny dream journal that accidentally got turned into a game. The first time I saw Rias just leaning in, her hair catching that fake moonlight, I thought the animation was glitching - too smooth, almost alive. Then she smirked, and I forgot about the weird clipping on her shoulder. The story pretends to care about demons and contracts, but it’s really just an excuse to throw you into this feverish loop of moaning, glowing eyes, and clothes that evaporate faster than logic. The main guy acts like he’s confused about what’s happening, but his hands sure know where to go. You start judging him for being a pushover, then realize you’re clicking through every scene like a hungry idiot.

I kept thinking about how the sound design feels like someone recorded it in a bathroom but somehow it works - it’s raw, kind of embarrassing, and that’s what makes it hot. Akeno’s laugh cuts through the music in this way that makes you feel like she’s laughing at you, not him. There’s this one scene with Koneko that’s so awkwardly animated it loops twice before syncing up, and it made me laugh right before it made me need to close the curtains. The mind control bit is weirdly casual, like everyone just shrugs and goes along with it. I don’t even know if that’s sexy or lazy. Probably both.

The pacing is nonsense - one moment you’re watching a serious “contract ritual,” next thing you’re watching him buried between thighs that look like they were rendered by someone who’s never seen knees before. But it doesn’t matter. It’s that kind of game that doesn’t want to be perfect, just filthy enough to keep your brain fogged. I opened it thinking I’d hate it for being another cheap fantasy knockoff, but now I can’t even remember what I was supposed to be mad about. Maybe that’s the point. Maybe it’s just the moans.