It’s messy in the best way. You’re some kind of half-drunk alchemist in a vampire’s den, tossing glowing ingredients into a cauldron that looks suspiciously alive, waiting to see if it spits out gold, slime, or a moaning succubus with tits like forbidden fruit. The game doesn’t explain much, just lets you mix weird shit - holy water, demon ichor, maybe a drop of your own sweat - and then bam, the screen flashes and suddenly you’re staring at a futa nun grinding against a bound werewolf priest. It’s ridiculous, but you can’t stop clicking. The logic makes no sense and that’s kind of the point. Sometimes you get a soft scene, a slow kiss between a vampire girl and her human pet. Other times, tentacles, everywhere, like the game’s trying to outdo itself in how far it’ll go before you blush or laugh.

There’s something about the tone - half gothic, half horny fever dream - that makes it feel like the devs were just daring each other to see what the next transmutation would unlock. The art shifts between elegant and unhinged; one moment you’re admiring the lighting on a pale thigh, next you’re staring at a corrupted angel with too many wings and not enough shame. The alchemy system feels more like foreplay than crafting. You think you’re mixing for power, but really you’re just chasing the next perverse reveal. I tried to keep track of the endings but gave up after the third one involved a talking dildo that might’ve been sentient.

The weirdest part? It’s kind of beautiful. Between the absurd fetishes and over-the-top transformations, there’s this pulse of dark humor and lust that keeps it alive. It’s not about winning or finishing - it’s about curiosity, that itch that says “what if I mix blood and holy oil again?” Do it. The game rewards the reckless.

Ugly bastard time travel fantasy with school uniforms and way too much skin, that’s basically the whole vibe here. You’re this dude who remembers his life as a pathetic, bitter old perv, then boom, suddenly you’re back in your teenage body, stuck in that same boring school but now with full cheat codes in your brain. All the memories of who fucked you over, who ignored you, which teachers had huge tits under those tight blouses, which MILF neighbors walked around with that fat ass barely covered… and now you’re not some clueless virgin anymore in your head. You’re still “ordinary looking”, kinda ugly, kinda forgettable, but you think like a guy who’s watched too much porn and had zero therapy. That’s the fun part. Every hallway, every classroom, every bedroom is like “oh yeah, I remember what happens here in the future” and you try to break it, twist it, make it hornier.

The teasing is what sold me. Not just instant pussy delivery, you know? Like that scene where the stacked classmate leans over your desk, her shirt a bit too tight, her bra digging into those big tits, and she’s laughing at some dumb joke. In normal games she’d just giggle and walk off. Here your MC is running full horny inner monologue, remembering how she married some loser in the original timeline, how he used to jerk off thinking about her, and now he’s poking at her weak spots, saying the right little lines so she blushes and tugs at her skirt. You get those slow burns, the “accidental” boob presses, the late study sessions that end with her rubbing her thighs together while pretending nothing’s happening. I hate slow stuff and I was still locked in. Then again, sometimes it feels like the game is edging you on purpose and not in a good way, like “ok man, I get it, she’s shy, now let her suck something already.”

The ugly MC thing is surprisingly hot. Not monster ugly, just that dude you’d never look at twice, but girls start reacting different because he’s confident and lowkey manipulative as fuck now. There’s this scene with a MILF, older woman with a big ass squeezed into yoga pants, where she’s lecturing you about “being a good student” while you remember exactly how broken and lonely she was later in life. And you just nudge her, step by step, from “motherly neighbor” to “I’ll just help you with your stress” to her literally grinding on your lap while still trying to pretend she’s in control. It’s messed up, kind of sad, and also insanely hot. The game plays a lot with that corruption angle, not in a subtle way, more like watching a car crash where everyone has big tits. Sometimes it leans into romance and “true love” like you actually care about these girls, then two minutes later you’re jerking off in the school bathroom while remembering how their bodies feel, so yeah, nice whiplash. I wish the MC shut up less in his thoughts and more in dialogue, but whatever, I still clicked next like a trained animal.

