You wake up in the car with your neck hurting like shit, seatbelt half twisted, phone buzzing with that one stupid notification about a “business meeting with Furina”, and from that moment the game just quietly tells you, yeah, something is wrong and you’re not getting a normal day. It feels like those mornings after you fell asleep grinding in Genshin and then dream leaks and memes got into your brain, only this time the dream walked out into your world instead. The game plays it like a reverse portal story: she is the one ending up here, in your boring modern city, in your cramped little corporate life, and you’re stuck doing this weird dance of “I’m a professional adult” while your cock and your curiosity are both completely not professional at all. The jokes land in that cheap, shitpost way, like some horny dev fused a doujin, a Discord server and one of those “AI generated” fan pics that look almost right but the eyes are a bit too knowing. Furina acts like your boss but also like she is cosplaying being human, and in between her playful bullying and fake HR talk she slowly starts pushing you into more… hands-on “meetings”.

What I like is how the choices always start tame and then spiral. You get something like: “Answer politely” or “Flirt a bit” and you think, ok, no big deal, and ten clicks later she is on your lap in the parked car, your seat pushed back, her fingers wrapped lazily around your dick while she keeps talking about quarterly reports with that smug look like she knows you’re two taps away from nutting in your pants. There is this one route where you try to stay strictly work focused, and she punishes you for it by going even harder on the teasing. Like, she kneels in front of you under the desk, “checking the wiring,” and your only real control is whether you look down at her or pretend it’s not happening while feeling her lips slide around your tip, slow and wet and way too noisy for an open-plan office. The oral scenes feel properly filthy, especially when she keeps that fake managerial tone while choking on you, mascara already a bit fucked, and the art leans into that AI-slick style where everything is slightly too perfect. Sometimes the fingers look off, yeah, or a stray strand of hair melts into the background if you stare long enough, but honestly when she is staring up at you with her mouth full, tongue pressed under the shaft, you don’t exactly care about anatomy errors. Kind of wish there was a fully cold, cruel route where she uses you more without softening, but the game keeps bringing her back to this bratty, chaotic energy that somehow feels nicer than it should. I’m not complaining. Actually I am, but I still kept replaying to see every way she could drag me from anxious “meeting” to completely used and emptied in places I shouldn’t be fucking my boss at all.

Athena’s Revenge feels like someone smashed a Greek myth book, a porn folder, and a metal album cover together, then said “yeah, that’s fine, ship it.” You’re dropped into this hellish road trip with Stheno and Euryale, the kind of monster girls who look like they’d ruin your life and then complain you didn’t last long enough. It kicks off right after the last mess, no hand holding, no recap, just “we’re going to Hell to get Athena back, and we’ll fuck or murder anything that gets in the way.” Sometimes both. The world is all red glow, chains, and wet noises, with that chunky animated style where tits and asses move like they have their own physics engine. The first time Stheno walks toward the camera and her ass jiggles inside that armor, I actually paused and rewound like some horny archaeologist doing “research.”

The sex scenes are where the game stops pretending it’s about plot and just leans in hard. You’ve got monster girls with curves that make zero anatomical sense, demons with way too many tongues, futa surprise scenes that kinda sneak up on you in the best way, and this whole harem energy where every new ally or enemy feels like, “Ok, when do I get to ride that?” There’s one moment early on where the group hits a demon outpost, and instead of just slaughter, you get this interrogation that turns into a blowjob competition. Euryale on her knees, drool stringing, the demon’s cock throbbing in closeup while Stheno watches with this jealous smirk, like she’s annoyed but also kinda turned on. Then Igret shows up later, smug succubus queen, and her scenes are just filth. She wraps her tail around your neck, pushes you between her thighs, and it cuts between her face, that lazy half-lidded look, and her pussy grinding in your mouth while the background is literally burning. It’s stupidly hot. Then suddenly the story wants to be serious, talking about revenge and divine punishment, while a demon girl with huge tits is still panting on the floor from getting railed in the last scene. The tonal whiplash is hilarious and also… I liked it. Maybe. I think.

There’s a surprisingly nasty edge to the violence though. Heads get ripped off, guts spill, some angels and demons die screaming, and then five minutes later someone’s face deep in a slick pussy like it’s a reward screen. The harassment stuff is very in-your-face too, demons grabbing, groping, pinning the girls against walls, and the game flirts with that line where you go “hmm, ok, this is hot but also damn, dude.” Some scenes lean hard into that forced vibe, others flip it and the girls are the predators, like when Stheno pins a lesser demon, sits on his face, and tells him if he stops licking she’ll cut his tongue out. I kinda love her, kinda fear her, kinda wanna ask her to step on me. What really stuck in my head though is one tiny detail: the way saliva and cum are animated during oral. It clings to lips, stretches, drips on boobs, sticks to thighs, and they show it from these close angles that made me lean toward the screen like an idiot. At one point a demon girl swallows and a little bit spills out the corner of her mouth, trails down to her big tits, and I had to pause just to stare. Meanwhile, the choices you make in dialogue pretend to matter, sometimes they do, sometimes they don’t, but I still clicked like it’s Tinder with extra steps. And that one background sound in the citadel, that low humming thing? It got into my head and annoyed me for the rest of the playthrough, and I kept thinking I’d find an option to turn it off, but no, it just stayed there, buzzing, like a mosquito with a sound fetish.