FSS Lamashtu feels like somebody mashed up a cold war naval thriller with a filthy space brothel and then forgot which part was supposed to be serious. You’re the freshly minted captain of this “experimental cruiser” that is absolutely not built for exploration, unless you count exploring how many holes your crew can take in a single patrol. Officially it’s the proud weapon of the Alliance, last hope in a long-ass war. Unofficially it’s your floating fuck-lab, staffed with officers who look like they came out of a horny AI art generator after you typed “war crime but sexy” too many times. The ship layout screen is almost a character by itself: bridge, medbay, cargo, those little tucked-away compartments you quickly learn are perfect for “private disciplinary sessions.” You jump between menus pretending to care about fleet orders, but the only thing you actually remember is which corridor you cornered that technician in when she kept “accidentally” brushing her giant tits against you.

The story likes to pretend it’s about geopolitics and rebellion, and sometimes it even tricks you. You’ll get this long briefing about the Neo-Terran strategic line, convoy raids, morale of the Alliance, all that stuff. Then two clicks later, you’re watching a proud enemy pilot on her knees, mascara running, mouth full of cum while she tries to spit out her rank and serial number. The tone whiplash is almost funny. There’s a certain charm in how the game refuses to pick a lane: you capture prisoners, you break them in slowly or just slam straight into collar-and-chain slavery, you’re supposed to feel the “moral weight” of it, but the next scene has them begging for anal like they read the script ahead of time. The AI CG does that exaggerated wetness thing, where every hole looks like you dumped a bucket of lube on it, and every creampie is this ridiculous white flood that should qualify as a bio-weapon. Sometimes the faces twist into that extreme, over-the-top ahegao that doesn’t even look human anymore, more like a melted idol poster, and it somehow fits this world where war propaganda and porn have fused into one genre.

What sticks in my mind most is how physical the ship starts to feel. You’re not just choosing sex options, you’re shaping routines. That science officer who starts with stiff posture and carefully zipped uniform? A few “private evaluations” in your quarters, and suddenly she’s walking around with visible bite marks on her neck, trying not to react when you casually grope her in front of others. There’s a scene in the hangar where two captured enemy girls are supposed to be processed for interrogation, and you can decide if that means basic questions or “group demonstration of Alliance hospitality.” The way their bodies are posed, covered in semen from multiple angles, has that bukkake ritual vibe, everyone participating because the war needs “unity.” You get toy usage too, not just as accessories but as tools of control: a vibrator left inside during a formal strategy meeting, the slow dawning horror on your new slave’s face when she realizes the remote is in your pocket while admirals talk about casualties. The game never really resolves whether you’re a genius commander or just a sex-obsessed tyrant who got lucky with experimental hardware. At some point there’s a tender-ish lesbian moment tucked awkwardly between brutal scenes, two crew girls comforting each other after a mission, fingers exploring, tongues slow and hesitant, and for once you’re not in the frame at all. It feels almost like the game forgot its own premise for a second, then remembers, throws you back into forced deepthroat in a dark interrogation room, and moves on like nothing happened.

Honestly wasn't expecting much when I stumbled onto this one. The whole superhero angle felt kinda played out, you know? But fuck me, this thing actually got its hooks in deep. Started playing for the card mechanics - yeah there's some strategy element that doesn't suck - but stayed for Michael's weird journey through this broken hero organization.

The photography angle is what really sells it though. You're this washed-up photographer trying to rebuild these heroes' public image, and the way they handle the voyeuristic aspects... it's not just "click button, see tits." There's actual tension in deciding what shots to take, how to frame these supposedly perfect beings when they're falling apart behind the scenes. Anna Morgenstern runs STALWART and she's got this mysterious thing going on that kept me guessing way longer than it should have. The masturbation scenes aren't just thrown in randomly either - they actually tie into the characters' psychological states and the whole power dynamic mess.

What caught me off guard was how the multiple protagonist thing works. You're mainly Michael but sometimes you get these glimpses from the heroes' perspectives, and their internal monologues during intimate moments are pretty raw. The animated sequences are smooth enough that they don't break immersion, which is more than I can say for most games trying this hard. The mobile optimization is solid too, though I played mostly on desktop because the strategy elements need more screen space. There's this whole conspiracy brewing underneath the surface that gets darker as you progress, and by the time you realize what Anna actually wants from you, you're already in too deep. The erotic thriller label isn't just marketing bullshit - they actually deliver on both fronts without one overwhelming the other.