Red arriving to this tiny Japanese village feels a bit like a runway model getting dropped in the mud. He comes from the city, full of porn brain and zero manners, and suddenly he is stuck between rice fields, bugs, and this old wooden house that smells like tatami and miso. As a fashion designer, my eyes go first to fabric and body lines, and Yuko, the grandmother, is basically a walking lingerie sketch that got trapped in an apron. She has this soft, heavy chest that keeps pulling the cloth away from her body, like the shirt is begging to open. Big hips under loose cotton, no bra at home, of course. Everything is too thin or too tight in the wrong place. If you ever tried a see-through yukata after shower and forgot panties, you know the vibe. The game leans hard into that. There is this scene where Red is helping her hang laundry outside, sun hitting the damp fabric, and you see her bra and panties dripping on the line. The camera lingers way too long on the granny panties, but they hug that ass with a kind of accidental sex appeal. I paused there to think how I would redesign them in black lace with a higher cut, but then Red starts staring at the outline of her nipples through the wet blouse and, yeah, focus gone.

What I like is how slow the corruption feels at first. Red pretends to help in the fields, gets sweaty, comes back inside, and just sits there with his legs wide, cock pressing his shorts, watching her bend over the low table. It is not subtle. You can see his erection shape, and the game does not shy away from that. When he "accidentally" brushes against her tits in that tight little kitchen, you feel that tension where she kind of freezes. Yuko starts as this quiet, polite, almost plain woman who hides everything inside baggy clothes, but once he starts teasing, she becomes a lingerie project that is slowly getting cut open. There is a point where he pulls her close while Hiroshi, the old farmer, is just outside, and his hand slides inside her top. The art really loves breasts, every curve, every fold where fabric presses into soft skin. He squeezes them while she tries to whisper "stop" and her body is clearly not stopping anything. Later, when he pushes his cock between her lips for the first time, it is messy, wet, and honestly more rough than romantic, and her mascara slightly smudged look hits this strange runway-afterparty fantasy. I hated one tiny thing though: his shoes. Ugly as hell and I could not stop seeing them in every standing scene, like why give so much detail to veins on the dick but those plastic-looking sneakers stay. Anyway, once the voyeur stuff kicks in, with Red fucking her from behind in cramped rooms while grandfather shuffles around nearby, the whole farm turns into this hidden catwalk of sin, where the only outfits that matter are half-open yukata, bunched-up skirts, and the marks his fingers leave on her thighs after he spreads them wide and buries himself inside her, again and again, like he owns both her body and her wardrobe.

Government fantasy but everyone’s horny and badly behaved, that’s basically the vibe here. You’re this regular dude in a fucked up city where the “Order” controls everything, and instead of joining the resistance like some heroic idiot, you get your hands on a mind control tech and go, “yeah, I’m gonna use this to fuck people.” And the game fully leans into that. Every time you “liberate” someone, it’s not really freedom, you just swap one kind of control for another and wrap it in sex. One moment you’re pretending to care about your neighbor’s safety, next moment you’ve got her on her knees in the kitchen, mascara running, while her husband is in the next room watching state propaganda and you’re trying not to laugh. There’s a lot of that quiet, wrong tension. You click a choice and you know it’s scummy, but the game is winking at you like: yeah, go on, do it anyway.

The cast hits pretty much every guilty pleasure. You got the strict older women from the “moral committees” that end up on their backs, legs shaking, calling you sir like they’re the ones getting judged. There’s a high ranking inspector you can slowly break, making him call you “master” while you shove him into messy gay scenes he’d arrest people for in public. One run I had him on his knees in his own office, sucking me off while his big monitor still showed official reports and I swear that contrast made it ten times hotter. Another night, I had a family under my thumb, the mom pretending to resist while her son watches from the doorway with that dazed, corrupted look, and the whole thing spirals into messy incest corruption that just keeps escalating. Group scenes get wild fast: you start with a “discreet meeting” and end with a row of naked bodies, asses up, everyone glazed over, and you walking between them deciding who gets a handjob, who gets anal, who has to lick who clean. The voyeur parts hit nice too, like spying with cameras you installed yourself, watching someone finger themselves, then walking in and making them finish the job with your cock. It’s dirty, it’s mean, and sometimes the pacing drags a little in the non-sex bits, but the payoff when the next scene finally snaps back into some fresh humiliation or control kink makes it worth grinding through. It’s less “save the city” and more “own the city’s holes, minds, and pride, in that order,” and the game does not pretend otherwise.